I. The Journey to the Full Well
1, the original text:
The Journey to the Full Well Yuan Hongdao of the Ming Dynasty
Yandi cold, after the Flower Festival, the remaining cold is still severe. Frozen winds are made, and when they are made to fly sand and gravel. The room is not suitable for the purpose. The first time I saw this was when I was a student at the University of California, Berkeley, and the second time I was a student at the University of California, Berkeley.
22 days a little and, together with a number of friends out of Dongzhi, to the full well. High willow embankment, soil paste slightly moist, a look at the wide open, if the swan out of the cage. At that time the ice skin began to dissolve, the wave color at first bright, scaly waves layer by layer, clear to the bottom, crystal like a mirror of the newly opened and cold light at first out of the box. The mountains for the clear snow wash, Juan Ran such as wiping, fresh and bright, such as the Qianlong girl's face and bun of the beginning of the swept also.
Willow will be Shu Shu not Shu, soft tip cloak wind, wheat field shallow hyena inch. Although the tourists are not full, the spring and tea, earthenware and song, red dress and lame people, but also sometimes have. Although the wind is still strong, but hiking is sweaty. All the birds exposed to the sand, sip the scales of the waves, leisurely, hair and feathers between the scales and hyenas have a happy atmosphere. The first thing I realized is that there is no spring outside of the countryside, and the people who live in the city don't know it.
The person who can't fall into the matter of touring and dashing between the rocks and grasses is the only one who can do so. And this place is suitable and Yu near, Yu's tour will start from here, evil can be no discipline? The first time I saw this is in February of the year.
2, translation:
Beijing area climate is cold, every year in February, after the flower festival, the residual cold is still very strong. Cold winds blow from time to time, and when they do, sand flies. (People) are confined in a room and want to go out, but it is impossible to do so. Every time one braves the wind and walks quickly, but one is forced to return after less than a hundred steps.
The weather was slightly warmer on the twenty-second, so a few friends and I went out of Dongzhimen to Manjing. Tall willows stand beside the embankment, the fertile land is a little wet, a look at the openness of this place, (feel like) as if the swan escaped the cage. At this time the thin ice on the river has just melted, the waves have just begun to brighten, like fish scales like waves layer by layer, so clear that you can see the bottom of the river, the waves of bright appearance, the water surface is bright as if the mirror box has just been opened, the cold light suddenly shot out of the mirror box like. The mountains were washed by the melted snow on a sunny day, and looked wonderful as if they had just been rubbed; bright and beautiful and bright and charming, and like a beautiful maiden's face washed and just combed her hair in a bun.
The willows were about to spread, but had not yet done so, and their soft tresses were spread out in the wind, like the hairy ones on the necks of beasts (wheat seedlings) about an inch high. Although there were not many visitors, those who drew water from the spring to make tea, those who sang with wine cups, and those who rode donkeys in colorful dresses could be seen from time to time. The wind was still strong, but even if you walked with empty hands, you would perspire. (The birds sunbathing on the beach and the fish playing on the water were all at ease, and all the animals smelled of joy. I realized that there is no spring beyond the countryside, but those who live in the city don't know (that) there is such a change.
The only person who can play among the rocks, grasses, and trees in a carefree manner is an official like me, and I don't want to miss my work because of playing. Moreover, this place is close to my residence, and I intend to start my excursion from here, so how can I not have an account of it? This is the February of the 27th year of the Wanli reign of the Ming Dynasty.
3. Appreciation:
The beginning of the poem points out the season of the time and place. The old custom of Yan Di to the lunar calendar February 15 Flower Dynasty Festival. On this day people should go to the field to play and enjoy the spring. However, this year, after the Flower Morning Festival, the remaining cold is still very strong, so it can be seen that the weather in the north is cold, and spring comes late.
The author writes about spring tour, but first writes about not being able to tour. This reflects the author's literary idea of "not sticking to the rules" and "sending out what people can't send out". The next few sentences follow on from the previous one, "the remaining cold is still severe", focusing on the wind and sand. The wind is "freezing wind", there is a sense of freezing ice; and often scrape, a wind, sand and gravel flying, simply can not go out.
Once out of the house, I walked quickly against the wind, and could not stop myself from turning back in less than a hundred steps. This is a contradiction between the desire to travel and the inability to travel. The author is a person who likes to travel and love to move, the flower festival has passed, and I do not know how the flowers, and therefore the intention to travel has long been unable to hold back, but was blocked by the cold wind and gravel, and had to be "confined to a room", its chagrin and depression can be imagined.
The following, the author recounted the twenty-second day with a friend tour of Manjing when the melting spring. A "and" word, both write the weather and warm, but also reveals the author's mood of thawing, so immediately with a few friends out of Dongzhimen, to Manjing. "
A person who is "confined indoors and cannot get out" suddenly comes to the field, sees the tall willows on both sides of the embankment, and smells the aroma of moist soil. The heart can't help but ripple with a springtime joy. He looked around at the countryside, a wide open space, happy mood like a bird out of a cage, flying to the vast spring field. "The swan is a swan, and this is a depiction of the joy of being freed from the confined situation of living in a cage.
"Ice skin began to unravel" several lines write the beauty of the spring water. "Ice skin began to dissolve, the color of the wave at first bright", with a pair of sentences, pointing out that the remaining cold has receded, the thin ice first disappeared, the spring water began to show the color of clarity. "Beginning", "at first" two words fasten the early spring scene, very apt. "Scale waves layer by layer, clear to the bottom, crystal like a mirror of the newly opened and cold light out of the box at first," is written breeze blowing across the water, ripples like fish scales, clear water glittering, as if just open the mirror box in the morning, reflecting the mirror's clear light.
The "newly opened" and "first out" of "mirror" and "first out" of "cold light" are the same as those of "Ice to begin to dissolve, the wave color at first bright" of the "beginning to dissolve", "at first bright", one is to describe the beginning of the day, the second is to describe the beginning of the year, echoing each other, the same loom, there is a sense of the festival, which shows the author's meticulous observation and carving. See the author's observation of the meticulous and skillful carving. In addition, the use of the newly opened mirror to compare the bright spring water, seemingly beautiful and ironic.
"The mountains are washed by the clear snow" is a few lines, the beauty of the spring mountains. The snow on the mountains was melted by the sunny day, the green mountain color as after the wash test general, looks bright and charming, as if just washed the face of the beauty is combing and sweeping her hair bun. The word "始" in "始掠" indicates that the beauty has just finished her morning makeup. This simile, together with the simile of the spring water in the mirror above, although referring to the mountain and the water respectively, are connected, and the mirror brings out the beauty who is combing her hair in the mirror, which integrates the spring mountain and the spring water into a whole, and gives people a sense of harmony and beauty that is born out of each other.
After writing about the water and the mountains, I wrote about the plants. Willow is a sensitive spring messenger, but also a symbol of spring color. "Willow will not Shu Shu", write the willow buds just spit, the branches of the yellow green, like a bud, want to open and close, a different kind of charm. "The soft tip of the wind", is written out of the dynamic beauty of the willow. Soft willow, although not yet hanging down ten thousand strands of silk, but already meet the spring wind low and dance. With a "soft" word, "phi" word, write the early spring willow style, very vivid.
These lines are about the willow, responding to the previous sentence of "high willow embankment", and making further appreciation of the view. The author with extremely concise words, the characteristics of the scenery and their own aesthetic feelings clearly expressed, each sentence is permeated with joyful emotional color.
The above sub-paragraphs, from the first impression of the field to write, and then layer by layer to show the beauty of the spring water, the beauty of the spring mountains, the beauty of the willow, the beauty of the wheat seedlings, constituting a picture of the northern countryside of the early spring scenery, which is the description of the first level of the early spring scenery.
Next, I wrote about the visitors in early spring. The remaining cold has just passed, the spring has not yet arrived, and there are not many tourists. But after all, spring has come, and the first picnickers have followed. The author writes about the several moods of the travelers: "spring and tea", is drinking spring water to make tea, looks elegant and leisurely; "earthenware and singers", is drinking and singing, looks bold and quick; "red dress and crippler ", written in colorful costumes of women, riding a donkey slowly and get, seemingly calm and comfortable.
The phrase "but also when there" means that it can often be seen.
This sentence is a reversal of the phrase "although the tourists are not yet abundant", which indicates that there are quite a number of people traveling in the spring. The author of these earliest to the outskirts of the spring travelers, obviously appreciate and have a good feeling. "The wind is not strong, but hiking is sweating drenched back", these two sentences is to write their own feelings, although the wind in the countryside of the original is still very a little strong, but hiking, from the back of the sweat, but clearly can feel the warmth of the spring.
This stanza is a picture of a spring trip to the countryside, with the travelers enjoying themselves. They are not only enjoying the earliest spring light, but also adding a lot of vitality and warmth to the scene of the first retreat of the cold and the return of spring to the earth. This flashback has become the second major level of describing the scenery of early spring.
"Where the birds of sand exposure" a few lines, write the creatures of nature. "Birds of exposed sand" refers to birds basking in the sun on the beach; "Gluttony of scales" refers to fish breathing in the water waves. Exposure of sand depicts the bird's peace and quiet; sipping waves portrays the fish's freedom and innocence. The author summarizes the creatures' sense of leisure and contentment in the spring light through the movement of the fish and the bird.
He even found and felt the feathers of the birds and the scales and fins of the fish, all overflowing with a "joyful atmosphere". As the saying goes, "to write for the mountains and rivers, for the fish and birds," the author, with the means of a painter and the sensitivity of a poet, brought the early spring scenery to life. This section focuses on nature's creatures, constituting the third major level of spring description.
Through the above three levels of description, an aesthetic conclusion: "Begin to realize that outside the countryside, there is no spring, and the city dwellers do not know." Spring is outside the countryside, but those who live in the city don't know it yet. Contrasting these lines with the beginning of the poem, "I was confined to a room and could not get out", we can feel the author's relief. He was outside the countryside, enjoying the breath of early spring and the vitality of nature, the heart of the depression and coldness to this time will be one of the sweep.
In addition, this contrasts sharply with the earlier scene of "freezing winds, which are often followed by flying sand and gravel". "
This is the conclusion of the author's excursion to Manjing. The word "Beginning to know" is derived from the deep feeling of seeing and meeting God, that is to say, when he stood outside the countryside and bathed in the beautiful spring light, he had some feelings for those who had long been dormant in the city and could not feel the breath of early spring. The symbolism is not limited to the perception of spring colors, but contains the beautiful sentiment of triggering people to get rid of the mundane and yearn for nature.
Above the scene, write people, fish and birds, and then shoot into the people themselves. "The only person who can not fall into the affairs of the tour, but dashing between the mountains, rocks, grasses and trees, is this official." These lines are saying: I am the only official who can freely roam among the mountains, rocks, grasses and trees and not be delayed in his official duties because of his amusement.
At that time, he was serving as an instructor of Shuntian Prefecture, an idle post, and thus had time to roam freely without fear of delaying his official duties. The author's desire to return to nature is expressed in his thoughts and feelings.
The ending, "This place is close to Yu", literally means that this place is close to his residence, but the word "close" not only refers to the spatial proximity, but also refers to the proximity of temperament and character. Here reflects the sense of blending things and people, like meeting a confidant. "I will start my tour from here" means that this tour to Manjing will be a memorable beginning to write down this wonderful first impression.
Turning the feeling into words is to consolidate the memory and to review it from time to time, which fully reveals the author's feelings of fondness and cherishing. As a matter of fact, the author had already traveled to Manjing in the 26th year of the Wanli reign (1598) and had written a poem about it; however, he said here that "I will start my travels from here". This is probably because this time the feeling is particularly deep, so take it as a good beginning. Finally, he states that the time of writing this travelogue is "the second month of the year jihai", that is, the second month of the twenty-seventh year of the Wanli reign (1599).
This travelogue is also unique in its artistic approach.
One flip side is the use of white description. The author writes the scenery, not to pile up words, but with extremely concise brushwork outlined. Such as writing the water for the "wave color at first bright, scaly waves layer by layer, clear to the bottom", write the willow for the "will not Shu Shu, soft tip cloak wind". This method of expression, there is no exaggeration, rendering and baking, but the image is clear as a picture.
On the other hand, it is the rhetorical pattern of anthropomorphism and metaphor. The author writes about the mountains, using the new makeup of a woman as a metaphor, and about the fish and birds, saying that they are overflowing with joy, all of which are written in anthropomorphic style. This method of expression can increase the sense of movement or "aura" of the scenery, and at the same time, it also incorporates the author's subjective emotions. Anthropomorphizing the scenery is a common method of writing in Yuan Hongdao.
In this article, this writing style is also very prominent. Although the expression of simile is very common, Yuan Hongdao's use of it has its own novelty. In this travelogue, most of the similes are used to write about the scenery, such as the water and mountains analyzed above; but there are also written about people (themselves), such as describing their own travel to the city as "a swan out of a cage". These metaphors are appropriate because they come from the author's deep experience and feelings.
This travelogue describes the weather of early spring in the north of the country, which conveys the spirit of the mountains and rivers, and is filled with the author's feelings of leisurely yearning. The author from the city to live in the spring narrative, then write the countryside to explore the spring, and layer by layer written out of the countryside of the early spring scenery attractive, and finally concluded: "Beginning to know the countryside outside the field, not beginning to no spring, and the city dwellers do not know." Responding to the beginning of the trapped in the situation, very different from the bittersweet difference and the abyss of difference, showing that the author abandoned the hustle and bustle of the city life, the mountains, rivers, grass and trees in the dashing feelings. Throughout the writing of the scene are permeated with this free and easy feelings, so that the text has a kind of fresh and quiet idyllic atmosphere.
Spring Fugue
1, the original text:
Spring Fugue North and South Dynasties Yu Xin
Yichunyuan spring has returned, Phi Xiang Hall for spring clothes. The birds in the New Year are singing a thousand kinds of mail, and the poplars in February are flying all over the road. The county of Hengyang *** is a flower, the Golden Valley is never full of trees in the garden. A clump of vanilla is enough to hinder people, a few feet of silk that is the root of the road. The first thing you need to do is to get to the top of the forest and race to get in, embrace the river bridge and race to get across.
Out of Lihua's golden house, under Feiyan's orchid speech. The hairpins are many and the weight is surprising, the fashion is high and the wind is fearful. The eyebrows will be willow and compete with the green, face **** peach and compete with the red. The shadow comes from the pool, and the flowers fall from the shirt.
The moss is green and hides the fish, and the wheat is green and covered with pheasants. "Blowing the Xiao to make the jade standing on the stage, sounding the Pei Lingbo of the water. I was rich when I moved to Qi Li, and I was beautiful when I entered Xin Feng. The pomegranate is in the air, the peach is sour and cool, the hibiscus is in the air, and the lotus seed is in the air. Bamboo shoots with new buds, plums with fine kernels. The green pearl brings the qin, and Wenjun sends the wine.
The jade pipe was first tuned, and the strings were struck for the time being. The song of "Yangchun" and "Bryan", and the dance of "Phoenix and Luan". The music of "Yangchun" and "Bryan Water" is being played, and the dance of "Phoenix and Luan" is being performed. The moon is in the fan, the flowers are in the drum. He was the captain of the Concordance and the pheasant-shooting lieutenant. I parked my car in the small garden and rode the long Yang. The golden saddles were first put on, and the cudgel bows were newly opened. "The dust is whisked away to see the horse's enclosure," and "they enter the shooting hall with their friends. The horse is the dragon breed of Tianchi, and the belt is the jade beam of Jingshan. The colorful brocade is the deer in the sky, and the new damask is the phoenix.
Three days the water flows toward the river, and in the evening the river is full of gods and goddesses. The people in the forest under the trees and the people in the sand crossing the water. They wear narrow shirts with thin sleeves and neckerchiefs with beads. The sun is slipping on a hundred-foot hill, so don't go home until you are drunk. The shadow of the water in the pool is better than the mirror, and the fragrance of the clothes in the house is not as good as the flowers.
2, translation:
Spring has returned to Yichunyuan, Phi Xiang Hall in the rush to make new clothes for the spring tour. The birds in the trees are chirping at the beginning of the new year, and the poplars in February are flying all over the road with the spring breeze. It was as if we were in Hanyang County, and flowers were blooming everywhere; it was also as if we had entered the green and lush scenery of Jingu Park. A clump of herbs hindered people's footsteps, floating silk seems to block the road in front of them. The beautiful women were scrambling to cross the river bridge to enter Shanglin Yuan.
Some came from the golden house of Yin Lihua, others from the orchid palace of Zhao Feiyan. They wore gold hairpins on their heads, and their hair was in a high bun, as if it could be blown down by a gust of wind. Their eyebrows were as green as willow leaves, their faces as red as peach blossoms, their figures reflected in the water, their sleeves sprinkled with flowers.
Fish swim under the water moss, green wheat seedlings cover pheasants. The sound of the jiao of Lanyu came from the high platform, and the chorus of the Lingbo Fairy's Peiyu could be heard on the surface of the water. There are both rich families of Qi Li and fine wines of Xinfeng, pomegranate wine is fragrant and wine is sweet. There are lotus-like jade bowls, lotus-shaped golden cups, tender bamboo shoots, and fine-core prunes. The female soloist playing the zither is like a green pearl, and the woman entering the wine is like Zhuo Wenjun. The jade pipe is tuned, the zither strings play the sound of the song, and the famous songs such as Yangchun and Bryan are played, accompanied by the music of the wonderful dance.
Blowing shengs and drums rendered the atmosphere, and the rapid strings and columns changed the beat from time to time. The fans are like the full moon, and the drums are accompanied by flowers. Among them, there are the Concordant Lieutenant and the Pheasant Shooter. I stopped at the small garden and came to Changyang. Golden saddles were placed on the backs of the horses, and good bows were fully strung. Dust rose from the road, and teams of riders entered the hunting ground. The horses were of the finest breed from Tianchi, and their belts were inlaid with jade from Jingshan. The brocade robe was embroidered with a deer, and the damask jacket was woven with a phoenix.
On March 3, the river is filled with visitors who start praying to the gods in the evening. Under the trees, there are visitors, and people cross the water at the head of the sand. The sleeves of their clothes are adorned with gold sheets, and their neckerchiefs are decorated with jewels. The sun has already dipped high on the mountain, but the tourists have not yet returned home. The water in the pool is better than the mirror hanging in the house, the fragrance of the clothes can not catch up with the fragrance of the flowers outside,
3, the evaluation
This small fugue can be said to be YU Xin will be the breath of spring and its joy to bring the people to write a living. Whether from the layout and structure of the work, or from the author's writing and speech, it has reached a more perfect artistic realm. Although the main portrayal of the palace spring, but because the author chose a very appropriate scene of external objects, such as flowers on the road, the green water in the pool, and singing, dancing, riding and shooting, goblets, etc., not only write out the general characteristics of the spring, but also to make the reader in the appreciation of the work to get a strong aesthetic feeling.
As for the occasional use of words, the show sentence can be eaten, the whole text to five or seven words mixed into, even those who cite the dictionary with the sentence, also seems to be very fluent and natural. Therefore, it represented the high artistic achievement that the small fugue could reach at that time. Xu Pile's "Six Dynasties Wen Jie" pointed out: "Six Dynasties small fugue, with five or seven words mixed into a text of sparse, natural and far from common. The early Tang four sons, quite like this method ...... show sentence such as embroidery, Gu high hopes, no less than peach blossom face, people's skin zephyr light... also such as the day deer brocade, phoenix damask, more from the organization." Xu's above paragraph to evaluate Yu Xin's "Spring Fugue" is quite accurate and profound.
Three, Spring Night Banquet Peach and Lee Garden Preface / Spring Night Banquet from the younger brother Peach Blossom Garden Preface
1, the original text:
Spring Night Banquet Peach and Lee Garden Preface / Spring Night Banquet from the younger brother Peach Blossom Garden Preface Li Bai, Tang Dynasty
Fu heaven and earth, the adversary of all things; time and light, the passing of a hundred generations. The world is a place where everything travels in reverse, and time is a time that passes by in a hundred generations. The ancients traveled by candlelight at night, and it was a good idea to do so. The spring called me to the smoke scene, the big piece of leave me to the article. The garden of peach blossoms, the order of heavenly happiness. The group season handsome, all for Huilian; I sing, only ashamed of Kangle. I have not yet finished my enjoyment, but I am now ready to talk about it. Open the agar feast to sit flowers, flying goblets and drunken moon. If we don't have a good song, how can we express our feelings of elegance? If the poem fails, I will be punished by the number of wine in the golden valley.
2. Translation:
Heaven and earth, heaven and earth is the guest house of all things, time and light, a hundred generations is the time of the past and present time passers-by. It is like the difference between dreaming and waking, the wind and clouds are changing, not to be investigated, and the joy that can be gained, how much can there be! Ancient night obsession with candles to play is really reasonable ah, and spring with gorgeous scenery call me, nature gives me all kinds of beautiful image, gathered in the peach blossom fragrance of the garden, recounting the happy past between the brothers. My brothers are handsome and excellent, and each of them is as talented as Xie Huilian, while I am ashamed to be inferior to Xie Lingyun in composing poems and chants.
The elegant enjoyment of the game is elegant, and the high talk has shifted to elegant words. The banquet to sit and enjoy the famous flowers, quickly pass the glass drunk in the moonlight, there is no good poem, how can express elegant feelings? If someone fails to compose a poem, he will be punished with three buckets of wine, according to the precedent of Shi Chong's banquet in the Golden Valley Garden.
3, Appreciation:
The whole text begins with the thesis: "The heaven and earth, the adversary of all things; time, the passing of a hundred generations. And floating life is like a dream, for the joy of geometry? The ancients traveled by candlelight at night, and it was a good idea to do so." Wu Chusai, Wu Tiaohou said that this is "pointing the word night", that is, to answer the "when", this is certainly right. But more importantly, also lies in the answer to another element: "why".
Because "life is like a dream, for the joy of geometry", so we have to be in time to have fun, even at night are not willing to let go. The author's skillfulness in writing is manifested in the fact that he does not explain why he wants to feast at night, but only explains the reason why "the ancients traveled by candlelight at night", and the reason why he feasts at night. The reason for his "night" banquet is that he has already told us everything, and there is no need for him to spend money on words.
"Situation of Yangchun called me to the smoke and scenery, the big piece of leave me to the article", the author used a conjunction that indicates the relationship between the progressive "Situation" to take over the previous, and further answered the "why".
"Life is like a dream, for the joy of it," and therefore should be "night" feast; not to mention that this is the "night" of spring, "Yangchun The "Yangchun" with her "smoky scenery call me", "big block" to her "article" dedicated to me, how can I let down. Therefore, it is all the more necessary to have a banquet at night. These two lines are really good: first, the author uses only a few words to reflect the characteristics of the spring scenery.
The spring sunshine is warm, red and lovely. "Spring" before the word "Yang", the spring visualization, so that the reader feels a warmth in the body, in front of the eyes of a red color. In the spring, flowers, willows, mountains, water, and all other natural scenery, all wearing raw silk and dice, especially charming. Of course, that is not raw silk, but rather a curl of light smoke permeating the air. The word "smoke" in front of the word "scene" reveals this unique picture.
After that, "Yangchun Smoke Scene" is the same as "March of Fireworks" created by the author in the poem "Yellow Crane Tower Sends Meng Haoran to Guangling", which immediately evokes infinite associations with the beauty of spring. As for calling the world's entirety an "article", it also gives the reader a feeling of literary excellence and delight.
Secondly, these two sentences also anthropomorphize the aesthetic object. The "spring" is sentient, she called me with the beautiful "smoky scenery"; the "big block" is also sentient, she put the compilation of the "article" to me. The "chunk" is also sentimental, she put the bad "article" to offer me. In this case, as the aesthetic subject of the "I" natural subject-object embrace, the integration of the inseparable.
"The following is the main body of the text, including six elements, and focus on writing "how". This sentence not only corresponds to the word "joy" in "for joy", but also gives it a specific content. This is the "joy" of "recounting the joys of heavenly life". The author has been separated from his brothers for a long time, and as a "floating student" in the feudal society, it is rare for him to enjoy the joy of family.
Now, not only will they meet, but they will also meet in the colorful peach and plum gardens, and Yangchun has called me to the smoke and scenery, and the big block has given me the opportunity to write an article, so here and now, "recounting the joys of heavenly happiness" is really a hundred times more joyful. The southern dynasty poet Xie Ling Yun's brother Xie Huilian work in poetry and literature, hit the calligraphy and painting, the author said, "Qun Ji Zhudi Junxiu, are all Huilian".
To Xie Huilian than his younger brothers, needless to say to Xie Ling Yun self-comparison. "My people sing songs, only ashamed of Kang Le", but it is just self-effacement. Characters so handsome, talk naturally extraordinary. The next "secret appreciation has not been, high talk to clear", although it seems to be a double line parallel, in fact, the former guest after the main.
The object of the "through" is the previous written "Yangchun smoky landscape," "a large piece of article" and "Peach and Li Fangyuan"; The content of "talk" is mainly "heavenly pleasures", but it can also include the object of "appreciation". The object of "appreciation" is so beautiful, so poor "is" secret appreciation ";" talk "content so joyful, so The content of "talk" is so joyful that "talk" is "high talk". Here, the beauty of the scenery to accentuate the joy, the quiet passages to promote high talk, so that the joy of the passion to the climax.
The two sentences of "opening a banquet to sit on the flowers, flying goblets and drunken moon" focus on the "Spring Night Banquet Peach and Plum Garden", which is the flood peak of the wave of joy. The "moon" is the moon of "spring night", and the "flower" is the flower of "peach and plum". The brothers met, the flowers and the moon were shining together, and they were enjoying themselves and talking about their happiness, so they followed it up with a feast and a banquet.
"Flying goblet" sentence, Li Bai from the "feather" word, vividly used a "fly" word, the brothers drink the scene of revelry to the fullest. Drinking hard can certainly show revelry, but just drinking hard is not "elegant" enough. They were all poets. Drinking was not enough to enjoy themselves, so they had to compose poems. So they ended the piece with the lines "If I don't have a masterpiece, I won't be able to stretch my mind".
The article shows the scene of the spring night, which is intertwined with the love of life, and the love of life, and the "floating life is like a dream", in time to enjoy the sighs of this emotional contradiction, is the author of the article of the bottom of the reason for the opening and closing rows and rows. The whole text is only 19 words, from the sigh of life's shortness, a sharp shift into the pageant of the beauty of the good times, but also sent to the drunken moon poetry of the pleasure, the beginning and end of the fluctuating, ups and downs, conveying a long and deep rhyme. The short and long sentences are free, and the parallelism of the lines is scattered, showing signs of the transition from parallelism to prose in the Tang Dynasty.
Four: "Santai - Qingming Yingzhe"
1, original text
Santai - Qingming Yingzhe? Song Dynasty: Wanqi Yong
See pear blossoms with the night moon, begonias half containing the morning rain. The spring of the inner garden, not forbidden to pass the green door, the imperial ditch rises, the potential to pass the Nanpu. The east wind is quiet and the willows are hanging in golden strands. Looking at Feng Que, non-smoke and non-mist. Good times, the countryside more than happy, all over the nine strangers, peace piping and drumming.
The warblers are singing intermittently, and the swallows are flying around. Near the green water, the pavilion reflects the swing, the fight grass gather, two pairs of swimmers. The Molasses incense is more, the wine cold trekking green road. I will secretly recognize the young peaches in the vermilion house. The evening, BMW carving saddle, drunken lapel, messy flowers flying flotsam.
It's just that the cold and the warmth of the leakage forever, half cloudy and half clear cloud twilight. The fire is forbidden to the sky, is already trying new makeup, the age of Hua to, three good place. The first thing you need to do is to get your hands on a wax torch. The smoke is scattered and flies into the Samuel House. Convergence of soldiers and guards, the gate of heaven is open, live to pass the announcement, and also rest service.
2. Translation:
Pear blossoms are still tinged with the silver mist of the night moon, begonias are half-contained with the dew of the morning, and the Royal Palace can't shut off the Yangchun, and the spring light extends to the distant city gates. The royal ditch is full of new water, secretly flowing to Nanpu. Fine willow hanging silk golden strands, the east wind calm and quiet. Looking at the magnificent palace towering into the clouds, it was not a fairyland where smoke fell. During the Qingping era, the court and the people were so happy. The Imperial City, all the way, noisy xiaojiao music and drums.
The yellow warbler sang intermittently, and the little swallows flew to and fro. The green water reflects the shoreline of the pavilion, the swing shadow with the water ripples. A pair of female swimmers, gathered to do grass fighting game, trekking on the road overflowing with the aroma of selling sugar, everywhere with wine wild feast, you may be lucky to recognize the face of the peach blossom reflecting the vermilion door. The young men with saddled BMWs are gathering together in the evening, and in their drunkenness, their lapels are covered with flakes of red and dots of flotsam.
It is the long day of light cold and warmth, the cloudy sky is half cloudy and half sunny at sunset, in this forbidden fire season, young people have already put the new make-up on trial. The soldiers and guards are all removed, the palace is open to thousands of doors, no longer hear the edict to declare the decree, stop all the official business.
V. The Preface of Warbler's Cries - The Remaining Cold is Deceiving the Sick Wine
1, the original text:
The Preface of Warbler's Cries - The Remaining Cold is Deceiving the Sick Wine Song Dynasty: Wu Wenying
The Remaining Cold is Deceiving the Sick Wine and covering the door of Sinking Scent Embroidery. The swallows came late and flew into the western city, seeming to say that the spring is late. The painting boat carries, Qingming over but, clear smoke Ran Wu Palace tree. I'm not sure if I'm going to be able to get a good look at this, but I'm sure I'm going to be able to get a good look at it.
Ten years of West Lake, alongside the willow tied horse, while the dust soft fog. The red gradually recruited into the immortal stream, Jin'er secretly sent the ghost, leaning on the silver screen, spring wide dream narrow, broken red wet, song playboy gold strand. The all-night dike is empty, lightly put the slanting sun, always still gulls.
Orchid spinning old, Du Ruo also born, the water town is still sending travel. The first thing you need to do is to get a good deal of money to pay for the services you need. The first thing you need to do is to get your hands on some of the most popular products and services in the world, and you'll be able to do that. I remembered the time when I had a short oar to cross the peach root ferry, and the green building seemed to be the same, and I wrote poems on the defeated wall, and my tears and ink were miserable and dusty. The pavilion is in a dangerous state, the grass is at the end of the world, and the sideburns are invaded by half a ramie. The last thing I wanted to do was to hang down the water with the dlt, and the luan was dancing. I was so eager to write a book about my long-lasting hatred, and I was so sad to see the geese sinking through the blue sea. The first time I saw you, I was thinking of you, and I played it into my zither. I'm sorry to hear that, but I'm not sure if I'm going to be able to make it to the next stage.
2. Translation:
The residual cold of late spring, as if bullying me to drink too much wine, cold and uncomfortable, I burned incense burner, tightly covered and closed the magnificent windows of incense wood. Late swallows flew into the western city, seems to tell the spring scenery has declined. Painted boats carrying drinkers and tourists to play West Lake, the prosperity of the Qingming Festival is over, looking at the dark smoke surrounded by the trees in the palace of Wu, my heart there are millions of strands of detained thoughts travel feelings, just like wandering with the wind, turned into a willow floss fluttering and floating.
I used to have ten years of life in the West Lake, alongside the willow tree tied my horse, following the dust and mist. Along the embankment of the red flowers, I gradually entered the fairyland-like place. You told the servant to secretly send love letters, a bosom of the heart secretly pouring out. In the warm and intimate depths of the silver screen, there have been a lot of happiness and amusement, but unfortunately the spring is long and the dream is short, the time of joy is so short. You mixed with the tears of the red powder, stained the singing fan and money embroidered clothes. The West Lake embankment dimly silent, the beauty of the West Lake in the setting sun, all give way to those gulls.
The orchid has aged in the blink of an eye, and the newborn Du Ruo exudes fragrance. I was in this foreign water town drifting detained travel. After the separation, I have also visited the six bridges, but I can no longer get any information about the beautiful people. The past is like smoke, spring flowers withered, merciless wind and rain, buried flowers and jade. You were born so beautiful, clear and transparent water waves, but to your bright eyes jealous, that verdant and green mountains, see your curved eyebrow also want to shy to avoid.
The river is reflected in the fishing lamps, I and you in the painting boat in the double perch. The scene of the farewell at the ferry is still vivid and fresh in my mind. You lived in the makeup building is still as in the past, when we parted I had written a poem on the wall of the defeat, and with the tears of the ink traces have been covered with dust, the handwriting has also become bleak and blurred. I climbed up to the high pavilion and gazed at the grass that stretched to the edge of the sky, and sighed at the half of my hair that had turned as white as ramie.
I silently rummaged through my old belongings. The silk handkerchief you left behind still carries the tear stains and fragrant spittle from the time of parting, which is a record of past sorrows and joys. I am like a lonely phoenix with drooping wings who has forgotten the way home, and like a lonely luan who is too lazy to fly and dance. I want to write a long love letter full of sadness and hatred, but see the blue sky and sea sinking the figure of geese, who will convey the feelings of love for me.
I can only put the pain of love in the strings of the kite, and play out the sorrow of my heart alone. The first thing I want to do is to get the best out of the world, and I want to be able to do that, and I want to be able to do that.
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