Walking with Cows was born in 199 1 year, and the background color is very in line with the Disco style of mosaic. The broken chord, the synthesizer at the beginning, and the drums of 1, 4, 1 make the momentum of the song very "martial arts". The main song part is very clean, and the synthesizer and wind music come in again during the chorus, which is basically the alternation.
The whole version is lively, but there are limited guitars that feel excellent, which may be his original intention. And the biggest deduction is Xia Ying's "recitation"-most pure reading without flow really doesn't play a positive role. Fortunately, I didn't watch as much as Shi Lu the Hedgehog last season.
Extended listening: Second-hand Rose also adapted Running with Cattle, which was included in the cover album Everyone has a lead singer's heart. It's very interesting to make a guitar riff with the classic clip of Michael Jackson's Smooth Criminals.
Interestingly, the dream catcher is also a song of 199 1 In memory of Sanmao, Tayu Lo added four lyrics dedicated to Sanmao on the basis of "Youth Without Regret". The color is also in line with Island Mood's temperament.
Although I didn't like their "8+8=8" in the last issue, the guitar arrangement and timbre are a bright spot, and this feature has remained. Guitarist Jaguar creates a grainy feeling, and the lead singer plays SG with broken strings (lamenting that there are fewer and fewer independent bands with double-coil guitars now), which conforms to the original feeling of the song. The orchestra that came in during the main song did not suppress the expressive force of the guitar and was well received.
The second half of the song enters the "manic" part, and there is no way. As a "test-oriented" competition, the painful lesson tells the band that there must be some links to be blown up. I feel subjectively that if the chorus is not sung in the second half, only the basic human voice is interpreted, and the instrumental part is extended for another 30 seconds to 1 minute, the overall feeling will be very different.
If I were a fan of pop music, I would vote for Island Love.
Five people chose Wu Bai's The Last Dance from 1996' s album The End of Love, which became popular because of the fire of Goodbye this year. This song is not easy to change, because it has become an idol in the hearts of some viewers. The Last Dance has replaced Norwegian Wood as the most popular song in Wu Bai.
The five people started with the prelude of "Dream Lisa Salon", which is considered as a small egg. I like PeopleSoft's handling of the title song, changing the relatively calm rhythm of the original song to be more casual and chic, but Amao's chorus lacks some characteristics. As an audience who has seen "I want to see you", wind music gives me a heavier sense of "crossing".
PeopleSoft also used Gibson's SG guitar, but the tone was not dynamic, and the high probability was his original intention. After all, he once said "to be plastic". This can't help but remind people of the entry-level comprehensive effect device such as Zoom 505 or Vox StampLab that every beginner of electric guitar has bought.
Fu Lushou was the first band to choose to adapt a big gap single. I think everyone can see how thin the original song of "Teenager" is. There is a lot of discussion on the internet about how excellent the adaptation of this song is. Here I want to discuss a digression, that is, "whether spraying Fu Lushou has become a trend".
First of all, the Internet has developed into an obvious "information cocoon room" effect, and what we see is not reality. At least I have seen completely different discussion positions on Fu Lushou on various platforms. Therefore, whether the whole network is spraying Fu Lushou is still a problem that needs to be investigated.
Then why is it that Fu Lushou's adaptation is so complete, and some of his own creations are added, with obvious layering and rich emotions, but it is still hated by some people? There must be a big reason for five people to rely on personality charm, but not only that, in the face of an academic school with a good background and strong technology, more people can't have feelings with them, which will give people a feeling that Fu Lushou is fake.
After all, people who hate Fu Lushou should not think that their music is not good, but that it is "not appealing enough". There are many reasons why the more exquisite and complete music can make people feel. Although everyone's position is different, as long as they speak rationally, there is no problem.
To say that I don't like this performance, it is the articulation of the lead singer and some designed movements of the harp player (such as playing drums and playing the piano) that make me uncomfortable.
If I am a fan of pop music, I will vote for five people on the principle of "whether I like the band's performance or not".
At the same time, both sides chose 20 18 single "riding my beloved scooter". Because this song only has more than 2 minutes, the harmony is simple, and the meaning of the lyrics is neutral and focused. Basically, it can be considered that more than half of the songs are "white paper", and there is great room for adaptation.
The electric piano of the chair is also Jaguar, and the reverberation has maintained due restraint and praise; The timbre is extremely comfortable and widely praised; There was a solo at the end, which received rave reviews.
Chairs are really a very unified band, and their adaptation is in the same strain as Rollin' On, which debuted for the first time. Although there is constant repetition, it does not sound boring. The song structure is simple, and the overall feeling is very relaxed and happy. I don't like the chair belt very much, but I have changed this time and found that they are good at making choices.
With the development of indie music, subtraction is an ability. Not only that, the chair gives me the feeling that they are very happy. It's hard to see a happy band now. Every artist's personality creator seems to be adding some unwarranted missions and excessive scrutiny to the world, returning to the essence of music and keeping relaxed has become a scarce quality.
The white paper finally found a foreign aid live performance synthesizer, which is gratifying. The whole song outlines a picture of a hero and an ideal takeaway with passion in his heart.
At the beginning, the motivation of the synthesizer was very cheerful. After the sampling of the take-away list was remembered, the color bucket turned straight down, completing the state from "rest" to "work" and soon entering a full sorting state. Exotic improvisation and repetition brought a strong sense of the original sound of the film, and a series of pictures of the takeaway wearing a helmet to start the scooter appeared in my mind.
The humming of the main song is to contrast with the emotions behind it. The white paper uses many elements in the arrangement, obviously more than the "chair orchestra", which is not "just right" and at least has its own function. Intermittently raging hormones are like the physical state of every extremely advanced takeaway brother.
Finally, the bass player's roar combined with the low voice of Liu Tong's "scooter" clearly tells the audience that all this is an imaginary racing scene of takeaway, imagining that he is an urban hero, and the emotional turn of the song brings people back to reality-he is just a small takeaway who rides a scooter and must obey the traffic rules and deliver food in time with a helmet.
If I were a fan of pop music, I would vote for these two bands. If I have to choose between two, I can only vote for my favorite white paper subjectively.
Tianzhu Girl is a household name because of the 86th edition of The Journey to the West, and composer Xu Jingqing is also the originator of electronic music in China.
This version of Housha makes me want to cry. I think they are very much like Hedgehog Band, which is about to fall apart. Xiaowu quit the team for a long time, and the band members also have their own plans. I feel that Fu Han wants to fight again with the band. If he can't play Tang Ming, he may really want to live in a different way.
Even though the tuning of Fu Han in this issue is worse than some time ago, fans who have accumulated personal charm actually don't care much about it. It's just that the girl who was so cool in those days was going to perform a stage song with the feeling of Spring Festival Evening, which was somewhat trance-like.
The part of collective drumming in the middle to show vitality is actually an arrangement idea, and it should be more complicated and diverse on this basis, because Fu Han's singing itself can't get extra points, so it is better to do more and better instrumental music. It's a pity that this part just ended soon, and it's just an ornament.
On the whole, I think the biggest problem is that Fu Han's singing skills do not match the timbre of musical instruments, and there is a serious sense of separation between instrumental music and singing. In the middle, I used to think that Fu Han's song "Don't open your mouth" was not bad.
Hey, I hope everyone in Housha will get better in the future!
Extended Listening: There was once an album called "You are in the Red Chamber, I am on a Journey to the West". The theme is songs adapted by domestic bands from The Journey to the West and A Dream of Red Mansions. The East China Sea Dragon King Band, led by the Trojan guitarist Deng Liyuan, adapted "Tianzhu Girl", which is a bit psychedelic. You can listen to it.
Dalang's Love Transaction was published in 2009, which can be said to be the single of the king of square dance. Speaking of this song, let me tell you a joke first.
When the smog problem in Beijing is still very serious, if you can't stand the local air quality and decide to call on everyone to control the smog problem and shout out "eliminate smog", you have already begun to sing "love business".
As the saying goes, "the best way to eliminate fear is to face it and cheer for Ollie", and the best way to eliminate vulgarity is to put yourself in the so-called vulgarity, so that all exquisiteness, beauty and elegance are completely aphasia in the environment created by yourself. After losing the contrast coordinates, it will achieve the effect of appealing to both refined and popular tastes.
New Pants's opposition to the elite is the elite, and Erebati is the representative. The big wave adopted the same method. In the first scene, there was no new trend of this disease, and the exquisite makeup declared that it stood on the opposite side of punk. However, in the face of Love Transaction, the first stop at the extreme point of grassroots, only by opposing elites and dispelling the mainstream aesthetic significance can we turn decay into magic. Therefore, seeing Xing Xing's performance, coupled with his resemblance to Sid Vicious's appearance, declared that this was a punk return.
In contrast, the part sung by Li Jian is boring, but after all, it is an adaptation, and we can't completely abandon the part of the original song. Maybe that's it. After listening to it, I can feel the meaning conveyed by the lyrics of Love Transaction and the discussion that followed. It really feels like a punk song.
If I were a fan of pop music, I would vote for Big Wave.
See you next time!