The film and television since its invention, has brought us a colorful life, and music, the people express their feelings of the most primitive and most dynamic art form, based on the sound technology in film and television can be used after the film and television art is no longer a single visual expression, in the audio-visual to meet our needs, so that our life is more colorful.
The art of film and television is an audio-visual art, people use both the visual and auditory sense of the two most important organs of the human body to appreciate the film, television. Picture and sound is an indispensable part of the art of film and television. The sound of movie and television art includes: character language and music, sound.
Music is the history of human civilization after thousands of years of development, its art form has become perfect. And music for film and television art, is a young art. In the silent movie era, for the content of the movie screen and the needs of the plot, the music of the "sound" took the lead in breaking the silent situation; when crossing into the era of the sound film, film and television music has been vigorously promoted and played. With the development of film and television art for more than one hundred years, film and television music has become a form of artistic expression with important artistic value and unique charm. In the creation or inheritance of film and television music, composers and arrangers have made film and television music more rich and colorful by applying various techniques and means of musical expression. The birth and development of film and television music have added a great deal to the development of film and television dramas. Today, film and television music has become an important part of the creation of film and television drama.
After a long period of theoretical research and definition, the artistic composition of sound has now been basically determined: namely, language, music and sound. Music, long before it was really part of the movie, has been an appendage of the movie. For it seems that before 1927 there were no silent films in the purest sense of the word, i.e., "100 percent silent". In fact, almost all films were accompanied by live music. Rich theaters used large orchestras, while smaller theaters might use a piano instead. The main purpose of this live music was to provide an atmospheric backdrop, but the pieces played were not written specifically for the movie or in keeping with the mood of the movie - they were mostly off-the-shelf or popular scores of the time. Film music in the modern sense includes not only silent music - music composed and arranged specifically for film and television; it also includes sound music - the realistic music played by the various sound sources that exist in the story, as well as the film's theme songs and interludes. Now, movie music has long been an important means of sensationalizing and setting the mood in film and television works.
Film music is an organic part of the language of film and television art, and has an important role in the appreciation of film and television art. Film and television art music language in the narrative process, generally according to the plot and picture language length, to take the section, section of the narrative law. Film and television art music language in the narrative process of film and television art for the expression of feelings, the beauty of its level of intention, rendering beauty, transition beauty, real beauty, conflict beauty, emotional beauty, story beauty, humor beauty, romantic beauty.
Music is the door of memory. It condenses the most profound thoughts and deepest emotions in the movie. Feng Zikai said, "Music as an art of time is more mysterious than painting as an art of space."
This mystery makes it embrace rich connotations and has the power to point to the heart. In the face of the complexity of human emotions, even the most brilliant lines seem to pale in comparison, and silence is the only sensible choice. If complemented by a gentle and low music, this clip will become the most heart-stirring chapter in the movie. Take for example "Ten Years of Marriage". Han Meng lies on the carpet stained with ten years of dust and remembers the past, and only music can decipher the feelings in her heart. For example, "Red River Valley". The song "Serenity" sings with a smile on her face before she dies is far more powerful and poignant than an impassioned speech. Pictures are figurative, while music is spiritual. The music is the sublimation of the picture.
This mystery makes it long on creating beautiful moods that make the movie rhyme. It is the music that makes the laughter of "Tao Hong" in "The Empty Mirror" in the grove more infectious; it is the music that makes the winter scenes of the old times in "The Vow is Silent" inexplicably attractive to the audience. Music seems to have a longer shelf life than images. While the images have become crude and crude with the passage of time, the music is still alive and well, and just as pleasing to the ear as it was when it was first heard.
There are times when music plays a supporting role in a movie, complementing it. Especially in movies and TV dramas adapted from masterpieces, the right music is the best interpretation of the theme of the work. The soundtrack of the TV series "Dream of Red Mansions" is one of the outstanding representatives. Mr. Wang Liping seems to be Cao Xueqin's confidant from another generation. Whether it's "Three Thousand Stormy Roads" or "Where is the Fragrant Mound at the End of the Sky", the melody matches the words seamlessly. Equally brilliant is the theme song for the TV series Sunrise. "The lyricist seems to have understood her father better than Wan Fang did, as he sows the seeds of love and hate. Sometimes the music mirrors the movie. "Sunrise at Songshan Au, the morning bell startles the birds", Zheng Xulan's song adds a touch of tenderness to the Shaolin Temple amidst the sound of fighting and killing; "You are the warmth I can't forget in my heart" makes "I Love My Family" send a little warmth to the audience after the hustle and bustle of the curtain; "Only the grass in front of the Mawei Slope is green", Yan Su laughs and says, "The grass is green in front of the Mawei Slope", Yan Su laughs and laughs at the grass in front of the Mawei Slope. "Yan Su laughs at the death of a generation of beauty.
There are some parts of the music that are very different from the style of the movie that actually point out the real connotation of the movie. The first one that comes to mind is "The Happy Life of Poor Zhang Damin". The music tells the story of the sorrows behind Zhang Damin's optimism and the tears behind his smile. And there's no excessive pathos in Xiao Ke's subliminal singing; the music is permeated with lingering helplessness and sadness, just like the film's dominant color, gray. The music is sad but not lacking in positivity, with a glimmer of hope for oneself and for life even after countless disappointments. "The news of the breakup has flown out of how far, the sad eyes may as well turn the happiness, the world's affairs are also so plain, the world's people ah life and death is not alone."
There are other parts of the movie that go beyond the theme of the movie. For example, in "Romance of the Three Kingdoms", the romance and subtlety of "Diaochan has gone with the wind" is far superior to the original. The atmospheric and soothing theme music of "Hand in Hand" makes a TV drama reflecting marriage and family get rid of the worldly flavor and have a noble temperament. There are also quarrels between husband and wife and trivialities of life in the drama, but Sanbao's music diluted the marketplace and annoyance in it, and improved the tone of the movie as a whole, making "Hand in Hand" a long time ahead of similar subjects.
The music can be appreciated and sung independently of the movie. At this point, the music became the main character and the movie retreated to a forgotten corner. People have almost forgotten that "Tibetan Plateau" was the theme song of "Heavenly Road"; some viewers only came back to the cinema to enjoy the music of "Gadamerin".
The relationship between music and film is delicate. They help each other and influence each other. Music is the refining of film and television, film and television is the expansion of the music. Excellent film and television works for the music to join the emotional core, making it more moving; excellent music to make the film and television works, ethereal, soulful, evocative. Many viewers love "You Come Back" so much because of "Never Close Your Eyes", and I will watch "Wutong Rain" because of Zhang Xunzhe's sentence, "Take your hair as a ring, and the brand of gentleness can never be wiped off".
A director said his favorite moment was when he set music to a movie, and his work came alive in the music, and the artistic feeling was conveyed in the music. Experts say it's inaccurate to refer to film and TV work as "images" because a movie or TV drama should not only bring visual enjoyment to the audience, but also offer them an auditory feast.
If "Red Cross Squadron" did not have "Meeting is a Song" and "Police in Plainclothes" did not have "Youthful Ambition", these works would not be so colorful, and we would not have been moved so much. Movies and TV without music are unimaginable. Thanks to those beautiful melodies let the precious images shine in our memories forever.
Beethoven said: "Music is a higher revelation than all wisdom, all philosophy." As the spiritual food of human **** - music, plays a vital role in people's lives. It can make people's busy life more harmonious, bumpy journey more comfortable, the mood of more peace and quiet. So it is said: "Where there is human footprint, there is music." So the use of music in film and television, not only to achieve the atmosphere that the film needs to create, but also to eliminate the fatigue brought about by people's prolonged visual tension. In short, there is a hundred benefits without any harm.
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Try to imagine, if there is no music, if there is no warm piano, if there is no warm symphony, if there is not a group of child stars in the movie as heavenly as the elegant, holy, harmonious choir chorus. What would be left of Springtime in the Cowgirls' Class? What's left can only be: a plot as bland as a glass of water, a story structure as thin as a shirt, and that old-fashioned theme.
In "Spring in the Cow Class," music is no longer a means of expression, nor is it a form of expression that emphasizes the theme. In the movie, the music is the theme! The beautiful music in the film gives the purity and sublimation of religious emotion, and has the softness and solemnity of a hymn, creating an overall atmosphere that transcends time and space, showing the great influence of music on human nature, and the film has become a piece of music that praises and celebrates the beauty of human nature.
Film music is divided into realistic music and expressive music, film and television sound can also be divided into realistic and imaginative two kinds, "Spring in the Cattle Class", a significant feature of this film is the sound of realistic music and imaginative music sound clever combination of the use of the children's rehearsal chorus of the film belongs to realistic music that is, the sound source of the music, while most of the film's background music belongs to the expressive music that is, no sound source of the imaginative music, the film's background music is the sound source of the music, the film's background music is the sound source of the music. The background music of the movie mostly belongs to expressive music, i.e. music without sound source. This fully reflects the theme of the movie itself, which is music!
The role of music in the movie is mainly manifested in the expression of the theme; participation in the narrative; expression of feelings and atmosphere. For example, the music of the orchestra conducted by the main character at the beginning of the movie can be called the prelude of the movie in a sense, which lays down the theme and tone of the whole movie; in the narrative, the songs and music when Matthew teaches the children to practice the chorus in the movie are directly involved in the narrative of the movie, which becomes an inseparable narrative tool of the movie, especially when Matthew gives the music to Mo Hangzhi when he opens the small stove, and the music of Mo Hangzhi plays an important role in the movie's narration and expression of the theme. In particular, when Matthew gives Mo Hangzhi a lesson, Mo Hangzhi's heavenly voice plays an important role in the film's narrative and theme, making the audience feel the influence of Matthew and music on Mo Hangzhi, as well as the psychological changes of the children, who are directly involved in the play and express the theme of the film. I remember an episode in which the children sing, "Kite flying in the wind, please don't stop, fly to the sea, float into the air, the children are looking at you, in the storm, you fly your wings high, don't forget to fly back to me..." And the picture shot is of Mohange and Peppino looking out the window longing to be free, while Matthew's voice-over rings out, "I felt the children's longing to be free, to build their huts in the farthest reaches of the sky..." I was particularly impressed by this section, where the realistic music, the written music, the music and the music, the music and the images reach a kind of watered-down state.
The background music used in the movie is different for different scenarios and characters. When Montand appeared, such as Matthew's first fight to stop Montand's smoking, Mohange's conflict with Montand in the drying room, and Montand's teaching of Kwok Bong, etc., the background music played during the scenarios was like Montand's own, not so serene, and with a sense of evil, and at this time, the music played a role in characterizing the characters. At this point, the music also plays a role in characterization. Whenever Matthew meets with Mohanji's mother, the music is always so soft and soothing, with a little romance, which brings out Matthew's good feeling and unrequited love for Mohanji's mother, and also complements the beautiful and virtuous image of Mohanji's mother. There is another impressive episode that demonstrates the role of music in expressing emotions and setting the mood, that is, when the principal gets the news that the school is on fire, the music suddenly starts and on the way back to the school, the music's tempo and intensity is obviously increased, urgent, tense, and at the same time, it implies some messages of danger, but as Matthew slowly emerges from the fog with the children, the music turns abruptly and slowly stops, which tells the audience that the worry and danger have already been realized. This tells the audience that the worry and danger is gone, and that the children are safe and sound, and the change in the music is also in line with the audience's psychological changes.
In addition, the music used in the movie when Mohanji leaves the school and peeps at his mother's work on the street also appropriately portrays Mohanji's emotions at that time, and also expresses the atmosphere of estrangement between mother and son and Mohanji's longing for his mother. Other music, such as that used when several students peeked at Matthew's bag, was able to emphasize the atmosphere; when the song "Cerf-volant" was played near the end of the film, the children's clear voices drifted out the window from the high castle-like confinement room, and together with a paper airplane carrying tender handwriting, it was like an angel's feather falling one by one, one by one, one by one, falling down in front of Matthew's face, which almost brought tears to my eyes. Under the sun, there are no words, and can not see the outside world, however, the children's songs such as gentle waves cascading, a pair of waving small hands written with parting love and heart kiss.
The style and characteristics of light music, compared to other forms of music is more light and lively, full of fun, especially its tunes extraordinarily beautiful. Classical music is the music that has survived the test of time and has flourished for all to enjoy. Classical music is an independent genre, and its artistic approach is sophisticated and seeks to express emotions rationally. Jazz is a mixture of blues, ragtime and other music genres based on traditional British and American music, and is a "hybrid" product. It is a product of the fusion of the music styles of blacks who were sold to the Americas and the music of whites in their native Africa. Rock and roll music is simple, powerful, straightforward, especially its strong rhythm, and teenagers energetic, active characteristics of the match; rock and roll unrestrained performance situation, and their rebellious mentality compatible; rock and roll singing topics, and their concerns are closely related to the issue. And r&b:
Different from traditional white pop music, rhythmic grudge songs emphasize the 2nd and 4th beats in a verse, a very fresh rhythmic effect. Similar to jazz .Hip Hop:
Featured by breakdancing, graffiti on the wall and strong rhythmic music, and finally country music:
The content of the songs at that time, in addition to the expression of the labor life, loathing of the lonely life of wandering, longing for the warmth of the home, peace, singing of sweet love and the pain of lost love and so on are all there.
Bass, cello is a bass instrument, low and thick tone; viola is a middle music instrument, soft and mellow tone; violin is a soprano instrument, beautiful and lyrical tone, rich in singing. The flute has a bright and lively tone, suitable for the expression of smooth melody. Piccolo is the flute range of complementary, in the orchestra there is a "flowery soprano" called. The clarinet and oboe are the middle instruments in the woodwind group, slightly similar in appearance, but the reed of the clarinet is a single reed, which is suitable for playing lively, smooth melodies. The oboe has a slightly husky tone, and is mostly used to express lyrical melodies and gentle emotions. The tuba has a low, heavy tone and is the bass instrument in the woodwind group. The trumpet, also called the French horn, has a round and charming tone, and is the connection between woodwind and brass instruments; the trumpet has a loud and brilliant tone suitable for the performance of call melodies; the trombone, also known as the retractable tube, pull the tube, is suitable for the performance of trumpet-like melodies; the tuba has a low tone and is heavy and unwieldy. Tone (musical quality) dingyi refers to the feeling characteristics of the sound. The frequency of the pitch of the sound, the amplitude of the size of the decision of the sound of the loudness but different objects issued by the sound we can still distinguish between different occurrences of different materials, structure is different, issued by the sound of the timbre is different.
Tone is the characteristic of sound, according to the different timbre, even in the same pitch and the same sound intensity of the case, but also can be distinguished from different instruments or human voice. The same volume and tone with a different timbre is like the same color and brightness with a different hue.
The difference in timbre depends on the different overtones, each musical instrument, different people and all the objects that can produce sound, in addition to a fundamental sound, there are many different frequencies of overtones accompanied by the overtones, it is these overtones that determine the different timbre, so that people can recognize the sound of a different musical instrument or even a different person. Each person has a different timbre even when they speak, so they can be recognized as different people based on their voices.
Sound is produced by the vibration of a sound-producing object, and when it vibrates as a whole it emits a fundamental sound, but at the same time there are compound vibrations in each of its parts, and these vibrations of the parts produce sounds that combine to form overtones. Since the part is smaller than the whole, all the different overtones have a higher frequency than the fundamental, but the intensity is rather weak, otherwise it would be impossible to tune the pitch of the instrument. Tone color (tone-colour) refers to the sound quality of an instrument or voice.
In life we often say that someone's voice has a beautiful timbre, or a husky, distinctive tone. We would also say that a violinist or pianist has a "rich and varied tone", sweet or as brilliant as a bell ...... and so on. These, are not included in the concept of timbre we want to talk about, we are here to say that the timbre, in the Chinese dictionary called "sound quality" or "quality of sound", that is, a certain kind of human voice (such as tenor, soprano) or a certain kind of musical instrument unique kind of sound.
In terms of the human voice, the soprano is loud and clear and soft, the tenor is strong and high, the mezzo-soprano is darker, thick and warm, and the baritone and bass are solemn and thick, giving people a sense of determination. The timbre of the instrument is even richer in variety, the violin's delicate dexterity, the cello's depth and mellowness, the oboe's elegance and sweetness, the trumpet's heroism and so on ....... Composers are very particular about the use of timbre, and these various sound qualities are like colors in the hands of a painter to them, which will make their melodies, harmonies, rhythms, and strengths produce distinctive effects.
Each timbre has a special meaning. If you were to write a march depicting the heroic image of a man, you would be unlikely to choose a soft-toned instrument such as the violin, flute, or oboe, but would instead consider a loud and powerful brass instrument such as the trumpet or trombone. If you were to write a piece of music that expresses a lingering love, timpani and cymbals would be out of the question. From this we can see that timbre has a special expressive power.