Li Yishan is that most of Li Shangyin's poems use more allusions, and the expression has a kind of pursuit of the idea of tranquility and emptiness. For example:
Jinxie
Jinxie endless fifty strings, a string and a column thinking of Chinese years.
Zhuang Sheng Xiaomeng is obsessed with butterflies, and Wang Di's heart of spring is in the azalea.
The Canghai moon is bright and the pearl has tears, the blue field sun is warm and the jade has smoke.
The first time I saw the movie was when I was a student at the University of California, Berkeley, and the first time I was a student at the University of California, Berkeley.
Titleless
It's hard to say goodbye when you see each other,
The wind is not strong enough to make the flowers disappear.
The silk worm is not exhausted until it dies, and the wax torch turns into ashes and starts to dry up.
The first time I saw you, I was worried about your temples, and the second time I saw you, I realized that the moonlight was cold.
There is no way to get to Mount Pengshan, but the birds are eager to see it.
It is untitled
It is an empty word, and the moon is slanting, and the bells are ringing at five o'clock.
The dream of a distant farewell is hard to call, and the book is not yet thick enough.
The wax is half a cage of gold and jade, and the musk is slightly embroidered hibiscus.
Liu Lang has hated the distance of Mount Peng, more than ten thousand Mount Peng
Untitled
The soughing of the east wind and fine rain, hibiscus pond outside the light thunder.
The golden toad is locking up the incense, and the jade tiger is drawing the silk to draw the well.
Jia's peeping curtains Han puisne less, Mi Fei stay pillow Wei Wang talent.
There are many more, and most of his untitled poems reflect this thought.