1) Appreciation of Du Fu's "Joyful Rain on a Spring Night"
Good rain knows the time, when spring is happening.
With the wind, it dives into the night, moistens things silently.
The path is dark with clouds, the riverboat is bright with fire.
When I look at the red wet place, the flowers are heavy in Jin Guan Cheng.
"Spring Night Rain" expresses the poet's love and admiration for the unselfish quality of spring night rain.
The first two lines of the poem contain the word "good", praising the spring rain. "Know the season" gives spring rain with human life and emotion, in the author's view, spring rain considerate of people's intentions, know the season, in people's urgent need to come to the time, to promote vitality. What a good spring rain! The first line of both the spring rain "happens", but also implicitly conveyed the author eagerly looking forward to the spring rains of the anxious mood. The jaw line is obviously the poet's auditory feelings. Spring rain is coming, in the vast night, with the wind, silent, moisturizing everything, no intention to please "good", only seeking dedication. Look, listen to the rain scene author of how meticulous, even the spring rain sprinkled, silent and silent was also heard by the poet. Visible, surprise in the spring rain, the poet sleepless nights. Neck joint immediately following the jaw, the poet only wish spring rain overnight, but also afraid of sudden abortions, but also happy and worried, push the door and out, stand and look into the distance, only to see the usual clear-cut paths in the fields also dissolved into the night, dark, see how dark the night, how dense the rain. The riverboat fishing fire red and eye-catching, but also contrasted with the darkness of the spring night, but also from the side of the dense spring rain. The end of the link to the rhetoric of imagination, the poet witnessed the spring rain, pleased to think that the next day when the dawn, Jin Guan City will be a purple and red spring color. Flowers of the red, full of life is the silent rain submerged, moist wash condensation into ......
2) Bai Juyi "Qiantang Lake Spring Walk" appreciation
Lonely Mountain Temple North Jia Ting West, the water is flat cloud feet low.
Some early warblers are fighting for the warmth of the trees, and some new swallows are pecking at the spring mud.
The flowers are all over the place, and the grass is the only thing that can't be found on a horse's hoof.
The most favorite thing about the east side of the lake is that it is not enough to walk on the white sandy embankment in the shade of the green poplar.
The first line is about the scene at the Lone Mountain Temple. The first sentence is the location, the second sentence is a distant view. The first line is the location, and the second line is the distant view. "The first flat" is about the first spring water, slightly flat with the embankment. "Cloud foot low" is about the white clouds hanging low, connecting with the lake and outlining the outline of early spring. The calm water under the feet and the low-hanging clouds in the sky form a tranquil ink and water picture of West Lake.
The third line is about warblers and swallows, which the poet has seen during his travels. The warbler is the singer of spring, all scrambling to fly to the sunny trees to sing; swallow is the messenger of spring, has begun to mud nesting, a vibrant situation. Early" to describe the yellow warbler, reflecting Bai Juyi's heartfelt love for these vibrant little lives. The word "scramble" makes people feel that the spring light is rare and precious. The word "peck" is used to describe the busy and excited look of the swallows, which seems to bring the swallows to life. These two lines are intended to depict the dynamics of the warblers and swallows, thus making the whole poem full of the vigor and vitality of spring.
The neck line is about flowers and plants, emphasizing the poet's feelings. The horse walks briskly on the shallow grass, and after looking at the flowers for a long time, a beautiful purple and red in front of the eyes, so that people are dazzled, and will produce a feeling of disorientation. This couplet and the previous couplet is the core part of the poem, but also the white poem describes the spring light, especially the description of the West Lake spring light of the punctuation. This is a very emotional and energetic description of the scenery, which fully demonstrates Bai Juyi's ability to observe the object of description and accurately grasp its characteristics.
The last line is about the scenery of the white sand dyke, which expresses the poet's joyful mood. "The line is not enough" because it is not enough to see, indicating that the poet lingers on.
From the north of the Lone Mountain to the present Pinghu Autumn Moon, White Causeway, the poet walked all the way to the people to report the information of spring: the lake spring water newborn, spring warblers on the trees, the air, spring swallows in the mud, the embankment of spring flowers bloomed, the spring grass has just been green, the poet's keen and delicate strokes, so that people can appreciate that the West Lake is being stretched on the spring dress. The poet praises the spring color of the West Lake and points out that he loves to walk on the white sand embankment. The two sides of the white embankment are lined with water, and both sides of the embankment are planted with willows and peach trees. When you walk on the white embankment in spring, the tantalizing water of the lake is at your feet, as if you are walking on the water surface; the willow branches in early spring are like smoke, like mist, like silk, like wisps, fluttering on your face, making your heart surge with infinite gentleness and infinite love, and you look like you are in a dreamland, in a fairyland. When you walk on the white embankment in spring, you will be more able to appreciate the feeling and mood of the poet when he wrote this poem.
The theme of the whole poem is mainly on a "line" word, the word "spring line" to describe the scenery. But the West Lake is too large, the trip is too long, so the poet only intercepted a section to write - from the north of the Lushan Temple, to the White Sand Causeway stop. Reading this poem, we naturally have the feeling of enjoying the early spring scenery of West Lake with the poet.
The whole poem is tightly structured, with strict meter, neat counterpoints, fluent language, vivid and natural, and an easy tone, reflecting the characteristics of popularity and fluency. Poet from the overall focus on the lake depicted the fluffy spring, and good at the march on the way to the scene description, selected a combination of typical and classification arrangement: the middle of the four most see spring color of the warblers, swallows, flowers, grass, animals and plants to choose the combination of ingenuity. Also good at grasping the characteristics of the scenery, using the most expressive words to describe and render.
3) Appreciation of Du Mu's "Spring in the South of the Yangtze River"
Thousand miles of warblers cry in the green river, the water villages and mountains Guo wine flag wind.
The four hundred and eighty temples in the south, how many buildings in the smoke and rain.
This is a poem describing the scenery of Jiangnan. Jiangnan how charming, how desirable, "sunrise river flowers red hot, spring river water green as blue", Bai Juyi has given us a gorgeous picture, but that's just macro, and Du Mu's "Jiangnan Spring" is relatively specific, seems to lead us to visit a few attractions, and the impression is also more profound. Du Mu in this first seven ji not only depicts the bright spring scenery of Jiangnan, but also reproduces the scenery of Jiangnan's smoky and rainy terrace, which makes the scenery of Jiangnan even more magical and bewildering, with a different flavor. "Thousands of warblers cry green and red, water village and mountain Guo wine flag wind", first of all, the poet brought us into the world of Jiangnan that red flowers and willow green. You see, everywhere warblers singing and dancing, everywhere green trees and red flowers; that the water village, that the mountains of the city, especially the wine flag in the wind, how fascinating! "Thousands of miles" indicates that the whole of Jiangnan is being written about, but the whole is expressed through one specific imagery. "Four hundred and eighty temples in the South, how many buildings in the smoke and rain", here there is a transition to an important part of the scenery of Jiangnan - temples, rubbed into the vicissitudes of the sense of the South Dynasty left many Buddhist buildings in the spring breeze and spring rain hidden, adding to the bewildering The beauty of the temple. The poet here does not say "Jiangnan four hundred and eighty temples", but said "Chao Chao four hundred and eighty temples", obviously has a different meaning. Southern rulers sycophantic Buddha, the people hurt the money, built a large number of temples, "Southern History - Guo Zushen biography" said: "when the Emperor Dahong Shidian, will be easy to the people, so Zushen particularly said that it is the case that the article that all under the Buddhist temple more than five hundred, the poor and magnificent, monks and nuns more than 100,000, the assets of the rich and fertile, where the counties, can not be described." Accordingly, Du Mu said "four hundred and eighty temples" obviously said less. Nowadays, the "four hundred and eighty temples of the Southern Dynasties" have all become relics of history and part of the wonderful scenery of Jiangnan. There is irony in the aesthetics, and the meaning of the poem is enriched. The four lines of the poem are all scenic, one line for each scene, each with its own characteristics. There is sound and color, spatial expansion, and temporal retrospection. In just 28 words, the poet paints for us a vivid picture of Jiangnan spring in a very generalized language.
4) Appreciation of Wang Jia's "The Rain Clears":
The stamens among the flowers were first seen before the rain, and after the rain, there were no flowers under the leaves at all.
Bees and butterflies are crossing the wall in droves, but I suspect that the color of spring is in the neighbor's house.
This improvisational poem is about the remnants of spring that you see when you walk through a small garden after a rainy day. The scenery in the poem is very simple and commonplace, but it is strange and poetic in its simplicity. In the first two lines of the poem, the word "flower", which symbolizes the color of spring, is used to compare and contrast the scene before the rain with the scene after the rain, revealing a feeling of regret for spring. Before the rain, spring has just come, the flowers only spit out the bones, not yet open; and after the rain, the flowers have been, only left full of green leaves, indicating that the rain is how long, the good end of the flowers and spring color, was a bitter rain to kill. The poet looked at the flowers fall spring disabled small garden scene, is how to spoil the fun and have a sigh of sadness ah!
It is not only the poet who is upset, but also the bees and butterflies. The next two lines of the poem are written from flowers to bees and butterflies. The bees and butterflies were trapped by the bitter rain for a long time, and it was not easy for them to hope for a good spring weather, they flew to the garden with the same happy mood as the poet, thinking that they could have a full meal of spring color in the flowers, but unexpectedly, they were empty, and the garden had no flowers and empty leaves; they were also like the poet was greatly disappointed, and chagrined, they have flown over the wall and went. Flowers fell, bees and butterflies have left, the garden does not seem more cold, the poet's heart is not more disappointed! Looking at the bees and butterflies that "have gone over the wall", the poet, who is full of the feeling of cherishing spring, instantly produces a kind of marvelous association: "but I suspect that the color of spring is in the neighbor's house". Over the courtyard wall is a neighboring house, the poet seems to think of real evidence; but a wall of neighboring gardens, naturally, will not be unique, the poet thought of how naive; after all, the wall is high enough to block the line of sight, can not be very sure, so the poet only said "doubt", "doubt" the word extremely The word "doubt" is very appropriate and adds to the sense of reality. These two lines of the poem, not only the bees, butterflies chasing the spring color of the demeanor, written vividly, but also the "spring color" written live, it seems that "Yangchun" really "have feet", she does not live in their own garden, preferring to run to the neighbor's house. The first is that it is not a good idea to go to the neighbor's house, but it is a good idea to go to the neighbor's house, and it is a good idea to go to the neighbor's house!
"But I suspect that spring is in the neighbor's house" can be described as a "stroke of genius", making the language of the strange peaks, people immediately refreshing. This sentence is the essence of the whole piece, played a role in turning iron into gold, by which pointing, small garden, bees and butterflies, spring color, all together glowing with a different look, wonderful. The ancients said "Poetry noble living sentence" (Wu Qiao, "Poetry around the stove"), is to refer to this kind of poets can express the unique feelings of the fresh and vivid verse it.
Du Mu's "Jiangnan Spring" has "thousands of warblers cry green against red" line, the Ming Dynasty writer Yang Shen commented: "thousands of warblers cry, who can hear? The first is the "Green and Red" line in the song "Spring in a Thousand Years".
Hard to say that should be changed to "ten miles" can be heard and seen, is not it laughable?
5)Spring Thoughts
Li Bai
Swallow grass is like blue silk, and the mulberry is low and green.
When the king returns to his home, it is the time for the concubine to break her heart.
Why did I go to the apartment when I didn't know you in the spring?
The title of Li Bai's ancient poem in five lines is Spring Thoughts, which, at a glance, is a poem depicting the inner world of a thinking woman. According to the traditional expression of Chinese classical poetry, all references to the word "spring" are generally semantic, one, of course, refers to the spring of nature, and the other can be compared to the love between men and women. In ancient times, when the women in the boudoir when the spring is bright and sunny, its thoughts, naturally, is not out of the husband. Tang Dynasty poets are good at writing poems about women's poems expert, and about the young woman thinking of spring this subject also really left a lot of works of God. For example, Wang Changling, who is known as the "Sage of seven poems", wrote "The Girlfriend's Complaint": "The young woman in the maiden's room does not know how to be sad, but she puts on her makeup and goes up to the green tower in spring. Suddenly I saw the color of the willow on the street, and regretted teaching my husband to look for a marquis." It is a graphic and delicate reproduction of a "young woman in the bosom" who was originally free of sorrows, and because of her carefree life, she dressed herself up carefully and climbed up to the high cui-luo tower to enjoy the beautiful spring scenery outside. Who knows, this look does not matter, but the rosy spring light has evoked the inner depth of the "spring thoughts": regret that they were one to encourage their husbands to go to the border to build a career, in the end, but failed to live up to this great "spring light", wasted "youth". However, due to the most popular at that time, the most popular form of the seven poems, thus showing a more superficial secular aesthetic feelings and tendencies, that is to say, flowing in the commonplace, and Li Bai's song "Spring Thoughts", although belonging to the same subject matter, but because of the different genres, it is written in five poems, so in the feelings of the lyrical expression, it seems to be even more tortuous and euphemistic, a song of three sighed. While "Girlfriend's Complaint" is a typical Tang poem, and even undoubtedly a work of the Sheng Tang, "Spring Thoughts" gives people an aesthetic enjoyment that is both ancient and refined. Emperor Qianlong of the Qing Dynasty once commented on this poem: "Ancient in meaning but beautiful in color, with a body close to Qi Liang." This means that in terms of style, it is very similar to the folk songs between Qi and Liang in the Southern Dynasty, but it is more subtle and implicit in its expression, and this style, which is quite similar to that of the Classic of Poetry, is the so-called "Ancient Intent". However, it is still very elaborate in terms of rhetoric, utilizing different couplets, beginning with the usual neat couplet, "The swallow grass is like blue silk, the Qin mulberry is low and green." Immediately thereafter, a carefully constructed "running water", "when you return to the day, is the concubine broken hearted?
6)Appreciation of Spring Watch
Spring Watch
Du Fu
The country is broken and the city is deep in spring.
The flower splashes tears when feeling the time, and the bird scares the heart when hating to say goodbye.
Beacon fire is a beacon for three months, and a letter from home is worth ten thousand pieces of gold.
The white head is shorter than ever, and I wish I could not wear a hairpin.
In August of the first year of Zhide (756), Du Fu was taken captive to Chang'an by the An Shi rebels. After more than half a year of life as a prisoner, Chang'an has been looted, full of desolation, and the family long goodbye, the survival of the uncertainty, the poet's home and the pain of the country even more intense, in the late spring of the second year (757), wrote this scene of the pentameter poems.
The first two lines of the poem summarize what I saw in my eyes, and they are very painful. The country is in ruins, the rivers and mountains are still there, but they have changed masters. In the late spring, the grass and trees in Chang'an are overgrown, and the visible population is sparse and desolate. The poet is saddened by the sight of things, and the feeling of hurting the country arises, depressed and sad. As Wu saw Si "Du Poetry Essay" wrote: "Du Poetry is a bit of a word and God all out, such as the country broken mountains and rivers in the word in the rise and fall of the sad; into the spring of the grass and trees deep, deep word is Aloe Wei-full of eyes carry on."
The jaw line write flowers write birds, tightly linked to the title of the poem, through which to express the poet that kind of hurt chaos homesickness feelings. Because of the lamentation of current events, see the pleasing flowers instead of tears; because of the deep hatred of parting, hear the pleasing sound of birds instead of alarmed. The poet is unusually moved. Flowers and birds are usually entertaining things, but seeing them and weeping, hearing them and sadness, enough to see the poet's inner sorrow. Here the poet used the contrasting technique, the sadness in the beauty of the scene, so that the sadness of the sadness, very wonderful, is being recited throughout the ages.
Next, I wrote about the length of the war and the rarity of the letter. The poet's feelings of sadness and sadness are more profound and specific. The first is the "Beacon" line, which follows the "Hate Farewell" line, which is not only hierarchical and structured, but also emotional.
Finally, the poet embodied the feelings of sadness and worry with specific details. The gray hair on his head was already scarce, and the constant scratching made it even less. I can't even wear a hairpin anymore. The poem ends with the phrase "I can't wear a hairpin", which makes people feel that the poet has closely integrated his own destiny with the destiny of the country, which is sincere and touching.
This poem is a perfect couplet, and the scene is blended with water and milk, which is hard to separate. The image of the scene contains the poet's feelings; the poet's feelings, but also resorted to the depiction of the image of the scene, has a very strong touching power.
7)
The Sea's Sun Gives Birth to the Remaining Night, and the River's Spring Enters the Old Year
--Tang Wang Wan's "Under the Second Beigushan Mountain"
Tang Yinfan commented on these two lines of the poem in his "The Collection of the Heroic Spirits of the River and the Lake" and said, "Since the time of the poets, there have been very few of these lines. Zhang Yan Gong (Zhang said) hand inscription of the Hall of Government, every show can Wen, make for the model." How did Zhang say to people, unfortunately Yin? But there are two points worth noting: one is that he "hand-inscribed these two lines to the Hall of Political Affairs" and the other is that he "showed them every time he could write".
Good writing is all about the accuracy of the next word. Such as here, "born" and "into" two words, not only makes this couplet stable, more wonderful in the two words, only to make the "sea day" and "night", "river" and "night" and "night". ", "river spring" and "old year" two irrelevant things have a connection, but also because of it and vivid. The sun rises a little from the dark sea, like a child out of the mother's womb and gradually appeared, this "birth" word is really a great image. The sun has just risen, the earth is still basically in the darkness, but the night has been torn, this "residual" word written out of the disappearance of the irresistible. The night is passive, but is inexorable, it gave birth to the sun, but because of the sun and fade away! The "into" word more vivid, any you Jiangnan is still the old winter, but the spring has painted a layer of spring color of the riverside willows. This "into" word is very nonchalant, it is almost with a forced wedge, wrote the newborn sharp. Willow color near the author's boat, so visible, and special in the "spring" before the boundary to the "river" word, but also points out the "times under the Beigushan" environment and see. These words are under the concise and very measured. Because he not only wrote out the scene of the twilight of the year, but also wrote out the specific visual gap, so it seems vivid and vivid. The old year refused to retreat, but finally could not stop the power of the newborn; and the newborn seems to not care whether you want to, but to hard wedge, this "into" word really have a warning of the unstoppable momentum. Zhang said good to carry forward, keen to reform, and his appreciation of the poetry of the old and new alternation, not unrelated. This may be the reason why he wanted to hand inscription in the Hall of Government?
8) Wuling Spring
Li Qingzhao
The wind and the dust and the fragrance of the flowers have been exhausted, and the evening of the day is tired of combing the hair. I am tired of combing my hair in the evening, and I want to shed tears before I speak.
It is said that the spring of Shuangxi is still good, also want to pan light boat. I am afraid that the small boat will not be able to carry many sorrows.
This song was written in 1135, the fifth year of Emperor Shaoxing's reign, when the author took refuge in Jinhua, Zhejiang Province. She was fifty-three years old. At that time, she was already in the midst of the country's destruction, her dear husband died, most of the treasured cultural relics were lost, and she was also displaced from a foreign country, without support, so the words are extremely sad and bitter.
The first sentence of the current see, this is the wind wild flowers, a bleak, but avoided from the front to describe the wind of the storm, the flowers of the mess, and only use the "wind and dust incense" four words to show that the consequences of this small disaster, then the wind destroyed flowers, red all over the ground, are in which, out of the pen is extremely implicit. And in the wind did not stop when the flower pieces flying, falling red as rain, although very bad, there are still flowers visible; after the wind lived, the flowers have been stained mud, trampled on by people and horses, turned into dust, the remaining traces, but the dust fragrance, then the spring was swept away, and even more all, it is even more unbearable. Therefore, "wind and dust" four words, not only implicit, and because of the implicit, but expand the capacity, so that people from the experience of a richer feeling. The second sentence writes that because of what he saw, he did so. The color of the sun is already high, the head is still not combed, although with the "phoenix platform memory of the blowjob" in the "up lethargy since combing hair" meaning the same, but that is the sorrow of life, this is the death of hate, the depth of the self different.
The third and fourth sentences, from the implicit and turned to the vertical writing, pointing out that all the sorrow and suffering, the origin is "things are not the same". And this "things are not the same", and is not accidental, individual, slight changes, but an extremely wide, dramatic, with fundamental, major changes, endless things, endless pain, are in which, so "things rest" to summarize. This is really "a seventeen history, how to start"? I'm not sure if I'm going to be able to say this, but I'm sure I'm going to be able to say it," he said.
The first two lines are subtle; the last two lines are frank. The first two sentences are implicit; the second two sentences are explicit; the second two sentences are implicit. The two lines are not the same, but the two lines are the same.
The first part of the song is about the scenery in front of us and the sadness of the mood, so the next part is about to start from afar. This female lyricist is a favorite of the mountains and water. According to Zhou Hui "Qingbo Magazine", she was in Nanjing, "every day when the day snow, that is, top hat, straw raincoat, follow the city to explore the poetry. Winter is so, spring can be imagined. Since she has a hobby of sightseeing, and the need for excursions to dispel the miserable mood, and Shuangxi is the scenic area of Jinhua, so naturally have the idea of canoeing Shuangxi, which is "Nian Nujiao" in the "how much to swim in the spring". But in fact, her pain is too big, sorrow is too deep, is not a boat trip can be released? Therefore, before the trip, it has been expected that the boat is too light to carry the sorrow. The conception is both extremely novel and genuine. The next piece of *** four sentences, the first two sentences open, a turn; after the two sentences together, and a turn; and to "heard", "also proposed", "only fear" six imaginary words to turn and convey the spirit. The spring of Shuangxi is only "heard"; canoeing is only "also proposed", and the following is suddenly "only fear", which erases the above "also proposed". I'm afraid" suddenly came out from below, wiping out the " also proposed" above. I've heard about it, and I've thought about it, but the result is that I'm still sitting at home worrying about it.
Wang Shizhen's "Flowers and Plants" (花草蒙拾) said, "'I can't carry many sorrows' and 'I can carry twilight sorrows' and 'I can only carry a boatload of hatred to the two states' can be seen in each other. can be viewed in the light of each other. 'Two oars to leave the boat, driving up a day's trouble', not to avoid the path of exposure." This comment tells us that there is a limit to the novelty of the writing. The right thing, across a step, it becomes wrong; beautiful things, across a step, it becomes ugly. Like the two lines of "two oars", and "parting ship", and "one day's trouble", lest it is not clear, pretentious, very unnatural, so it is difficult to be accepted. That's why "Wenxin Diao Long" says: "The secretive writer will be clever with new ideas, and the different writer will be strange with lost body." The difference between "skillful" and "strange" is only one step.
Li Houzhu's "Yu Meiren" said: "How many sorrows can you have? It is like a river of spring water flowing eastward." It's just that the number of sorrows is more than the number of water. Qin Guan's "Jiang Cheng Zi" said, "Even the spring river is full of tears, and many sorrows cannot be shed." Sorrow has been materialized into something that can be put in the river and flow out with the water. Li Qingzhao and others further moved it to the boat, so the sorrow has a weight, not only can flow with the water, and can be carried by the boat. Dong Xieyuan's "The Tune of the Western Chamber" in "Xianlv - Point Jianglian Lips Wrapping Order - Tail" says: "Don't ask how heavy or light the sorrow is, but it can't be carried even on a horse." In other words, the sadness is removed from the ship and carried on the back of a horse. Wang Shifu's "Journey to the West Wing" (《西厢记》), "Zhengong - Duanzheng Good - Finishing" (《收尾》), said, "The troubles of the world are filling up the chest, and I can't measure how these big and small carts can be loaded up." And the sorrows are removed from the horse and loaded on the car. From these small examples, we can also see the basic truth that literature and art must be inherited and developed at the same time.
The whole layout of this lyric is also noteworthy. Ouyang Xiu's "Cai Sang Zi" said: "After the fragrance of the West Lake, the red wolves, flotsam and jetsam, the willow railing all the wind of the day. The pianos and songs are scattered tourists go, then realize that the spring is empty, hanging down the curtain bar, double swallows return to the fine rain." Zhou Bangyan's "Looking at the South of the Yangtze River" Yun: "The prostitutes are scattered, alone around the embankment. The fragrant grasses are filled with smoke, and the dense clouds are darkening the west side of the city, and the nine paths are not stained with mud. The peach and the plum, spring evening not yet grove. I see flowers outside the wall looking for the road to turn, willow shade walking horse past the warbler cry, everywhere is not miserable." The style is the same, and analogies can be drawn. In Tan Xian's "Fudang Lyrics", he criticized the first line of Ou's lyrics, saying, "Sweeping the place to be born." This is the **** characteristic of the layout of these three words. Sweeping means sweeping, and birth means birth. From the first sentence of these three words, all of them are talking about the end of the previous stage of the scene; Ou and Li are saying that the spring light has been exhausted, and Zhou is saying that the beautiful people have been dispersed. At the time when the spring is not yet over and not yet dispersed, there are of course many touching scenes to write about as the fragrance fills the eyes and the color of the flowers sweeps the eyes, but after it is over and dispersed, what is there to write about? But what is there to write about after it has been finished and dispersed? Doesn't such a beginning sweep away everything that can be written about? It is only when I read on that I realize that something else is going on below. In Ou's words, it is about the idle sadness of late spring; in Zhou's words, it is about the bleakness of walking alone back to the embankment until one's return; and in Li's words, it is about the deep pain of things being different from what they used to be, triggered by the wind and the dust. These are what the writers want to show, but also the most touching part, so it is called "sweeping place is born". This is like we go to see a multi-act play, arrived a little late, into the theater, a very lively scene just watched a little, the curtain, but do not know the following scene how the content of the scene, and so on and then look down, only to find that he or she is still catching up with the most exciting climax of the whole play. The social life that any work can reflect can only be certain sides. This is especially true of lyric poetry, which is limited by its length. This style of writing is desirable because it can use the omitted parts as a background to contrast the main text, thus surprisingly strengthening the infectious power of the main text.
9)Jade Tower Spring - Ouyang Xiu
The bottle in front of the time to say the return date, want to talk about the spring face first miserable swallow. I am a lover of life, and this hatred is not related to the wind and the moon.
Don't refurbish the song, it's a song that will make your heart break. I'm not sure if I'm going to be able to get a good look at all the flowers in Luoyang, but I'm sure I'll be able to get a good look at the spring breeze.
Appreciation
The author of the Western capital stayed in the magistrate's term of office, leaving Luoyang, and friends and relatives to say goodbye, the heart of the sadness. At the banquet, he intended to talk about the date of his return, but he swallowed before he could speak. The words "to put" and "want to speak" contain a lot of feelings of farewell that can not bear to say. However, as a rational lyricist, the time of parting, although not inevitable "spring face miserable throat", but did not indulge in a has been the sentiment of parting and can not be set off, but by the has and people, will be parted from the whole of the world of the **** with the same theme. The author soberly realized that: "parting love and hate is the emotion that people are born with, and has nothing to do with the wind, flowers, snow and moon. Therefore, the song of parting should not be refurbished, a song is already painful to break the heart. The lyrics are unusual in expressing the theme of parting, with sadness and desolation, but also with boldness, symbolizing the lyricist's love for beautiful things and his feelings about the impermanence of life.
The opening lines of this poem, "I want to tell you the date of my return in front of the bottle, and I want to talk about the spring first", are a direct description of the situation in front of me, but at the same time, between the choice of diction and the structure of the words, the words also show a unique mood. What a joyous occasion "before the bottle" should be, and what a beautiful character "Chunrong" should be, but what is to be described "before the bottle" is the parting of the "return date". But in "Before the Bottle", it is the "date of return" that points to the parting, so the joy of "Before the Bottle" and the beauty of "Spring Face" are changed into the sad "miserable swallow". The song has changed into a sad "miserable whimpering". In this kind of transformation and contrast, we can see implicitly that Ou Gong's love of beautiful things and his sadness about the impermanence of the world are two kinds of emotions, and the tension formed in the contrast between the two.
Before "the return date", the two words used are "to be put"; while before "spring" and "miserable swallow", the words used are "to be put" and "to be put". Before "return", the two words used are "to put"; and before "spring" and "miserable throat", the two words used are "want to speak". Although this word seems to be a repetition on the surface, it contains two different levels: "to put" is still just a thought in the heart, while "to speak" is already a time when one's mouth is open to speak. The two sentences, on the contrary, more visible for the parting of the "return date", how much can not bear to think about and can not bear to speak of the deep feelings of the Wanliu.
As for the following two lines "life is a love affair, this hate is not related to the wind and the moon", it is a kind of conceptual introspection and thinking about the love affair in front of us, and so also the feeling of a love affair in front of us, push startled to stir up the Shuu Za Su? The plate is now K? Ken Batson? The first thing you need to do is to think about your feelings about the love affair in front of you. The reason for this is the fact that it is not a good idea for you to be able to get your hands on the right things. What's your favorite? What's the best way to get started? Wallowing and suffering from a starling? What's your favorite place to get a drink? What's the best way to get your money back? The key perch stalks the flattering huan picks up the sole of the drive ah sub core pack? What's the best way to do this? What's the best way to get your money's worth? Laos? What's your name? ＞What is the light? What's your name? Kim, Gyeongsang? Grackle? What's wrong with mountain peaks? What are you doing here? What is the meaning of "miscellaneous"? Inquire about this? What are you doing? What's your name? What is the name of the organization? Boil the liquids in the water, and then boil the water. What is the rate of the first word? What's the problem with the ballast? Engrave the polonium? I'm not sure if this is a good idea, but I'm sure it's a good idea. What are you doing? Bryan? What's the reason for this? Cripple? Poverty? The character of the character is a character of the character of the character of the character of the character. Do you complete your profile? What do you want to know? What's the name of the company? What do you think about the color of your skin? What is the most important thing to remember about the 🌟 supplements? The following is a list of some of the most popular products that you can find in the market! What are the most important things you can do to support your family? What's going on? Do you have a profile? What are you looking for? What's the reason for this? "The poem was written by Ouyang Xiu (欧阳修), who wrote "The Songs of Yang Liu" (楊柳枝), the same title as Liu Yuxi (劉禹锡), and the poem by Bai (白氏), which reads "Please don't play the songs of the past dynasties, and listen to the new branches of the willow tree. Ouyang Xiu "Cai Sang Zi" group of words before the "West Lake Nian Yu", also cloud "because of the old section of the words, written in a new tone". Cover, such as "Yang Guan" old song, has been unbearable to listen to, away from the new song, but also "a song can teach the knot" also. The first sentence "and mo" two words of discouragement written so urged earnestly, is enough to contrast the second sentence "bowel knot" of grief and sadness.
The last two sentences are suddenly raised, written out of the "straight to see all the flowers of the city of Luo, began to **** the spring breeze is easy to leave" of the play of the heroic. Ouyang Xiu this one "jade tower spring" words, obviously contains a very deep parting of the sorrow and spring return melancholy, but he has written such a bold sentence at the end. In these two lines, he not only wants to "see all the flowers of Luocheng", showing a kind of pleasure, but also uses the words "straight" and "begin to ****". Beginning ****" and other tone is also extremely bold and powerful. However, "Luo Cheng flowers" but after all, there is "end", "spring breeze" also after all, to "farewell", so in the heroic Therefore, in the midst of the boldness, there is a heavy sadness implied. Therefore, when Wang Guowei talked about these lines of Ou's words in "Words on Earth", he said, "In the midst of boldness, there is a sense of composure, so it is particularly high".
10)There is no intention to fight for spring, but to let all the flowers be jealous. The only thing that is as fragrant as before is the dust that falls into the mud!
This is not a poem of plum, borrowing the plum to express their feelings, to plum self-metaphor. Lyricist to anthropomorphize the plum blossom and the group of flowers, flowers and people in one, send Xing deep forever, is aria in the word not matter much of a masterpiece.