It's not that the smoky "ugly" Nezha is the real light of national comics. The light of national comics is not the image of good or bad characters, but the plot, production, animation, and other aspects of a movie that make it a good movie.
A good movie can't be made without a rigorous team, and Nezha is a team led by its director Dumpling, who has strict character design requirements. In order to present the "new" Nezha more perfectly, director Dumpling has gone to great lengths to rewrite the entire image of Nezha on the basis of the nearly completed film, which has resulted in the new Nezha, who is now "unrivaled" in the world. Secondly, The choice of shots was a matter of excellence. There were more than 5,000 shots designed for the early stages of the movie, and in the end, less than 2,000 "selected" shots were presented on the big screen. For the half of the footage that was "abandoned", director Dumpling said, "Every effort will not be in vain". Thirdly, the detail control is very strict. Under the director's strict requirements, all the main characters in the movie have nearly a thousand detail points on their faces alone, and strive to make the characters' expressions more expressive. It is these seemingly "superfluous" efforts that ensure the quality of the final movie.
Ne Zha in the movie has turned the audience's previous impression of Ne Zha upside down, and has transformed into an evil monster. This is a novel and unconventional setting for the movie. As the "cheapest and baddest" Ne Zha in history, he seems to be taking on all the injustices that fate has thrown at him, "If the world says that everything is predestined, then fight, break, and overcome.
Ne Zha, a mythological character known to children as young as three years old, would have been difficult to match if the film had been made in its usual mode, no matter how many laughs were laid out or how well the special effects were done. "The first time I've ever seen a movie, I've seen it in a lot of different ways. Na Zha's Magic Child's Descent is excellent in the sense that it uses modern aesthetics to make a very stylized trade-off, with a New Age aesthetic embedded, broken and then established.
Many of the details also show the influence of Stephen Chow's no-nonsense style of painting, and the director himself admits that he grew up watching Hong Kong movies and doesn't shy away from being inspired by them. Whether you interpret this aesthetic in this animation as "absurd," "nonsensical," or "ugly," you have to admit that "Ne Zha" has stepped outside of the box and accomplished a new style of
More importantly, the film is a good example of the kind of work that can be done.
More importantly, the movie accomplishes a new type of character relationship based on the old one.