In the many uneven science fiction movies about space, China's science fiction movie is not a lot of, but Wandering Earth is considered to be a science fiction movie in the boutique , sci-fi is a fantasy built on science, and is not the real results of scientific research, so you can not take the real standard to measure.
How the soil of sci-fi and the movie are connected has been the focus of exploration by sci-fi people and filmmakers. For example, Guo Fan's Wandering Earth is adapted from Liu Cixin's novel of the same name, and Ning Hao's Crazy Alien is inextricably linked to Liu Cixin's The Country Teacher.
Wandering Earth has put a lot of emotional weight on too many people in the sci-fi industry, but in the eyes of serious sci-fi fans, the hard knocks are still there. A founder from the Tsinghua physics department, engaged in artificial intelligence security field entrepreneurship with the author about the film, still nonchalantly pointed out a basic problem: "Hydrogen and oxygen combustion and explosion generated by the thrust is not enough to propel the Earth, hydrogen and oxygen has been burning, do not need to eject, Jupiter on the lightning so violent." But, he added, "The flaws don't hide the fact that this is really the highest level of domestic sci-fi." Sci-fi movies are time capsules that let us peek into the future ahead of our lifetimes.
A number of low-budget sci-fi movies such as The Moon and District 9 have successfully landed on the market, winning box office and word-of-mouth, which will make some filmmakers think about what the purpose of making a movie is, whether it's to rake in the cash or to convey the director's thoughts through the screen. Space One certainly chooses to be a thinker, and sci-fi for it is just a veneer to attract audiences to watch the movie. In this small-budget sci-fi movie, the director tries to explore the topic of human nature through a conspiracy, and the way to do so is through a lot of violence. This similar concept of violence for the sake of violence, for the sake of not being violent, has been widely used in many action movies to inspire the audience's internal repulsion towards violence through a realistic portrayal of its brutality. However, its performance varies due to the director's skill and the actors' expressive power.