Korean dancers, while carefully learning from the strengths of dancers of other nationalities, still preserve the inherent postures and body shapes of Korean dances, and the movements of the hands and the feet, the arms and the legs are still harmoniously coordinated.
The movements of the arms basically still use various postures such as flinging hands, surrounding hands, carrying hands, top hands, etc., and with the dance postures such as turning, jumping, etc., they skillfully embody the beauty of movement in stillness, showing the beauty of alternating fast and slow, the beauty of curves of dots and lines, and the beauty of the blankness of the tension and relaxation. This kind of situation, not only in the Korean dance program is commonplace, is in the famous encounter with the Korean large-scale dance drama (Chunxiang biography), dance epic (Changbai love) also makes the audience y for the Korean dance of the beauty of the body movement to operate in the best and nod ...