Shandong rice-planting songs are popular everywhere, with a variety of styles, among which the most influential ones are "Drum Rice-planting Songs",
"Jiaozhou Rice-planting Songs" and "Haiyang Rice-planting Songs", which are also known as "Shandong's Three Great Rice-planting Songs", or "Three Great Folk Dances". And called "Shandong three big rice-planting songs", or "Shandong three big folk dance".
The "Drum Rice-planting Song" is spread in the lower reaches of the Yellow River in the counties of Shanghe, Yangxin, Huimin, and Wudi, and is stylistically similar to the gongs and drums of the middle reaches of the Yellow River in Shaanxi, Gansu, and Shanxi.
Legend has it that it originated in the Northern Song Dynasty as a dance performed by peasants celebrating the harvest on the threshing floor.
The characters participating in the dance are umbrellas, drums, rods, flowers and clowns, and the props used are silk umbrellas, round drums, double rods and silk scarves.
The role of "umbrella" is divided into "ugly umbrella" and "flower umbrella".
"Ugly umbrella", also known as "head umbrella", dressed as an old man, is the organizer and conductor of the Yangge team.
"Flower umbrella" for the female corner, holding a flower silk umbrella with the "ugly umbrella" command dance, so that the dance team colorful.
"Drum" for the strong male corner, dressed as a martial arts student, drum dance, the largest number of people in the dance team, the movement is complex, tough dance accompanied by a shocking burst of drums, with an invincible might.
"Stick" played by young men, both hands holding two ends of the wooden stick tied colorful silk, flipping and dancing, dazzling.
"Flower" played by young women, decorated for the opera in the flower girl model, holding a silk scarf in the left hand, the right hand holding a colorful fan, spicy and generous, youthful vitality overflowing.
"ugly", also known as "outside the corner", can be added or subtracted, dressed up as "silly boy", "ugly woman", "county", "ugly", "ugly", "ugly", "ugly", "ugly", "ugly" and "ugly", "ugly".
Drum rice-planting songs are performed with even numbers of people, and the formations are arranged in a symmetrical way, with a circle as the center, which is ever-changing.
Generally two ugly umbrellas with eight drums, four sticks, four umbrellas and eight flowers.
There are many traditional formations, such as "double pomegranate", "shears", "bull-nose pincers", "King of Beijing", and so on. "and so on.
"Jiaozhou Yangge" is said to have originated in Dong Xiaotun Village in the north of Jiaozhou City.
In those days, the village had two surnames of Ma, Zhao family, forced by life, every farming leisure **** with the surrounding local performances, the years have formed a local characteristics of the performance form, passed down to the present day, with a history of more than a hundred years.
"Jiaozhou Yangge" has only ten roles, which are all the members of the two families in the legend: a pair of "drums" dressed as men in their prime; a pair of "cuihua" is the "drum" of the "drum" of the "drum" of the "drum" of the "drum" of the "drum" of the "drum" of the "cuihua" of the "drum" of the "drum". The pair of "drums" are male, the pair of "cuihua" are the wives of the "drums", the pair of youths playing the role of "sticks" are the sons of the "drums", and the pair of "fanhua" are the sons of the "sticks". A pair of "fan flowers" is the wife of "stick"; a pair of "Little Man" is the youngest daughter of "drum".
Ten actors and actresses ran all over the field, dancing and acting, causing millions of people to "put down their chopsticks and bowls when they heard the gongs and drums.
When they heard the song, they put down their chopsticks and bowls, and when they heard the rice-planting song, they let go of their work.
Before the show, there are dances that open the stage and attract the audience, including the "Big Pendulum", "Cross Plum", "Rope Head", "Digging Heart" and "Rope Head",
Drama performances to the traditional programs of the most local style, commonly known as "the play", "big parting", "small parting", "pulling mill "big parting", "small parting", "grinding", "matchmaking", "three fears", "four persuasions", "cracked feet" and other plays.
"Haiyang Yangge" is popular in Haiyang, Laiyang, Lushan and other counties on the Jiaodong Peninsula, with Haiyang City being the most prevalent, and there are Yangge teams in almost every village.
In the early years of Haiyang City, the popular rice-planting song was called "Teasing Rice-planting Song", also known as "Small Frame Rice-planting Song", and later on, the dance of rice-planting song was added to the martial arts routines, which was called "Big Frame Rice-planting Song", which was called "Big Frame Rice-planting Song" by outsiders. "
The Haiyang Dai Yangge is the most popular dance in the world, and it is the most popular dance in the world.
"Haiyang rice-planting song" has many roles, and the whole dance team consists of single dance, double dance and multi-person dance.
The leader is the "Medicine Doctor", who wears a long robe, a black beard, a horse-tailed whisk in his right hand and a flat-topped round umbrella in his left.
This is the commander-in-chief and lead dancer of the whole Yangge team, and his improvisations are often stunning.
Other roles are "king whip", "flower drum", "colorful fan", "fisherman", "Woodcutter", "Cargo Man", "Cui Hua", "Squire", "Lady", "Lady", "Lady", "Lady", "Lady", "Lady", "Lady", "Lady", "Lady", "Lady", "Lady", "Lady", "Lady", "Lady", "Lady". ", "imprisoned stove", "Wang Da Niang'", "ugly woman", "urchin ", "shepherd boy", "village girl", "big-headed monk", "Liu Cui " and so on.
The performance of Haiyang Yangge has six forms of street, village, play the field, running position, performance, closing six sections.
Running position has a single team interspersed, dragon coil tail, four door bucket, buckle heart bucket, yellow ox cheeks, bamboo basket satchel flowers, six door bucket, bagua bucket, treasure gourd, gourd with knots, rolled pop wars, double team interspersed, scissors stock, two dragons spit pearl, hook heart bucket, big mill, double eight, three dragons tattoo column, color clouds cover the moon, peony blossom, four-petal flower, bamboo basket blossom, blossom everywhere all kinds of changes in the formation.
Most of the songs are performed in the first month of the New Year.
If you go to Shandong in the first month of the lunar calendar, you can always be in the sea of rice-planting songs.
The Wei dance is the Sai Naim: the most common form of song and dance among the ***er people, which is widely spread in the north and south of the Tianshan Mountains.
Its music consists of a number of songs and dances linked together, enthusiastic and unrestrained, bright and cheerful.
Sai Naim dance is free and lively, there is no fixed program, the dancers improvised, with the rhythm of the music can be.
One person can dance alone, two people dance or three or five people or even more people with the dance, this dance rhythm is fast and slow.
The music of Sainam is a song and dance music formed on the basis of the folk music of various regions, with beautiful tunes, deep feelings and distinctive rhythms. The music and rhythmic characteristics of Sainam make the dance movements lyrical, graceful and elegant.
In the formation of *** the twelve mukhams of the classical music of the Er nationality, it absorbed the Sainam, which had long been in circulation in the folklore, and became an integral part of each mukham, and Sainam is still widely circulated in its independent form.
The style of Sainam varies from place to place. The Sainam of Hotan, Kashgar, Atushi, Aksu and other regions is more bright and lively, affectionate and beautiful, with a light and dexterous pace, and the use of various parts of the body is more detailed, especially the changes in wrists and dancing posture are extremely rich; the Sainam of Yili is cheerful and vigorous, and it has absorbed the dance components of some other ethnic groups, and the movements are dashing and bold and brisk, with a stop at times and a stop at times. From time to time, there are small movements of stopping and humor; Hami Sainam is delicate and simple, the music is slow, the rhythm retains the uncommon beat, its dance movements are steady, the wrist does not change much, basically half a fist, swinging around the head and more single-steps; Kuche, Korla and other places of the Sainam is naturally delicate and profound; Duolang Sainam is loud and clear and bold.
Dolan Dance: The word "Dolan" is the name of the *** people, but also the name of the dance form.
Dolan Dance is a folk dance with a long history, a complete form, and rugged movements of the ***er people, which is prevalent in the Makgaiti, Bachu, Shache, Awati and other areas along the Yarkant River.
Dolan Dance is a competitive group dance based on pair dancing.
Whenever there is a wedding or a happy day, the Doran dance is performed.
Dolan dance has a complete set of performance program.
The dancers must perform the whole dance from the beginning to the end, and they are not allowed to quit in the middle of the dance, and the audience is not allowed to leave the dance floor casually.
Due to geographic location and other factors, the Dolan Dance has maintained more of the original grassland life and artistic characteristics.
The accompanying music of Duolang Dance is called "Duolang Mukam" or "Duolang Sainam".
It is different from the twelve mukhams, is another type of song and dance suite, the tune structure is simple, singing style broad and bold, maintaining a rich grassland style and labor atmosphere.
Now the preserved Dolan Mukam has nine sets, each set has a different name, more than "Biawan" (meaning the Gobi grasslands) and other rich regional characteristics of the name, as the title of the tune.
Each set of mukham is composed of five paragraphs with different rhythms, which are harmonized and natural, transitioning gradually from slow to fast ***.
Sama Dance: an ancient and joyful folk dance performed by the working people of the *** ethnic group during the annual festival, with simple and powerful movements.
It is mainly popular in Kashgar and Shache in the southern Xinjiang.
In addition to the New Year's Day, Sama is also performed on general festive occasions.
Early in the morning on festivals, people go to the *** Temple after worship, to the square of the Great Chapel Temple, *** Temple on the roof of the musicians began to play the drums of Nahla, blowing the oboe, along with the sound of music and drums, everyone with the distinctive and powerful Sama tunes, dancing Sama.
The movements of the Sama dance and the rhythm of the drums are closely matched.
The "dong" time is mostly all feet on the ground, the body downward pressure, a slight pause, raise the step of the two hands with the body of the pitch and swing, commonly used jumping, rubbing the ground and other skills action.
Most of the Sama dancers are male.
The main instruments used to accompany the Sama are the iron drum and suona.
The iron drums are made of two drums of different pitches, which make the sound of "dong" and "dang", forming a sharp contrast.
On big occasions, sometimes there are two or three groups, plus a bigger drum with a thicker tone, to emphasize the acoustic effect of "dong".
The rhythm of the drums determines the speed of the dance and the harmony of the movements.
Experienced drummers can create a variety of drumming patterns that will inspire both the dancers and the audience.
The suona plays a more flexible tune, not limited by the drum, sometimes dragging two or three bars of long notes, or sound breaks of three or four bars to highlight the rhythm of the drum.
Shadiyana: "Shadiyana" *** Er language called "joyful dance", is in the festivals and festivals in the General Assembly, the masses of people jumped collectively in a folk dance, the number of participants is not limited to a small jumping step, two *** change jumping up, two arm Upward, to the left, to the right, palms inside and outside the rapid shaking, giving people a sense of joy, lighthearted.
The music of Xandiana is more flexible, often according to different occasions and changes.
Various regions of the Shadyana tunes, the difference is not too great.
The Kashi region, more cheerful and gorgeous; Makgaiti's, it seems to be thick and powerful, marching more obvious characteristics.
Shadiyana's accompaniment is also relatively free, the instrument can be more or less, available in different lengths of suona, a number of pairs of iron drums and tambourine ensemble of different tones and different sizes, but also available strings and tambourine accompaniment.
Nazir Qom: a unique folk dance, mostly improvised by men, mainly in pairs, with a competitive nature.
Generated in Turpan, popular in Shanshan, Tokon, Hami and other regions.
Nazir Kum is the most wonderful performance at weddings, joyous festivals and parties.
It is mostly held in the back of Sainam or behind Turpan Mukam.
The steps are mainly squatting and skipping, keeping the knees slightly bent and the upper body loose, and the dancers simulate all kinds of labor or all kinds of characters with witty and humorous movements.
The rhythm of the music of Nazir Qom is unique in style and can be accompanied by a variety of musical instruments, mainly flugel, zhevav, aijiek, suona, tambourine, and iron drum, etc.
Sometimes, the dancer will only play the rhythm of the dance, but it is not easy for the dancers to perform.
Sometimes only suona, iron drum accompaniment, in addition to a set of iron drums of different tones, often coupled with a thick sound of the drums continuously beat a single rhythm.
Experienced drummers can combine the performer's mood changes.
Iambic pentameter to hit the drums with emotion, so as to emphasize the dance performance.
Plate Dance: is a performance props dance, is one of the old folk dances of the *** Er people, produced in the ancient Kuche, popular in Xinjiang Kuche, Kashgar, Ili, Urumqi, Makgaiti and other places.
It is a female lyrical dance with graceful and beautiful movements.
The dancers hold a bowl on their heads, take a small plate and chopsticks in each hand, hold the bamboo chopsticks in their fingers, and strike the plate with the chopsticks in time with the beat of the music and dance along with it.
In addition to striking the plate on the hands, some dancers pour tea into the bowl on top of their heads, while others strike the bowl on top of their heads with the spoon in their mouths.
There is also a *** Er-style teapot on the head, the pot on the two or three bowls.
This dance has a certain degree of difficulty, and with acrobatic colors.
Plate dance music, generally used in lyrical folk songs, rhythmic stretch, melodious tunes, music and accompanying instruments and Sainam basically the same.
Hand Drum Dance: Hand Drum Dance is a performing folk dance.
It is a dance form that emerged in the 1940s and is popular throughout Xinjiang.
The performance is mostly performed by a woman accompanied by a hand drum.
The dance is characterized by agile movements, changing rhythms, and the use of difficult spins and waist techniques.
Goat Dance: "Goat Dance", the performer with simple props dressed as a goat, quietly came to the back of the crowd sitting around the carpet, the first "baa-, baa-". The first "baa-, baa-" call twice, and then and the music jumped into the field, performing grazing, drinking water, grinding horns, and go to the top of people with horns, etc., will always cause a small commotion and laughter.
Stone dance: also known as the "Tashi" dance, popular in the southern Xinjiang Aksu, Kashgar, Shache, Hotan area.
"Strike Stone" is a folk percussion instrument of the *** Er people.
Each hand holds two pieces of stone, the two pieces of stone sandwiched between the thumb and forefinger, forefinger and middle finger, relying on the fingers of the bend and the wrist shaking sound.
The stone dance uses the basic movements of Sai Naim, and the steps of the feet are "three steps and a lift", "before and after the point step" and "pad step", "one-legged kneeling squatting" and so on.
The striking posture of the hand has two arms flat, a hand on the head, a hand in front of the chest, or a hand on the body of a hand in front of the chest and so on.