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Yuzhang (Nanchang) former county, Hongdu new capital, the star is divided into wings and wings, the land is connected to the Henglu, the lapel of the Three Rivers and five lakes, the control of the barbarians and Jing and Ou Yue. The material and heavenly treasures, dragon light shooting the ruins of Niudou; outstanding people, Xu Ru under Chen Fan's couch. Xiongzhou fog column, handsome color star galloped, Tai Huang pillow razor summer, guests and hosts all the beauty of the southeast. Governor Yan Gong's elegant hope, tally-hardened remote; Yuwen Xinzhou's Forbidden City, spend time at home. Ten years of vacation, winning friends like clouds; thousands of miles to welcome, full of friends. Tengjiaoqiaoqi phoenix, Meng bachelor of words; purple electricity and green frost, General Wang's arsenal. The first time I saw this was when I was a student at the University of California, Berkeley, and the second time I was a student at the University of California, Berkeley, and the third time I was a student there.
The time dimension is September, the sequence is three autumn. The first thing you need to do is to get your hands on some of the most popular products and services in the world, and you'll be able to do that. Just like a horse in the horse on the road, visit the scenery in the Chong A; in the emperor of Cheung Chau, get the sky (immortal) of the old museum. Layer Taiwan (mountains) towering Cui, on the sky; flying Pavilion Xiang (flow) Dan, down to no place. Crane Ting Teal Islet, poor island of the haunting; Gui Palace, that is, the body of the Gonzaga situation.
Pi embroidered door, overlooking the carved tiles, the mountain plains are open to its full view, Chuanze Yu (xu) its horrifying vision. Lujiazui, the home of the bells and bells; barge ship Mizuno, the axis of the green sparrow yellow dragon (poopdeck). The clouds are clearing up and the rain is clearing up, and the colors are clearing up the area. Falling sun and a semblance of flying together, autumn water *** long sky a color. The fishing boat sings the evening, the sound of the poor Peng Li shore; geese formation shock cold, sound broken Hengyang Pu.
Remote your heart and mind, and go to your heart's content. The winds of the sea are blowing, and the white clouds of the sky are curbed by the songs of the fiberglasses. The green bamboos of the Sui-Yuan Garden, the bottles of Pengze, and the Zhu Hua of Yeshui, the light of Linchuan, are the best of all. The four beauties and the two difficulties are the same; the poor look at the center of the sky, and the most entertaining tour in the free day. The sky and the earth are very high, and I feel the infinity of the universe; I am sad to see the end of my life, and I know the number of the surplus and the void. Looking at Chang'an in the sun, the eye Wu will be in the clouds. The terrain is extreme and deep in the southern sea, the heavenly pillar is high and the northern star is far away. The mountains are hard to cross, who is sad about the people who lost their way? The people who meet in Ping Shui are all guests from other countries. The doorkeepers of the Emperor are not to be seen, so what is the year of the declaration of the room?
Contempt! The time is not the same, the fate of the life is full of misfortunes. Feng Tang is easy to age, Li Guang is difficult to seal. Qu Jia Yi in Changsha, not without the Lord; scuttled Liang Hong in Haiqu, not lack of bright time? I rely on the gentleman to see the opportunity and the man of honor to know his destiny. If you are old and strong, why would you want to be gray-headed? If you are poor, you will not lose your ambition. I feel refreshed by the greed of the spring, and I am still happy to be in a dry place. Although the North Sea is on credit, it can be picked up; the East has passed away, and it is not too late for the Sanyu. Meng Chang is a noble man, but he has no ambition to serve his country; Ruan Ji is a wild man, but he is not a poor man's cry!
Bo, three feet of life, a scholar. There is no way to ask for help, such as the end of the army of the weak crown; have the wai to throw pen, the long wind of the Mou Zongcourt. The hairpin in a hundred years old, serving the morning and evening in ten thousand miles; not Xie's treasure tree, to receive the Meng's neighbor. In the past, I have been to the court, and I have been accompanied by carp pairs; now, I am happy to have the Dragon Gate in my arms. The first thing I want to do is to make sure that I have a good understanding of what I'm doing and how I'm doing it.
What? The resort is not always, the feast is not again; Lanting has gone, Zize mound ruins. Farewell speech, fortunate to receive the grace in the great preserves; ascent to make a gift, is hoped for in the group of public. Dare to exhaust my sincerity, respectfully short quote; a word are endowed, four rhymes are completed. The first thing I'd like to do is to ask you to give me a chance to talk to you, and I'm sure you'll be happy to do so.
Tengwang High Pavilion in front of the river islet, Peiyu song luan strike song and dance.
Painted buildings flying towards Nanpu clouds, pearl curtains rolled in the evening rain in the western mountains.
Leisurely clouds and pools of shadow day long, things change a few degrees of autumn.
Where is the emperor's son now? The Yangtze River outside the threshold is empty.
Translation
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This is the past Nanchang County, now the capital of Hongzhou, the heavenly direction belongs to the wings, the square of the two astrological signs of the division, the earthly position connects the Hengshan Mountain and the Lushan Mountain. With three rivers as the lapel, five lakes as the sash, controlling the Chu land, connecting the Fujian and Yue. The essence of things, the treasures of the heavens, the sword's light straight up the bull, the two stars of the Dou district. There are heroes among people, because the earth has the spirit, Chen Fan set up a few couches especially for Xu Ru. The majestic great state springs up like a dance, and the outstanding talents are as numerous as the stars. The city is situated in the key place of the border of Yi and Xia, the host and guests, concentrated in the southeast region of the pod handsome talent. Governor Yan Gong, who enjoys a high reputation, traveled a long way to Hongzhou to sit in the city, and State Minister Yuwen, a model of virtue, stayed here on his way to his post. On the occasion of the ten days' vacation, distinguished friends gathered, and noble guests, too, came from thousands of miles to meet here. The leader of the literary world, Bachelor Meng, writes with the vigor of a rising dragon and a flying phoenix, and General Wang has sharp swords in his arsenal. As my father was a magistrate in Jiaotong, I passed by this famous place on my way to visit my relatives. I was so young and ignorant that I had the honor of attending this grand banquet in person.
It was September, and autumn was high. The water was clear, the sky was covered with light clouds, and the mountains were purple in the twilight. Driving a carriage on a high mountain road, I visited the scenery among the lofty mountains. Coming to the former Changzhou of the emperor's son, I found the palace where the immortals had lived. Here the mountains overlap and verdant peaks tower into the sky. The red colored pavilions are so high in the sky that you can't see the ground from the pavilions. White cranes, ducks resting on a small island, the island's winding back and forth momentum, Ya Hao's palace, and the undulating mountains with a coherent.
The carved door of the pavilion, overlooking the colorful decoration of the ridge, the mountain plains in full view, the lake and the river twists and turns surprising. There are alleys and houses all over the place, and many rich and noble families with bells and whistles. Barges and ships filled the ferry port, all of which were large boats carved with the pattern of the green bird and yellow dragon. It was the time when the rain was over, the rainbow disappeared, the sunshine was warm, the sunset and the lonely geese flew together, the autumn water and the long sky were linked together. The songs from the fishing boats in the evening resounded along the shores of Pengli Lake, and the shrieks of the geese as they felt the chill echoed along the water's edge in Hengyang.
The chest of climbing up and looking at the distance was suddenly relaxed, and the pleasure of floating away from the world was born. At the banquet, the sound of Xiao Xiao rang out, like a fresh breeze; the soft song lingered on, curbing the white clouds flying. Like the gathering in the bamboo forest of Sui-Yuan, the good drinker here surpasses Tao Yuanming, the magistrate of Pengze, and like Yeshui's praise of the lotus flower, the poet's literary skill here outshines that of Xie Lingyun, the inner historian of Linchuan. (Music and food, writing and speech) These four good things are all in place, (good exhibition of beautiful scenery, taste of pleasure) these two rare conditions also come together, to the sky with a great view, in the holiday to rejoice. The sky is so high and the earth is so vast that one feels the infinity of the universe. Joy passes away, sadness comes, I understand the rise and fall of the noble and lowly are by fate. Looking west to Chang'an, pointing east to Wu Hui, the land in the south has come to an end, the sea is unfathomable, the Big Dipper in the north is so far away, the pillars of the sky are unattainable. The mountains are hard to cross, who sympathizes with the people who have no ambition? Ping Shui occasionally meets each other, we are all guests in a foreign land． Missing the king's palace gate, but not being summoned, what's the wait to be able to go to serve the king?
Heh, fate is not good, life's destiny is much worse. It is easy for Feng Tang to grow old, and hard for Li Guang to be crowned. It was not the absence of a saintly monarch that caused Jia Yi to suffer grievances and be relegated to Changsha, and it was not the era of political prosperity that caused Liang Hong to flee to the Qilu seashore? It is only that the gentleman has insight into the first opportunity and is well versed in the reasoning of things. Although he is old, his ambition should be more vigorous, how can he change his mood when he is gray? Though his situation is difficult, his integrity should be stronger, and he should never abandon his lofty aspirations. Even if one drinks water from a greedy spring, one's mind remains fresh and clean; even if one is in a dry main rut, one's bosom remains cheerful and pleasant. Though the North Sea is far away, it can be reached by the whirlwind of the goat's horn, and though the morning is past, it is not too late to cherish the dusk. Meng Chang has a noble heart, but in vain he embraces the passion to serve the country, Ruan Ji is indulgent and unrestrained, how can we learn from his kind of poor weeping!
I have a humble position, just a scholar. Though I am twenty-one years old, I have nowhere to go to ask for help to kill the enemy. I envy Zong Yi's heroic spirit of "riding the long wind and breaking ten thousand miles of waves", and I also have the ambition to join the military. Now I've abandoned my life's achievements to serve my father from afar. Although I am not the "precious tree" of the Xie family, I am able to socialize with virtuous people. Soon I will meet my father and listen to his teachings. Today I am fortunate to accompany all the elders, and I am happy to ascend to the Dragon Gate. If I hadn't been introduced by someone like Yang Deyi, I would have only sighed to myself as I patted my own writing. Since I have already met Zhong Ziqi, what shame is there in playing "High Mountains and Flowing Water"?
Heh! Famous places cannot always exist, and grand banquets are difficult to meet again. The Lanting banquet has become obsolete, and Shi Chong's Zize has also become ruins. Blessed with the gift of this banquet, let me make this preface on my way out, as for the ascent to the high end of the gift, which only count on the public here. I have only taken the liberty of making a short introduction, as I have done in my modest way. I have written four rhymes and eight stanzas for each of you to write according to your assigned rhymes. I have written four rhymes and eight lines. Please show your talent like Pan Yue and Lu Ji, and write your own magnificent poems!
Words Explained
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Jiang: refers to the Gan River.
Sun Yoyo: daily wandering without restraint.
Things: the scenery of the four seasons.
Ti Zi: referring to Li Yuan Ying, the king of Teng.
Writing Background
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Wang Bo (王勃), courtesy name Zian (子安). He was one of the "Four Heroes of the Early Tang Dynasty", and was a young man of great talent, specializing in poetry and fugue. Tengwangge Fugue" is its masterpiece, but also popular heirloom masterpiece. Write this text, it is Wang Bo to explore his father on the way, passing through Nanchang, coinciding with the Hongdu Province Governor Yan Gong to rebuild the Tengwang Pavilion, to visit the feast, a breath of this fugue, Prince An of talent at that time, the technology shocked the four, so that Yan Gong dumbfounded, amazed at the world's most brilliant talent. The year after, Wang Bo crossed the sea accidentally fell into the water and died at the age of 27.
Structure
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Section 1: Theme - Section 2: Nearness - Section 3: Combination of Nearness and Farness - Section 4: Farness Feelings - Section 5 is lyrical and inspirational - Section 6 introduces itself and recycles the title - Section 7 closes with acknowledgements.
This is a question that goes from strength to strength. First, the reader is given a clear picture of the situation by the title. Then describes the near environment, the human eye as the fulcrum, from near to far, the second, third, fourth section is also a logical shape out, this is a sense of hierarchy. Such a treatment is clearly organized, and makes people feel natural. Similarly, the same is true for the lyric, from the second half of the fourth section of the shallow description to the fifth section of the deepening of the sixth section of the first deep and then turned shallow, to the seventh section of the close without a trace. It's all full of layers.
Evaluation
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The Fu describes the scenery around the Tengwang Pavilion and the feast, the mood is open, the atmosphere is far away. At the end, it expresses the feeling of traveling and the hatred of not being able to meet the talents. The beginning of the text to the end of the high aspirations and depressed, can be said to be the actual situation of Wang Bo's short life, but depressed but not atrophied, to the last sentence of the sense of avoiding the world, but also the existence of hope, perhaps this is the Prince of peace at the time of the real state of mind it.
Writing is born from the heart, reading this fugue and trying to figure out Prince An's life, we will have a lot of different feelings. This is the words outside the fugue, but read this fugue do not know Prince An heart road, when the color is much worse. When we read this fugue, we envy Wang Bo's brilliant words, neatly written dialogues, and unrestrained and natural atmosphere. We should touch the author's soul, feel his mentality when he wrote this fugue, in its exquisite appearance to look for that a lonely soul, and his soul issued by the depths of the hopelessness of the cry, may be more to increase the personality of the charm of this fugue, this is a lot of read this fugue is unknown to the beauty of carry on. Contempt, read its text tastes not know its mentality, the actual text of the sad call? Or readers of the sad?
To summarize, it is a great environment when Prince An made this article. Because of the ancient text in our country throughout the dynasties are borrowed from the work of feelings, or say that the talent is not met, or unable to return to the world and cynicism, or to avoid the world in order to protect themselves from poetry and composition of the heart, the complex, the mind of each person is different from the different submissions. But the same lineage of all or to express their feelings, in or gorgeous, or heavy literary style, hidden under the soul is not willing to be lonely. Their thoughts in the appearance of literary elegance under the glittering crystal light. There are many gorgeous writing styles, so their poems and fugitives can be passed on to future generations because their words have a substantial soul and their rational thoughts presented in the general environment at that time. A small ancient text, can let us see, is often a microcosm of the society at that time, which is the reason why their words are everlasting, right?
Writing skills
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First: concise
There are two explanations for concise
One of them is to use concise words, which is really concise when you look at the whole text of Wang Bo. This can be seen everywhere in the text. Such as describing the geographic location of the "stars, wing, the earth is connected to the Henglu. Lapel three rivers and five lakes, control barbarians and Jing and Ou Yue", got the number, the geographical location of Hongdu (Nanchang) said clearly. From big to small, atmospheric and not distant. And in these words will be the center of Hongdu's dangerous position said clearly, such as the pen old move, is not a fine word. Describes the season "time dimension in September, the order of the three autumns", and is clear at a glance. Describing a person's "mixed fortunes and mixed destinies" is also a figure of speech. Like this kind of word simple meaning deep example, through the text abounds, look at me and so often tens of thousands of words, only to know the value of it. The first thing I'd like to say is that I don't know what to do with the rest of my life, but I do know what to do with my life.
Second: the eye-catching use
"Tengwangge Fugue" is a famous piece of writing, the famous sentence is not small. The world often remember "the sunset sun and the unidentified ducks fly together, the autumn water *** long sky a color". Since it is not to be said. This is the most scenic also. Others, such as writing the terrain "lapel three rivers and five lakes, control barbarians and Jing Ou Yue". Write inspirational such as "the east has passed away, mulberry outlet online". "Old and strong, rather than move the white head of the heart; poor and very strong, do not fall the will of the blue clouds. Write the virtual realm such as "fishing boat singing in the evening, ringing poor drum Li of the shore; geese Chen shocked cold, sound broken Hengyang Pu". That sentence is not a shocking good sentence, such a wonderful pen, the full text of the head to pick up all, everywhere to set up doubt, everywhere point of view, there are such eye-catching pen, how not to let its Fu wonderful it? So ah, we are now writing, also pay attention to the fine words, a text such as a sentence or two eye-catching strokes, the whole text are also live. The first is to make sure that you have a good idea of what you're doing, and that you have a good idea of what you're doing.
Third: Bo
There is an old saying in China: "Read the 300 Tang poems, and you will not be able to recite them". What does this sentence mean? It means that our knowledge of writing must be broad. Read the 300 Tang poems, as long as we read them by heart, then there will be a natural familiarity with the mood, technique, meter, in this case, undoubtedly for our own writing is good.
The ability to read a lot of books, that is to say, to have ink in the stomach, to pick up all the sentences, is the knowledge that our writers must have. Thick and thin, see more, know more, write a text is naturally familiar with the road, twice the effort also. Look at what we are now teenage writers, and those who look at a few extracted sentences or flip a few philosophical books on the subject of the Lord, but also dare to clamor there to learn a lot of five cars, really make people laugh a lot of ear.
When we look at Wang Bo's "Tengwang Pavilion Fugue", we can see that Wang Bo has learned a lot. Such as geography, "Yuzhang County, Hongdu Xinfu (for the history of Nanchang as well known). Lapel three rivers and five lakes, control barbarians and Jing and Ou Yue (vision, in Nanchang's surrounding geography)". "The sound of the Drum Li's shore ...... breaks the Hengyang's Pu (in the middle view, around Nanchang)". As in the festival, "The time is September, and the order is three autumns (the festival). The scribbling water is finished and the cold pool is clear, the smoke condenses and the twilight mountain is purple (festival)". Allusions such as "Feng Tang is easy to grow old, but Li Guang is hard to seal. Qu Jia Yi in Changsha ...... scuttled Liang Hong in Haiqu": "Meng Chang noble ...... Ruan Ji rampant" and so on. Visible Wang Bo quoted the pan, and into the feelings into the reasoning, and blatantly without trace, such a quote such as the chest without thousands of scrolls, and how to be able to hand it? Therefore, the writer expands the book is completely necessary, and must be done. Otherwise, the temporary clasp, pull some plausible allusions to quote can only be Dongshi knitting knit brows, futile snake to add just. And the knowledge is not wide, the creative side will be limited, this is the writing of a taboo, may literature lovers Mingzhi.
Fourth: put away freely
A successful writer of words, the best word to describe his skills is put away freely. The time to put away, the time to put away, that is, in a text, always seize the center, in the derivation of the surface, and seize the interpretation of the weight, so that the sense of hierarchy is clear, the center is clear, so that the reader can be clear at a glance and can be the author of the central idea of the readers unreservedly inculcate the author of the author of the author, this writer, is the author of the success of the readers, because the reader's mind has been followed by the interaction of his thoughts.
"Tengwangge Fugue" in many people's minds is a work of writing, yes, this fugue writing is rare in ancient literature wonderful work. But in fact, according to my opinion, this article should be a work of lyricism, just to respond to the scene, melt the lyricism in the scene, and benefit from the strong. Wang Bo's pen power since not to mention, but in the writing of the scene under the table like to express their own thoughts, the author must have the skillful mastery of words, that is to say, to be able to do to put in and out of the way. Tengwangge Fugue" how to put in and out of the appreciation I have been exhaustive Zen, now the reader can in turn carefully experience. Of course, for the general text workers, it is very difficult to do income freely, then there is a gradual problem, that is, from simple as difficult, slowly progress. Similarly, we take "Tengwangge Fugue" as an example, we can find from his skills in the gradual progress of our gradual path.
Appreciation
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Prince Ann's opening is very vulgar, to "Yuzhang old county, Hongdu new capital" such a cliché to the title, although not lose elegance, but fell into the commonplace of the literati at the time, did not see the novelty of the talk about the outstanding move and generalization of the pen just. But Prince Ann how kind of people also, vulgar in the wonderful pen, a turn of the pen "star points wings and square, the ground connected to the Heng Lu. Lapel three rivers and five lakes, control barbarians and Jing Ou Yue". Give a person a kind of mountain and water is no way out, dark flowers and a sense of the village. This sentence is connected to the previous sentence, but also for the next sentence positioning, can be described as a wonderful pen. Area dozens of words, the geographic location of Nanchang depicted clearly, the atmosphere, really very human, this is the first good sentence for Wang Bo this fu climax.
This section from here on down, is Wang Bo describes the feast of the pen, but also on Yan Gong, the praise can be extremely, more self-suspicion. The ending sentence "family ruler for the slaughter, road famous area; child how to know, bow to meet the victory preserves". Prince An's self-metaphor of a child is also self-effacing. "Tengjiaoqi phoenix, Meng bachelor of words; purple electricity and green frost, General Wang's arsenal". These two sentences quoted properly, can also be said to cut in the feast at the time of the sheng of the literati and ink masters and friends, although there is a suspicion of over-estimation, but for the line of writing, but also lost in the situation at the time of the good citation. As a guest, Wang Zi'an also praised the guests in reason.
The second section of the article, "September, the order of the three autumns". It can be said that with the opening of the "Yuzhang County, Hongdu new capital" of the name of the opening complement each other, and remote relative to each other, the title is clear. Most of this section describes the near scene, writing out the immediate surroundings of the Tengwang Pavilion. The famous line, "The scribble is over and the cold pool is clear, the smoke is condensed and the twilight mountains are purple", describes the mountains in the middle of the festival. Write the festival in the color of the landscape, can see that the author of the heart of the fine. Literary style, let the fixed text and his wonderful pen and full of dynamics. Such as "all, clear, condensation, purple" four words used in the most wonderful, but also let the static landscape into a dynamic. "Crane dance eider islet, poor island of the haunting; Gui Palace of orchids, that is, the body of reckless love potential". This ending is an accurate positioning of Tengwangge's geographic location, writing out Tengwangge's excellent terrain, through the eider islet, the reality of the island points out that Tengwangge is in the shore of Poyang Lake. Gui Temple and Orchid Palace corresponds to the text in the section that Tengwang Pavilion's momentum is extraordinary, and the body momentum of Reckless Love refers to the fact that Tengwang Pavilion is situated on the mountain and facing the water. Had a few sentences, the specific location of Tengwangge and the majestic atmosphere like all show.
By the second section of the writing of the scene, to the third section of the near and far, it is a visionary description carry on. The third section of the beginning of the combination of near and far, first of all, in the Tengwang Pavilion of the high, pointing out the height of the Tengwang Pavilion, because standing in the Tengwang Pavilion, you can easily look down on the back of other people's houses, but also for the future of the very far away from the eyes left the ambush. Write close but not close, the use of words Prince An income freely. From "the mountains and plains open its full view, Sichuan and Ze Yu its horrifying vision (distant view), bells and dinners home (near)"; to "barge ship maze, blue dragon and yellow sparrow of the poopdeck (near and far combined, will), cloud pinned rain and fog, the color of the district Mingchee (near and far combined, will)". This combination of near and far, near and far will write, so that people in the scenery of the disoriented, to appreciate the beauty of its storage will, the writing of the wonderful method. The next great line "the falling sun and lonely wu Qi Fei, autumn water *** autumn a color", can be described as a work of writing the scene of the previous and next to no one of the wonderful strokes. Falling sun (static), lonely rushes (moving), autumn water (near), the long sky (far). Four simple scenes, through Prince An's "fly together", "a color" point clearing, the whole are alive, can be said to be a combination of static and dynamic, near and far, the four things organically combined together, and produce a strong sense of visual impact. In terms of painting technique, this is called living and breathing, and the whole static picture is revitalized. Yan Gong had an exclamation at that time "the whole piece has this sentence, enough to win thousands of masterpieces carry on", see a wonderful sentence on the full text of the influence is how huge. Wang Bo's flash of light, will also leave us a hundred thought not feel boring good sentence also.
Introduced in this regard, "fishing boat singing at night, ringing poor drum Li of the shore; geese Chen shocked cold, sound break Hengyang Pu", seems to be a snake to add feet, is the derivation of the previous sentence, it is the work of the help, for the previous sentence to add fullness. More with two names, pointing out the center of Tengwangge, this always around the center of Tengwangge derivation of the writing style, is the necessary skills of prose writing, or else there is a suspicion of off-topic.
In the fourth section, Wang Bo begins to express his feelings through the scenery, but not in-depth, mainly through the distant scenery and nostalgia for the distance, expressing his situation and mentality at that time. The whole section uses contrasting sentences to deepen his feelings. For example, in the scenery: "The wind is fresh and clear, and the white clouds are curbed by the delicate song". "The earth is extreme and the southern sea is deep, the heavenly pillar is high and the northern star is far away". Realistic: "The distant lapel is free, and the pleasure goes to Trent". "Four beauties, two difficulties". Scenery and mood are blended: "Sui-Yuan green bamboo, air Ling Pengze's kind of bottle". "Yeshui Zhu Hua, the light of Linchuan's pen". The scenery is used to express one's feelings: "Poorly looking at the middle of the sky, extremely entertaining to swim in the spare time". "The sky and the earth, feel the universe of the poor; XingDeGuoLai, knowledge of the number of the surplus and the void". "I look at Chang'an in the sun, and see Wu Hui in the clouds". The actual description of the state of mind: "The mountains are hard to cross, who grieves for the people who have lost their way; the ditches and waters meet, all are guests from other countries". "Wistful of the emperor's doorkeeper and not see, serving the Xuan room to what year?" . The purpose of such contrasting sentences is to deepen Prince An's own feelings. Through one comparison, we can find that Wang Bo touches the feelings, and thus deepen the wistful sorrow, while lamenting the disappointment of life, he also has hope for the royal family to be called back to the throne room, this kind of disappointment and hope co-existing state of mind, we deepen the impression of the contrasting sentences in the whole section, and lay a lot of psychological foundations for the following Wang Bo's lyrical feelings.
Writing scenery: Wang Bo from near and far near combined with far, layered. The same is true of writing love, from shallow to deep, first in the fourth section of the attractions of love, gradually in-depth, to the last sentence "Wyatt doorkeeper and do not see, by the Xuan room to what year?" and the climax ended abruptly. The climax of the section ends abruptly, leaving the ambush for the fifth section. The fifth section of the opening line "Contempt! The fate of the time is uneven, ill-fated". Directly into the theme, seems to be abrupt, but there is the fourth section of the cushion, look back for a moment, but also feel natural, the sense of visual impact, so we have to marvel at Wang Bo's good at creating a climax, often turn of the pen, can achieve unexpected results. Next, "Feng Tang is easy to age, Li Guang is difficult to seal. Qu Jia Yi in Changsha, not without a holy master; scuttling Hong Liang in Haiqu, there is no lack of bright time?" The next part is "Feng Tang is easy to grow old, Li Guang is hard to be appointed. Borrowing from ancient celebrities to encourage themselves, although extremely helpless, but also save hope in the Holy Lord. I believe that I will eventually have a bitter sweet day. The words "I rely on the gentleman to see the opportunity, and the great man to know his destiny", moreover, write out his kind of helplessness that he has both hope and disappointment. At this moment, Wang Bo's confused state of mind at that time can be said to be at a glance.
"When I am old, I would rather be strong, than lose my heart; when I am poor, I would not lose my ambition." These two sentences are Wang Bo inscribed words, just twenty words, will be his proud bones, positive in times of crisis, not fall ambition of the heart of the depiction of the extremely in place. Where later generations of unrecognized talent often use these two sentences as inspirational quotes, it can be seen that the heart of the high and pure. "The discretionary greed spring and feel refreshing, in the dry rut and still happy. Although the North Sea is on credit, the rock can be connected. The east corner has passed away, Sanyu is not late. Meng Chang is noble and pure, but empty of the feeling of serving the country; Ruan Ji is wild, but not the cry of the poor." These words are a further interpretation of the above sentence, which can also be said to be a commentary. He quoted allusions to show that he does not lose his will because of disappointment, and that he rises up in the face of adversity to fulfill his lofty aspirations. Judging from the sentence "The east is gone, but the west is not late", it is even more clear that he does not lose his will because of the temporary situation. It is even more clear that he is not disappointed by the temporary disappointment, but to lie down and taste the courage, in order to rise again in the future. From the point of view of his anger towards Meng Chang and Ruan Ji, Wang Bo was really reluctant to go back to Chang'an, and he always thought of the good intention of showing his ambition.
"Bo, three of the micro life, a scholar. No way to please tassel, such as the end of the army of the weak crown; have the wistful throw pen, love the long wind of Zongcourt ...... ". "Yang Yi did not meet, stroking the clouds and self-pity; Zhong period has been met, playing running water to why ashamed". In the sixth section, Wang Bo opens with a self-introduction, explaining his situation and aspirations. The sentence "I have no way to ask for help, waiting for the end of the army of the weak crown", pointing out his own unrecognized talent. Then he did not go deeper, but the writing style in vain, followed by self-suspicion, and then held up Yan Gong and sit with the elders, in order to make clear their own heart of the feast. At the end, he even praises Yan Gong and others with the phrase "I don't meet with Yang, and I feel sorry for myself" to "I meet with Zhong, and I feel sorry for myself", and the words of a soulmate are consoling to him. The words of the soulmate are consoling, which shows the sophistication of Wang Bo in the world. This kind of comparison sentence, no doubt deepen the strength of praise. From the scene to write feelings to lyricism and then back to the near realm of the banquet scene, Wang Bo income freely, everywhere without a trace, so the penpower, ranked first of the four masters of the early Tang dynasty is not surprising. The center of the original intention of the free and not forgetting, write prose when attention is also.
The seventh section is the conclusion, but also the summary of the whole text of Wang Bo. He started with a sigh of "woo-hoo", giving a feeling that he was going to be disillusioned again. Who knows that Wang Bo is not ordinary people can grasp, he used the word sensible, can not make unnecessary pen? Next, "the resort is not always, the feast is not again". As if the pen of flowers, let a person suddenly realize, so it is. But the crowd is not yet back to God, Wang Bo turned the brush "Lanting is gone, Zize mound ruins. Since the sigh and sadness, all in one, without a trace of the suspense folded and folded, although the same mind, but a pleasure and a sadness, adding to its time feast, people's thoughts. "Farewell speech, fortunate to receive grace in the great preserves; Ascending high to make a gift, is expected in the group of public. I dare to exhaust my humble feelings, and I respectfully offer a short introduction". At this point, Wang Bo's intention is clear. Prince An is not not all happy, it is a feast is difficult to leave, hard to abandon, so the humble words, when Bo its time to feast on the people's happiness. Wang Bo's two meanings of a question, both patting the banquet on the back, but also should be the original intention of this gift is a work of scenery. It also expresses his feelings about life, that is, good scenery is not always, although it is intended to be good scenery, but how many people in the world can always stay in the good scenery? This deep sigh should be Wang Bo's actual intention at that time. "One word is all assigned, and all four rhymes are completed. Please sprinkle the Pan River, each pouring the land and sea clouds. At the end of the closing, Wang Bo was a little self-congratulatory, because the actual name of his work is "Autumn Tengfu Tengwang Pavilion Farewell Preface", that is, the introduction at that time. What he meant was that since there was a good introduction, he believed that the subsequent fugue would be a masterpiece. However, his preface is already the best of the ancients, who would dare to make a fool of himself under this preface? "Please sprinkle the Pan River, each pouring out the land and sea". Wang Bo let the people at the banquet to make its fugue, please sprinkle Panjiang, each pouring land and sea clouds, gold and jade in the front, non-good material how dare to follow its fugue, really much to say. I do not know whether the people at the banquet at that time also made its fugue, but the world's survival, only Prince An of the preface, often cited as a regret, but there is nothing to be done about it. Wang Bo this sentence, like an apology, but proudly literati gas, jumped on the paper. It is not wrong to end the poem in this way, but it is only the people at the banquet who suffered, and I do not know how to follow it.
Poetry Appreciation
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Tang Emperor Gaozong Shangyuan three years (676), the poet went to visit his father in JiaoTong, passing through HongZhou (present-day NanChang, Jiangxi Province), participate in Yan DuDu Banquet, namely, "TengWangGe preface", preface at the end of the poem attached to the first condensation, implicit poem, summarizes the preface of the content. The first sentence opens the door, with a simple and old style, pointing out the situation of Tengwang Pavilion. Tengwang Pavilion was built when Li Yuanying, the son of Tang Emperor Li Yuan, was governor of Hongzhou. The former site in today's Jiangxi Xinjian West Zhangjiang Gate, down by the Ganjiang River, you can look away, you can look down, the following "Nanpu", "Western Hills", "Idle Clouds", The following "Nanpu", "Western Hills", "idle clouds", "pool shadow" and "the Yangtze River outside the threshold" are derived from the first sentence, "the Pavilion is facing the river". Tengwang Pavilion's situation is so good, but now who is in the pavilion to enjoy it? I think when the pavilion of Teng Wang has died, sitting in the luan bell carriage, hanging with the jade pendant, come to the pavilion, held a banquet, that kind of luxury scene, has gone. The first sentence is written in space, the second sentence is written in time, the first sentence is full of excitement, the second sentence is out of interest, the two contrast. The poet utilizes the method of "standing and sweeping" to make the reader naturally feel the impermanence of prosperity and decline. The first two lines of the poem are the same as the second one, and the second one is the same as the third one.
The third and fourth lines follow the second line, and are even more dramatic. These two sentences not only write out the loneliness of Tengwang Pavilion, but also the building flew up to the clouds of Nanpu, wrote out the Tengwang Pavilion of the high, the pearl curtains involved in the rain of the western mountains, wrote out the Tengwang Pavilion of the far, the scene is blended, sent feelings deep.
To this point, the poet's intention has been all included, but the method of expression, or more hidden and did not wake up to write through, so in the first four lines with "islet", "dance", "rain". After the three more sedate rhyme, immediately turn to "yo", "autumn", "flow" three long and soft rhyme, the use of chapters and the meaning of the match, in terms of time, special emphasis, and play, with the first half of the first song, but the expression is still relatively hidden and not written thoroughly. It is a change from the first half of the poem, which emphasizes space. The two words "idle clouds" are intentionally or unintentionally connected with "Nanpu clouds" above, and the two words "pool shadow" intentionally avoid the word "river". The word "pool shadow" deliberately avoids the word "river" and deepens the word "river" into "pool". Clouds in the sky, the pool in the ground, a pitch and a tilt, or in the writing space, but then use "day long" three words, immediately turn the space into time, point out the long time, not a day or two days, but years and years, very naturally born out of the scenery to change the seasons, the constellations to shift the orientation of the feelings, but also naturally recalled the building of the pavilion of the people! And now is the place. Here, a "few" and a "why", successive questions, expressing a compact mood. In the end, it shifts from time to space, pointing out that things will change, stars will move, and the emperor will die, while the Yangtze River outside the threshold flows eternally eastward without end. The word "threshold" and the word "river" respond to the first line's high pavilion facing the river, and the spirit is complete.
This poem has only fifty-six words, of which those belonging to space are "pavilion", "river", "building", "curtain", "cloud", "rain", "mountain", "pool", and "shadow"; those belonging to time are "day", "change of things", "star", "autumn", and "where are you now", which are blended together without any feeling of "stacking up the beds and shelves". The main reason is that they all surround a center - Tengwang Pavilion, and each of them play their role of the stars.
Tang poems use more real words (i.e. nouns), which is a clear difference from Song poems, which prefer to use more imaginary words (especially transitions). For example, in the third and fourth lines, in addition to the words "fly" and "roll" are verbs, the other twelve words are real words, but the two imaginary words will drive the twelve real words together to bring to life, the Tang's good use of real words, real but not real, can be seen here.
In addition, the poem ends with a couplet, very distinctive. Generally speaking, the couplet is used in the middle of the paragraph, to play the role of arrangement. Here, it is used to end the poem, and it is not juxtaposed like two doors (the term is called fan-pair), but rather, it is open and closed, adopting the "side posture", so that readers can only feel that it flows, but not that it is a pair, which shows Wang Bo's outstanding talent. Later, Du Fu's seven-character poems and even seven-character stanzas also often used this technique, such as "From the Ba Gorge through the Wu Gorge, then down to Xiangyang to Luoyang", "Mouth fat and face medicine with grace, cui-pipe and silver poppies down to the nine heavens", "Linger on the playing butterfly "The butterflies are dancing all the time, and the warblers are crowing at their own pace". Wang Bo's influence on the development of Tang poetry can be seen.