Over the past thousands of years, the industrious and intelligent Tibetan forefathers living on the Snowy Plateau have created the world-renowned ancient art of song and dance and the mystical art of the "macaque monkey" in the course of the historical evolution of the struggle for the conquest of nature and class struggle. "in the historical evolution, in the struggle to conquer nature and class struggle in the change of wind and clouds created the world-renowned ancient art of song and dance and religious dance with strong mystical color ---- "Qiangm". These competing and colorful, a variety of national folk song and dance art, as if flashing in the night sky stars, spread in the vast territory of the 10,000-mile plateau, it shows the world the snowy plateau people unique and magnificent style.
Today, people are proud to say: "can walk will dance", "can talk can sing". Can sing and dance is the nature of the Tibetan people, she made the "roof of the world" of the snowy mecca into a world-renowned "song and dance of the sea".
Tibetan dance classification:
Tibet is a vast area, the population is scattered. Due to the geographical environment, production mode and different objects of labor in each region, especially the difference in geographical conditions and the influence of religious culture, towns and villages, rural and pastoral areas, pastoral areas and forested areas have formed their own different dance forms and physical movements. On the current excavation and discovery of the ancient dance and the distribution of Tibetan folk dance and classical dance in the western region of Tibet, Tibet, Chamdo and Ali, it is really colorful and varied:
There is the foot-stopping for the festival, the arm-stepping song, the warm and joyful rural "fruit harmonies" (circle song and dance);
There is the foot-stepping for the festival, the heavy foot-stepping rhythmic point.
There is the "Nangma" (Inner Court Song and Dance), which combines song and dance in a lively and elegant manner;
There is the "Chattering" (Chattering), which combines song and dance in a lively and lively manner.
There is the agricultural and pastoral "Guozhuo" (formerly known as the Pot Chong Dance), which emphasizes the expression of emotions and has a beautiful and bold dance style;
There is the "Reba" bell drum dance, which has a rounded and stretching shape, long sleeves, ringing bells, and a rough and exciting style that emphasizes skillful movements and expresses frenzied emotions;
There are the "Reba" bell drum dance, which combines "dong" and "step", and has a strong and staccato style.
There are the "Sermadrol" (the great drum dance of the Tibetans) and the "Drohun" (the waist drum dance of the Tibetans), which have a flying hammer and swallow the mountains and rivers;
There are the dances of the Tibetan opera, which are performed in accordance with the plot and form a Tibetan opera of their own; and the "Lehun", which is a dance that accompanies and stimulates the enthusiasm for labor. There is the "Qiangm" (commonly known as "Jumping God"), a series of mime dances of "Lehong" which accompanies and stimulates labor;
and the rare, ancient, Western-style palace music and dance of "Gaer" (for cloud music and dance) and so on.
From the rhythm, there are both "dancing boots" and "dancing sleeves";
From the rhythm, there are both "smooth wind" and "staccato wind";
From the rhythm, there are both "smooth wind" and "staccato wind";
From the rhythm, there are both "smooth wind" and "staccato wind".
Rhythmically speaking, there are both "smooth wind" and "staccato wind", the strong sound of "point" and the rounded flow of "line", presenting the multi-style characteristics of the same ethnic group in different forms.
Therefore, Tibet is called "the ocean of songs and dances" is not an overstatement, but a true reflection of the long history and splendid culture of the Tibetan people.
Although the Tibetan dance has many forms and varieties, but if you look at it from its vertical axis and horizontal relationship, it can still be summarized as: "four series", "four types" and "many varieties", "many varieties", "many varieties", "many varieties", "many varieties", "many varieties", "many varieties", "many varieties", "many varieties", "many varieties", and "many varieties". ", "multi-style".
"Four systems", namely, folk, religious, opera and court.
"Four types", that is, folk dance fruit harmony, heap of harmony, Guozhuo, Kang harmonic, etc.; religious dance Qiangmu, ritual dance, Gonggal drum dance, etc.; opera dance Ram, Gesar, Shirongzhongzhi, etc.; court dance for the cloud music dance (Gaer) and so on.
However, in the multi-variety dance, even the same folk dance form, there are different jumping and performance procedures, showing the same form of dance multi-style characteristics. But "all changes are not the same", we can see from the individuality of the *** sex, to find out the traditional Tibetan dance in each type of intrinsic connection and its *** with the morphological characteristics, summarized in a comprehensive analysis, to a more systematic and generalized understanding.
The characteristics of Tibetan dance
In a wide variety of different types and styles of Tibetan dance, although they all have their own unique personalities and inherent aesthetic requirements, but they all contain *** with the essence of the same elements, as well as *** with the law of action. This essence element and law constitute the aesthetic concept of the whole Tibetan dance.
"Trembling", "open", "smooth", "left", "around" is a variety of different types of Tibetan dance *** with the same characteristics, or known as the Tibetan dance of the five elements, thus constituting the aesthetic concept that distinguishes it from other fraternal dances.
The formation of these five elements is closely related to the historical conditions, social system, customs and beliefs, geographical environment, mode of production and cultural traditions of the Tibetan people, and it is an aesthetic standard that has been condensed among the people for a long time.
In addition to the main features of the Tibetan dance mentioned above***, the most basic "three steps and one change", "retreating and stepping forward", "inverted foot rolling", "four steps and one change", "four foot rolling", "four foot rolling", "four foot rolling", "four foot rolling", "four foot rolling", "four foot rolling", "four foot rolling", "four foot rolling", "four foot rolling", "four foot rolling", "four foot rolling", "four foot rolling", and "four foot rolling". "and "four-step turn" **** the same law. On the basis of this **** the same law produces a variety of different changes, coupled with the operation of the gestures, waist rhythm, the difference between the music and constitute a different style of dance.
The pace of Tibetan dance is very rich, and can be summarized as "rubbing", "dragging", "stepping", "erratic", "pointing", "moving", "moving", "moving", "moving", "moving", "moving", "moving", "moving", "moving", "moving", "moving", "moving", and "moving". ", "point", "tuck", "kick", "planing", "kick", "suck", "cross", "twist" and other 12 kinds of basic steps.
The gestures of Tibetan dance can be summarized as "pull", "leisurely", "fling", "around", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push" and "push".
Tibetan dance gestures can be summarized as "pull", "leisurely", "fling", "around", "push", "rise", "Yang" seven variations.
The techniques in Tibetan dance mainly include: rolling turn, planing leg turn, kicking leg turn, fruit harmonic turn, cross leg turn, jumping cross turn, pushing mill turn, squatting turn, kneeling turn, tucking turn, forward and backward turn, twisting waist forward and backward turn, twisting and backward turn, pointing step turn, stepping step turn, pointing turn, flat turn, small bouncing, dead man bouncing, laying down the body of the big bouncing, flat turn tiger jump, and across the leg jump, leg sucking jump, cover the legs to jump, teasing the legs to jump, rubbing the step across the legs to jump, rabbit jumps, cat jumps and so on.