Song of life movie

English title: Song of Life

Morning song

Color type: color color

Film size: 35mm

Movie time: 102 minutes.

Film genre: plot

Graded Series: General Level

Year of production: 1968

Producer: China Film Company Limited.

Issuing company: China Film Co., Ltd.

Director: Li Jia

Plot: Blue Ocean, Qibin and Xujiang

Place of production: Gong Hong.

Actors: Ke Junxiong, Blaine and Bihui Fu claim heirs.

In the hands of a dead old woman

Holy oil is wasted

Eagle, lamb and peacock!

It's slippery,

The spreading treetops—

They treated him like

Women's dance steps are generally very important!

No one is pointing at me behind my back.

Draw feet, how free he is!

He smiled, despite life.

Wrinkles whisper: death!

Every place is quiet.

Provide him with a place to go,

vagrant

Go with the flow and wander around.

A swarm of wild bees

Take his soul,

The singing of dolphins

He stepped up:

Some land supports him.

All the land is impressive. Look at him.

Shepherd's Day

Take the river of darkness as the boundary!

Make him smile.

In the hands of a dead old woman

Holy oil is wasted

About eagles, sheep and peacocks:

Smile at your partner. ——

Wandering and carefree.

Abyss and the Garden of Life

Take him.

(Translated by Yang Hengda) Hofmannsthal began to publish poems in middle school, and showed extraordinary precocity and wisdom. 16, 17 years old, he wrote immortal poems and an unparalleled prose, which made him enter the history of German development. (Stefan Zweig) His poems have won the love of a large number of readers with beautiful language and profound thoughts. The pursuit of broad and far-reaching artistic conception in art, music rhythm, plot structure and language image are all suggestive and symbolic, which is perfectly reflected in the first poem of Frontier fortress. There was a time when this poem had no title. Later, when the poet rearranged and published his poems, he added this eye-catching title, making it a masterpiece of the poet's early ten years.

Let's get to know the background of this poem first, which is also a necessary passage to enter this poem. It is said that Alice, the cousin of philosopher Golm Baltz, once traveled in India. On a sultry evening, Alice looked down at the activities of various animals in the yard below from the balcony, and suddenly felt a mysterious feeling: there is an unpredictable and measurable relationship between all life in this world, and it is this relationship that brings all kinds of life in nature together. This indescribable mysterious illusion stirred every sensitive nerve of her like an electric current. Inspired by this strong idea, she sprinkled a bottle of special precious incense left by her grandmother on the animals below. . Based on this, the poet used the idea of sublimating poetry for an instant, which made the whole poem gain shocking strength and ideological depth.

The first verse of this poem brings the reader into a mysterious atmosphere. "Let the heirs waste the holy oil in the hands of the late old woman on eagles, lambs and peacocks! He wastes precious holy oil on these animals, and in the Bible, anyone who wastes holy oil will be punished by God. God's punishment for "him" is doomed, so he faces death. He waved everywhere alone, but he was free: "How free he is without anyone pointing/painting his feet behind his back! /He smiled, though the wrinkles of life whispered: Death! Every place is quiet/provides him with a place to go/homeless people/drift with the flow and wander around. "

All life has mysterious power. Although death is inevitable, life is everywhere. Even if it wanders around, it can bring its mobility and tenacity to all places, so life will always be "majestic" on earth. In fact, it is not a waste for him to anoint the eagle, lamb and peacock with holy oil. It is a wave to leave the holy oil in the hands of the dead old woman, because life has left her. Animals that live like living people are feasible and magical, so "he" smiles at these partners. Because he knows very well in his heart that this drifting abyss, the garden of life, is the only way to carry him forward. The soul brings troubles to people, but the life of animals is like an abyss without troubles. Its mystery has not brought more trouble to animals, so there is no need to worry about what shepherds or priests call the "river of darkness". Life itself is sacred. It is both an abyss and a garden, representing or bearing the existence of the whole human race.

This poem attaches great importance to the musicality and formal beauty of language, and basically continues the rhythm and music of folk songs. In rhythm, the poet pays special attention to repetition and change. Overlapping is one of the most important and basic expressions in folk songs. Repeated emphasis on the same image can deepen readers' impression and emotional concentration. For example, the last section seems to be a repetition of the first section, but it is not a simple repetition of the first section, but the rhythm has also changed through the adjustment of word order. The first two lines of poetry reflect the independence of poetry from reality through the listing of several words, because they are not related semantically. At the same time, it also makes reading difficult to understand, and these images are undoubtedly symbolic.

This poem is originally a work of art composed of various symbols, and "He", as the protagonist of the poem, is among them. Here, the poet captures the subtle tremor in people's hearts and achieves a high degree of harmony between artistic content and form with elegant language and strange metaphor. Hofmannsthal has always regarded the effect of art as the soul of art. He once said, "I talk too much about the effect, but too little about the soul. This is because I regard the effect as the soul of art, the spirit and body of art, the core and shell of art, and the whole essence of art. If art has no effect, then I don't understand what it is for. If it works through life, that is, through matter, then I don't understand its purpose. "