After the defeat, he moved to the middle and lower reaches of the Yangtze River and established the "Three Miao Kingdom"; The second migration, due to the outbreak of tribal wars again, they moved from the "Three Miao Kingdom" to the mountainous areas of Hubei, Hunan and Jiangxi. The third migration, during the Spring and Autumn Period and the Warring States Period, after Qin Tunba destroyed Chu, the Miao people moved westward and southward, and most of them entered the Wuxi area of Wuling, which is the surrounding areas of Hunan, Hubei, Hubei and other provinces and cities today.
The fourth migration after the Tang Dynasty was forced by the feudal dynasty. They migrated to the west again and successively came to Xiangxi, Guizhou, Yunnan, Guangxi and other places; In the fifth migration, during the Yuan, Ming and Qing Dynasties, due to military disasters and natural disasters, such as the "rebellion of Miao people in the capital", the Miao people reappeared. In the fifth great migration movement, Miao people migrated more widely. The migration footprint of Miao nationality has been from the Yellow River basin to the middle and lower reaches of the Yangtze River and then to the Yunnan-Guizhou Plateau, covering most areas of China and going overseas.
There is a saying in Miao nationality that "Lusheng makes his feet itch", which means that when Lusheng hears it, he wants to dance. The reeds are very loud. People often describe reeds as "castles in the air" and "Lu Zhenshan", which can play a great inspiring role.
Lusheng is not only a musical instrument, but also an art that can represent Miao nationality. He can express the customs and culture of Miao nationality with his unique timbre.