Peach-pink and willow-green spring mountain, warm sunshine and soft east wind, the pavilion is rolled up high, the curtains are closed, and you can lean against the railing and look into the distance. The willows hang low, the swing swings gently, and the yard is quiet. Outside the hospital, Huang Yingti, Spring Swallow Dance; Under the small bridge, the running water is full of red.
Appreciate this piece of music "Clear Sand and Spring", and use painting techniques to describe the spring scenery from different spatial levels. Specifically, the spring day and spring mountain in the first sentence constitute the background of the whole picture, which is a long-range view, the foothold of the second sentence is a close-range view, and the noisy scene in the courtyard in the third sentence shows a picture full of vitality and spring, which is a middle view. The two adjectives that best reflect the characteristics of spring are warm warblers, and the scenery that best reflects the vitality of the courtyard is dancing swallow red.
The whole song is inseparable from the characteristics of spring. In "Warm Sun and Breeze in Spring Mountains", the beginning of the work presents a grand and warm background from a distance, that is to say, the author depicts a warm, warm and vast spring background picture. In this sentence, the author deliberately highlights the characteristics that spring has come to the world. The mountain is full of spring, the sun is warm and harmonious, and the wind is warm and gentle. This painting is beautiful: in the bright spring, the spring mountains are moist, the spring days are harmonious, and the spring breeze is warm, pleasant and comfortable.
The two sentences "The Curtain of the Pole Pavilion" and "Liu Yaoyuan" were written recently, and the poet changed from "Spring Mountain" in the distance to writing about the scenery of the pavilion and the nearby courtyard. In this beautiful spring, the "pavilion curtain" is also very different from other seasons, reflecting the new green of "Spring Mountain", bathing in the bright "warm day" and blowing the warmth of "Breeze". Standing on the pavilion, in front of the window, leaning against the railing to enjoy the spring scenery is a pleasant thing. The phrase "willow swaying in the courtyard" is a quiet and elegant small courtyard. There are proud poplars and graceful weeping willows in the small yard, especially the swing under the tree, which seems to have the laughter of girls and is full of poetry.
At the end of these two sentences, the poet's eyes shifted from the courtyard to the clear sky and then to the wilderness, rendering an intoxicating atmosphere. On the branches in spring, orioles are singing sweetly; In the clear sky, swallows are flying leisurely; Between the wilderness, the gurgling stream gurgled under the small bridge and fell quietly in the slight spring breeze. At this point, the artistic conception of the work is more harmonious and interesting.
Appreciate this piece of music and paint the spring scenery from different spatial levels. Specifically, the background of the whole picture is the distant view, the second sentence is the close-up view of the characters, and the third sentence is the noisy scene in the yard, showing a vibrant and spring-like picture, which is the middle view. The two adjectives that best reflect the characteristics of spring are warm warblers, while the scenery that best reflects the vitality of the courtyard is dancing swallows and flying red. The character of this song should be a woman. She stood by the railing, under the curtain, peeping at the spring scenery. Spring in her eyes should be more exquisite and beautiful. .......
This song consists entirely of tapestries, which is a special rhetorical way in China's classical poems. This name was put forward by Tan Yongxiang, a contemporary rhetorician. His interpretation of Jin Lie is: a unique sentence pattern in classical poetry works, that is, the whole sentence is composed of nouns or noun phrases, without verbs or adjective predicates, but it can also play a lyric and narrative role. (The Origin of New Rhetoric, Fujian Education Press)
Bai Pu (1226—— about 1306) was originally named Heng, whose name was Renfu, and later it was renamed Park, whose name was Zi. Han nationality, originally from qi zhou (now near Hequ, Shanxi Province), moved to Calm (now Zhengding County, Hebei Province) in his later years and lived in Jinling (now Nanjing). He was a famous litterateur, songwriter and dramatist in Yuan Dynasty, and was also known as the Four Masters of Yuan Dynasty with Guan Hanqing, Ma Zhiyuan and Zheng Guangzu. Representative works mainly include Autumn Night Rain in Tang Ming, Pei Lai Great Wall and East Wall of Dong Yueying Flower Moon. Bai Pu
After a while, the clouds fell low on the quiet lake, and the grass was sweet with an idle door. Ten miles after the spring breeze. All the wheat is green. Send more farewells near the Doumen, and fold the strip in half to reduce the spring breeze. The east wind is born with the rose, but the poor rose is born with the spring. With the forest gradually calming down, there are not many people on the mountain who can go to Xue. Flowers and trees know that spring is about to pass, and they want to keep the pace of spring and pay more attention. In the early spring, the smoke in the pool is light, and it is cold and rainy. If you don't believe this situation, it is difficult to travel. Huayang still has an east wind pipe. Banana hearts don't show lilac's frustration, but they are also sad about the spring breeze. A pair of swallows, when did you fly back? Peach branches on both sides of the river are soaked in water, and red peach blossoms are in bloom. The grass in the lonely village is far away, and the apricot flowers fly in the setting sun. If you go to the south, you can catch up with spring, and you must keep the scenery of spring. There is no breath of spring. Unless you ask an oriole. The spring water in Jinqiao flooded Xia Hong, and the wind blew on the shore. The spring breeze remains unchanged. Walk along the embankment on purpose.