Because Mo Yan spent most of his childhood in the countryside, he was deeply influenced by folk stories or legends. Ghost stories circulating in rural areas as children have become the material of many absurd novels by Mo Yan. For example, the mysterious South American magical realism appeared in Thirteen Steps, and the mangrove forest realized the time-space transformation of the novel theme and the exploration and renewal of the creative method. Mo Yan's works have obvious "avant-garde" color, and imagination has become its biggest feature. When Zhang wrote the preface to Red Ears, he once said, "There are thousands of words, so why not Mo Yan"!
He rose from the mid-1980s with a series of local works, full of complex feelings of "homesickness" and "resentment", and was classified as a "root-seeking literature" writer. The writers of "Root-seeking Literature" represent Yu Hua, who has books such as Alive and Brothers, and Jia Fei, a younger generation writer who has books such as China Youth, Youth is Nothing, and Moth. This kind of writers, with a strong hometown complex, deeply buried their brushwork in a quiet and vast land.
A certain route has caused poverty in rural society since the end of 1950s. His family is an upper-middle class farmer, and he is not even qualified to receive relief food. He once went to someone's house to beg jiaozi on New Year's Eve. Economic poverty and political discrimination left a painful memory of his teenage life, and his father's too strict constraints also made him depressed. This psychological feature directly influenced his later novel creation. When I entered school at the age of 6, I was warned for calling my teacher "slave owner". In the third grade of primary school, I read works such as Lin Yuan, Song of Youth, How Steel was Tempered, and was inspired by literature. /kloc-when he was 0/2 years old, he was in the fifth grade of primary school. Because of the outbreak of the Cultural Revolution, he dropped out of school and went home. He works as a herdsman and mows grass. In his spare time, he reads Romance of the Three Kingdoms and Water Margin, and even reads Xinhua Dictionary when there are no books to read.
To tell the truth, I don't know Mo Yan as a writer. What I see and know is only what most people know from their evaluation of Mo Yan. In my opinion, Mo Yan's works represent a kind of local feelings. What he saw and heard in his life showed us a different world with simple and magical brushstrokes. Influenced by the pattern and society at that time, Mo Yan's works showed the simplest grief and indignation. It is this profound and simple thought that affects everyone who has read his works.
Like novels? (Red Sorghum Family)? (big breasts and big hips) expressed the same idea. Many of his works were influenced by poverty, scarcity and absurdity in his childhood. This indirectly created Mo Yan.
I don't know what Nobel Prize in Literature really means, and I dare not say that I have read Mo Yan's words for decades. I just write what I know from my own point of view.
Maybe not, but I hope I can help you. I wish you good health and all the best! Hope to adopt!