This <Dreamcatcher> is a Secret Graden piece through and through. The Bandeiras are a band that likes to play covers, and their sixth album "Dream Garden" is all covers of famous New Age music. Turning by Suzanne Ciani - Suzanne Ciani
02. Dream Catcher by Secret Garden Dream Catcher - Secret Garden
03. Beyond the Sundial by Kevin Kern Beyond the Daylight - Kevin Kern
03. Kevin Kern
04. Adagio in Minor by Yanni Lyrical Minor - Yanni
05. Zarabanda by Karl Jenkins Sarabande - Kyle Jenkins
06. Season Of Light by S.E.N.S Splendor In Season - The Psychedelic
07. Lauren by David Friedman Roland - David Friedman
08. Give Me Your Hand by George Winston The Soong Sisters - George Winston
09. The Soong Sisters by Kitaro The Soong Dynasty - Kitaro
10. Ortaffa by Jean - Francois Maljean Ortaffa by Jean Malone
11. Beyond the Invisible by Enigma Metaphor - Enigma Orchestra
12. Hymn by Vangelis Hymn - Vangelis
13. The Golden Land by Ceredwen Golden Land - The Saints
14. Breakout by Ronan Hardiman Breakout - Ronan Hardiman
And the Bandersnatch version of the dreamcatcher that came with the cover is the second track on the album.
Bandrell's covers actually go far beyond that, with the first track on fifth album Daylight Coast, A Woodland Night originating from David Feldman, and the second finale, the classic "Childhood Memories," originating from a piano piece by Koki Hotta, as well as covers of Enya's classics Caribbean Blue, Watermark, Wishful Thinking, and more, on later albums.
By the way, here's some of Secret Graden's classic music.
<Song From Secret Graden>, <Moongate>, <Dawn Of A New Century>, <You Raise Me Up>, <Sometimes When It Rains>. ...
--------- ---------- ---------- ---------
rodney2012 This friend is pretty funny. I don't know if you are really ignorant or if you are just trying to make fun of people. But now that you have written about it, you can't allow me to not talk about it, and it just so happens that I have a bit of time, so let's talk about these issues more closely.
First, there is the issue of the real and fake versions of Bandera that you mentioned.
The two links you gave to the <Turning> music claim that the former is fake and the latter is real. I don't know if you are deliberately denigrating Bandera's music, intentionally, or if you just happened to misspell the two links. In my opinion, the former <Turning> is superior to the latter in terms of expressiveness, coherence and tension.
Listen to the latter first. The latter is played on a synthesizer or even a mid-range electric piano or even a computer, without any real traditional instruments. The former's music, on the other hand, enabled flutes, violins, synthesizers, and perhaps electronic drums. The highs and lows are obvious just by looking at the distribution of instruments. I wonder if this friend is trying to say that Bandera is just, ONLY an amateur keyboardist OR computer player?
At least I don't think so. The success of Bandera lies in its freshness and naturalness, and the freshness and naturalness of the music style is not something that can be demonstrated by this kind of electronic instruments. Would you still listen to "Winds of Change", "Childhood", "First Snow", "Spring Fields" if they were played on an electric piano or a computer? If the answer is yes, then I suggest you don't listen to music, music has nothing to do with you.
Then there is the claim that "Bandera's cover makes the original better". This is nonsense.
I would like to use the music of the great NEW AGE king ENIGMA <Beyond The Invisible> as an example.
This is the original ENIGMA version:
/programs/view/I_4UrHr97Wo/
This is the Bandersnatch version:
/playlist/p/l2671144i13791894.html
Meanwhile, to continue to prove the above In the meantime, to continue proving the point above, rodney2012's version of the so-called real Bandera is also shown, because in this music, the highs and lows are easily distinguishable:
/playlist/p/l4512570i20836506.html
First, listen to ENIGMA's original, and excuse me for borrowing from ENIGMA's review of it. zuobody's review, the single opens with the introduction of the xiaojiao, seemingly mysterious and deep, in the strange drums accompanied by the beginning of the female monologue, ENIGMA's lyrics have always been very deep, in the female monologue after the end of the moment appeared throughout the music of the chant, but this is just another accompaniment, the real show is Cretu, that is, ENIGMA's author of the magnificent wild singing, in the middle of the also constantly through the ENIGMA! The main event is the bold and wild singing of Cretu, the author of ENIGMA, interspersed with the voices of the choirs of the religious churches, and culminating in an interplay of voices. The whole piece is magnificent, melodious and wonderful.
Lyrics and Chinese translation here:
/question/61923314.html
Listen to the cover of "Fake Bandersnatch", which manages to spoil the ENIGMA classic. In this version, the deep chops are gone, replaced by the flute, and so are the female monologues and wild vocals. Minority chants, which had seemed mysterious, were here full of diamonds in the rough and very twisted.
The so-called "real Bandera" version comes next, in which even the flute is gone, replaced by an electric piano or a computer, and the drums don't even have the same power as in the "fake Bandera" version, and more importantly, if the "fake Bandera" version had been played, it wouldn't have been the same. The drums don't even have the same power as the "Fake Bandersnatch" version, and more importantly, if the chanting of the "Fake Bandersnatch" was barely audible, here it becomes a truly non-human, non-ghostly, staccato, and unintelligible voice. In any case, this version falls short of the "Fake Bandersnatch", let alone the original ENIGMA version.
The "real Bandera" version of the S.E.N.S. hit "Kaguya no Nakasu" is even more hilarious, as the perfect strings of S.E.N.S. are wrongly played by the "real Bandera", with the intro dropping a key for no apparent reason. A key drop in the intro for no apparent reason. Is this the best Bandera can do?
The "Fake Bandersnatch" cover of Kitaro's movie soundtrack of the same name, <The Soong Sisters> spoils what was once a magnificent, perfect drum beat. Whereas the original had a very natural drum beat, the "Fake Bandersnatch" version has a very amateurish drum beat, with no layers to speak of, and it doesn't feel like it fits into the whole song. The real Bandersnatch doesn't even have <The Soong Sisters> is the real Bandersnatch backing off?
These facts also refute the claim that they "worked together on the album". How could the original songwriters have worked together to produce such low quality music? Besides, collaborations should always be an improvement on the original songs, and in <The Soong Sisters>, in "Kaguya Season no Nakasu", is there an improvement to speak of?
If collaborating, why didn't Kitaro's drums as they were ****enjoyed with Bandersnatch?
If it was a collaboration, why didn't the Theosophists give them a slightly better synthesizer? Keep in mind that one of the Divine Thinker duo came from playing synthesizers.
If collaborating, why didn't either of them lend Bandera a grand piano, but let Bandera use an upright piano synthesizer or even an electric piano?
Why, may I ask, rodney2012? can you say? Please forgive me for talking a lot of nonsense, I just don't want more people to be misled by some self-righteous people.