In the first strong beat, both hands should be kept at an appropriate distance, downward beat movement, the reflexive action along the beat movement naturally upward, be careful not to overly oblique to the outside. The reflex action of the first beat actually becomes the preparation for the second beat.
The second beat is a weak beat, the commanding movement is in the inner side of the first beat, the amplitude of the beat movement is reduced accordingly, and the two hands should not be crossed during the reflexive action, but at most there is a slight overlap of the palms of the two hands.
The third beat is the second strongest beat, the beat action to the outside (slightly diagonal downward), the reflex action upward.
The fourth beat is a weak beat, following the natural fall of the reflex action in the third beat, the fourth beat is a fourth beat downward, and the reflex action bounces upward from the inside.
This song is not fast-paced, there is a 4-beat pause in the middle, you can relax a bit, it is recommended to change to a two-beat "small movements" to count the beats on the line (like a prolongation of the sound processing). The problem lies in the obvious upward movement from bass la to treble la. It is suggested that the reflex after counting four beats should be upward, so as to facilitate the playing from the high position of the "horse's hooves to the south ......" - such as here! The melody line of the song is quite manageable, and unnecessarily always ends up in one position.
2. It is more important to grasp the beat point, not to draw a cross for the sake of drawing a cross. If you want to use four beats, you do not always have to stick to the lower left and right up, the feelings of flat when the four beat point position:
"/2 /3 |1 \4" more natural ......
3. The end of the first look at the score to count the extension of the good (Count how many beats): It is recommended that the four beats of "Fang" be treated with a small extension, the first ti of the next bar remember to go down, the second beat of the empty beat to the left and lightly scratched (without a beat point, like a brand new weak start beat) and then naturally to the right to reflect back to the so of the articulation of the beat, and from then on to play the three beats (remember). The word "He" should be in the high position, so the four dots are not set in stone!) (Remember that the word "He" should be in the high position, so the four dots are not static!), the last word "He" is played with a prolonged sound, it is recommended that you can "gently push" the high position four times in eight beats, and then inwardly closed.