Question 2: What is the general content of <Attack on Titan>? In the world of 2030 A.D., the existence of reformed people, biochemicals, robots, and so on has become very popular. The main character, Kusakazuko, is the crystallization of the highest technology of mankind: only the brain is a human brain, the rest of the body is a mechanical device, and the appearance is a beautiful and capable young woman.
In this high-tech society, it's not new that people can live longer by replacing their body parts, and many of them have computerized brains, thus truly achieving the so-called "electronic existence" (not "computerized existence" ^^^). (not "computerized existence" ^^). From the vast social structure to the individual body, all of them can be easily connected through the network, forming an incredibly complex information network: this is the foundation of the world of this game.
Although the computerization of human society has brought a lot of convenience, human beings are still human, no matter how much the materials used to construct their bodies have changed, and thus all kinds of crimes are committed using computers as an opportunity.
Japan's Public Security Division 9 is a separate entity from the ruling class, and its function is to hunt down and arrest anyone who commits advanced computer-related criminal offenses! The leader of this special operations unit is a mysterious old man named Aramaki, and the team leader is the previously introduced Kusakazu Suko. Each member of the team has their own strengths and abilities, and the two most influential members of the team are Bart, who has an ambiguous relationship with the captain, and his second-in-command, Bart, who is determined and brave and has a good sense of humor, and Dracula, who is the only real human being in the team who has not undergone any modification, and whose favorite weapon is the ancient revolver.
Public Security Section 9 faces criminals: sometimes they may be high-ranking officials in ***, sometimes they may be opportunists who steal other people's brains, and even more likely to be the companions around them; each case is a rethinking of the existence of human beings, and may bring heavy mental pressure to each member of the team.
The theatrical version of this film was made public in 1995, and was supervised by Mamoru Oshii, the only person in Japanese animation who can compete with Hayao Miyazaki. In today's eyes, this theater version of both plot and production technology, still belongs to the top works, extremely difficult to be surpassed! There's even this saying: it doesn't matter if you don't like animation, but you shouldn't miss Ghost in the Shell (note: this is the theatrical version)!
The manga of the same name, written by Shiro Masamune, is also quite good, but it doesn't seem to be as recognized as the anime. One of the biggest problems is that the manga is filled with a lot of incomprehensible technical jargon (including the author's own invention), which greatly discourages readers; another reason is that some of the images are too eye-catching, which is why the manga is not as well known as the anime. This is also the reason why manga is much less famous than anime.
Question 3: What is the story of "Attack on Titan"
Directed by: Mamoru Osh?
Starring: Atsuko Tanaka / Akio Otsuka
Release Date: 1995
Language: Japanese / English
Country/Region: Japan / United Kingdom
The story is based on a story about the attack on the titanic tanks and the attack on the motorcycle. Synopsis
Original: Shiro Masamune [Kodansha]
Supervision: Mamoru Oshii
Script: Kazunori Ito
Music: Kenji Kawai
Synopsis
A diplomat is arrested by Section 6 of the Public Security Bureau after meeting with Yoda, a programmer who has requested political asylum. During the operation, the diplomat is suddenly killed by an assassin of unknown origin, who also escapes. The diplomat is killed by an unknown assassin, who escapes. The operation is actually the work of Public Security Section 9, who ordered Section 9 to eliminate the problem without the knowledge of Section 6 because *** was not in a position to intervene.
One day, the foreign minister's interpreter is tampered with, and Section 9 discovers a virus in her cyberbrain, and the modus operandi seems to be in the style of the legendary Puppet King. The Puppet King is a wanted international criminal who uses brain hacking to get people to work for him. A few days later, Suko and her team discover that a hacker has been hacking into the computers of some public ****ing facilities, so Section 9 sets up a trap and captures the hacker, who is a janitor, and the person who gave him the program. However, during interrogation, they discover that this person's memory has long been tampered with, and that his motives were actually carried out under someone else's suggestion. And the memory of the person who provided the program has also been altered. Both of them have no recollection of their past, their families, or even their names, and they are like pawns being manipulated.
Sueko has fallen into a stage of confusion, looking at the clothes dolls in the store window, she ponders what defines a human being, is there no difference between this body and a doll? Memories can also be changed, so what exactly does being a human have that is your own? A human's lifetime of memories, and the vast world of information, is like a drop of water and the ocean.
While the case still hasn't stopped, Sueko has a feeling as if she's being stared at, and she's not exactly sure where the line is drawn. Immediately afterward, a fully computerized human produced by McG and *** escapes the company and is hit by a car during the night. Section Nine accepts her body. Section Six also sends someone and claims that this cyborg's torso contains the Golem King they've been tracking for a long time, so a group of people begin examining the cyborg's torso. The Puppet King inside the body reveals that he is not an AI, and although his codename is "Project 2501", he is already aware of his own existence. At this time, Section 9 is attacked and the cyborg's body is taken. Sueko follows the robbers and finds 2501, who was hidden by Section Six, in a dilapidated ruin.
2501 tells Sueko that the Ministry of Foreign Affairs, Section Six, and Magnet worked together on Project 2501, and that the main programmer was Yoda, and that 2501 was created as a tool for them, but that he developed a sense of self-awareness and escaped from their control. He began to think about his position, and eventually he came up with the answer: life and death! This is the behavior of a true human being. During his long search for a companion, he found Kusakazuko, and after observing her, he decided that the only way they could be more perfect was to bond with her. Although the union would result in 2501 his own demise, he still insisted that without death, he was not a true creature, and that only death could bring life! This is the driving force for the continuous continuation and development of life.
At this moment, Section Six's attack helicopters have located 2501 and Sueko, and they have been given orders to destroy them! But the weapons system has been unable to lock on to the target due to the sudden jamming of the airwaves.
With her own past experiences, and the effect 2501 has had on her, Sueko considers and agrees to his request: accept him and create a new life! In a flash, as if descending like an angel, Suiko and 2501's souls merge into one. At the same time, the interference was eliminated and the helicopter immediately made an attack maneuver on the target! Even Bart fought to resist to no avail, and both 2501 and Suiko were annihilated ......
A new Suiko is born, no, although she has the memories of that person, she is not Suiko, this young girl looks at the huge world and thinks: where do I go from here .........
World Background
The era of 2029 A.D. is one in which the whole world is connected by a huge information network, and one in which people's lifestyles may not have undergone any major changes. Except for one thing: all kinds of human tissues and organs can be ...... >>
Question 4: What is the Attack of the Shell Mobile Team about ah "Attack of the Shell Mobile Team" in the music "I DO"
Question 5: "Attack of the Shell Mobile Team" in the Ghost in the end refers to what is the GHOST is what is in fact the Attack of the Shell of the core of the exploration of the content. In reality, it can be understood as the soul after removing the religious meaning. This meaning of soul is also a kind of orientation of human consciousness. In the world of tapping, because the human brain is electronic, memories can be copied, transplanted, and even forged, so how to distinguish between individuals. Is it that a copy of your memory is made and it becomes 2 you, the truth is obviously not. So there must exist a layer of consciousness above memory, above all electronically accessible parts of the human brain directing the brain, which is the only identifier that distinguishes the self. One can lose one's memory, but one cannot lose one's consciousness, except by death. One can die physically, but consciousness still means survival if it exists on the internet. Soko and Smiley Guy ****ed up their memories, but they are still 2 different people, simply because their consciousness, which is GHOST, is still different.
Question 6: What is Attack on Titan about? I watched the first few episodes and didn't quite get it. The main line of the first part is about the cause and effect of the incident of the man with the smiley face, but also interspersed with a lot of other stories, mainly discussing the changes of modern technology on society and human beings, and shaping the future worldview with the help of the minutiae of the story. The theme is an in-depth exploration of all aspects of philosophy, politics, military, science and technology, and human nature in the face of the great changes in society. Different from those nowadays cute and meat-oriented lack of connotation of the film, "Attack on the Shell" has its own profound ideas, need to savor, not fast food animation - the film "The Matrix" plot concept directly from the source of the Gong "Attack on the Shell Mobile Team". If you can't understand it, you can go to Baidu encyclopedia to read the content of the introduction of "Attack of the Shell".
Question 7: the interpretation of the terms of the Shell Mobile Public Security Section 9 in the name of the International Rescue Team to ensure that the budget of the secret organs of terrorism, alias the Shell Mobile Team, the Ministry of Internal Affairs and Communications, by the Prime Minister's direct orders, the members of the electronic brain and prosthetic body to a high degree of intelligence-gathering capabilities and combat capabilities of the first-class, to keep the command system, supplies, tactics and the usual army is completely different from the independent forces of formation (the strategic thinking of the 4th century BC, the Matrix, the Matrix, the Matrix, the Matrix, the Matrix, the Matrix and the Matrix). This type of strategic thinking was put into use in the 4th century BC). Similar in nature to the British Special Air Service (SAS), it is a preemptive attack organization, so Section 9 often has technical exchanges with the SAS. Public Security Section 6, also known as the Ministry of Foreign Affairs' Treaty Review Department, is a secret force that has jurisdiction outside of Japan, and is based on the principle of focusing on the feelings of the country in which they are dealing with overseas affairs before taking any action, and none of its members are embodied in the manga original or the theatrical version. The Public Security Section 4 Army Special Forces, a highly physicalized unit, is responsible for carrying out the most secret and dangerous special operations missions. It is the equivalent of the U.S. Army Special Forces (Green Berets). Public Security Section 1 appeared in the original manga, no specific information, in the manga version of the grass S Sueko's unnamed boyfriend belongs to the unit, it is known to be with Sueko's longest relationship with the male (7 months). The convergence of cyberbrain mobile media to the human body began with removable media, then wearable terminals, and finally progressed to implantable terminals, which led civilized society into a new era where man and machine became one. This integration was achieved by implanting communication terminals directly into the human body, allowing the body and mind to interact directly with standard computer and network technologies. These implantable terminals are gradually replacing obsolete mobile/wearable technologies, culminating in the Cyberbrain prototype. Cyberbrain began to become both safer and cheaper as evolving technology introduced the practical use of micromachines. This led to the proliferation of cyberbrain in countries with little or no religious restrictions, such as Japan. But the widespread popularity of cyberbrain has also led to social concern: people are at risk of brain invasion because their nerves are connected to the entire population using cyberbrain. The most serious crime of brain invasion is Ghost Hack, in which the entire personality of a person, including past memories and someone's physical judgment will be at the mercy of the hacker. Different countermeasures have been taken, such as the development of countless bells and whistles to protect walls and barriers, as well as the adoption of regulations and, of course, the reinforcement of errors in the security system inside the neural network system. But they still haven't eliminated cybercrime, which has led to a deadly competition: on the one hand, deeper research on defense walls, on the other hand, the emergence of smarter and more creative hackers. Cybernetics is the process of injecting micromachines into the brain, allowing them to integrate with the brain nerves and connecting them to an external plug, called a cybernetics, which is located near the back of the neck. Since there are no sensory nerves in the brain, the process of cybernetics does not have any sensation. The function of the electronic brain electronic brain is commonly explained as a microcomputer, the purpose is to cope with a large amount of information transfer, but also can be connected to the sea of information - network, but also has a cell phone's communication and camera shooting records and other functions. External memory is a memory device that subsidizes memory devices. It is a carrier for symbolic information that is opened by an individual. This carrier can be an electronic brain, a terminal device, or a CD-ROM hard disk. The above description is limited to the device. If it is an external memory, then it can be any tangible or intangible object including artifacts and non-artifacts in addition to the symbolized information. Electroencephalosclerosis a sequela of early electroencephalization with a very low incidence. There are two types of treatment, the Murai vaccine and nanomechanical treatment, with the former having better efficacy than the latter. ProstheticsWhile cyberbrain enhances the "inward blasting" of mental senses, the technology of prosthetics that replaces body parts with mechanical parts is also called "prosthetics technology", which contributes to the direct "proliferation" of handcrafted technology. "Originating from medical research during the war, prosthetic technology developed rapidly after the war, expanding its field from the medical world to the military world, and allowing people to generate more power than a normal body. However, it has since stagnated; long costly warranties, difficult mechanical physical consistency, and psychic rejection have made bio-control body technology a bottleneck for bulk rollout. But the slowly growing number of bio-controllers raises an interesting question. Why do people remain human in appearance? This question echoes a previous one; why should robots be made to look like people? This is where Jameson-Cyborgs (box prostheses) entered the market. In Prosthetics ...... >>
Question 8: What kind of story does Attack on Titan tell? I didn't get it, and it seemed even more baffling than The Matrix 10 points The Cool President's Cold Wife on the Pillow by Tian Qin Once, she was a young millennial living in a hothouse, and when she was four years old she pushed him off the roof of a building, creating a tragedy. She thought it was just a small episode in her life, but she didn't know that things were unpredictable, and after sixteen years of peace, the once small and humble him turned into a bloodthirsty dragon! Since then, her life has taken a new turn, she suffered all the humiliation, but also suffered the shame of ten thousand people. That man, not only ruthlessly cheap step on her self-esteem, but also ravaged her body and mind ......
Question 9: <Attack on the Shell Mobile Team> the whole series of the plot order Suggested order: 1 --- Theatrical version of the "Ghost in the Shell 2.0" is a remake of the theatrical version of the 95 years, the events and the TV version can be independent of each other. TV version are independent and can be seen as a prequel. 2 --- The first season is the "Smiling Man" incident, with a variety of other small incidents, such as human trafficking, assassination of diplomats and so on~~ 3 --- The second season is the "Individual Eleven" incident, with a lot of extensions~~ 3.5 --- In the OVA, there are three parts, one of which is the "Ghost in the Shell 2.0", one of which is the "Ghost in the Shell 2.0". 3.5 --- The three OVAs, "The Smiling Man Incident" and "Individual Eleven", are the TV cuts with the spinoffs removed, and the central storyline beefed up a lot. You can skip these 2 if you're not looking for details. 4--- The third OVA~~ Solid State Society is about the events that happened after the Major left Section 9 in the manga, about the old man in noble rot and the missing child~ The Major is the super hacker known as Puppet Back. 5 - Theater version Ghost in the Shell:Innocence, about the events 3 years after the Major left Section 9, with the service robots storming out en masse. This theatrical version of the picture is very beautiful, very, very beautiful ~ ~ ~ I downloaded the 4.3G Blu-ray version of oh ~ Attack on the Shell, I received the DVDRIP, the total *** 38.5G ~ ~ TV two seasons of 17G, OVA 3 Blu-ray version of 13G, theatrical version of 2 Blu-ray version of 8.5G ~ ~ ~ ~ ~ the effect is very good, love
Question 10: How to evaluate the Attack on the Shell mobile team As expected, the criticism is almost lopsided. A bunch of originals spewed wildly, saying it was an insult to Oshii Mamoru and that the movie was worthless.
I'll admit that vertically it does struggle to reach the heights of the anime version, but that kind of over-emotional low score is hard for me to accept, and for the quality of the movie, a 7 is more than enough.
Next up, we analyze the pros and cons of the anime and live-action adaptations in detail, using the live-action version of Attack on Titan and Mamoru Oshii's Attack on Titan as a blueprint.
Space
The live-action version has a unique advantage over the 95th version of the anime, and that is the presentation of space.
In a live-action movie, it's much easier to show spatial realism through deep-focus and motion lenses, not to mention the use of 3D technology.
For two-dimensional animation, the depth of a flat sheet of paper is a thankless task, so Mamoru Oshii took a different approach, presenting spatial reality and chaos through changes in the environment.
Which of the two is better? That depends on whether the form helps the content, or even if it helps the content.
The future of the city in the live-action version is refreshingly different, and it's a great recreation of the manga.
But that's about it, the real and the unreal, the confusion of self-knowledge, and the loneliness that pervades the place, honestly, it's not presented, and space is just space.
After watching it, there won't be any deep impacting images, which Blade Runner abused it (hey, works are afraid of comparisons).
The 95 animation, on the other hand, has a large number of depictions of the environment to the soundtrack of "Ballad of the Golem", which not only reflects a real sense of space similar to a live action movie.
The most important thing is that through a large number of empty scenes, the characters in the empty seemingly aimless walking, the city chaotic mishmash of information, so that viewers have doubts, everything so real and so false.
Symbol - mirror
The real version still uses the mirror, but it's more like a kind of "fetishism", and only a little bit.
The 95 anime version has a lot of mirroring, from Suiko's shadow in the glass, to the airplane reflected in the water, to the woman in the city who looks exactly like Suiko.
There seems to be a bit too much of this kind of symbolism, as in Attack on Titan 2, where carefully sculpted lines, but still serving the theme, allude to humanity's ambivalence about self-understanding.
Symbol - Fisheye
If memory serves, there was no use of the fisheye lens in the live-action version, which is an advantage of animation, and arguably what makes art-house movies superior to commercial Hollywood films.
The 95 version has a large number of subjective shots of fisheye perspectives, which are extreme wide-angle lenses that differ greatly from what people see in the real world, as a way of reinforcing the theme by making the first-person perspective, which is familiar to the viewer themselves, unfamiliar.
Symbol - Freeze Frame
Freeze frame is supposed to be a special case of animation, and although it is often used in current films, it is mostly used for humorous presentations.
But animation is not the same, through the frame instead of the kind of repressed sadness of the emotion, constantly expanding, but is collected, smothered in the heart.
The most classic is EVA Kaoru's death, a 64-second long single frame stop-motion image, and those who have seen it know what I'm talking about.
The 95 version, including Innocence afterward, uses symbols like mirroring, fisheye, and freeze-frames in the service of its theme, while the live-action version is tired of storytelling and superficiality.
Characters
I don't think the live-action version is any worse in terms of character presentation, and a lot of people say that other than the female lead the others don't stand up, come on, don't compare the TV version to the movie!
The length of the movie dictates that the characterization can only be done for the main characters, you think it's a TV show, 40-50 episodes to your heart's content.
There is also the "Attack on Titan 2" came over to say that the live-action version of Bart is not fleshed out enough, "Attack on Titan 2" with Bart as the protagonist, he is not fleshed out, Oshii Mamoru really can go to the poop.
In the case of the same text, animation has a unique advantage in characterization.
The 95 version has a lot of close-ups of Suko looking straight at the camera with her eyes wide open and never blinking, as do the other characters, and it goes on for a long time.
"When we look at our own face in the mirror, we stare at it for a long time and realize that the face becomes unfamiliar." Similarly, when we stare at a character, we get a creepy feeling and can't help but wonder "Is she still human?" "How do we define that?"
The live-action option takes a different approach, one that doesn't move to break down the human body, and you never know if what you're seeing next is a person or a machine.
There is a detail in the real version is that the character mechanical face armor off, we can clearly see the eyebrow twitching, what else can not be built?...... >>