Finding Great China Dance Songs

Their representative works are "Journey to the Heaven of Letters", "High Slopes of Loess", "My Passionate Hometown", "The Sun in My Heart", "The Young Man's Ambition" and so on, which have taken the folk tones of Shaanxi Province, and also contain a number of other songs based on the folk music of the north, obviously introducing the thinking of Europe and the United States of America rock, digging up and drawing on the great energy of the music of the north of our country, and it is with the coolness of the High Slopes of Letters of Letters of the Earth, It is a great breakthrough in the development of Chinese popular music with the cool and strong masculinity of Huangtu Gao坡信天游 in China and even in the world's pop music scene. What's more meaningful is that the inversion, with its warm melodic heritage, has given the nation an enlightenment: the sense of life of Chinese folk music has been melted in the flavorful landscapes of history, and the interpretation of its significance is far from being exhausted. Since then, China has created its own nationalized popular music of various genres and styles, based on the fertile soil of its own national music culture.

From the geographical point of view, it is divided into the styles of Northeast, Northwest, Lingnan and Jiangnan. Following the end of the eighties after the TV series "Longing", the pop music world set off a "new northwest wind", composer Lei Lei and her husband, Mr. and Mrs. Yi Ming, Xu Peidong and Zhang Qua's partner's works are popular, "Good People Life Peace", "Shadow of the Fence Wall", "Bittersweet Years" and so on. Gao Feng sings "Great China", an organic combination of Northeast rice-planting songs and Jiangsu "Jasmine" music; Chen Xiaoqi's "Nine Nine Daughters' Red" originates from the Northeast folk song "Lullaby"; and Lingnan-style "The Sound of the Waves Remains the Same", "The Curved Moon", "The Wind Contains the Love and the Water Contains the Smile", and "Blue Blue Nights and Blue Blue Blue Dreams".

From the aspect of music genre, instrumental music, dance music, opera and other folk music sources are also the source of material for popular music creation. For example, Yao Ming's and Yan Su's "Front Door Love - Big Bowl Tea" and "You Walked Into Our Hutong", which were once widely circulated, are songs based on the basic tones of the folk rap "Beijing Rhythmic Drums"; "Dreaming Back to the Tang Dynasty" by Tang Dynasty, which was written in the same vein as "Dreaming Back to the Tang Dynasty" by Tang Dynasty, is also a source of popular music creation. The song "Dreaming of the Tang Dynasty" incorporates the rhymes of Peking Opera into rock music; "Chinese Kung Fu" and "Boys Be Strong" choose the melody of the Peking Opera song "General's Order", and Tian Zhen sings "Unfinished Love" with Peking Opera rhythms. The musical body of the Taiwanese pop song "Nine Hundred and Ninety-Nine Roses" draws on the tones of China's famous pipa song "Yi Dance"; "Big China" A period of time was written in the tune of northeastern rice-planting songs, and Chen Hong sang "Always Come Home to See", which is a melting blend of northeastern duo and the tunes of the opera of appraisal. Feng Xiaoquan's "Chinese ballad" is the rap music into the song, Tengger's early creation of some rock songs is the Mongolian song "Hao Lai Bao" of the number of boards and characteristic tunes used.

From the use of folk songs and ballads, the music of various ethnic minorities has provided another broad world for the creation of pop songs, and the music of ethnic minorities is like a beautiful flower that adds new colors to the creation of pop music of different styles. The Mongolian style includes Tengger's "Mongolians" and "Paradise", Zero Point's "Zandan Hoo Still", Sichin Gegele, and the series of songs in Zang Tianshuo's "New Long March" album, including Na Ying's "Thinking of You", which is also derived from the tune of the Neimenggong folk song "Running Horses on the City Walls". Xinjiang ethnic minority style of Wang Fulin composed "Loulan girl", Chen Ming sang "for you", "happy home", Knife Lang's music album "lover", "Ailipu and Sai Naim", new music and modern appreciation of the strong R& B and RAP and other elements. Tibetan style songs to Zheng Yun's "back to Lhasa" unveiled the mystery of Tibetan style pop music, this piece of ancient magical land has for the creation of pop music into the blood. Han Hong, Li Na, Zhang Qianyi, Rong Zhongerjia, Yadong and a group of musicians' works such as "Tibetan Plateau", "Everest", "Plateau Red", "Magical Jiuzhai", "Aspire to the Eagle", etc., in addition to He Xuntian and Zhu Zheqin's "A Sister's Drums", which made the world impressed by China's pop music. They use simple and ancient music language and modern music techniques to tell the holy snowy mountains, the heart of the plateau and the piety of Tibetans. The albums "Out of the Daliang Mountains" and "You are Innocent" sung by Ni Ruisi, which are made by the southwestern ethnic minorities "Mountain Eagle Group" and "Yi People", seek to deconstruct the old music with new musical paradigms, "out of the folk, out of the mountains, and into the world," have become the most popular contemporary music. and to the world has become the development trend of contemporary Yi original music." Zheng Yun sang "Cinderella", Wang Yan's "Eye Mei" and with the Dai folk song style, Li Jie's "Smile" has a Yunnan Bai tone.

Likewise, folk songs of Han Chinese from all over the world are another source of pop song writing. A Hebei folk song "Cabbage" has been sung by Cheng Lin for the Taiwan song "wine dry drip sell no", Liu Qing creation, Na Ying sang "mountains not water turn" provides the basis for the creation of the melody direction and phrases of the fall sound is very similar to the "Cabbage", RuJia Chen's "Love in the Homeland" taken from the Sichuan folk song "picking grapes", GuJianFen's "Mom's Kiss" with the Jiangsu folk song "MengJiangMei" not only the similarity of spinning, the A section of four lines of the fall sound is also the same; ZhangHuiMei's "smile" has the Yunnan Bai tone; LiJie's "smile" has the Yunnan Bai tone. The fall of the sound is also the same; Zhang Huimei's "Sisters" and the shadow of Taiwan's alpine folk songs, created by Zhao Jiping, Liu Huan sang the "Song of the Good Man" from the Henan folk song "Wang Daniang nail tank" evolved due to the appropriate use of folk elements, so that the song is more popular factors, more folk, folklore.