Project English name: LAI HE TAI SQUARE. name design of the three demands of the new culture, new landmarks, new wealth name design of the academic basis
1. Yangzhou's historical and cultural value from the "Spring and Autumn Period" contained in the left biography of the ninth year of Duke Lu Ai (486 BC), the Wu State to build the Generali City, communication between Jiangsu and Huaihuai counting, Yangzhou has been a history of 2,488 years. In ancient times, Yangzhou was situated along the river, near the sea, and was the north-south axis of the Grand Canal, the hub of China's south and north. The importance of its geographic location made it a place of war in times of chaos, and a city of merchants and a center of cultural exchange in times of prosperity. Frequent rise and fall, the accumulation of rich. Therefore, Yangzhou people can be both ancient and modern, the integration of the North and South, created a delicate and elegant history and culture and art of life, has a profound regional cultural resources. These resources should be transformed into cultural capital to generate new wealth.
2. Yangzhou's crane culture legend of Yangzhou traditional culture, and commercial civilization is most closely linked to the oldest, the most popular, the most legendary resource is the "waist of 100,000 Guan, riding a crane to Yangzhou". Originally recorded in the Southern Dynasty's "Yin Yun Novel"
[1], it has been more than a thousand years since then. This legend reflects the history of the ancient city of Yangzhou, where merchants and people were rich. In ancient times, Yangzhou was known as "Crane City"[2]. There have been many large buildings named after cranes, such as Xianhe Temple, one of the four earliest mosques built by Arab merchants who landed in China during the Song Dynasty, and this name is borrowed from the legend of Yangzhou crane culture. And according to the Qing Jiaqing 15 years, "repair Yangzhou Prefecture," Volume 23, "monuments," the Department of the record, Yangzhou City, north of the old "Qiuhe Pavilion", northeast of the old "riding the crane building". According to the Qing Dynasty Li Dou "Yangzhou Boat Records" records, Hugh Garden in the "Crane Pavilion". In addition, there are also ask Crane Pavilion, Laihe Village and so on. If we review the poems about Yangzhou from the Tang and Song dynasties to the Qing Dynasty, there are hundreds of works quoting this crane culture legend. All these show that the people of Yangzhou have borrowed the imagery of this legend to express their wish to recreate the prosperity of Yangzhou. The naming of the square is also realized on the inheritance of this cultural lineage.
3. The origin of "Laihe Terrace" Laihe Terrace is a famous landscape building in Yangzhou Huoyuan Garden in the late Ming and early Qing dynasties. The owner of the garden Zheng Man Ru, the word Shijie, No.俟(音四)庵. Ming Chongzhen twelve years tribute student. Poetry and literature, there are "three Hugh Garden Poetry", "Hugh Garden Poetry" and so on. Born in the salt merchant family. Father Zheng Zhiyan, word Zhong Jun, No. Dongli, a scholar, proficient in business, is the leader of the salt merchants in Yangzhou and the patron of cultural endeavors, known as the "salt (sound folder) Priest" and "Ru Lin丈人". He had four sons, Zheng Yuansi, Zheng Yuanxun, Zheng Yuanhua and Zheng Manru. Zheng's brothers all elaborate garden. Zheng Yuan Si (word Chang Ji) built "five acres of house between two acres" and "Wang's garden"; Zheng Yuan Xun built the shadow garden; Zheng Yuan Hua built Jia Shu Garden; Zheng Man Ru built Hugh Garden. One of the Shadow Garden and Hugh Garden can be called the end of the Ming and early Qing Yangzhou gardens in the fine masterpieces. Hugh Garden was then "Yangzhou garden, the most complex structure, the most difficult to create, but also the most outstanding masterpiece."
[4] It was built on the former site of Zhu's garden in the Song Dynasty. Covering an area of more than fifty acres. In it, there are more than thirty landscapes such as Laihe Terrace, Empty Cui Mountain Pavilion, Golden Goose Study House, Three Peaks Cao Tang, etc., and it hides the works of first-class artists such as Wen Zhengming, Dong Qichang, and Xu Wenchang. In the Qianlong period, his son Zheng Weiguang edited eight volumes of Huoyuan Zhi. According to Song Jiesan "Huoyuan Zhi", Huoyuan "extreme north and east, then for the Laihe Terrace, look away as out of the plug and lonely. Also like the painting method, not more than its open is not quiet, not its sparse is not dense, do not see its simple is not the text also." It can be seen that Laihe Terrace is the landscape of the garden to create a distant and sparse mood. At that time, Hugh Garden was also an important center of cultural activities in Yangzhou. According to the Record of Yangzhou Floating Boats, "The poetry and literature meetings in Yangzhou were held in the Ma's Small Linglong Pavilion, Cheng's Shino (篠), and Zheng's Hugh's Garden. And Cheng's Garden and Hugh's Garden were the most popular."
[5] One of the cultural connotations of Laihetai is that it is a symbol of Yangzhou's prosperity and the wealth of its people. Her name is a direct reference to the legend of "Riding a Crane to Yangzhou". Secondly, the gardens of Yangzhou are the model of Chinese gardens. Liu Daguan, a famous scholar in the Qing Dynasty, said, "Hangzhou wins by lakes and mountains, Suzhou wins by marketplaces, and Yangzhou wins by gardens and pavilions. The three are in perfect harmony, and cannot be matched." At that time, it was called "the most important theory"
[6] Therefore, Laihe Terrace should be the most outstanding building in the ancient Yangzhou architecture that can express the legend of Yangzhou commercial culture. Thirdly, it is a manifestation of Yangzhou merchants' emphasis on the relationship between economy and culture. The family of the owner of Laihetai has always been a giant among the salt merchants in Yangzhou, but they also came from Huizhou, with a Confucian businessman's flavor that emphasizes culture, which is unique among the Huizhou merchants. They sponsored local cultural undertakings with their profits from business, forming the center of local cultural activities. Fourthly, it is a symbol of Yangzhou people's love for their hometown and country. The people of Yangzhou are enamored with the legend of Yangzhou's crane culture. Constantly constructing buildings related to it. Send their love and good wishes for their native life.
"Laihe Terrace" concept of modern docking and conversion of Laihe Terrace contains a wish for Yangzhou's economic and cultural development and prosperity of the implications of the modern Yangzhou people's aspirations of the times. She is the inheritance and refinement of the unique commercial culture spirit of ancient Yangzhou. She is an ancient legend, and the people of modern Yangzhou will transform her into reality. She can inspire the people of Yangzhou to once again be proud of their own history, to once again experience the prosperity and affluence of the heyday, to once again discover their own ingenuity, and to enter the age of innovation with confidence.
The main attractions of the project name design of the main attractions of the square for the southeast corner of the platform, bridge, water features, mountain scenery. Now according to ancient poems and allusions, design naming scheme for adoption. The naming of the platform - Laihe Terrace this name is the same as the name of the square, with classical imagery of the modern terrace landscape architecture, the performance of the "Laihe Terrace Plaza" naming originated in the Ming and Qing dynasties in Yangzhou Huoyuan "Laihe Terrace". Bridge - Flying Clouds Bridge is a reference to the line "Flying Clouds to the Four Seas" by nephew Shen Shi of the Tang Dynasty in his "Poem of the Yellow Crane", which is a metaphor for the lofty aspirations of "Laihe Terrace Plaza" and the love of the Four Seas by the high flying and far-flung cranes. Water - Shadow Pond is from the sentence of "Dancing Crane Fugue" by Bao Zhao of the Southern Dynasty: "Folding up frosty hairs and making shadows", which is a metaphor for the unique and extraordinary image of "Laihe Terrace Plaza" with the noble posture of the cranes. Mountain - Jade Mountain is taken from Song Zeng Gong's "Poem on Dancing Cranes": "Suddenly I heard the Yaoqin playing, so I danced on the Jade Mountain Cen", which is a metaphor for "Laihetai Plaza's" beautiful recreational and sightseeing environment as well as value-added and leading conditions of home ownership, based on the crane's noble residence. The main functional areas of the project are The name design of the main functional areas of the project consists of office buildings, commercial buildings along Wenchang West Road, boutique stores, food and beverage pedestrian street, etc. The names of these buildings are all based on the crane-themed idioms, auspicious phrases, and poems and allusions to refine the design. The office building, Yunhe Mansion, takes the phrase "Yunhe swims in the sky". This is the tallest building in the plaza, like the head and neck of a crane, located in the northwest. In the modern feng shui imagery of this plaza design, it takes the trigram of "Zhouyi" that the northwest is Qian, residing in the heavenly realm, resulting in "a crane in the clear sky pushes up the clouds, and leads the poetic feelings to the blue sky" (Tang Liu Yuxi's poems), which expresses the weather of "Laihetai Plaza" that it will be ambitious and prosperous. Business Building - Pearl Building The business building, the Pearl Building, is based on the phrase "a crane holding a precious pearl". In the modern feng shui imagery of the plaza design, the main axis extending from the northwest corner to the southeast corner implies the imagery of "a crane holding a precious pearl". The ancient mathematical classic "Yi Lin" says: "The white crane holds the pearl, and the night food is bright. Cream moist excellent constraints, the country when the year is rich." It implies that "Laihetai Plaza" is a feng shui treasure for attracting wealth and gathering treasures and enjoying abundance forever. The pedestrian food street, Zhitian Street, is based on the phrase "Pecking the grain of Zhitian". The crane feeds on ganoderma lucidum, which expresses the functional characteristics of the food street and triggers people's association with the finest delicacies. "Each of the seven buildings in the street is named after a lingzhi and a lingzhi alias. The northern row from east to west is Jinzhigaku, Yuzhigaku, Xianzhigaku and Lingzhigaku; the three buildings facing the square from east to west are Qingzhigaku, Danzhigaku and Xuanzhigaku. Boutique Walking Street - White Feather Gallery takes the phrase "White Feather Drunken Wind". First, it is a metaphor for the boutique goods such as cranes white feathers as precious, the second is a metaphor for the boutique integrity management, such as cranes love feathers; the third is a metaphor for the boutique on the street visitors like cranes, comfortable, such as drunken spring breeze. Shopping plaza - year Hua Yuan take the modern Pan Tianshou painting poem: "Crane and plum blossom *** year Hua." Mascot name design mascot name: Yiming mascot for a dressed in Tang, holding a small flag of the crane, named "Yiming", not only that the crane will be able to transcend the ordinary, a song in the sky, a stunning; but also implies that come to the Hetai Plaza, the future of the great, famous all over the world.