How was the adaptation of "Back to 20"?

The localized adaptation of the Korean version of the script is very successful, and equally successful is the fact that each character is well established and has a distinct personality. The hardest part was the female lead. First of all, in terms of setting, a sharp-tongued, mean and venomous old lady and a cute, passionate and multi-talented young girl have to be embodied in the same character at the same time. From the actors to speak, playing the old lady's Gui Yalei, both to play acting skills to complete the former, but at the same time to reflect the latter, this kind of if there is like nothing to hold up the position is very difficult, of course, Gui Yalei, these are not a problem. In contrast, Yang Zishan, who plays a young girl, should definitely be taken out and praised. To portray the soul of an old woman as a young girl is not a difficult task for a qualified actress. What's difficult is that in the second half of the drama, Yang Zishan's young girl completely drops her guard in front of the old man who already knows what's going on, and then she has to act out the feeling of a young girl's body and an old woman's heart in front of her grandson, who is played by Lu Han. This kind of switching or transformation is not difficult for veteran actors like Gui Yalei, but for young actors like Yang Zishan, it's not so easy. To be honest, when I first found out that Yang Zishan was cast in the movie, I was worried that she would be a bad influence. Luckily after watching the movie, I was practically smiling with relief. Once Reunion comes out, it's definitely going to be Yang Zishan's first masterpiece. In terms of acting, theme, meaning, styling, narrative and even music, Yang Zishan and the movie have reached a relationship that accomplishes rather than serves each other. From "To Youth", "You at the Same Table" to "Rush Hour", one thing criticized by many is "fake youth" and "fake nostalgia". The timeline is pulled, listed on the big events (9/11, SARS), or roughly thrown to you a lot of nostalgic elements, even if it is to help you return to youth. We can't forget the first taste of the forbidden fruit, and it would be even more youthful if we could get pregnant by accident and have an abortion. We all say that we can't make a movie about youth in China, we still have to rely on Taiwan, and we want to press the heads of domestic directors and producers and funders to watch "The Blue Door" a hundred times, or even a hundred times, "Those Years". I would like to remind them that the first and foremost point of making a youth movie is to be sincere