For students who have just entered the practice of multi-fingered chords, the cooperation between the left and right hands is an insurmountable barrier. But as long as students pay attention to practice methods, they can still be completely overcome.
1, don't rush to achieve success in practicing the piano, be familiar with the practice of breaking up with your bare hands;
2. The arrangement of left fingering is very important. The following are some tips for beginners of multi-fingered chords in electronic organ: when connecting the first group of chords with the next group of chords, you can try to keep the sound as still as possible, so that you can remember one less note; What can be played nearby should be re-processed and easier to remember. As long as all the same sounds in the accompaniment area have no pitch difference, it will bring great convenience to the arrangement of accompaniment. For example, the first chord is 1, 3, 5, and the second chord is 5, 7, 2. If you play according to the mark, the three notes in your left hand will be transposed, which is easy to jump wrong, and it will definitely increase the difficulty of chord memory. But if we deal with it at this time, the effect will be different: it is suggested that the following 5, 7, 2 should be 7, 2, 5, and the fingers playing five notes can stay still, and the five fingers can only move one note to the left, so the hand movements are smooth and the memory is of course easier. Of course, the sound effects of 5, 7 and 2 are the same as those of 7, 2 and 5.
3. When hands cooperate, turn off the rhythm and accompaniment first, cooperate one by one, and then extend sentence by sentence. ..........................................................................................................................................
How do you coordinate your left and right hands when playing the piano?
I agree-never practice the electronic piano! ! ! ! !
Since you are determined to learn the piano, don't practice the electronic piano for the first seven or eight years. Only when you are comfortable playing the piano can you play the electronic organ, otherwise you can't play it if your hand is broken! ! ! You'll regret it then. . .
You are a beginner in piano, aren't you? I'm telling you, learning the piano is urgent. There is no shortcut except studying hard and working hard! !
References:
I started to learn piano when I was 6 years old, and I have learned 1 1 year now.
How to play the electronic organ with both hands? How to match?
There are two ways to play the electronic organ: 1 playing by piano, that is, the left and right hands play the music score separately to form perfect music. 2. Using the unique function of the electronic organ, that is, automatic chord accompaniment, usually the left hand plays the chord and the right hand plays the melody. However, that method should be played according to the score. If you don't understand, you need to study.
How to play the electronic organ with left and right hands
Don't play with both hands in a hurry, play with one hand skillfully first. Be sure to be skilled with one hand and pay attention to the rhythm. If you encounter a difficult part, practice it again and again. Don't practice the whole song, pay attention to the places that are easy to make mistakes, and specifically overcome the sections that are easy to make mistakes. Only when both hands are proficient, and then master the rhythm, the cooperation between the two hands will be better. Otherwise, the left hand will make mistakes, the right hand will get stuck for a while, and it is difficult to practice the whole song.
How to cooperate with the left and right hands of electronic organ
Imagine how your hands and feet cooperate when you do exercises or dance, and so on.
First, practice your left and right hands respectively. Then, based on the right hand (because the right hand plays the main melody and the left hand plays the accompaniment), play a note, find the part that your left hand needs to play, and let both hands play at the same time. Then, play the next note with your right hand and repeat the above activities. When the mapping of the left and right hands of the whole song is smoothed one by one, practicing coherent performance means that the right hand plays as coherently as possible and the left hand keeps up. With more practice, your right and left hands will cooperate. I hope I can help you.
The left and right hands really can't cooperate with how to play the electronic organ.
You can only practice. You can't cooperate with anyone up here. Practice your left hand and right hand separately first, and cooperate slowly.
Introduction to left and right fingering of 6 1 key electronic organ
Want to play 1234567, corresponding to thumb, index finger, middle finger, thumb, index finger, middle finger and ring finger of the right hand respectively. The next high-pitched finger is played with the thumb. The words on the left hand correspond to the little finger, ring finger, middle finger, index finger, thumb, middle finger and index finger respectively. The fingers of the right hand pass through from below and the fingers of the left hand cross from above. For beginners of keyboard instruments, fingering practice is best to start with the most basic fingering of left and right scales and standardize them. For example, in the scale of C major, if you practice in an octave range, you can use 3-5 fingering on the right hand, that is, 1.2.3. 1.2.3.4.5 fingering, and 5-3 fingering on the right hand, that is, 5.4.3.2.1.3 fingering. The left hand can use 5-3 fingering, that is, 5.4.3.2.1.3.2.1fingering. And the downward direction can be 3-5, that is, 1.2.3. 1.2.3.4.5. If the scale in C major is practiced for more than one octave, you can use 3-4 fingering for the right-hand rise, that is,1.2.3.1.2.3.4.1.2.3.4 fingering (the last note needs 5 fingering). Similarly, you can still use the left-hand rise. That is, 4.3.2. 1.3.2.65438+ can be fingered 3-4, that is,1.2.3.1.2.3.4.1.2.3./ These fingering methods are not only convenient for playing scales in C major, but also convenient for playing scales in D major, E major, G major, A major and B major. But in F major, it needs to be changed to 4-3 fingering, that is,1.2.3.4.1.2.3.1.2.3.4.1.2.3 fingering. Use 3-4 fingering, 4.3.2.1.3.2.1.4.3.2.1.
For example, what is the direct pointing method, finger extension and finger contraction need to be understood, mainly through experience. Fingering plays an important role in playing. Will affect the coherence and fluency of the whole melody. Some fingering is fixed. For example, the fingering of the scale part, you should pay attention to the fingering of which key when you practice it. There are also some fingering of music, which the author has marked and can be played directly by fingering. Some fingering is flexible. Melody is unmarked, so you need to mark it yourself according to your own understanding of melody. This point needs to be tried and trained in the usual fingering. Electronic organ refers to the fingering of chord fingering table and music score. After a lot of practice, I try to meet my own conditions and music requirements (for example, speed, weight, priority ...). But I'd better find a professional teacher to teach me. When I first started learning piano from my teacher, I used the elementary piano textbook, and now I still have this book, regardless of piano and electronic organ, which is the most basic. Further down, and so on, these are etudes. You can learn from the shallow to the deep. Remember, even if there is a teacher, the teacher only plays the role of guidance and supervision. It is important to practice diligently. If you don't persevere, you will lose all your efforts before the meeting. Details: In the training of electronic organ, * * * includes five exercises, namely: fingering basic practice, etude practice, playing repertoire practice, improvisation practice and audition practice. The most basic training is the basic practice of fingering. The so-called fingering practice refers to the rational organization of various pitches on the keyboard in scales, chords, pipa and other practice items through standardized fingering.
This is the basis of other exercises. The more solid and comprehensive this kind of training is, the more you can lay a foundation for learning other music works in the future, and the more you have the ability to master different styles of music works in skills, and you can be confident when performing on stage or improvising.
However, many traditional fingering practice textbooks have certain limitations and are not completely suitable for the needs of electronic piano performance. The exercises of scales, chords and arpeggios in these textbooks are mostly extracted from classical music, traditional major and minor modes, traditional harmony. For example, Hanon's scale practice only touches natural major, harmony minor and melody minor, and the termination is limited to traditional harmony mode, and arpeggio practice is only the main chord to be used. Besides classical music, the repertoire played by electronic organ also has various modern music styles. The scale materials and harmonic usage of these music are different from those of classical music. ......& gt& gt
How should the left and right hands play the piano?
I agree-never practice the electronic piano! ! ! ! !
Since you are determined to learn the piano, don't practice the electronic piano for the first seven or eight years. Only when you are comfortable playing the piano can you play the electronic organ, otherwise you can't play it if your hand is broken! ! ! You'll regret it then. . .
You are a beginner in piano, aren't you? I'm telling you, learning the piano is urgent. There is no shortcut except studying hard and practicing hard! !
How to draw the left and right hands of an electronic keyboard
Generally, it is the left half (chord) of a group of #F sounds in big characters, but if there is no score, you can play it casually. If the level is high, it will be placed in the right half of a group of #F sounds in big characters!
Fingers, wrists, elbows and upper arms play a key role in playing the electronic organ. Although the fingers, wrists, forearms and upper arms are a perfect whole, and all the parts coordinate to complete the performance, they have their own characteristics and functions in the performance.
1. Finger. The most direct when playing. The most advanced part. Including fingertips, the first joint and the second joint (metacarpal joint), characterized by sensitivity, quickness and dexterity. The key to truly control the fingerplay technique is the strict training of the third finger technique. Even advanced students can't ignore the fine touch training of fingers.
2. Wrist. The adjustment part of playing can help fingers play well. The left and right rotation of the wrist can help the fingers adjust their weight, cushion their strength, avoid hard knocking, and make the playing sound full and pleasant. Training wrist to relax, be flexible and flexible is also an important part of electronic organ technical training.
3. Forearm. More flexible and powerful parts. Using the forearm strength, you can play powerful single notes, and you can also flexibly play various fast and powerful chords, octaves and other musical passages. The fastest octave, mostly played with the front arm waving. When playing an octave, if the whole hand from elbow to fingertip can form a unified whole, then the elbow joint can make the fastest movement, because the wrist is inflexible and its movement takes more time than the forearm. At the fastest speed, the forearm swing is very small, and only increases with the speed slowing down. When playing continuous phrases, combined with forearm strength, the sound can be fuller and thicker.
4. Upper arm. The most powerful part of the performance. You can play powerful chords and octaves with your upper arms, and you can play powerful, loud and heavy sounds. The strong, full and * * * parts of music need to be combined with the strength of the upper arm and even the whole body to play. The natural coordination of wrist, elbow and upper arm is very important (in any case, the whole arm needs to be unified), which can help fingers play very round, full and perfect phrases.
How does the left hand of the electronic organ cooperate with the right hand?
My method is to practice with my left and right hands respectively, then slow down the rhythm, cooperate with my hands, practice one by one, and gradually establish the rhythm until I can practice the whole song. I hope I can help you.