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The fiery, desolate, wild and beautiful "carnival" style has created the literary reins and memories of an era. Mo Yan's talent is also reflected in another important aspect, that is, he has a very clear sense of dialogue in rebellion. 17 Red Classics means more than a negative transcendence to Mo Yan. He once talked about the influence of the love narrative of Kucaihua on his works. The brushwork of rebellious heroes and unofficial history legends is also suppressed in Lin Yuan's works. His rebellion is long-awaited, which is so different in contemporary literary tradition. When Mo Yan's works have been internalized as a part of this literary tradition, when sex and violence have become a boring and rigid way of writing, where does the new rebellion begin? Who will we talk to today? We often feel confused. The unprecedented richness of literature in this era makes us lose the passion and direction of rebellion. There will be no such historical moment, and each of us is facing the difficulties and possibilities of rebellion alone. For me, revisiting these classic works and their critical history is also to sort out the literary development of our desolate era and ask where we come from and where we can go. Always rebel ...