Dai musical instruments Dai instrumental music is more prevalent in the wind instruments "Bi", plucked instruments "ding" and percussion instruments, drums, cymbals, gongs, etc.
"Dai musical instruments", "Dai musical instruments", "Dai musical instruments", "Dai musical instruments" and "Dai musical instruments" are the most common.
"Bi" is the common name for wind instruments, transverse flute-shaped single called "Bi", is made of bamboo tubes, most of the seven holes in the body, the mouthpiece has a copper reed. Bi has a big Bi, small Bi, lone Bi, Bi, mother and child Bi, etc., the range of different sizes, different tones.
"Gourd sheng" is also an important wind instrument, in the bottom of the gourd inserted into the three bamboo tubes, the middle tube has seven holes, according to the seven-tone scale issued by the seven rhythms, and the other two tubes hair and sound. The sound of the gourd pianoforte is melodious, with a long rhythm, especially when played in the dead of night, it makes people think more quietly, as if they were in a heavenly realm on earth.
The instrument with strings is called "ding" in Dai language. One for the string pull, similar to the huqin; one for plucking, similar to the three-stringed (but also four-stringed). Ding class musical instruments, often used by young men to play solo to entertain themselves.
Among the percussion instruments, the elephant foot drum is the most famous. Dai each village, almost all have different sizes and shapes of several sets of drums. Elephant's foot drum Dai language called "light", because of the shape of an elephant's foot and named, the drum body with a section of round wood hollowed out and become, the larger five or six feet long, the smaller also have two or three feet long. The drums are played with fists, palms, fingers and feet, striking the surface of the drum alternately. The elephant foot drum is usually matched with cymbals and gongs to form the percussion group of Dai music, the rhythm of the drums determines the mood and speed of the performance, and the gongs master the beat, and the cymbals regulate the atmosphere of the ensemble with their special tone and pitch, and the three are integrated to make the Dai percussion music have a strong national style.
What are the famous instruments of the Dai people in Yunnan? Being preempted, then I'll be more detailed well.
Hulusi, Bawu is a kind of reed mainly circulated in China's Yunnan Dai, Achang, De'ang and other ethnic minorities, the tone of this instrument is very beautiful and beautiful, due to the conditions of the earliest reed is made of bamboo, which not only affects the tone of this instrument, but also greatly limits its volume, range and life, limiting the scope of use, so in a long time not to make more people appreciate. So for a long time can not make more people appreciate, so many years through many producers efforts, this instrument has been greatly improved compared with earlier, whether from the appearance or from the process has been greatly improved, finally have the opportunity to come to the world in front of the display of its unique artistic charms, with its special tone and beautiful melody conquered the majority of Chinese and foreign music enthusiasts and was rapidly popularized.
The hulusi, also known as the hulusi Xiao, is known in Dai as the "Wicker Lang Duo" ("Hua" is a generic term for wind instruments in Dai. "Lang" for the meaning of straight blowing, "chatter" that is, gourd), can be divided into high, medium, bass three types, commonly used for the key of b, B, C, D and other keys.
What is the legend of the Dai national musical instrument, the elephant foot drum Source:
The history of the hulusi is relatively long, and its origin can be traced back to the pre-Qin era, which was transformed from the evolution of the hulusi. In the structure still maintains the remains of ancient musical instruments, the number of pipes is the same as the three-pipe pipe, the two sub-pipes do not open the sound hole and the ancient piper is exactly the same, and issued a sustained interval of five degrees, and the ancient pipe "and the sound of the masses," but also a perfect resemblance. But its main tube has opened seven holes, and the later generations of flutes very similar to the xiao flute, but also shows it in the history of the leap.
After the founding of New China, Chinese folk musicians reformed the gourd xiao. 1958, the Yunnan Provincial Song and Dance Troupe was the first to extend the range to 14 tones. Some literary groups in Beijing made two new gourd xiao. The six-pipe gourd xiao can be played in monotone, diatonic, single melody plus sustained tone and two harmonic melodies plus sustained tone. Both maintain the original instrument's unique tone and style, but also increase the volume, expand the range, rich sound color and expressive power. In the garden of Chinese national musical instruments, it has become a striking oddball. in the early 1980s, the Central National Orchestra visited the Japanese group, used this new gourd xiao to play for the Japanese people, and was welcomed and praised.
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About the auspicious birthplace of the hulusi and the legend about the origin of the hulusi is widely believed to be in the hometown of the hulusi - Yunnan Dehong Dai Jingpo Autonomous Prefecture, Lianghe County, Meng Yang, and as early as pre-Qin Dynasty, where there are a lot of beautiful and moving legends.
The history of the hulusi is very long, can be traced back to the pre-Qin era, the folk have circulated many moving legends, according to legend, in Yunnan Dehong Dai Jingpo Autonomous Prefecture Lianghe County Mengyang River, a flash flood, a brave Dai small Bu冒抱起一个大葫芦, broke through the waves, rescued their sweethearts, the Buddha was touched by his faithful and unshakeable love, inserted the bamboo tube into the golden gourd, sent to the brave little Bu冒, the Buddha was touched by his love, and inserted the bamboo tube into the golden gourd, and sent to the brave little Bu冒. Sent to the brave little Bu Bao, little Bu Bao hands holding up the golden gourd, immediately blew a beautiful music. At once, the wind and waves calm, flowers bloom, peacock screen, blessing the couple auspicious happiness, from then on, the gourd silk in Lianghe County Mengyang Dai people inherited, Lianghe De'ang, Jingpo, Achang also came to learn, and successively expanded to the whole of the whole of the Dehong and other ethnic areas, and has been passed down from generation to generation.
Two another Dai legend is that in ancient times there was a vicious beast, often coming down the mountain to eat people and livestock. At this time there was a great hero called Tai, he went through a lot of hardship, to the palace of Nuwa, Nuwa was touched by the sincerity of Tai, gave him a gourd, can collect the demons and monsters. Tai returned to his hometown and used the gourd to collect the evil beasts when they appeared. But the beast was still banging around in the gourd, so Tai stuck a bamboo in the bottom of the gourd, and the beast finally quieted down inside and never came out again. Later, in order to commemorate the deeds of Tai, we made the gourd silk modeled after the gourd and bamboo, and passed it down as a musical instrument.
Characteristics:
The hulusi is often used to play folk tunes, such as mountain songs, and is best suited to playing melodic and smooth music or dance music, with more long tones in the tunes, and a rich ensemble of harmonies and soft, harmonic sounds, which are able to express the player's thoughts and feelings.
The hulusi is loved by music lovers and Chinese and foreign tourists because of its unique and beautiful sound, simple, soft and elegant appearance, easy to learn and small and easy to carry.
What is the legend of the Dai National Instrument Elephant Foot Drum Legend has it that, a long time ago, not far from the border of a cottage, lived two couples. The husband rock phase, is an honest farmer. The wife, Ye Han, not only skilled in housework, treating people kindly, but also from her father learned a set of superb martial arts. One year, the enemy often to the border to kill and loot, rock phase from his wife to learn thirty days of martial arts, hanging on the battlefield, valiantly kill the enemy, defending the peace of the border, and later because of the outnumbered, died on the battlefield. Ye Han forced to endure the grief, sobbing to bury their husbands in a buried Donghan tree. Yehan was so sad that every three days. She had to go to the rock phase of the grave to pay homage once. Once, she went to the grave, just sacrifice finished, sitting under the tree thinking, suddenly heard a low and majestic song, listen carefully, the original is the side of the buried Donghan tree issued from:
The best buried than the Ou bamboo yo want to make arrows,
The best steel yo want to beat the knife,
The best horse yo want to go to war,
The best man yo want to protect the hometown!
Yehan listened to it. The sad and impassioned song, it seems to be sung by the rocky phase! The song was sung over and over again, and Ye Han was practically mesmerized by it. In the song, she seemed to see her husband, very skillfully wielded the ancestral sword, shouting to the enemy to charge. After that, every time Ye Han came to visit the grave, she could hear that familiar song. Until how many times she had heard it, she left reluctantly. Later, Ye Han thought: Since this tree can sing, this song and I never hear enough, why not cut it and carry it back, every day to hear the songs of their loved ones. So she cut down the buried Donghan tree, the root foot of the tree has a section of the empty, Yehan buried Donghan tree that section of the hollow cut down and carried home. From then on, she could hear her husband's song every day, in order to prevent dust from falling into the buried Donghan tree inside, she used a strong goatskin to wrap the upper end of the tree, with a rope tied tightly. From that time on, the Dai family learned to do the elephant foot drum. And, all of them, like Yehan made the first one, must be made from the buried Donghan tree. It must be made of rock sheepskin. And when you play the drum, you must use sticky rice to stick to the drum surface. When everything is done, hey! Just listen: "Boom bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah bah." It is said that if you lean your head a little to the left when playing the elephant foot drum, you can still hear the majestic and powerful song of the rock face!
What are the representative songs or instruments of the Dai people Dai folk songs
Dai folk songs are not public mostly with the characteristics of the dam area folk songs, to beautiful lyricism, less exciting and high-pitched tone, and because of the Dai language tone is rich in depression changes, to beautiful lyricism, a greater impact, and thus has a combination of the characteristics of singing and recitation. In addition, since the length of the lyrics is not restricted, the Dai folk songs seldom have a neat and square structure. Dai folk songs of different clans and regions have their own local characteristics and personalities, and their varieties are also very different. Among them, the Dai folk songs in the area of Dehong Prefecture are the most rich and colorful.
The Dai folk songs are more difficult to be divided into categories according to a unified body, such as according to different singing occasions and applications, can be roughly divided into this in the field field singers, singing in the collective song and dance activities, for those who talk about love, used in folk customary activities, for those who worship God and used to chant wow love letters, psalms, and so on.
The Dai folk songs are sung in the field, and are customarily referred to as mountain songs, with a wide range of performance content. Most of the melody has the characteristics of the mountain songs in the dam area, but rarely use the long lead cavity, drag cavity. Popular in different areas are often called by different names, such as the Dehong State, that is, Mangshi Mountain Song, Yingjiang Mountain Song, Lianghe Mountain Song, Longchuan Mountain Song, Ruili Mountain Song and other differences. The Dai folk songs sung in the song and dance activities can be roughly divided into two categories: one type is the form of song and dance, while dancing and singing, the other type of singers led by the singer, after the end, and then take the collective dance. Most of the former belongs to the section of the song, according to the same melody sung over and over again, and more rhythmic; and the latter is not subject to the limitations of the dance and improvisational singing, and has a strong narrative character.
In the love life of Dai young men and women, most of them have the tradition of "stringing girls", and most of them do it at night after labor. At this time, singing has become an important means of expressing love. These songs, commonly known as love songs or love songs. Some of them are the usual mountain songs sung in the wild. And Dehong state's young men are good at the piano and other folk instruments, playing and singing, pouring out the heart of thoughts and love curtains, most of these folk songs are sung in a soft voice, the tone of the lingering euphemistic.
In the Dai people's various traditional customary activities or ritual worship of God, are inseparable from the singing. For example, Dehong State sings "invitation to a wedding", and Jinping sings "wine song" during the banquet. Others, such as "jumping willow god" and sacrifices to the dam god, dam ghosts, etc. have special tunes. As for "chanting sutra", "fine flowers", "purifying water", "receiving precepts" and so on, they are sung by Buddhist The "fine flower tune", "water purification tune", "precepts tune" and so on are sung by Buddhist men and women.
Among the Dai folk songs, many are rich in recitation and are characterized by narrative. Many Dai long poems are sung by Dai singers called "Zanha" for generations. The Dai people in different parts of the world have this kind of singing activities, and usually collectively call this kind of folk songs as narrative singing. Most of these folk songs are characterized by colloquialism and adaptability to the development of the plot and changes in mood.
Among the famous Dai folk songs, the old "Zanha" Kanglang Dump of Xishuangbanna Prefecture should be mentioned first. His passionate singing style and agile and witty creative talents have won him many times over his rivals in song competitions, and he has been chosen as the best singer of Xishuangbanna.
What are the characteristics of Chinese folk instruments? Hulusi, Guzheng, Erhu
Hulusi, also known as "hulusi", is a musical instrument of the ethnic minorities of Yunnan, mainly in the Dai, Yi, Achang, De'ang and other ethnic groups.
Hulusi can be categorized into three types: high, medium, and low, and is commonly played in the keys of Bb, C, and D. It originated in Daihong Dai, and is now used as a musical instrument in the Yunnan province. Hulusi originated in Lianghe County, Dehong Dai and Jingpo Autonomous Prefecture, and is mainly popular in Dehong and Lincang areas of Yunnan where Dai, Achang, Wa, De'ang and Brown ethnic groups live, with rich local colors.
The gourd silk (or gourd Xiao) is one of the unique musical instruments of the Yunnan minority. Mainly circulated in Yunnan Province, western Yunnan Dai area, in the Brown, De'ang and other ethnic minorities are also more popular.
The Dai people are multi-talented and can sing and dance well. During the festivals, no matter in the river rowing dragon boat or in the riverside put "high rise" (with bamboo tube made of clay rockets), or in the square "to catch the swing" or in the bamboo building to drink and feast, can be heard the moving sound of music.
The hulusi is loved by music lovers and Chinese and foreign tourists because of its unique and beautiful sound, simple, soft and elegant appearance, easy to learn and small and easy to carry.
The traditional hulusi is a reed instrument, its structure consists of a gourd and two (or three) bamboo tubes, the upper end of the gourd for the mouthpiece, the lower end of the gourd and the three bamboo tubes connected to the sound tube, in which the middle of a thicker and longer bamboo tubes for the main sound tube, the main sound tube has six holes in the front of the sound hole (according to the sound holes), the back of the upper end of the sound hole for the seventh sound holes, the bottom of the overtone holes (tone holes) and two holes for stringing. Two stringing holes. The main tone pipe is fitted with a metal reed at the top, inserted into the gourd, and its end is fitted with a soft stopper.
There is no hole for the secondary main tone pipe, so one end of the reed-equipped secondary tone pipe is inserted into the left or right side of the main tone pipe of the gourd. When the gourd silk is being played, if the soft stopper at the bottom of the secondary tone pipe is taken out, the tone of the reed-equipped secondary tone will sound with the main tone, but the secondary tone can only be issued as a tone. Now commonly used gourd silk has C key, small F key small D key, B flat, A key, F key, G key, E key, big D key and so on several kinds.
The guzheng, also known as the Han zheng, Qin zheng, Yao zheng, Luan zheng, is a traditional Han ethnic musical instrument in the zheng musical instrument, belongs to the plucked instrument. It is one of the unique and important national musical instruments in China. It has a beautiful tone, wide range, rich playing skills, and quite strong expressive power, so it is loved by the general public. Nowadays, there are also small guzhengs, portable guzhengs, mini guzhengs, half guzhengs, new guzhengs, and twelve equal-tempered guzhengs. The guzheng is an ancient national musical instrument that accompanies China's long history of culture and is born and raised on the fertile yellow land. It is a plucked musical instrument, and its structure consists of a panel, a goose post (also called zheng code in some places), strings, a front yakuzan, string pegs, a tuning box, a foot, a back yakuzan, a side plate, a sound outlet, a bottom plate, and a hole for threading the strings.
The zheng is a rectangular wooden box, the string holder "zheng column" (i.e. goose column) can be moved freely, one string, one tone, arranged according to the pentatonic scale, the earliest 25-stringed zheng is the most (divided into the zheng), the Tang and Song dynasties have thirteen strings, and then increased to sixteen, eighteen strings, twenty-one strings, and so on, and the most commonly used specification is 21 strings; usually the model of the guzheng is the front string, the back string, the back string, the back string, and the bottom board, the string hole. The most common specification at present is 21 strings; Usually, the model of guzheng uses S163-21 before the model, S stands for S-shaped Yue Shan, which is invented by Wang Xunzhi and Miao Jinlin***, 163 stands for the length of the guzheng which is about 163 centimeters, and 21 stands for the number of strings of the guzheng which is 21.
Erhu (Pinyin: Erhu) Beginning in the Tang Dynasty, it is called "Xiqin;" and has a history of more than a thousand years. It is a general term for both Western and Chinese stringed and plucked instruments. Erhu, also known as the "huqin", Erhu is one of the main bowed string instruments (stringed instruments) in the family of Chinese musical instruments.
Minority instruments Blowing instruments Suona, popular in the *** Tibetan region of the wind instrument. Qiang flute, popular in the Qiang and Tibetan areas of Sichuan, the body of the bamboo or bone, vertical blowing, single-reed double-barreled. I remember that it was mentioned in Wang Zhilu's "Liangzhou Lyrics": "The Yellow River is far away from the white clouds, and a lone city is ten thousand feet high. The Qiang flute has no need to complain about the willow, and the spring breeze does not pass through the Jade Gate." Mouthstring (middle), popular in Inner Mongolia Daur ethnic group. Mouth String, popular in Sichuan Yi. Mouthstring, popular in the Lahu region of Yunnan. Eagle flute, named after the eagle's wing bone, popular in Xinjiang Tajik and Kyrgyz regions, traditional eagle flute in pairs, tone harmony. Bawu, popular in Yunnan Yi, Hani, Dai, Wa and other ethnic areas. Mouth string, popular in more than 20 ethnic minorities in China, its volume is small, but the tone is beautiful. Deer flute, also known as deer whistle, hu deer, popular in Inner Mongolia, Heilongjiang Oroqen, Ewenke and Daur and other ethnic areas. The gourd sheng, named after the gourd used to make the sheng bucket, is widely played in the Yi, Lahu, Wa, Lisu, Hani, De'ang, Naxi, Nu, Pumi, Miao and other ethnic groups in Yunnan, Sichuan, Guizhou, Guangxi, etc. It is often used for solo performance and accompaniment of songs and dances. Wooden horn, popular in Yunnan Naxi area. Eighteen-pole reed sheng, popular in the Qiang area of Guizhou. Lusheng, mainly popular in Guizhou, Guangxi, Hunan, Yunnan and Miao, Dong, Yao, Zhuang, Shui, Yi, Mulao and other ethnic groups in Sichuan, with a variety of shapes and a bright, rich tone, often used in dance accompaniment and instrumental ensemble. The brass horn is popular in the Yi ethnic group in Liangshan, Sichuan Province. Black-lacquered Wooden Lusheng Pipe, popular in the Miao area of Sichuan. Lusheng, popular in Guizhou Miao area. Temple brass horn, popular in ***, Qinghai, Gansu, Sichuan, Inner Mongolia and other Tibetan areas, commonly used in Tibetan Buddhist temple activities. Silver trumpet, popular in *** and other Tibetan areas, commonly used in Tibetan Buddhist temple puja activities. Ox horn, popular in Guizhou Yi area. suona, popular in sichuan ethnic areas. Lejung, also known as Songkan Lejung, popular in the Jingpo region of Yunnan. Stringed Instruments The gourd zither, named for the gourd barrel, is popular in the Zhuang region of Guangxi. Aijiek, popular in the ***er, Uzbek, and Kyrgyz regions of Xinjiang, was reformed on the basis of the Dolan Aijiek. Kayak, popular in the Kyrgyz region of Xinjiang. Hami Aijieq, popular in Xinjiang Hami, Turpan and other *** Er ethnic areas, the shape of the system like the Chinese Hu, but in the two main strings outside the other four to eight *** sounding strings, the barrel of the iron and wooden points. Horse head qin, popular in Mongolia. Husital, popular in Xinjiang ****er region, mostly used for accompaniment or ensemble. Cow bone hu, popular in Guangxi Zhuang region. Sihu, also known as four strings, four strings or fiddle. The Mongolian people call it the huwuer, originating from the ancient Xiqin, used in the Qing Dynasty for the court band, called the fiddle, is an ancient bowed string instrument used by the northern ethnic groups *** with, mainly popular in the Inner Mongolia region, other places such as Shanxi, Shaanxi, Hebei, Henan, and Sichuan, etc., also popular; Ox Bone Hu (right). The two-stringed Guoha, also known as the ancient ladybird zither and the spit zither, is popular in the Rongshui Miao people of Guangxi and the Sandu Shui people of Guizhou. The bni, also known as the "seven-stringed zither" and the "waqin", is popular in the Zhuang region of Guangxi. Tuhu, named for the local homemade, is popular in the Zhuang region of Guangxi. Xiqin, popular in Jilin Korean area. Plucked instruments Tianqin, popular in Guangxi Fangcheng and other Zhuang areas; three-stringed, popular in Yunnan Dai, De'ang, Achang and other ethnic areas, often used for accompaniment. The ukulele, popular in Yunnan Lisu area, often used for solo, ensemble and accompaniment. Yueqin, popular in Sichuan, Yunnan, Guizhou, Guangxi and other areas of the She, Hani and Buyi ethnic groups. The one-stringed zither is popular in the Fangchengjing area of Guangxi. The three-stringed zither, popular in the Yuanjiang Dai area of Yunnan, is often used for solo performance. Ox-legged zither, popular in Yunnan Mojiang Hani ethnic area. Fetena, popular in Xinjiang Xibe region, improved by the plucked instrument Dongbuer; Rewafu, popular in Xinjiang *** Er, Tajik, Uzbek and other ethnic areas. Dutar, popular in Xinjiang *** Er, Uzbek areas, folk *** Er musical instruments of the mother of the reputation. Horse bone hu, popular in Guangxi Zhuang nationality ...... >>
What are the Dai folk songs? Dai music has a unique national style, including folk songs, song and dance music, rap music, opera music 4 categories.
Folk songs Mountain songs, narrative songs, sad songs, religious songs and so on. Mountain songs are mostly sung by young people in the fields, mountains and forests, or sung by men and women. Some of them express love, praise their hometowns, glorify the happy life, and some of them are improvised. The main mountain songs in Dehong area are "Shouting Well" and "Shouting with Mao". ① Mangshi, Yingjiang and other places in the shouting of the city and sub-city mountain song (Dai called "shouting well Le Meng", meaning popular in the towns of the song), Damzi mountain song (Dai called "shouting Ler Sisters," meaning popular in the countryside of the song) two kinds of songs. The former is softer and the latter is brighter. The styles of the popular Shan songs are relatively close to each other, and the basic characteristics of the music are: the tunes are more lyrical, with more cascades and small jumps, and the modes of Gong, Shang, Fei, and Zheng are more common, and sometimes there are alternating modes within the structure, or off-key and transposed in the direction of the subordinates. The old mountain songs (called "Shouting Mango Pan Tao" in Dai) and the rap songs (called "Dan Shouting Mango" in Dai) popular in the Chafang area can be categorized as Shouting Mango, but the styles are slightly different. The following is an example of Dehong Mangshi Chengzi mountain song: ② shout with the Mao, is circulating in the Ruili area of the mountain song, the music is bright and enthusiastic, most of the use of levistic modulation, rhythmic freedom, the tune in the seventh downward jump and the end of the successive upward jumps and upward sliding tone, quite distinctive. Shouting with Mao is used in love songs sung by men and women, which is called "Shouting Biyangshang", meaning love song. Ruili also has popular Burmese Dai songs, such as "Shouting Dai Liang" and "Shouting Leng Bao", which have a unique musical style. The following is an example of a song from Ruili, Dehong: The Dai songs of Xishuangbanna are basically the same in tune as love songs, with bright beats, clear accents, and fast music. The melody is based on gradual progression and small jumps, with seven or eight degrees of jumps between them, and it's mostly in the Gong key, but with an emphasis on levies and horns. The mountain songs of Jinping area are called "Huunmosao" in Dai language and are sung by young men and women at night, accompanied by dingqin, and the tunes are mostly in Gong mode, but end on the levitation. In addition, Yuanjiang and Jinggu have different styles of mountain songs. Narrative songs include "Shouting Xiu" (parrot song), "Shouting Wu Oh" (narrative song), "Shouting Nuan Boom" (running water song), "Sang Bake" (phoenix love poem tune), "Sang Bake" (phoenix love poem tune), and "Sang Bake" (phoenix love poem tune). "(Phoenix love poem), "Drag", "Suo", "Sen" and so on. Shaoxiu, directly translated as green song, is a folk song used to sing love poems or narrative poems, popular in Ruili and Mangshi in Dehong. The tune is rich in chanting, similar to the melody of the drums, and is often sung by the middle-aged and elderly people at home. ② Shouting Wu Oh and Shouting Nuan Boom are popular in Ruili area of Dehong. The former is rich in chanting, and the latter is more singable, often containing a variation of the Feather mode. Sang Bake is an ancient form of poetry popular in Xishuangbanna, and is also a long lyrical poem that expresses the sincere love of young people, and there are sung books in circulation. The singing style is similar to that of the Zanha tune, with a free melody based on the words, and can be accompanied by clinking and wickerwork, or sung in a clear voice. The music of Drag, Suo and Sen is popular in the Meng'a area along the border of Menglian County. The music of Drag is more lyrical, with a slightly freer tempo, and is mostly sung in the feather mode, accompanied by the bowed string instrument Duo Luo. The music of the Suo is more active, with a slightly faster tempo and mostly in the Shang mode. Mori is more melodic and is mostly in the feather mode. The song is accompanied by a flugelhorn instrument, the dingli.
Lamentations in Dai language called "shouting fine shouting sea", including "shouting sea", "shouting sea Saimai", "shouting ding", "shouting", "shouting", "shouting", "shouting", "shouting", "shouting", "shouting", "shouting", "shouting" and "shouting". "Shouting Sea", "Shouting Sea Saimei", "Shouting Ding", "Shouting Lame" and so on, which are circulated in all parts of Dehong. ① Shouting Sea, the Dai language means crying tune, sung by women while crying during funerals. ② shouting sea Saimai, is in the girl's marriage relative to the mother and daughter crying and singing, the lyrics show the mother and daughter of love and reluctance to give up. The two tunes are basically the same, the range is not wide, the melody is like the Gongyin three *** decomposition, the end of the sentence of the long tone is often used in a strong downward sliding tone. The melody is like the decomposition of Gongyin San ***, and the long note at the end of the sentence is often used with a stronger downward glissando. The song is sung without instrumental accompaniment. It is sung without musical accompaniment and is often chanted in times of sorrow. Religious Songs The Dehong area has the tune of worshipping Buddha, the tune of reciting the sutra, the tune of pouring water and blessing, etc. The Xishuangbanna area has the tune of worshipping Buddha, the tune of ascending monks, the tune of reciting the sutra quickly, the tune of reciting the sutra slowly, etc. In addition, there are also sacrificial songs reflecting primitive worship. In addition, there are also the tune reflecting the primitive worship of the gods, as well as the tune sung by witches, such as the tune of the teacher's wife, the tune of the jumping willow god, and the tune of divination sung by sorcerers. Their ****same characteristic is that their tones are close to recitation. In addition, there are hypnotic songs, children's songs and so on.
Song and dance music, including the peacock song, drumming, twelve horse tone, yi la chao, shouting and so on. They are sung during festivals and celebrations and are accompanied by percussion instruments such as elephant foot drums. The peacock song, called "Shouting Luo Yong" in Dai, is popular in the Dehong area, where singing and peacock dance performances are *** performed. The music is light and lively, mostly in the mode of levitation. ② drumming tune, called "shouting haiguang" in Dai language, popular in Dehong Mangshi, Chai Fang ...... >>
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