We provide you with a detailed introduction to "Aiwu Lu, a thousand hectares by the lake" from the following aspects:
One, the full text of "Touching the Fish - Gao Aishan Hermitage" Click here to view the details of "Touching the Fish - Gao Aishan Hermitage"
Aiwu Lu, a thousand hectares by the lake, the pale and a clear and moist.
Where the warm emerald green of the clear blue sky melts, the shadow of flowers peeps into the mirror of the sky.
Shapu very.
Watch the wild water,
The willow across the lonely boat. The gulls have not yet woken up.
What is the reason for this is that there is no one to see it,
Slant light is shining all night long. I'm not sure if I'm going to be able to do that.
Wouldn't I have thought that the mountains of Qin Jin, Taoyuan is difficult to recognize today.
The forest is the road to immortality, a smile is not a shortcut.
Deep and quiet.
To be distributed to the blowjob,
Crossing the crane sky wind cold. I'm not going to be able to do that, but I'm going to be able to do it," he said.
It's the blue sky, the light shakes the half wall,
the moon is on the top of ten thousand pines.
The second note
Clear and moist: the lake water is clear and clean.
Clear Mist: the mist in the mountains and forests on a clear day.
Tianjingjing: refers to the surface of the lake.
Very far: far away.
Chunxiang: an allusion to Zhang Han, who was working as an official outside and misses his hometown's Ulva jelly and chopped sea bass, which refers to the place of seclusion here. Use the story of Tao Yuanming's "Tales of the Peach Blossom Garden".
Shortcut: refers to the path of seeking an official position by living in seclusion and elevating one's status.
BiLu: Judas clouds and blue sky.
Three, appreciation
The first piece depicts the scenery of the hermitage, and the first half of the second piece expresses the mood of the hermitage.
"I love my hut" three words came out of nowhere, leading the whole piece, people's spirit. Through the use of Tao Yuanming "I also love my hut" (one of the thirteen "reading the Classic of Mountains and Seas") of the poem, has been implicitly included in the deep meaning of "contrary to the world", for the whole word set the tone. "A thousand hectares of the lake, a clear and moist", the first to write about the lake water. Clear and moist, refers to the coolness and clarity of the lake, but also refers to the freshness and pleasantness of the climate. The next two lines of "clear blue" write the reflection in the lake. The above general description has been completed, people of the lake's wide, clear and beautiful scenery around the lake has been the overall impression of the seclusion, the author will be timely to move into the details of the depiction: "Shapu very" sentence to write the distant sandy beaches. The two lines of "wild water" write about a small place under the willow shade. Similar mood has been written before, such as Wei Yingwu "Chuzhou West Stream" poem "wild water no one boat from the cross", and the Northern Song Dynasty Kou generation poem "wild water no one ferry, lonely boat all day cross". The use of famous phrases is rich in meaning, and thus anticipates the meaning of "no one" in the following. The front and back of the dark correspond to each other, the needle and thread is so fine. "The sleeping gulls have not yet awakened. No one can see it, and the slanting light is all night in spring." "Sleeping gulls" is also a metaphor for hermits, a combination of scenery and people. "Even" is also correct. "Brasenia", with Zhang Han Si Wuzhong hometown of Brasenia, perch chopping story, here borrowed to refer to the hermit's hometown. The last three sentences say, in this free and easy world, silence and no one, only see a slanting sun in the spring of the thin darkness of the burning shine.
The first piece mainly depicts the surroundings of "my hut", through the author's canoe on the lake, constantly changing the angle of observation and write. But from the "willow across the lonely place" has been gradually into the personnel, the last sentence is to the passage of time as a clue, become the upper and lower piece of the transition of the key button.
In the setting sun, twilight, the dark current of the lyricist's feelings is disturbed. He put his eyes and ears back, sinking into deep thought: "I did not expect the Qin Jin in the mountains, Taoyuan is difficult to recognize today." The wave suddenly rises. How can not imagine, even isolated mountains can not escape the influence of time change, the original peach paradise-like place. Has been completely different. The implication is that, in this era of the collapse of the earth, to find a "I do not know that there is Han, regardless of Wei and Jin", away from the chaos of the world "to avoid the Qin paradise", is really difficult. With the author of the "Xizi makeup" words "fishing boat why seem to come back, want to peach, the road through the world", the moral is similar. However, after lamenting, he immediately relieved himself, and the taut strings of the piano loosened up again. Then, the work with a series of round and flowing beautiful, so-called "tired as a pearl" wonderful sentence down, straight to the end, in the high, bright, translucent tone composed of "people floating have the intention of the clouds" in the lofty realm of the end of the movement:
Deep and quiet. p>Deep and quiet. The wind is cold in the sky across the crane. I'm not sure if I'm going to be able to do that. The moon is at the top of ten thousand pines, and the light is shaking the half-wall.
In the bright moonlit night of ten thousand ravines and pine winds and dust-free jade, the lyricist imagines blowing a pipe across a crane, drinking dew in the wind, and leaving behind forever the turbid earthly world full of anxiety and misery. The night scene written here is very different from the last piece of Et scene: the last piece is the actual scene, word for word; and here is purely because of the feelings of the scene, is a fictional illusion. As the "oblique light up spring night" like. The author's romanticism here to try to break through the darkness of the heavy siege, for themselves to find a ray of light.
This is the typical style of "White Clouds in the Mountains": there are not too many difficult words and phrases stacked and carved, there is no abuse of flashy and colorful musical phrases, but just a breath of caution, refined phrases, such as the bare hand of a whale, such as the healthy migratory birds, all based on the atmosphere, the mood to win.
This kind of crane back sky wind, heart swim Bilu, "do not eat earthly fire" whimsical, is not the author's invention, it and qu yuan's "far travel", Guo Pu's "travel to the immortal" poem has a close relationship with the same lineage. Guo Pu's poem, "Traveling to the Immortals," wrote: "Emerald play orchids, more colorful. The green roses are knotted in high forests, covering a mountain. There is a silent warrior, quietly whistling and playing with clear strings, letting go of his feelings outside the sky, chewing on the stamens and scooping up the flying springs. The red pines are in the upper reaches of the river, and they ride on the purple smoke. The left side of the mountain is the sleeve of the floating hill, and the right side of the mountain is the shoulder of the flooded cliff. Ask the mayfly generation, would rather know the tortoise and crane years." This kind of work, as Zhong Rong rightly pointed out, "is the chanting of Can Rin, not the interest of Lixian." (Poetry Pieces, Volume 1) They are all words of prophecy, and are not really dreaming of ascending to the heavens. The same is true of Zhang Yan's poem. Since "the coming day is very difficult, dry mouth and lips", he can only try to pull out his hair and leave the earth type of "immortal" dream, to relieve the pain and anxiety of a D spirit, to seek a temporary relief from the frustration.
This reflects the author's serious dissatisfaction with the Yuan regime and hostility, at the same time, it also reflects his inability to fight, can only hide in their own words, music, words built ivory tower to the weak, depressed side.
Four, translation
Love my hut, a thousand hectares of the lake, a clear and moist. Clear blue warm green melting place, flower shadow inverted peeping sky mirror. Shapu very. See the wild water waves, across the willow across the lonely boat. The gulls have not yet woken up. I'm not sure if I'm going to be able to get a good look at this, but I'm sure I'm going to be able to get a good look at this.
I love my own home, the humble room adjacent to a thousand hectares of mirror lake, the world between the cool and clear a. The eye warm mountain light, verdant tree color, dappled flower shadow, are reflected in the moonlight between the mirror lake. There is a sandy beach in the distance, looking at the ripples of Mirror Lake, under the shade of the willow parked a small boat. The gulls are still sleeping. This is rich in Brasenia schrebergeri, perch, people turn a blind eye, but see the setting sun brings the spring evening.
Also re-provisioning. I did not expect the mountain Qin Jin, Taoyuan today is difficult to recognize. The forest is the road to immortality, a smile is not a shortcut. The deeper the more quiet. The first thing you need to do is to get the job done, and you'll be able to do it on your own. I'm not sure if I'm going to be able to do that. The light is shaking the half-wall, and the moon is at the top of ten thousand pines.
Think again. People looking for Jin Wuling people have been to the peach blossom garden, even if you find, who knows this peach blossom garden is Qin or Jin, I'm afraid to see also difficult to recognize. I don't think that living in seclusion in the woods and springs is the path to immortality. I smiled brightly and realized that seclusion is not a shortcut to climb. I'm going to wear my hair loose, blow my cock and cross the crane to ascend to immortality, and I'm not afraid of the wind and the cold. I will drink the dew in the wind and stay away from the world. The moonlight swings halfway up the cliffs, and a bright moon rises on the top of Wansong Mountain.
V. Zhang Yan's other poems
Spring Feeling at West Lake on the High Balcony, Sparse Shadows - Winged Lotus Leaves, Solving the Lianhuan Lone Goose, Flute under the Moon, and Crossing the River Cloud. Poems of the same dynasty
General Cao, Down to Qutang, Tengwang Pavilion, Children's Discouragement and Anger Lang Strike Wife's Cold Complaints Ligustrum Anvil Tang Meishan Poem Also Playing for the Notebook, Questions on Ai Xi, Abolition of Tribute Courts for the Rice Grange over the Value of the Pan_, Sending Guests to Linggu, Sighing for the Word_, Questions on Chen Chaoyu Ai Bamboo Xuan, and Reward for the Chunhu Shiji Youyong Hui Sihao Tu.
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