How did Wang Shixiang catch the black "general" to defeat the famous cricket?
Fighting crickets (crickets) is a folk game that originated in the Tang Dynasty, especially in the late Qing Dynasty and early Republic of China, it became a popular entertainment program in Beijing. For example, Mr. Wang Shixiang, a famous scholar, was one of the top cricket-fighting experts in Beijing. But in addition to fighting crickets, he also had a unique skill that allowed him to catch the king of crickets in the wild. What exactly was Wang Shixiang's skill, and how did he catch the powerful "Black General" crickets?
When it comes to Mr. Wang Shixiang, many readers may have heard of him, and he is known as "the first collector of modern China". He is not only an expert in the Beijing cultural circle, but also a leading collector in the whole domestic collection field. In particular, Mr. Wang Shixiang's research on classical Chinese furniture has considerable authority in the international arena. Although Mr. Wang Shixiang has long left us, his influence is everywhere. For example, in recent years, the famous collector Ma Weidu often mentioned in many programs that when he had any doubts, they were all answered by Mr. Wang Shixiang. In addition, Wang Shixiang is also an expert at the National Palace Museum, and whenever people encounter any problems, Wang Shixiang is the first person they think of.
Born in 1914, Mr. Wang Shixiang received the best education since he was a child, as his grandfather was a minister of the Ministry of Public Works in the late Qing Dynasty, and his father was a high-ranking political official. In fact, in his childhood, Mr. Wang Shixiang was not a "nerd", but a "playboy" in people's eyes, for example, fighting crickets was one of his major hobbies. It is recorded in "Scenes from the Imperial Capital" that "the custom of cricket fighting in the capital is not only for the children in the hutongs, but also for the officials, the rich, and the scholars in the high society. This shows that cricket is the "golf" of the time.
So a large number of cricket-fighting experts active in Beijing at that time were by no means idle. For the childhood Wang Shixiang, his pleasure is to play, and not only will play, but also more will catch. Catching crickets may seem simple, but it is never easy. First of all, there must be equipment, fan, bamboo and wooden skewers are essential three-piece set; then, to be clear where there are crickets, you also need to understand the habits of the crickets, usually in the weeds, sorghum or soybean fields more.
We all know that the "hit the grass to scare the snake", so catching crickets should first "hit the grass", that is, the first fan to stir up the grass or field crops, if there are crickets did not with the nest, will be scared to jump around, and then this time it is necessary to be fast and fast, to If a cricket misses its nest, it will be startled and jump around. Then you have to be quick and fast, and put your hands together to cover the cricket and put it into the gabion. Generally, only one cricket is placed in each gabion; after all, "one mountain cannot accommodate two tigers", and this is also true for cricket fighting. One autumn, Wang Shixiang challenged Mr. Li, a famous cricket-fighting expert in Beijing, and lost completely within a few strokes. The strong Wang Shixiang was very unconvinced and felt that his crickets were not fierce enough, so he took out his own masterpiece - "catching crickets at night" and prepared to catch a "general's cricket" and then went to find Mr. Li for a fight. The first thing you need to do is to look for Mr. Li to fight with you in order to save your face.
Catching crickets at night is not easy, because all kinds of insects begin to chirp at night, and it is hard to hear the crickets' chirping, and then added to the darkness of the day, the line of sight is not good, and there is no flashlight, and can only use a little bit of moonlight to illuminate, so it is difficult for the general public to catch the crickets at night. But for Wang Shixiang, it was different. Instead of catching crickets in the daytime, he switched to using wooden skewers to dig their nests. On this night, Wang Shixiang took his skewer with him and went alone to a soybean field near a water channel, then found a place to sit down under the faint moonlight and closed his eyes to listen carefully to the insects chirping around him. Somehow, Wang Shixiang had a masterpiece, he was very sensitive to the tantalizing chirps of crickets, and he was the only one who could hear the crickets that no one else could hear, and then, based on the pitch and timbre, he could also judge the proximity and type of crickets and locate the crickets' position.
Suddenly a sharp cry came from the soybean field, which made Wang Shixiang's heart beat faster with excitement, because he knew that the sound was the "general cricket" he wanted to catch. Immediately after, Wang Shixiang moved slowly in the direction of the sound, almost holding his breath as he crawled on the ground. Sure enough, he found a cricket nest near the water channel, and the general cricket in the nest was swinging the cricket hair needle on its head.
At this point, although Wang Shixiang could have quickly pounced on it, past experience told him that if he didn't get it the first time, the crickets would pop out of their nests when they were frightened and disappear into the hazy night. So Wang Shixiang did not venture in, but chose to wait. He sat on a ridge not far away and watched the attractive general cricket all night long without closing his eyes, not knowing when the day had dawned, Wang Shixiang crept over and, in a swift move, fastened a bamboo gabion to the general cricket's nest, and then took out a wooden skewer to pick the cricket out. Wang Shixiang took a closer look at it, and saw that it was a large black cricket with pointed wings, five or six centimeters long, and about the size of his index finger.
The general's cricket is dark, and its head is even black and shiny, and then there is a pair of white steel teeth, which have been making noise, and if the finger is bitten, it is estimated that there will be a pain, and the cricket has a thick abdominal knuckle, which is like a human's eight muscles, and the whole thing looks formidable and extraordinary. In this way, Wang Shixiang used to stay up late to catch the "black general" crickets, defeated the cricket famous Mr. Li, and from then on also became the Beijing city of crickets fight fierce angle.
Why did Wang Shixiang donate his Ming furniture to the museum?
In 1993, Wang Shixiang spent his life collecting Ming and Qing dynasty furniture, which brought him endless troubles at the age of nearly 80. 79 pieces of Ming and Qing dynasty furniture were published in Hong Kong in 1985 by the Cultural Relics Publishing House and Sanlian Bookstore. Since then, the furniture has attracted much attention, and Wang Shixiang has lent his name to the great achievements of this collection and research. Unfortunately, his life was not much better. In contrast to the depressing atmosphere of Beijing at the time, in 1993 the Shanghai Museum was undergoing the reconstruction of People's Square, which attracted the attention of the world. During the reconstruction, Ma Chengyuan, then the director, was not only busy supervising the project, but also frequently flew to Hong Kong in search of ancient bronze weights to expand the exhibition.
At that time, the Shanghai Museum was also facing a shortage of funds. Ma Chengyuan's outstanding feature was that he tried his best to maintain and borrow from his personal friends. He first purchased some important artifacts through his friends and then agreed to donate them to the Shanghai Museum for display. To talk about this history, Mr. Tian Jiaqing, who was closest to Mr. Wang Shixiang, wrote about this incident here. We might as well read it."
In Mr. Wang Shixiang's extensive and rich collection, the most important and most numerous is Ming-style furniture. After nearly half a century of collecting, it is a miracle that he was able to gather these wonderful items on his own. Ming-style furniture and court furniture of the Qing Dynasty are the two most important and glorious categories in the history of Chinese furniture. Ming-style furniture in particular is the crystallization of China's 5,000 years of culture in the material realm, and its significance and value have already exceeded the scope of general furniture. Mr. Wang Shixiang's collection is a fine example of Ming-style furniture. The scale of nearly one hundred pieces can be said to be representative of Ming-style furniture, and it can be said to be a super national treasure. I firmly believe that with the passage of time, the people will gradually realize the irreplaceable status and importance of these hundred pieces of Ming-style furniture.
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Wang Shixiang: a life of playing, suffering and learning
"The 21st century may produce another Qian Zhongshu, but Wang Shixiang can't."
Who is Wang Shixiang? Why such praise.
He is China's famous cultural relics expert and connoisseur of cultural relics, from a scholarly family. His father was a diplomat, and his mother was a painter of fish and algae, and he was raised in a family of poetry and books, so Wang Shixiang grew up in such a privileged and peaceful home.
And he did not love the four books and five classic, only love eagle dog pigeon, young and play, and play out their own doorway, which in the ancients, I think only Zhang Dai can be known as a confidant.
One day cool collector Wang Shixiang accidentally learned of a rosewood case unattended, and his discerning eye, a glance will recognize the rosewood case of the inscription of the origin is extraordinary, is this unattended case of rosewood into his enjoyment of a great bargain. It turned out that the rosewood case is Qianlong's great-great-grandson Pu Dong's things, and then go to the source, it was found that its original owner is the Qing dynasty was known as "the world's first governor" of the Song meat. With the support of these two people, the value of this rosewood case naturally rising.
Not everyone has such good luck, good luck is often behind a person quietly plow.
Wang Shixiang was certainly no exception.
When he was young, he did not like to study. His parents loved him, so they hired a teacher to teach him the ancient Chinese language, history and poetry, and sent him to study American culture at Dryface Hutong. But he only loved poetry, the industry in the play, the autumn cricket, winter, the wai singing insects, the dog to catch badgers, enjoyable.
Wang said he loved pigeons when he was a child, and when he was studying at Beijing Meiqiao Elementary School, he was sure to talk about pigeons in his English writing. And then he was hooked on wrestling, followed the Qing dynasty pouncing camp Buku to learn wrestling, and then played on the big eagle and badger dog. When he went to college, he also brought hawks and grasshoppers into the classroom, causing his teachers to regard him as an uneducated "unknown quantity".
(2) Researching things to make a will, playing with things to become a family
A person's interest is what makes his life beautiful.
As the No. 1 player in the capital, Wang Shixiang was on the road to play.
Not only catching crickets and teasing grasshoppers, he also followed his uncle to learn the art of bamboo carving, followed his mother to learn painting, and in his spare time, he even spent his big bar of energy on places where others wouldn't put their minds to, such as fire-painting, lacquer ware, Ming furniture, cooking, and so on. Playing with things without losing his ambition, Wang Shixiang had to leave records of everything he touched, and in his "Zizhen Collection", he recorded every word of a table and a stool, where he found them, and what stories he had. Therefore, Mr. Qigong said he is "researching things to make up their minds".
Because he always start small, when he was a child, he often went to the kitchen to observe the home cook, everywhere attention is learning, learning by ear, on the stove practice, he became known as the "culinary saint", where there are friends and relatives as guests, Wang always like to personally cook, do two good dishes. Because of the skill, tasting kung fu, the Great Hall of the People also invited Wang Lao to do food tasting experts.
1939 was the beginning of a transformation for Wang Shixiang. As his parents had honored and loved him since he was a child, they never scolded him harshly. It was not until his mother passed away that he thought about his life's work, sent away his beloved pigeons, eagles, and badger dogs, and stopped playing with things, concentrating on his research papers for five whole years.
In 1943, with the war raging, he rushed to Li Zhuang, a mecca of learning in the southwestern backwaters, where he wanted to study at ease, and where a number of important scholars in China, including Fu Si-nian and Liang Sicheng, had gathered.
Fu Si-nian heard that he was a graduate of Yanjing University and stopped asking questions. He had no choice but to follow his brother's friend Liang Sicheng, who became his mentor, and he resolutely followed him to conduct research on ancient Chinese architecture at the Construction Society.
It was a wonderful time when he studied hard and was motivated to learn.
When he was at Yanjing University, the war was in full swing and the national government moved its capital to Nanjing. His father faded out of the government, his mother passed away, and his family's situation deteriorated. At that time, he had just become a graduate student at Yanjing University, and she was also at Yanjing University.
She was studying pedagogy and had to write a textbook on Chinese painting for primary and secondary schools, but there was no good teacher to teach her. She was introduced to him and became his "thesis advisor" to learn painting.
She was the wife of Wang Shixiang's lifelong companion, Yuan Tsuen-you.
Under Wang Shixiang's careful guidance, Yuan successfully completed his thesis. As the two of them grew to love each other, they were able to work out a new relationship.
When he stopped studying at Yanjing, he went to Chongqing and sent her a pot of pacific flowers as a souvenir before he left. The thought and entrusted letters sent to her hands, she had nothing to send, only day to day care of flowers, so again to his reply, she wrote:
"You left the peace flower, I watered every day, live very well. May life also be like this Pacific flower."
And then the two hearts knew each other and set their love with red beans. She became his life's helpmate, and he became her best "qin slave".
In 1945, he served in Nanjing to clean up the wartime loss of cultural relics Committee, and Japan to deal with the recovery of cultural relics, two years later as the National Palace Museum Museum of antiquities, can be said to have attempted the life of the will. Since then and went to the United States to study, can be said to be a moment of glory.
But the good times did not last long, in 1957, the "three anti-movement", he was classified as "rightist" because of his words. And then went through the Cultural Revolution, was decentralized labor reform, planting vegetables, raising pigs, rice planting, what work all do, what suffering all eat. In addition to the old glasses remember that he is a literature and art workers, and he has become an authentic peasant look.
Until the Third Plenary Session of the Eleventh Central Committee, he was completely rehabilitated. For his experience, he said frankly: some people and then suffered from extremely unfair treatment, will be cut off from the people, some people will be desperate, and he was upright, rules and regulations, that is, will not be self-seeking, will not be desperate, he needs to go to the pursuit of the meaning of life, to do things of value. He is going to be so persistent to pursue, rain or shine.
Actions speak louder than words.
Recovering thousands of national treasures after Japan's surrender is the most meaningful thing he believes he has ever done.
Writing this book before and after 30 years, in addition to writing itself difficult, and repeatedly suffered political ups and downs, but the original intention remains unchanged, good start and good finish, in 1983 was finally published, revised in 1998 reprinted, and has become a necessary tool for scholars at home and abroad to study ancient lacquer ware.
He used all the time available, focused on doing their own research, Ming furniture objects, techniques, the collection of documentary materials, the Qing dynasty craftsman then the case of the visit, finishing, compilation, etc., are this decade of miserable business, the accumulation of little by little.
The sky is the limit. He finally got the recognition of the world, become our famous cultural relics expert, also known at home and abroad.
We may only see the rosewood case he got by chance, then feel that he picked up a big bargain, which has so many cheap to pick up, the person's life or lighter than a goose feather, or heavier than Mount Taishan, can not be a momentary experience on the short and long.
He is such a person, playing, learning, suffering, a life of love for their own interests, for which tireless.
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Wang Shixiang's collection of Ming-style furniture donated to the museum, why do you think this is?
In Mr. Wang Shixiang's colorful and extensive collection, the more crucial and total number of product varieties is Ming-style furniture. In recent decades of personal collection career, he can with his own strength personal collection to this kind of exquisite products, really called it is the world's surprise.
This batch of Ming-style furniture, now has been in the Shanghai Museum, for why it is not a free donation, why not stay in Beijing, over the years, have heard some people for this matter, and even heard the industry's well-known personage voice of accusation, which is completely they do not understand the situation. As an informed person, I have a clear memory of the whole process and the causes and consequences.
For many years now, Mr. Wang has been worrying about the final destination of this collection. He said, this batch of furniture must be kept in detail, surely can not be disassembled and resold. No matter how difficult stage, no matter how many people request, he never sold a piece. Where it would end up was always on his mind. I think: the first thing that comes to mind for everyone is that the Forbidden City is the best place for this furniture to go.
But the Palace Museum has not shown sufficient heart for this collection.
On the other hand, Mr. Wang on the Palace is not really able to store and respect the furniture concerns.
Ancient furniture, especially valuable mahogany furniture, was actually very delicate. Like zitan wood furniture, the wooden surface is very soft, just like human skin, the most afraid of the sun. The Palace Museum published the Palace collection of Ming and Qing dynasty furniture, in which there is a very special rosewood furniture labeled as Huanghuali wood system. I firmly believe that one of the factors is the Palace contains rosewood furniture to the sun to lighten the tone, so according to the tone of the yellow rosewood was mistaken for.
The Imperial Palace of the Forbidden City are sitting south to north. Ancient furniture placed in the window root underground, direct sunlight. Settled in the northern region of people understand, Beijing sitting south to north of the house, sunshine time is particularly long, even if there is a front porch, but the case class, chair class furniture is shorter, put against the foot of the wall is still sunny. This year three hundred and sixty-five days, day after day, year after year, what can withstand the sun! For this, I have talked to the Palace staff, but some people say that this is also according to the original display design way to place. You stand in Mr. Wang's point of view back: the good food to them, they can be put in the heart of the heart to see it? I'm not sure if I'm going to be able to do that, but I'm going to be able to do it.
Even so, Mr. Wang Shixiang has been trying to do everything possible to keep the Ming furniture collection to Beijing. But I can't imagine, Beijing is not think, froze is not necessary. Things in this world is so strange, come very easy, are not easy to cherish, to see this is also an invariable true knowledge. Later, he also considered other history museums. For example: old Mr. Huang Hanzhu once made it clear to me, expecting that I could help him to persuade Mr. Wang to put his collection into the Yanhuang Art Museum. For some time, Mr. Wang even considered creating a history museum himself, but seeing Mr. Huang run a history museum, almost not to exhaustion, feel not, only to stop. Finally, after comprehensive consideration, or to the Shanghai Museum.
Sell, or donate?
For which the situation, especially in the Mr. Wang this batch of Ming furniture is considered to sell or donate, there are some disagreements on the development of society. For this matter, Mr. Wang in October 2002 to accept the art magazine interview in the interview:
At this time the completion of the construction of the Shanghai Museum, there is furniture exhibition hall, but no furniture. Shanghai good friend Mr. Zhuang and I discuss, want to buy my furniture donated to the Shanghai Museum, I mentioned the premise is: you buy my furniture must all to the Shanghai Museum, one of its own can not stay, such as allowing, income "rare" furniture I did not stay, and I will not speak of price, you give is how much how much, just enough to migrate to the purchase of my house can be. At that time, only one-tenth of the international market, but I took it for granted that I would find a good place for the furniture. In this way, seventy-nine pieces of furniture that I had collected for forty years made it to the Shanghai Museum. Rare Appreciation" also has a small Huanghuali wood cross stool, published books before I have been given to Mr. Yang Naiji, so the book indicates the name of the collector is his name is not me, over the past two years Mr. Hu returned the cross stools to me, and I recently donated free of charge to the Shanghai Museum. That will make up a whole amount of money, the total ***80 pieces.
This is the objective fact. The insiders can see it at a glance: this is actually a half-gift!
How to transport these national treasures to the Shanghai Museum, had called for a lot of effort, during which there was also a period of ups and downs.
Mr. Wang and the Shanghai Museum, the transportation of this batch of furniture matters, has its own different scruples. Mr. Wang is afraid to transport from Beijing to Shanghai in the middle of the destruction suffered, and the Shanghai Museum of the use of this batch of furniture value of mutual understanding, worried about the Beijing level of knowledge, will persuade Mr. Wang to change his mind, find ways to stay in Beijing, do not allow the shipment out.
In 1976, Mr. Wang's friend Zhu Jia _ old Mr. family, the family collection of more than a dozen extremely rare Ming and Qing dynasty furniture, free of charge donated to the summer resort in Chengde. Never thought, the whole process of transportation, the freight driver in order to better pull the private work, the batch of furniture three to five, all from the car to throw out, in the guest house when the yard stacked a full five days. When he finished doing private work and then thrown into the car transported to the city of Chengde. As a result, this batch of hauling valuable furniture fall damage scattered painfully. What's more bizarre is that there is no one for this matter to undertake, there is no following.
In view of this, Mr. Wang was really scared. Thus how to the collection of proper transportation out, do not repeat the Zhou family that batch of furniture disintegration, destroyed, into his most concerned about the problem. Gradually, Mr. Wang told me, in order to better security, to find a professional freight company. But in turn, after finding two, the company's office of the dirty and messy kind and the duty officer that called a rough speech and demeanor style, we were scared to go home.
It was obvious that none of the long-distance freight companies in China could put Mr. Wang's mind at ease at that time. After that, the group found Chase International Transportation Co. At that time, the enterprise has an office in Xiao Yun Road, seems to be the only international transportation company in China at that time. After contacting the company, I found out that the business process of others is very high grade, the key practitioners of international air freight, not too familiar with the business process in mainland China, are not very suitable. Mr. Wang also feels quite regrettable, and according to the few times with the freight logistics touch more heavy his psychological burden. In order to better ensure that nothing goes wrong, there is no other way out, he asked me to look for the British Consul General Mike Laurance, looking forward to obtaining his assistance. I had given him a tour of Mr. Wang's personal collection, to which he attached particular importance. We discussed the possibility of finding a reliable international transportation company to transport the goods in the name of international diplomatic relations goods, in order to ensure certainty of safety and security. For this matter, the British emissary showed full support, the ambassador's wife even indicated that she wanted the whole process of responsibility to assist and personally participate in the supervision.
Excitement of the south into the record
Shanghai Museum never worried about the safety of transportation. But they couldn't figure out why Beijing government departments and arts organizations didn't come out and stop it. Therefore, they are worried that if the Beijing level becomes aware of this period, this batch of ancient furniture will not be able to get out of Beijing. Their fears are definitely justified and not at all scary. I firmly believe that if we Beijing Municipal Party Committee and art system software, even if there is a leader, can realize that this batch of precious cultural relics furniture even half of the value of the use, and others only gave Mr. Wang a small one million U.S. dollars, there is no doubt that will try to persuade Mr. Wang to stay, will not let this batch of world-famous classic is such a potpourri shipped away from Beijing.
Finally, the Shanghai Museum decision-making, by the museum side to go to Beijing in person to undertake transportation.
For this matter, the Shanghai Museum Ma Chengyuan curator is really digging into the heart of the mind, he reasonably chose the "curve diagram" delivery method, the first Mr. Wang's seventy-nine pieces of furniture from the home quickly transported to a middle of Beijing can be relied on a very large administrative organs, this administrative organs and the ancient artifacts do not relate to the place! Put a period of time, carefully packaged, the Shanghai Museum sent la staff and at least a platoon of armed police career, undertake loading and follow the car escort.
That day, they are considered at night, about 11 o'clock at night, I received the Shanghai Museum to undertake the transportation of furniture people call. He seemed to be anxious after a long breath of relief, and relaxed and excited: "We have long been out of the Beijing lot it!" In the language, you can hear his impulsive feelings.
Who are the descendants of Wang Shixiang?
Wang Shixiang's descendant is called Wang Dunhuang.
Wang Shixiang, the word changan. Male, Beijing, ancestral home in Fuzhou City, Fujian Province. Han nationality, famous collector, cultural relics connoisseur, scholar. He made the city of wells "carving small skills" on the "hall of elegance", he can not only play, but also write, he played and research things, he played out of the culture, played a "century of excellence", he was known as "the first capital of the city of Beijing", "the first", "the first", "the first", "the first", "the first", "the first", "the first", "the first", "the first", "the first". He was called "the first player in the capital".
On December 3, 2003, Wang Shixiang received the Prince Claus Award of Highest Honor from Prince Johan Frisu of the Kingdom of the Netherlands, who came to China specifically to encourage the exchange of artists and thinkers around the globe, and thus became the first Chinese to receive the award of the highest honor.
Wang Dunhuang, son of Wang Shixiang, is the son of a family, and has authored the book "Eating Masters" in a Peking-accented writing style, which tells the stories of his father and the two closest relatives in the family who were eating masters of the house, and recreates the flavors of old Beijing and the facets of the life of a flag person.
Expanded Information
Wang Shixiang is often referred to as "the first big player in the capital", but here he played into a great elegance, played out of the culture, and played out a "century of excellence". Wang Shixiang is very knowledgeable and has profound attainments in the research and identification of cultural relics. Wang Shixiang studied a wide range of subjects, including painting, calligraphy, sculpture, cooking and architecture. He has profound research and unique insights into the history of arts and crafts and furniture, especially Ming and Qing dynasty furniture, ancient lacquerware and bamboo carvings.
Wang Shixiang's self-selected collection, Jinshihei, Volumes I and II, collects most of the articles he wrote before he was 80 years old, totaling 105 articles, organized into twelve categories: furniture, lacquerware, bamboo carving, craftsmanship, rules and regulations, painting and calligraphy, sculpture, music and dance, reminiscences, amusement, food and drink, miscellaneous manuscripts, etc. The collection contains 234 line drawings. *** There are 234 line drawings, 424 black and white drawings and 255 color drawings.
Reference Baidu Encyclopedia - Wang Shixiang
"Collection" Wang Shixiang: Ma Weidu teacher, children status?
"Collection of everyone" Wang Shixiang estimated that no one knows, but mention the disciple Ma Weidu, estimates that hundreds of millions of people now have no water do not know. As Ma Weidu's teacher, no two brushes that is very difficult to bring Ma Weidu such a high disciple. Mr. Wang Shixiang, qigong once praised it as "play with things but not lose heart", is indeed a generation of everyone. Wang Shixiang and Ma Weidu have a long history, and it has always been a topic of great interest. I am afraid that those who love Ma Weidu will know about this. So, Ma Weidu's teaching mentor, Mr. Wang Shixiang, what is the status of his children?
Wang Shixiang this life and a "play" word has an unbreakable relationship, play what can play tricks. As we all know, it's impossible to play with a family that doesn't have a mine. Wang Shixiang belonged to this category. His family was well-off and he could play any way he wanted. His father was then a senior government official, and in his spare time he liked to hang out in the glass factory, and his mother was also a lady of the house, so the family environment decided that Wang Shixiang was destined to be a restless alternative playboy. Wang Shixiang is known for his love of fun, playing with crickets in the summer and insects in the winter.
Of course, he is the most skillful or collection, people play collection is really playing out of the realm. Porcelain, furniture, jade, and even paintings and calligraphy have some high. His life in the collection, that is not stingy, and the Republic of China, one of the four sons of Zhang Bakui or a spell, and Zhang Bakui is different. Wang Shixiang can play a set of theories, which is rare in the Republic of China. At the beginning of the founding of the country, wang shixiang has been the palace museum of heavyweight cultural relics identification experts. After the founding of the country, working in the cultural relics unit, is one of the few respected everyone.
In the 1980s, Wang Shixiang met Ma Weidu, who later became a "great collector". Ma Weidu's acquaintance with Wang Shixiang was both accidental and inevitable. The chance lies in the fact that the acquaintance between Ma Weidu and Wang Shixiang originated from Ma Weidu's persistent efforts and struggles, while the inevitability lies in the fact that Ma Weidu is also a person with real talent, not the kind of person who has nothing in his chest. Of course, the most important point is that both master and disciple are good at "playing". Ma Weidu also plays with everything and is self-taught, which is similar to Wang Shixiang.
Wang Shixiang taught Ma Weidu everything he learned in his life, making his theoretical knowledge very solid. So, Ma Weidu can in the 1980s in the cultural relics are not valuable to pick up a lot of leakage, thanks to Mr. Wang Shixiang's theoretical support. Ma Weidu after many years, still on the old Mr. Wang Shixiang respect, said his collection road everywhere by Wang Shixiang's guidance and influence. It seems that the famous teacher to lead the way is very key, this is not convinced not. 2009, Mr. Wang died at the age of 95.
Wang Shixiang had a son named Wang Dunhuang. Wang Dunhuang and his father Wang Shixiang similarities, the son of his father's work in the cultural heritage system, can also be a playful master. Toward Dunhuang had written a book called "Eat Lord", a systematic introduction to eat, can be described as incisive occasion. But Wang Dunhuang is very low-key, by the influence of his father, is also simple and frugal, quite Wang Shixiang old Mr. legacy.
"Collection of everyone" Wang Shixiang, people as a generation of masters, leaving us a wealth of valuable wealth. Especially the collection and protection of cultural relics above, recovered a large number of national treasures, this major contribution, is indeed worthy of our respect ah! As Ma Weidu teacher, Mr. Wang Shixiang has this qualification. In fact, Ma Weidu's current style of action, more or less influenced by Mr. Wang Shixiang.