Personally, I feel that many of the classic Chinese dance films are centered on some of the anti-war films of the early years, but instead, in the last 20 to 30 years, the dance films have slowly lost their tension. For example, "Guests on the Iceberg" produced by Changchun Film Studio in '63 is a very classic song-and-dance movie. Directed by Zhao Xinshui and starring Liang Yin and Ayi Xiaimu, "Guests on the Iceberg" takes place on the frontier and features ethnic minority actors in the two main roles of Randam and Amir.
The film's songs and dances are very characteristic of the region and ethnicity, and the film and television industry at that time was very attentive to the work of the older generation of artistic pursuit of continuous creativity is really something that is now very lacking.
In recent decades, the work of the song and dance movie is more excellent, and "if love", "rooftop love". If Love" is actually a Hong Kong production, but the protagonist is Zhou Xun, it will be temporarily categorized as a mainland film. This movie is directed by Chen Kexin, in which the god of song and dance, Jacky Cheung, almost holds up the flag of this drama, and Zhou Xun is so beautiful in it.
"Love on the Rooftop" is Zhou Dong's second work, the cast team has a lot of Taiwanese artists, but the producer is the mainland, so it is considered a mainland film. Zhou Dong's musical talent is obvious to all ****, this brand is also the first mainland box office hundreds of millions of dollars of song and dance film at that time, or more classic.