Composer Anne Zuo used the most familiar theme from Mozart's well-known Symphony No. 40 as the melody for the chorus, and with a huge orchestral sprawl arrangement, a strong gorgeous classical wind blew through the Mandarin music scene at the end of the year! Mozart's last three symphonies, E-flat major (K.543), G minor (K.550), and "Jupiter" in C major (K.551) were all composed in the summer of 1788 in just six weeks, and are the three masterpieces of Mozart's symphonies, the best of the best. In the first movement in E-flat major, Mozart uses the woodwinds he was accustomed to in his concertos, blending light, lively and playful colors; the slow movement's slightly arduous rather lyrical depth is full of contemplative meditations; the minuet combines both magnificent splendor and pastoral lilt, with the clarinet echoed by the flute in an idyllic transition that is very elegant; and the finale is a typically Mozartean caprice, brimming with Symphony No. 40 in G minor (K.550) is one of the most cherished works in Mozart's music, an example of pure music that transcends all ages, and one of the truly perfect masterpieces in the history of music. In this work, Mozart uses the rare G minor key, giving a sense of bleakness, but the throbbing leaping theme of the first movement still carries youthful vigor. The second movement is in sonata form, with a bright, calm and lyrical theme, but there is an element of implied melancholy in the flashes of restlessness pulsing through it. The minuet is very rhythmic, firm and grim, very different from the usual minuet, and the middle movement in three voices has a delicate melodic caress, like a bright sunshine. The very fast movement of the last movement is full of frenetic humor, and its theme is more or less tragic, although the second theme is sung, but the middle section of a mournful chord crashes into each other, and the ending is closed in the dark tone of G minor. His last symphony, in C major (K.551), is notable for its grandeur, pomp and atmosphere. Because of the unusual grandeur, people called him by the name of Jupiter, the main god in Roman mythology. In fact, it is not only grand and majestic, even in the majestic first movement, a light, lovely dance music is played leisurely, quite warm and charming. As for the slow movement, the "Allegro", it's a beautifully clear, quiet chant. The chromatic progression of the minuet theme is not typical of a minuet, but has a harmonic flavor. And of course the final movement is once again magnificent, with all the themes intertwined. In the dense weave, the heroism that runs through the entire symphony is displayed in an extraordinary and dazzling display of light.