Good lines must be meaningful, which can act on each other's bodies and produce physiological reactions. True listening means that you can accept the information transmitted by the other party, cooperate reasonably, and make the performance mellow, so that the tacit performance will be smooth and more attractive.
The real look is self-confidence and the courage to open the window of your heart to your opponent. Sometimes many people will be influenced by various factors on the stage and even lose their focus. They are just mechanically on the stage, afraid to look at their opponents and can't see the details in time. This is a lack of self-confidence, afraid to look into each other's eyes. After all, the eyes are the windows of the soul, conveying more emotions. If you can't see or dare to look, it's broken and will cause great trouble to your opponent.
True feelings refer to being able to receive all the information in time and constantly use reason to control sensibility to carry it out. No normal person will be pushed to the classroom at the school gate to remember who pushed me just now, because our reflex arc will definitely give us information and respond in time. We should be able to put this nature into action on the stage. Seeing six ways and listening to all directions, this is the real feeling.