Recommend a route next to the Forbidden City, not far from the distance, but many attractions, but also a good place to go out of the film.
Pudu Temple-Nanchi Zi Art Museum-The Palace of Culture of the Working People-Zhongshan Park
Pudu Temple
According to the Forbidden City not far from the Donghuamen outside of the Nanchi Zi Street alleyway, hiding a royal temple full of history. royal temple full of history.
The majestic mountain gate has red walls and green tiles, and the white stone arches and arched windows are paired with stone carvings imitating wooden diamond fans.
There is also a bust of Dorgon, an important minister in the early Qing Dynasty, on one side of the gate, signaling that this place was once special.
A brief history of Pudu:
1. It was built during the Yongle period of the Ming Dynasty and is the same age as the Forbidden City, and was originally the Chonghuagong in the East Garden of the Imperial City. Ming Emperor Yingzong lived here after he was released and returned to the capital.
2. The end of the Ming Dynasty was destroyed, the early years of the Shunzhi in the Qing Dynasty was rebuilt for the Regent King dorgon's Rui Prince House, was seized after the surrender of the King's House.
3. thirty-two years of Kangxi, downsizing, the south was converted to satin library, the north was converted to Maha Kala Temple, dedicated to the protector god of the big black sky. Qianlong forty years given the name "Pudu Temple".
4. In the late Qing Dynasty and the Republic of China for the army or other institutions, many parts were demolished and lost its original state.
5. After the founding of the People's Republic of China, it has been used as the site of elementary school and the Beijing Taxation Museum, and is now the Sanpin Art Museum.
6. The seventh batch of national key cultural relics protection units.
Recommendations:
1. As the only one typical Manchu-style cultural relics building in Beijing, its architectural specifications are extremely high and its features are very distinctive.
2. The platform on the west side of Pudu Temple can overlook the southwest corner tower of the Forbidden City, and it is very nice to see the pigeons flying in the west at sunset.
3. In the evening, the light changes colorful, whether it is the ridge beast, tree shadow, or green glazed tiles and single-eaved hermetic roof, are unique, is a good time to shoot Pudu Temple.
4. Unfortunately, the mountain gate and the main hall are currently inaccessible, and can only be appreciated on the periphery.
Nanchi Zi Art Museum
Outside the Forbidden City's Donghua Gate, next to the Pudu Temple,
hides a classical courtyard in the style of a Soviet-style courtyard.
If the Forbidden City is the pinnacle of ancient Chinese royal architecture,
then the Soviet-style garden is the legacy of the spirit of the Chinese literati.
At first, I was attracted by the pavilions rising above the walls, and then when I stepped into the courtyard,
I was amazed by the ingenuity that blossomed everywhere.
Adhering to the principle of "inheritance, integration and innovation,"
the design of the courtyard not only honors the ancient system and follows the ancient method,
but also adapts to the local conditions and integrates with innovation.
The things in the courtyard,
tiles, railings, doors, roofs, wood carvings, arches, rockeries, lakes and stones,
all try their best to inherit the ancient meaning.
At the same time,
North-South fusion, ancient and modern fusion details abound,
which is both the continuation of the inheritance and the purpose of the inheritance.
Managing the water, superimposing mountains, creating landscapes, and cultivating gardens with sincerity and righteousness.
In a small courtyard,
seeing the mountains, water, people, and the sky, it shows infinite interest.
The water system of the museum concentrates the essence of the Suzhou-style garden,
building mountains, water, windows and forests,
pavilions and pavilions, willows and flowers.
There are four seasons in a day and four seasons in a year, and each of them is different from the other.
This unique courtyard
provides the museum with a unique geographical advantage,
and the wonderful art activities
have constantly injected humanistic vitality into the courtyard.
Historical and contemporary, traditional and cutting-edge,
in the waves of light and clouds, between people coming and going,
collide with the spark of the times.
The Cultural Palace of the Working People
"The craftsman camped the country, nine miles square, next to the three gates, the country of nine warps and nine wefts, the warp coated with nine rails, the left ancestor and the right community, facing the back of the city."
This is the plan for a city in the Zhou Li - Winter Officials Examining the Works, Sixth.
Tai Temple is the representative of the "Left Ancestor", and it is also the location of today's Beijing Municipal Labor People's Cultural Palace.
The Palace of Culture was originally a temple for the emperors of the Ming and Qing dynasties to worship their ancestors.
There are three red walls around, halberd door within the three-tiered hall is the center of the building, majestic, solemn.
The front hall, also known as the Hall of Enjoyment, the ridge of nine beasts, is second only to the Hall of Supreme Harmony in terms of regulation, but also the place where the ancestral ceremonies are held.
The 68 pillars and wooden parts of the hall are all valuable gold nanmu, the floor is paved with gold bricks, and the ceiling is decorated with gold paintings, which is magnificent.
The hall is currently undergoing an exhibition of Chinese and Chinese bells based on the Zenghouyi bells, which are also the world's largest two-tone stage performance bells titled by Jiang himself.
The halberd gate is the only important relic of the temple that has not been altered since it was first built, and it is also an important representative of early Ming official architecture.
While only a hundred meters away, it's more of a hideaway than a crowded Forbidden City.
Walking between the ancient cypresses, yellow tiles and red walls, gray cranes roosting, another year of winter and spring.
Zhongshan Park
Zhongshan Park's history is much longer than that of the temple, dating back to the Liao and Jin dynasties.
Ming Yongle eighteen years (1420), in accordance with the "Rites of Zhou" "left ancestor right community" built for the altar of the God of God.
In 1925, when Dr. Sun Yat-sen died, the casket was parked in the Hall of Worship (present-day Zhongshan Hall) in the park and a public memorial service was held.
In 1928, the park was renamed Zhongshan Park in honor of the great pioneer of the democratic revolution.
The main building of the park, the Temple of the Gods of Jigui, is located in the center of the axis.
The altar is a square, three-tiered platform made of white jade.
The altar is covered with five-colored earth from all over the country, which symbolizes the five elements and indicates that "under the sky, there is no one who is not the king's land".
The center of the altar was originally a square stone pillar, the name of the "main stone", also known as the "stone of the rivers and mountains", to show that "the rivers and mountains are forever".
The worship hall in the north of the altar, is a large-scale wooden building, Ming Lu beam arch, painted and seal painting, is also the most complete preservation of the Ming Dynasty buildings.
The garden also hosts the Spring Flower and Tulip Viewing Season every spring.
The beautiful spring weather and the flowers attract many people every year.
The colorful tulips are the absolute star of the show. Red, yellow, white and pink, the breeze blew, like a group of dancing nymphs.
Lilacs, begonias and peonies are also in full bloom, and the scent of the flowers makes people linger.
The famous Lai Jin Yu Xuan is both a long-established restaurant and the site of the Party's early revolutionary activities in Beijing. Mr. Lu Xun's favorite winter vegetable buns have been handed down to this day and are very popular.