Guangdong Han music preserves more than six hundred excellent traditional repertoires of different moods and forms and colorful performance forms, and Zhongjunban music and silk-string music are the main components of Han music. Zhongjunban music is folk music for ceremonial playing. Before the liberation of China, Zhongjunban artists were mostly professional and semi-professional, and were hired for weddings, funerals, joys and festivals, and sometimes different "flute pavilions" (groups of Zhongjunban artists) competed with each other on the stage, so they had a wide popularity. In this concert, we can enjoy "Marrying a Good Man," a masterpiece of Zhongjunban music, which is a piece of music for suona and orchestra that is played when a woman gets married. Silk-string music is the most common form of folk performance, usually using instruments such as the head-string, flute, sheng, tihu, yangqin, sanxian, yehu, pipa, and so on. In this concert we can enjoy different kinds of silk string music, including the very best of silk string music, the Han tune Qing music, which is known as the music of Confucianism.
Categorization and Performance Forms of Cantonese Han MusicThere are five categories of Cantonese Han music according to the performance forms of traditional Cantonese Han music and the playing habits and different uses of the music that have evolved over a long period of time. First, silk string music, commonly known as chordophone. It is the most popular and popularized form of Guangdong Han music. It is played with the head-string (commonly known as the dangguizi) or the tihu, and is accompanied by instruments such as the yangqin, pipa, sanxian, flute, and the coconut hu. The repertoire of the silk string category is numerous, and there are 430 pieces in the Han music repertoire that has been compiled. The second is Qing music, also known as Confucian music. It pursues a more elegant form of performance, often for the activities of the literati. It is played with fewer musical instruments, mainly guzheng, pipa, coconut beard, Dongxiao, etc. The repertoire of Qing music is 56 pieces. The repertoire of Qingle is 56 songs. The third one is the Han music big gongs and drums, also known as the eight tones. It is mainly used in traditional Hakka festivals, such as the folk festival to welcome the gods or the Lantern Festival. It is mainly played by suona, and the percussion includes: big drum, suo gong, big cymbal, small cymbal, bowl gong, tongjin, small gong, and horse gong (for eight tones).
There are only 23 pieces of hanle big gongs and drums music in the Guangdong hanle music library. The fourth is the music of Zhongjunban: historically, it is a professional or semi-professional folk music class, society, as a ceremonial nature of the band, mainly used for folk wedding and funeral celebrations. It takes suona as the main instrument, with percussion and a number of silk strings, in the Han music repertoire, it is second only to the number of silk strings, **** there are 62. Zhongjunban music performance is more concerned about the form and occasion, therefore, it is subdivided into ritual music (such as "Haunted Flower Hall", "towards the son of heaven"), sacrificial music (such as "Dale", "send song"), joyful music (such as "marrying a good man", "Jade Beauty"), knocking board music (such as "Jiangxi Tune", "Acacia"), ditty blowing (such as "selling groceries", "Flower Drum Tune"). Fifth is the temple music, which is the blowing music played by the monks when they perform religious ceremonies. When playing, it is mainly suona, with percussion, a number of silk string music, such music has 31 songs. The performance of temple music is concerned with the object of the puja. Such as the death of a hundred-year-old man, playing the repertoire is "towards the son of heaven"; not on the life of the death of the people, playing the repertoire is "crying the emperor"; the general death of people, playing the repertoire is the "Buddha mantra", "five more Buddha", "the big river", "tears of sorrow", "crying lovesickness" and so on; the general repertoire of the funeral is the "Buddha song". 1, tune categories and title features in the Guangdong Han music "silk string music" and "Qing music", there has always been a "major tune" and "string tone In Guangdong Han music, "silk string music" and "Qing music", there have always been "major tunes" and "string tunes. A "major key" refers to a piece of music that is sixty-eight boards long and belongs to the sixty-eight board system. "Crosstalk" refers to the music of the opera (Han opera) used to match the plot and stage performance, as well as rendering, set the stage atmosphere of the opening and over the music. Crosstalk music varies in length, more than dozens of panels, less than ten panels.
Because Guangdong Han music basically belongs to the category of folk instrumental music with titles, in many of the "big tune" pieces, the title reveals the mood and emotion of the piece, reflecting a certain ideological content and interest, such as "Out of the Water Lotus", "Zhaojun's Complaints", "Yashan Mourning", "Wistful Ancient Times", etc.; however, there are also some pieces which have a title, but also express a certain mood, but do not have the title, and do not have a title. However, there are some pieces of music which, although they have a title, express a certain mood, but do not show a specific musical image, such as "South Palace", "North Palace", etc. Some of them only show the origin and source of the piece, or indicate some characteristics and uses of its music, such as "Single Nodding Head", "Messy Flower Arrangement", etc. As a song type of music, some pieces of music, although labeled with the name of the song, but the emotions expressed by the music and the title song name is not necessarily related, only as a tune of the logo.
2. Scale tuning and characteristic tone Guangdong Han music can basically be divided into two kinds of tonal scales. One is to take 56123 as the backbone of the scale, and add 4 and 7 as decorative auxiliary tones to form a seven-tone scale. It is often called "hard set" or "hard line" in Cantonese Han music, and is basically the same as the "light three-six" tone in Chiu Chow music and the "straight line" tone in Cantonese opera. It is basically the same as the "light three-six" key in Chiu Chow music and the "positive line" key in Cantonese music, and is the basis of the Guangdong Han music scale. The other is to take the 57124 pentatonic as the backbone tone and add the 6 3 two partial tones as decorative auxiliary tones, constituting a seven-tone levy tuning with characteristic tones. Among them, the 7 4 tones in the three-tone row of 6 7 1 and 3 4 5, whose pitch is similar to that of a middle tone, are usually called "characteristic tones" or "neutral tones", and the 7 4 tones constitute a pure fifth interval. In Cantonese Han music, it is often called "soft set" or "soft line" music. It is basically the same as the "heavy three-sixths" key in Chaozhou music and the "yifan key" in Cantonese opera, and is a kind of scale that is characteristic of the tuning style of Guangdong Han music. Due to the existence of two different combinations of scales in Cantonese Han music, there are two types of music with different styles and flavors: the "soft line" and the "hard line". The "soft line" tunes are deeper and more sorrowful, while the "hard line" tunes are brighter and more active. In the long-term performance practice, between the "soft line" and "hard line" music also has the characteristics of mutual conversion. The 6 3 in the "hard line" music is converted to 7 4, which is the "soft line" music. On the other hand, the 7 4 in the "soft line" music is converted to 6 3, which is the "hard line" music. This kind of conversion of the five backbone tones is similar to the conversion of the "light six" and "heavy six" tunes in Chaozhou music, as well as the conversion of the "joyful tone" and "bitter tone" in Shaanxi Qinqiang music. The conversion of "happy tone" and "bitter tone" in Shaanxi Qinqiang music is characterized by the same features. It is not difficult to see the affinity of Guangdong Han music with traditional music of the Central Plains in terms of tonal scales and characteristic tones.
3. The characteristics of suites and variations: Guangdong Han music is a music of the songboard system, which is a suite structure or a structure of songboard combinations. In the traditional performance, some of the slow to fast variations are from the same piece of music, while some of the slow to fast variations are from another piece of music, i.e., in the form of a suite. In addition, there are a number of musical compositions of the same palace system that form a suite, constituting a suite structure. When playing in accordance with the slow, medium, fast plate sequential performance, but are strictly to maintain "the same palace to the end", in order to achieve the unity of the tonality of the tune. Generally, the "soft line" is connected to the "soft line" music, and the "hard line" is connected to the "hard line" music. According to the traditional playing habits, for example, "Water Lotus" is followed by "Zhaojun's Complaint" and "Yashan's Lament" as a suite, and "Jade Linking Rings" is followed by "Tripping Horse Rope" and "Landing Money" as a suite, etc. Since Guangdong Han music comes from the folk music, it is often connected to "soft line" pieces. As Guangdong Han music comes from the folk, it is often characterized by improvisation and variation. Performers often give free play to different instruments according to the "key bones" (i.e. the common score of the main tune), thus forming different styles and genres. The stringed instruments of Guangdong Han music include the head-string, the tihu and the yihu. Due to the different tonal areas and ranges of the instruments, the strings of the instruments are set differently even though the tuning is the same. The lead instrument is played with a "forward finger" (5.2 strings), while the other stringed instruments are played with a "backward finger" (1.5 or 2.6 strings), resulting in different variations of tunes.
In addition, when different kinds of instruments form an ensemble, due to the different performance characteristics of the instruments and the differences in playing techniques, not only do they form a contrast in timbre, but also are rich in variations in the direction of the tune and the use of rhythmic patterns, thus having the characteristics of the variations of the polyphonic elements of the "branch sound". Traditional Instruments of Guangdong Han MusicThe traditional instruments of Guangdong Han Music are mainly divided into two categories, namely, the Wen music category and the Wu music category.
Wen music
(1) The head string, also known as the hanging string. The tube and pole are wooden. With 2 steel wire strings, thick inside and thin outside, pitch difference of 4 degrees. The bow is drawn flat with an ordinary ponytail bow, and usually only one handle is used. It is a leading instrument in the combination performance, which is one of the characteristics of Guangdong Han music.
(2) Tihu. It is similar in shape and construction to the Guangdong gaohu, with a slightly larger barrel and a slightly longer pole. With two steel wire strings, G tuning 5-2. between the knees to clip the flat pull, playing with a long bow; fast, it is appropriate to use a long bow, or a combination of long and short bows, without the use of broken bows. The sound is soft and thick. The Tihu is often used in three to four positions, with a wide range of sound and strong expressive power, and can be led or soloed.
(3) Coconut Hu, also known as Hu strings, also known as Fu strings. Coconut shells inlaid with thin boards, poles wooden, avoid using hardwood, 80 centimeters long. String shaft 2, with cattle wire strings, slightly thicker than the head string wire. The strings are set opposite to the head strings, and the key of G is set 1-5 or 2-6, and there are also set as 3-6 strings. It is an auxiliary stringed instrument.
(4) Bass Hu, wooden. Cylinder surface 30 centimeters wide, about 25 centimeters high, 27 centimeters long. Cow silk strings 2, with ponytail bow. The strings are set 3-4 degrees lower than those of the coconut beard, and the key of G is 5-2. The combination is played without adding flowers but subtracting words, emphasizing the main tone and focusing on the lower tones.
(5) flute, also known as the "horizontal product", made of bamboo. It is the main blowing instrument, often as a leader or soloist, in the combination of performance requirements of rounded and coherent, do not use spit tone, hit the finger tone is rarely used, and strive for overall harmony, fast when the word can be reduced or according to the tone of the tone of the sound blowing, flexible treatment.
(6) Dongjiao, bamboo. Difference with the flute, one is not to use the bamboo membrane, the second is a small hole in the bamboo section straight blowing, deep and thick pronunciation, often with the pipa, guzheng combination of performance, can also be played solo.
(7) suona (Hakka people call suona "flute"), is the main instrument of folk music. It is divided into three parts: the mouth, the body and the sound wave. The mouth of the pipe is made of copper, with a reed whistle into the end of the pipe; the body is made of wood, and the sound wave is made of copper. There are three kinds of traditional suona, the big one is called no pipe, made of "duck's foot tree" or "Shatong no tree", without sound wave, 2-3 degrees lower than the medium suona, as the accompaniment of the bass melody; the medium one is the medium suona, the most commonly used suona. It is the most commonly used suona. It is played with a reed bamboo whistle and has a bright and generous pronunciation, which is pleasant to the ears; the small one is the small suona, which is also called the sea flute, commonly known as the "thatched flute". It is one-third shorter than the medium suona, with the same shape, mostly using the straw whistle, pronouncing clear and crisp sounds, and blowing 3-4 degrees higher than the medium suona in the whole press flat. The medium suona and small suona are lead and solo wind instruments.
(8) The moon string is made of wood. The board is round, about 30 centimeters in diameter, and the string handle and shaft*** are about 25 centimeters long. There are 3 axes of strings, 2 with the same strings for the outer strings and 1 for the inner strings. Before the adoption of the Western instrument, the moon string was in an important position and was known as the guts of the instrument. After the adoption of the Western instrument, the moon string took a back seat.
(9) Three strings. Traditionally, it is a small three-stringed instrument. The drum is 8 centimeters wide, 14 centimeters long, and 6 centimeters thick, and is wrapped in snake skin to form an oval shape. The strings are 60 to 70 centimeters long, with 3 axes, and 3 large, medium and small strings. It is characterized by clear sound and strong penetration.
(10) Yangqin, also known as yangqin. Beginning in the late nineteenth century, the end of the mallet bamboo used in the past is thin and soft with elasticity, called "soft mallet bamboo". In the past, the thin, soft end of the mallet bamboo was used, which was called "soft mallet bamboo", but it was changed to "hard mallet bamboo". The Yangqin plays an important role in the Guangdong Han music ensemble.
(11) Pipa (Chinese lute): The traditional pipa has four phases and twelve notes, but in the 1960s it was changed to twelve equal temperaments, and the strings were changed from silk strings to metal strings. The pipa's fingering is based on playing, picking, hooking, wiping, wheeling and rolling. The pipa has an important position in the combination performance, with a strong tone and expressive ability, but its volume is inferior to that of the yangqin.
(12) The zheng, according to historical records, has a history of more than 2,300 years, so it is often called the "ancient zheng". The zheng is a one-stringed, one-posted or multi-stringed, multi-posted instrument. The body of the zheng is in the shape of a long bar, the panel is curved, the bottom plate is straight and there are two sound holes, the panel and the bottom plate are made of tung wood. Before the founding of the People's Republic of China, the zheng had 16 strings, but nowadays it has 18 strings, 21 strings and even 25 strings. The strings are set according to the order of the pentatonic scale. The traditional fingering method is to play the strings with the right hand finger with a false nail and the left hand pressing the sound. The zheng belongs to the elegant music of Guangdong Han music, and is often played solo or in combination with the pipa, the coconut hu, and the dong xiao. Other instruments such as the sheng, hornpipe, qinqin and guqin have either been lost or are no longer used or used sparingly.
Wu music
(1) the board ① structure: pear wood, rectangular, about 16 centimeters long, about 8 centimeters wide, about 4 centimeters high; hollow, near the upper side of the side of the openings; flat on the left side of the drum frame, with a small mallet to hit, pronounce the "each", also known as the "board". It is also known as the "various boards". Another by the 24-centimeter-long, 6-centimeter-wide pearwood board, two of which are slightly thin tightly tied, a slightly thicker, both with red silk ribbon (cloth) loosely tied on one side, called "three boards" or "rocking board", held in the left hand, palm fingers apart, rocking and jumping percussion. ② sound: "each", "shell", the sound of the old broad. ③Usage: fall on the strong beat, evenly struck.
(2) Vice plate, piece of drum. ①Structure: the vice-board has the same structure as the "various boards", slightly smaller, and is placed flat on the right side of the main board. Drums round, feet big top small, hardwood, hollow, leather exterior; also have a flat top body flat. ② sound: "the" or "hit", continuous reading sound "pull hit hit", than the main board sound fine and clear. ③Use: The vice-board and the piece of the drum play the same role, falling on the weak beat, called "eye". Strike freely and arbitrarily, and can be used as a boundary.
(3) snare drum, also known as the war drum. (1) structure: wooden body, round, hollow, top surface bottom surface table leather. Top diameter are 12 centimeters, the bottom diameter of about 9 centimeters, the body is slightly convex like an oval. ② Sound: "Dudu", continuous sound "Luodu Dudu". ③Usage: It is used in the music of the Chinese military class and can replace the front and backboards.
(4) Drums and drums. ①Structure: The structure of the drum is the same as that of the snare drum, but it is more than ten times bigger. The drum surface is 70 to 100 centimeters. Hall drum drum diameter of about 30 centimeters, the face of the bottom of the same large, flat or oval different shapes. ②Audio: "dong", continuous sound "get dong dong dong". ③Usage: Folk gongs and drums are often used in the music of the Chinese army class, and they are mostly used in the lively scenes with strong atmosphere.
(5) Arbitrage. ① structure: copper, if a small cup, the bottom tip round, high, wide, about 3 centimeters in diameter; the bottom has ears, hanging in 10 centimeters of small bamboo poles, to small iron columns to hit. ② sound: "ding", clear, with a residual sound. ③ Usage: silk string music, fall in the strong beat, can add color.
(6) small cymbals. (1) structure: copper, round, the center of the round convex to the outside for the executive ear. Diameter of about 16 centimeters. Combined **** 2 pieces, touch each other to sound. ② sound: "seven", "Qi". Touch that is away from the sound, not away from or half away from the sound of the brake, open and close the sound, depending on the circumstances of the use. Usage: Generally falls in the board (the strongest beat of each measure). Small gongs, small cymbals, copper and gold form a set of "small gongs and cymbals" gongs and drums.
(7) Cymbals. ①Structure: made of copper, the same shape as the small cymbals, but more than twice as large as the small cymbals, about 33 centimeters in diameter. ② sound: "hairpin" (ringing sound), "Ze" (brake sound, open and close sound). ③Usage: fall on the strong beat, sometimes strong and weak beat are struck, ringing, its sound trembling. The cymbals and gongs form a set of gongs and drums, and are indispensable instruments in percussion.
(8) Bowl gong. Also known as the pulling gong. ① structure: copper, such as small bowls, flat, side lip with two small holes to string ear band, pulled in the palm of the left hand, with more than 10 centimeters long hard bamboo plate strong hit pronunciation. ② sound: "when", bright with a delicate sound. ③ Usage: mostly used for playing music, according to the phrase hit more flexible.
(9) when the point. (1) structure: copper, such as bowl gongs the same size, slightly thinner, the outer edge of the plane side lip, side lip has four small holes, used to string hanging in the wooden frame so that it hangs in the air. With Miao bamboo sticks (such as chopsticks) at the end of the curve into a half "Ding" shape to strike. Sound: "Point". ③Use: For points and eyes, one line per beat, evenly struck. When the point is the music of the Chinese army class special percussion instrument, but also the music of the Chinese army class unique features, such as "knocking board tune" and so on must be used.
(10) Horse Gong. ① structure: copper, like a bowl of gongs and dozens of times larger, about 40 centimeters in diameter, with a 16-centimeter long mallet. ② sound: "open" rough and lively. ③Use: mostly used for folk big gongs and drums, easy to parade.
(11) Small gongs. ①Structure: like a bowl of gongs, the ratio of the side is slightly shorter, the face is round and slightly convex, about 18 centimeters in diameter; 16 centimeters long hard bamboo board to hit, or hand-held suspended in the air to hit. Sound: "pile", "throw", "thunder". The continuous sound is "Lei Pile". ③Use: The two systems of gongs and cymbals, small gongs and large gongs and cymbals, all use small gongs, which are the representatives of drums and boards.
(12) copper gold. Also known as milk gongs. ①Structure: made of copper, round, slightly smaller than the horse gong, the center round convex, struck with wooden mallets (wrapped cloth or white cotton tape). ② Sound: "steel", long aftertone, like throwing stones in the water waves of the pond. ③Use: mostly used for small gongs and cymbals combination of gongs and drums, falling on the strong beat, the role of such as a large gong.
(13) big gong. Also known as the big Su gong. (1) structure: copper. Shaped like a small gong, 90 to 100 centimeters in diameter, hanging in the frame, 18 centimeters long wood (wrapped in white cloth) to strike. ②Audio: "hole", "situation". The sound is warm, elegant, simple and beautiful. This is the characteristic of Guangdong Han music, Han opera music percussion instrument. ③Use: and cymbals sometimes the same hit, sometimes relative exchange, sometimes cymbals double gongs single, or single gongs appear, hit the strong beat, is an important instrument of percussion.
Repertoire
Guangdong Han music has a rich repertoire, from the Guangdong Han music repertoire collection that has been organized and published, *** there are 612 repertoires, of which 430 are silk-stringed music, 56 are Qing music, 23 are Han music gongs and drums, 62 are Zhongjunban music, and 31 are temple music. The representative repertoire consists of the silk-string pieces "Single Dot Tail", "Jade Mountain Slope", "Sifu", suona pieces "Powder Folding", "Pudian Music", "Jade Hibiscus", and temple music such as "A Letter", "Fish Under Water", etc. Some of the pieces are from the Central Plains Palace, and some of the pieces are from the Central Plains Palace. Some of the music comes from the court music and ancient music of the Central Plains, preserving the court music of the Tang Dynasty, such as the Zhongjunban music "Dale" and the silk string music "Nanjin Gong". Guangdong Han music has incorporated the strengths of a hundred schools of thought, such as "Fisherman and Woodcutter's Q & A" which was evolved or imitated from guqin music, "Cutting Flowers" which was transformed from folk song ditties, and "Order of Victory", which was also originally from the theater tunes.
1, silk string music: "Welcome Spring Song", "Hundred Spring", "Spring String", "South into the Palace", "North into the Palace", "Pipa Lyrics", "Huai Gu", "Emerald Dengtan", "Pinghu".
2. Qing music: "Out of the Water Lotus," "West Wing Lyrics," "General's Decree," "Night Rain at the Banana Window," "Pingshan Le," "Pick the Curtain," and "High Mountains and Flowing Water.
3. Han music gongs and drums: "The Lantern Festival", "The Little Open Door", "The Brocade", "Welcoming Guests", "The Order of Victory", and "Congratulating the Peace".
4. Music of the Zhongjun class: "Worshiping the Flower Hall", "Marrying a Good Man", "Jade Beauty", "Appreciating Flowers", "Selling Groceries", "Flower Drums and Tunes", "Tea after Meal", and "Shuang Fu Boat".
5, temple music: "Toward the Son of Heaven," "Crying for the Emperor," "Five Nights of Buddha," "Buddha Song," "Buddha Mantra," "Mourning Tears," "Crying for Each Other," and "The Great River.
DaPo County to participate in the "2005 Guangdong International Tourism and Culture Festival - Lingnan Folk Art Festival" won the gold and silver medals
DaPo County Cultural Center to organize two folk art performances. Guangdong Hanle" and "garland dragon", a group of 69 people in November 25, 2005 to Guangzhou to participate in the "2005 Guangdong International Tourism and Culture Festival - Lingnan Folk Art Grand The performance was held for three consecutive days from November 26th to 28th in Tianhe Sports Center South West Square, Tianhe District, Guangzhou City, Liwan District, Guangzhou City, Shangxiajiu Square, Yuexiu District, Guangzhou City, Heroes Square, etc., and performed for five shows, which were welcomed and praised by Chinese and foreign audiences and Guangzhou citizens; by the Organizing Committee of Guangdong International Tourism and Culture Festival, a group of experts was selected by the organizing committee of Guangdong International Tourism and Culture Festival. After the "Guangdong International Tourism and Culture Festival Organizing Committee" organized by the expert group selection, Tai Po County participated in the program: Guangdong Han Music - Spring Festival Song won the gold medal, garland dragon performance program won the silver medal.
The Ministry of Culture of the State, the provincial party committee, the provincial government and other relevant leaders watched the performance at the scene; forty-eight Chinese and foreign news media reported at the scene. The award ceremony was held in Guangzhou Pearl River Hotel.
The Genealogy of Inheritance
The inheritance of Guangdong Han music is based on the skill of playing instruments, and most of the musicians are able to play a variety of instruments. Therefore, the inheritance of Guangdong Han music is diversified, i.e. family inheritance, master-disciple inheritance and social inheritance are intertwined with each other. Due to the long history of Guangdong Han music activities in Tai Po, it is difficult to prove the inheritance before the Qing Dynasty. Now, we analyze and verify the information we got through the census and the literature and the information in the square records, and list the inheritance genealogy as follows.
(A) master and apprentice inheritance
1, Shuangxi Li Lantian (suona) generation Name Gender Birth Year Cultural Degree Inheritance Mode Learning Time Residence Address First to Sixth Generation Unknown Male Unknown Unknown Unknown Unknown Unknown Unknown Unknown Shuangxi Township Seventh Generation Li Lantian Male 1890 Unknown Division Unknown Shuangxi Township Eighth Generation Luo Zengyu Male 1942 Junior college division 1952 Maple Township Ninth Generation Xiao Chenguang Male 1961 Junior college division 19721979 Shao Chenguang male 1961 junior college teacher in 1971 Baihou Town 2, Chaoyang Rao Tosheng (headstrings, guzheng, sanxian, flute, yangqin) Generation Name Sex Year of Birth Cultural Degree Inheritance Mode Learning Time Residence Address First Generation Rao Tosheng Male 1884 Unknown Teacher unknown Teacher unknown Chaoyang Town Second Generation Luo Jiuxiang Male 1901 Unknown Teacher unknown Maple Lang Town Rao from the cited Male 1897 Unknown Teacher unknown Teacher 1921 Tea Yang Town Rao Qingxiong male 1902 unknown division transmission 1922 Chaoyang town Luo Xiehong male 1920 unknown division transmission unknown Fenglang town third generation Rao Ningxin male 1941 junior college division transmission 1947 Guangdong Xinghai Conservatory of Music Luo Zengliang male 1936 senior high school division transmission 1954 Fenglang town Luo Luoduoyuan male 1939 university division transmission 1956 Guangdong Xinghai Conservatory of Music fourth generation Liu Chuan with male 1959 junior high school Division passes on 1979 Huliao Town 3, Fenglang Luo Niangde (suona) generation name gender birth year cultural level inheritance mode learning time residence address first generation Luo Niangde male 1890 unknown division passes on unknown Fenglang Town second generation Yu Dunchang male 1920 elementary school division passes on unknown hemp town third generation Yang Peiliu male 1942 junior high school division passes on 1958 Baihou Town fourth generation Xiejungui male 1947 elementary school division passes on 1979 Changzhi Township 4, Chaoyang Rao Shushu (Tihu) Generation Name Gender Birth Year Cultural Degree Inheritance Mode Learning Time Residence Address First Generation Rao Shushu Male 1905 Unknown Teacher Unknown Chaoyang Township Second Generation Luo Lian Male 1919 Junior High School Teacher Unknown Huliao Township Third Generation Liao Dongxiong Male 1947 Junior High School Teacher 1958 Taipo Chinese Opera Troupe Fourth Generation Fang Baoxiang Female 1989 Junior High School Teacher 1979 Huliao Township 5, Qingxi Fan Sixiang (Si Drum) Generation Name Gender Birth Year Cultural Level Inheritance Mode Learning Time Residence Address First Generation Fan Lihui Male Unknown Unknown Unknown Unknown Unknown Unknown Qingxi Township Second Generation Fan Sixiang Male 1905 Elementary School Father's Transmission Unknown Qingxi Township Third Generation Fan Shenghua Male 1945 Junior High School Teacher's Transmission 1959 Tapu Han Opera Troupe Fourth Generation Guan Yingting Male 1965 Junior High School Teacher's Transmission 1985 In 1985, Tai Po Han Opera Troupe (two) family heritage
1, hemp Yu Shuxian (suona) generation name gender birth year literacy inheritance mode learning time residence address the first generation of Yu Shuxian male 1895 unknown unknown unknown unknown cannabis town the second generation of Yu Dunchang male 1920 elementary school father's transmission of the childhood cannabis town the third generation of Yu Yuqi male 1965 high school father's transmission of the childhood cannabis town, maple Lang Luo Tailunlv (three-stringed, suona) generation name, sex, culture