Two, urban public **** space art and the environment of the urban public **** space ceremony environment can be divided into the natural environment and human environment. The natural environment is 'the pen of heaven' since ancient times, human beings and the natural environment are compatible with each other, the ancient Chinese use of the natural environment should be in the ideal mood. 'Respect for nature, study of nature, imitation of nature, living in nature' has become the concept of modern design. Therefore today's public **** space should pay attention to the characteristics of natural attributes. Advocating the perfect combination of man-made and natural environments; the differences in a region's geographic location, natural environment, history, culture, religion, folklore, etc. form the qualities of different regions. These factors form the cultural environment of urban public **** space art. The study of the interaction between the creation of public **** space art and the cultural environment, this interactivity is reflected in the creation of the cultural environment, which can strengthen the qualities of the place, convey the social and cultural significance, triggering the environment user's **** Ming and associations, so that the artwork, public **** and the environment to form the interaction between the two sexes, to stimulate the environment's vitality and vitality. The cultural environment is thus created. Its existence allows people living in this environment to appreciate its spirit, and then produce spiritual exchanges, incorporating it into their own lives and gaining lessons. It can show the history, people's habits, humanistic background of the old performance. Make it has a humane flavor, let people feel friendly.
Three, the practical and decorative urban public **** space for public **** space art design, to analyze the characteristics, role and function. Practical public **** space is public **** space classification and serve the public space, reflecting the care of the public. Utility urban public **** space art and the public's life is closely related to its convenience to meet the rate of people's daily life needs, so the functional design of such facilities is the first priority, on the object material, structure, visual perception of the repeated adjustment of the test, so that it conforms to the use of human habits, visual psychological habits. How about public **** facilities; sidewalks, footbridges, underpasses, lighting facilities, guardrails, signs, display windows, bus shelters, telephone halls, kiosks, mailboxes, chairs and so on. And decorative public **** space art is an artistic creation to match the environment. It is the main performance situation of urban public **** space art, to focus on its own artistic value, the essence is the embodiment of the humanization of environmental design, there is a great value in the city. The placement of each public **** space art work is not an isolated decoration, to consider the relationship with other environments, not only squares, streets, parks, etc. have different personalities. Its decorative effect to meet the psychological needs of human beings.
Four, urban public **** space of humanized design principles 1, in the increasingly rich material today, people will often ignore the spiritual needs and quality of spiritual life, urban public **** space should be walking, shopping, leisure, conversation, viewing and so on have been ignored. Urban space presents a tendency of "emphasis on things but not people": people feel that they do not have their own space, public **** space leaves the use of people, it becomes meaningless, people can not get physical and mental enjoyment from it. People are the main body of the city, the design of urban space only people-oriented, adapt to the scale, speed and comfort, the vitality of the space can be fully demonstrated. Urban public **** space is essentially the focus of urban life, relieving people's mental stress and satisfying people's desire for nature. 2, throughout the history of human development, urban public **** space must be "human scale" as the basic yardstick of space, in order to create conditions for human activities and exchanges. In addition, for pedestrians to use environmental facilities such as chairs, sculptures, play equipment and other forms and layout should be consistent with the diversity of the user's requirements, as far as possible to create a sense of affinity and a sense of warmth in order to meet the psychological needs of people to encourage people to actively use and participate in, and to reflect the care of children, the elderly, the disabled and other special groups. Those public **** spaces that are close to the residents and small but exquisite are often better able to give people a sense of security, comfort, intimacy and human touch, and become places of activities that the masses enjoy. And constitute a humanistic style of the city. 3, each city is "growing" in a certain natural environment, urban public **** art and the lives of citizens, the city's historical formation and development, the environment has a close relationship with the visual nature. With the regional culture, ethnic distribution, customs have inextricably linked. Therefore cities have different character, character and style. Different space places in the same city also have different spirit of place due to the difference in scale, function and type of people's activities. Urban design should not be "one city in a thousand", but should take the city's unique natural, economic, humanistic, historical, topographical and local culture as the source of creation, conform to the natural topography and climatic conditions of the region, fully explore and utilize the humanistic and historical resources of the city, and through the use of compositional rules such as unity and change, scale and proportion, coordination and contrast, balance and prominence, etc., the city can be transformed into an urban space with different character, character and style. Through the use of composition law, the city's various material and cultural characteristics into the space of the constituent elements, forming a distinctive and characteristic theme of the space integration of knowledge, art, fun and social in one, rich in the cultural connotation of the city, so that people in which people have a strong sense of identity and sense of belonging, and become a symbol of people's memories, is full of vitality and humane space. Most of the human activities are carried out in the public **** space, so in order to meet the needs of people in the public **** space for a variety of behaviors, and the setting of public **** space art. 4, design to meet the needs and preferences of the general public, there is a two-way interactive relationship between people and the environment. Study of urban public **** place in the human behavior or activity law is a good urban design is an important condition. Therefore, people's activities in the public *** open space also tend to be diversified. Known as the "city living room" square, for example, the square can accommodate a wealth of activities, including gatherings, commemorations, performances, exercise, leisure, viewing, walking, browsing, entertainment, conversation, shopping and so on. These activities take place in the square at different times and the people involved are not the same, different city residents have their own preferences for different activities, so in different areas to form a distinctive "square culture". For example, some city squares in Europe have open-air cafes, and some city squares in China have become places for children to fly kites. These facilities not only meet the basic needs of people's lives, but also to meet the emotional needs of people through the review of decorative and intentional features.
Fifth, the city of public **** environment of the art of urban public **** space art is a response to human civilized life, urban public **** space art is the future with the environment and artistic creation, he is the main form of public **** space art. The creation of such works focuses on its own artistic value, but also receives the influence and constraints of the environment. The spiritual subject of art must go beyond the material subject to meet the needs of the main body, everyone is busy for survival and enrichment, the superficiality of life, programmed work, cultural fragmentation, man and nature, man and man, man and his own spirit is in a state of alienation. The value of urban public **** space artistry in urban existence is very great. Can be carried out on human awareness, education, aesthetic and psychological adjustment function, to achieve the optimization of the spiritual ecology in line with the relationship between man and nature, but also can create a spiritual space of human nature. It also plays a transformative role in people's sensory experience, and these public **** space art seeks to maximize the creative spirit of art and social aesthetic education function to guide the public towards the realm of high artistry, to undertake to improve the overall visual relationship between the beautification function, because the urban public **** space of art and public **** is unified. The urban public **** space should be in dialogue with the whole environment, history and culture of the city, and provide the public with a public **** will, maintain the urban sentiment, and create a harmonious spiritual space. People not only rely on vision to perceive the world, but through a variety of sensory to receive external stimuli. Obviously, the modern urban public **** space environment design there is a preference for vision, resulting in the disregard of other perceptual needs. The neglect of somatic sense undoubtedly limits the human space, the imagery of the environment is not the only sensory experience, ignoring a variety of perceptual experience of the spatial design concept has constrained the improvement of the level of design and the innovation of ideas, people need to perceive the environment through the senses, and aspire to obtain the sense of beauty from the environment around them. The urban public **** space environment not only gives the public the right of visual perception, but also gives people the opportunity to cognize the environment and get pleasure through the somatic sensation. Therefore, people not only need the environment to become visual art, but also want it to have a palpable beauty. Knowledge and beauty of the external environment. Therefore, the design of urban public **** space art should pay attention to the harmony with the surrounding environment, should focus on the viewer in the work of the field of different aspects of artistic perception.
Summary; the complexity of human activities, determines the diversity of the nature of the public **** space, and the openness of the urban public **** space art, not only including visual multi-level, multi-position open, but also includes the viewer's openness to different aesthetic interests. Therefore the creation of urban public **** space art is comprehensive, to consider the functionality. Humanistic theme, environmental view, public ****ness, environmental protection concept, material selection, and the psychological and emotional impact on the public and other factors. This comprehensive character is subject to visual psychology, architecture, environmental coloring, optics, folklore and so on. In short the creation of urban public **** space is the activity of the artist to build a 'bridge' of mutual harmony between the environment and the public. In China's current urban public **** space construction, urban public **** space is increasingly being attached importance to, so designers should take into account the inherent needs of mankind itself, in the urban space space performance characteristics, public **** space of the brewing, planning, creation, design, use, maintenance and renovation should be to meet the needs of mankind, the aesthetic significance of the space to be designed to interact with the operation, in order to make the urban public **** Space to meet human needs. Only then can the urban public **** space art in the true sense of the embodiment of value.