Luo Tianchan's songs include: "Homesickness Song", "Xiang Tired", "Good Spring", "Playing Tambourine and Singing", "Grapes are Ripe in Turpan", "A Negro Girl Singing", "Singing about the New Face of Rural Areas", "Mending Clothes Song", "Gamera's Song", "Tribute to Beijing", "Mother's Love Song", "Kelamayi's Song", "Colorsful", "Habaneri La Dance," "Cranberry Blossom," and others.
Luotianchan is the first outstanding lyrical mezzo-soprano singer in New China who is popular among the audience in China's singing world. Her songs cover a wide range of styles and themes, including love, nature, society and so on.
Her singing is characterized by lyricism and her voice is pure, bright and charming. The classic songs "Singing with Tambourine" and "Grapes are Ripe in Turpan" were both popular after her debut.
Luotianchan spent a lot of effort on designing her singing when she sang these songs, especially on figuring out how to sing the chorus refrain "Lai Lai Lai, Lai Lai Lai Lai, Lai Lai Lai Lai" in a smooth and rhythmic way. As a result, she is recognized for her vocal skills.
Song Characteristics
Anyone who has heard Luo Tianchan's singing will feel a rare artistic charm in her voice. Its singing to lyricism, the biggest feature is good at love, her timbre sweet and soft warm, pure and bright tone, wide and smooth range, sometimes high-pitched gorgeous, sometimes full and low, her chest ****ming full and sturdy, singing line cavity euphemistic and strong, strong sound penetration.
The love is true, the rhyme is really mellow, she spits out the words clearly but does not affect the sound type and *** Ming, grammatical and rich sense of rhythm, rich timbre changes add to the infectiousness of the song, to do the diversity of the sound color.
Every time she is elected to a favorite mezzo-soprano vocal works, she always have to ponder over and over again, enjoy the taste, and set the color by heart, so that she sings in the second degree of the creation of the mood of the song is very accurate and in place, and the combination of the language and the music of the treatment is very appropriate.
She has created her own style and technique! She dared to boldly use the feelings, so that the tone can be melted and out of the feelings, and turn freely, moving people's lungs and hearts, and become a "root" of the song, there is a "heart" of the song.