Break dancing originated in the United States, and was founded by James Braud, a black singer on the east coast of the United States. When he sang a new song on 1949 TV, he created a strange movement, which was imitated by young people and held a dance competition in the street. After this dance spread to Los Angeles on the west coast, there appeared a dance that imitated the movements of puppet robots. In recent years, the two major schools of street dance in the United States, East and West, have been combined and welcomed by young people. Because this kind of dance is mostly performed in the street, it is also called "street dance".
The English name of this dance is "BreakDance", which is translated into "Blake Dance" in Chinese and also translated into "break dance" figuratively. For people who dance "Blake Dance", break dancing is a special term. Only those movements that cling to the ground and concentrate on the head, shoulders, back and knees are called "thunderous". Dances that imitate puppets, robots or moonwalks are another form of "Black Dance".
Break dancing, break dancing and rock and roll are all break dancing. The early break dance, called B-Boying, originated in the Bronx, new york in the late 1960s and early 1970s. Break dancers are called B-Boy or B-Girl, where "b" stands for break, Beat, Bronx or Boogie, and later BreakBoy is widely accepted.
Practice method:
1. First of all, master the most basic footwork of mj dance, which is a kind of footwork similar to rap footwork-move alternately with the heels or toes of different feet. Practice this step more, so that you can extend a variety of footwork (such as sideslip). * Method: Move left and right, back and forth; Keep your knees straight, or bend and move them greatly.
2. Shake your shoulders and twist your hips. These two movements are generally not strong enough and the amplitude is not enough. We should continue to strengthen training in this field. Note that hip twisting should be organically combined with other movements and have a sense of unity.
Methods: Find a sound with a fixed drum and do the action of exaggerating the drum by 50%, repeating 1~2 songs each time.
3. Leg-throwing, represented by billiejean. Of course, if we pay attention, mj can say that he has been using this stunt when he walks (except walking and sliding). Therefore, practicing this rhythm is the key to whether Michael's dance soul can be injected into his own dance. Its skill lies in the relaxation of the calf, which is driven by the thigh. You can refer to the black or white dance that mj danced with the aborigines. The thighs are fast and powerful, and the calves seem to hit the knees every time, as if they are bouncing. Pay attention to the cheating in billiejean, and remember to relax.