Relating to color proverbs: Near Zhu is red, near ink is black
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Inside the face: the red face symbolizes loyalty, righteousness, uprightness, and bloodthirstiness, such as Guan Yu in the "Three Kingdoms Opera" and Wu Han in the "Chopping the Scripture Hall".
Others: Ironic, representing a fake good guy.
Guan Yu (red face)
Black face: It shows seriousness of character, not smiling, such as Bao Zheng in "Bao Gong Opera"; it also symbolizes strength and power, rude and brash, such as Zhang Fei in "Three Kingdoms Opera", "Water Margin Opera", "Water Margin Opera", "Water Margin Opera", "Water Margin Opera", "Water Margin Opera", and so on. Li Kui in "Water Margin" and Jiao Zan in "Yang Pai Feng".
Other: It is the yin of yin and yang, and is used for ghosts. Darker skin color or ugly appearance.
Zhang Fei (Butterfly Face with Black Cross Gate)
White Face: Indicates treachery and suspicion, e.g. Cao Cao in "Three Kingdoms" or Yan Song in "Beat Yan Song".
Cao Cao (white face)
Blue face: A straight and untamed character, e.g., Ma Wu in "On the Roof" and Dou Erdun in "The Ringleader".
Dou Erdun (blue face with three tiles)
Purple face: solemn, stable and righteous, e.g. Xu Yanzhao in "The Second Palace", Zhuanzhu in "Fish Intestine Sword".
Other: bad and ugly face.
Zhang He (purple three tile face)
Golden face Symbolizes majesty and solemnity, expresses the role of gods and immortals. E.g. Rulai Buddha and Erlang Shen in "Haunted Palace of Heaven".
Roc (Golden Face)
Green Face Brave and reckless. E.g., Xu Shiying in "White Water Beach"
Other: green heroes.
Yellow: Generally shows fierce character. For example, Lian Po in "Nanyangtian".
Brown and pink: show more upright old men.
Gold and silver: used for Buddha and gods and goddesses of a class of characters, such as Buddha, Erlang Shen. Sometimes it is also used for some of the more magical spirits.
Purple face: purple between the black and red colors, just and majestic characters and loyal and generous characters commonly used purple face. Such as "fish intestines sword" in the Zhuge, "martial arts field" in the chang yuchun, "Da Bao Guo" in the xu yanzhao, some characters in the novel or folk oral literature described as purple face, and thus the use of purple face, such as "the evil tiger village" in the Pu tian sculpture, "beckoning town" in the Fei Degong, "war in Changsha" in the wei yan. Some characters use purple faces to distinguish themselves from other characters on the same stage, such as the Beidouxing in "Hundred Longevity Picture" as opposed to the Nandouxing of the Lao Sheng, which appears to be mighty, while Pangtong in "Chaisangkou" uses a purple face to indicate that he is ugly in appearance.
Jingjiao Pink Face: The pink face generally symbolizes the aged red-faced characters, such as Su Xian in "Taking Luoyang", Yuan Shao in "The Battle of Panhe", and Hua Zhenfang in "The Village of Four Jie".
The green face of the net angle: the green face generally symbolizes the brave and violent, and the black face has a similar intention, some of the grass-roots bandits who dominate the mountains use the green face. For example, the green-faced tiger in "White Water Beach", Ni Rong in "Qing Dingzhu", the golden-eyed leopard in "Lost Son of Madness", and Cheng Bite Jin in "Rattlesnake Biography", etc. The green face is usually used as a symbol of courage and violence.
Blue face in Jiejiao: Blue color generally indicates strong and sinister character. In the face painting, blue color and green color have similar meanings, and they are both extensions of black color, and they indicate strong characters, such as Ma Wu in "Taking of Luoyang", and indicate sinister characters, such as Xie Hu in "Xue Jiawu", Jiao Zhenyuan in "Jianfeng Mountain", and Duerdun in "Chained Troops".
Yellow face: yellow face implies that the character is brave and plagiarized or fierce and cruel, such as Yuwen Chengdu in Wheel of War, Yang Mai in Dongting Lake, and the fierce and cruel characters such as Ji Rong in Fishgut Sword and Dian Wei in Battle of Wancheng.
Jingjiao Gold and Silver Face: The gold and silver colors are widely used in the faces of gods and monsters, showing the gods' faces and the monsters' green faces and fangs, such as Yang Jian (Erlangshen) in "Antenna", "Bottomless Pit" and "Peach Club", Qianbao in "Red Plum Mountain", and Jinzha in "Attacking the Tongguan Pass", all of which have gold-colored face hooks, and Muzha in "Attacking the Tongguan Pass", has a silver-colored face hooks. Some generals also use gold color to show their bravery and invincibility, which is used to increase the majesty of their faces, such as Jin Woodruff in "Pick the Slide" and Li Yuanba in "Siping Mountain". When it comes to the faces of gods and monsters, it should be emphasized that famous actors of the previous generation were opposed to the strange and bizarre or ghoulish faces of gods and monsters and did not approve of the snakes, scorpions, centipedes and centipedes painted on the face in real life, and even more so of the skulls and other ghoulish shapes painted on the faces. They believe that this is not only detrimental to the artistic principles of stage beauty, but also make people look scared, harmful to the stage performance, is a shallow, artistic attainments are not high, although the face of the gods and monsters, but also should be similar to the human face.
Jingjiao tile gray face and ochre face: tile gray and blue in the application of the significance of the face is similar to the tile gray face, such as "Luhua River" in the Ulihei, ochre and purple significance is similar to that of the "colorful building" in the moon under the Santa Claus, "Iron Cage Mountain" in the fan when.
Jingjiao light green face: light green color between blue and green in the intention, such as "Crouching Bull Mountain", "Single Dagger Club" in the Zhou Cang hook light green brain, Zhou Cang in the "Green Stone Mountain" with a golden brain, indicating that its death into a god