Dance is the main means of expression of the human body movements after refining, organizing and artistic processing, the following is my compilation of the basic creative concept of post-modern dance, welcome to read the reference!
One of the basic creative concepts and methods of post-modern dance, its theoretical basis is the German modern dance founder Rudolf von Laban transmitted to the United States of America's body - space - force theory. Flourished in the 1960s in the United States began the post-modern dance movement. The objective reason for its emergence is that these dancers, before obtaining wide recognition from the whole society and the whole cultural world as well as sufficient sponsorships from various official and private sectors, had to use various cheap or free natural environments (e.g. forests, fields, seashores, mountain tops, etc.) and living spaces (parks, plazas, lakeside waters, streets and alleys, balconies of high-rise buildings, walls, basements, inside and outside of galleries and museums, etc.) outside the theater to create and perform their dances. In terms of subject matter, they have to choreograph with the core objects such as flowers, trees, pots and pans, sticks and ropes, cables and wires, various fabrics, tables, chairs and benches, etc., in addition to the literary classics and musical masterpieces that are the main focus of classical ballet and early modern dance, and in terms of mixing, they have to extract all kinds of unchargeable sounds or music from nature and the living environment, such as wind and rain, lightning and thunder, and so on. Such as wind and rain, lightning and thunder, electric noise, mechanical rotation, human voices, whispers, babies crying and so on. Or simply in accordance with the method of trace doctrine, a small number of intentional, or even unintentional sound or music to a certain amount of repetition, homemade music in the broad sense.
This method of creation has effectively narrowed the gap between classical ballet and earlier modern dance in the dance and life, broadening the vision of dance creation, mood, subject matter, genre, scope and method. The choreographers' imagination and originality are activated, and they are guided to go out of the ivory tower, abandon the closed-door creative method, go to the nature and daily life to breathe fresh air, replenish the heat of life, dig deep into the talent and mind, look for creative inspirations, and meet new challenges and new possibilities at any time, and this method of creation makes people realize clearly that, in the creation of post-modern dance, any subject matter can be expressed through dance.
The creation method makes people clearly realize that in the creation of post-modern dance, any subject matter can be expressed through dance, and there is no question of "danceability".
It refers to a kind of three-dimensional artwork, which is a temporary aggregation created by the artist with a variety of materials and paintings or sculptures, which breaks the traditional division of art forms, and integrates sculpture, painting, and architecture into one. It occupies a real space that the viewer can share. Environmental art is not just for viewing, it greatly mobilizes the viewer's participation, the viewer can enter directly into the work, walking or crawling in between, they can feel a variety of sensory stimuli - visual, auditory, motor, tactile, and sometimes even olfactory. Environmental art is no longer just visual art.
The term environmental art emerged in the United States in the 1960s, and it took a process to establish itself: in the late 1930s, paintings showing the different dimensions of a room appeared in Munich, Germany, which can be considered the prototype of environmental art; a group of young artists in New York in 1952, and a group of artists in Japan in 1955, gave further impetus to the finalization of the concept of environmental art. The concept of environmental art was further promoted by a group of young artists in New York in 1952 and a group of Japanese artists in 1955. Later, artists introduced the concepts of happenings and games into their creative intentions, further enriching the concept of environmental art. Environmental art emphasizes the substance of the event, with this concept as a guide to create the work is no longer fixed, completed works of art, the representative figures of this art are Allen kaprow, Walter Gandnek, James Dine, Claes Oldenburg, Salvador Dali and so on. ;