Liu Yong
Dreaming, through the window wind a line, cold lamp blowing rest.
It's a good idea to wake up and hear the empty steps, the night rain dripping frequently.
Contempt to follow, long as the end of the world guest.
Negative of the good people, a few promises, more bear to put, once upon a time happy meeting, steeply turned into sadness.
Sadly. The first thing you need to do is to get your hands on some of the most popular products and services in the world, and you'll be able to do it all in one place.
These are the most important things that you can do to make your life more comfortable.
These are the most important things that you can do to make your life easier.
This is the first time I've ever seen a woman in the world who has been in the same boat as me, and I've never seen her in the same boat.
Knowing when, but embracing the state of Qin Yun, I would like to lower the apartment intimately pillow, gently detailed with, Jiangxiang night and night, a number of cold and more reminiscent of.
Appreciation of the Lyrics of Liu Yong
The lyrics are a long work of 135 words, **** three pieces. The first piece is about the main character's sadness when he wakes up in the middle of the night; the second piece is about the past love affair; and the third piece is about the current love scene. The system is enlarged, the capacity is increased, and the whole psychological state and the process of the main character's emotional activities are fully expressed. This is an example of Liu Yong's creation of slow lyrics.
Writing from "dreaming", the lyric says that the wind at the window blows the cold lamps and the rain drips on the empty steps, which means that it is not waking up at dawn, but waking up in the middle of the night. In the meantime, there is a word "cold" on top of "lamp" and a word "empty" on top of "steps", so that the objective scene that I saw and heard at that time is not only a dream, but also a dream, but also a dream, which is a dream. The objective objects and scenes seen and heard at that time are colored with the subjective emotional colors of the main character, reflecting the psychological state of the main character's desolation and loneliness. And "that can", "and", and "frequently", layer by layer, and then the main character's state of mind at that time, doubly desolate and lonely. Then, the protagonist directly issued a sigh: "Contempt because of the cycle, long as the end of the world guest". This is the root cause of the desolate and lonely state of mind. Because of the long time as a guest at the end of the world, failed to live up to the oath of friendship with a beautiful woman at that time, the former scenes of joyful meetings, tonight all of a sudden turned into sorrow and sadness. The main character's heart seems to have been spat out.
The second piece of the lyric, introduced by the first piece of "sorrow", said "sorrow", very naturally into the "remembrance" of the past. From the phrase "drinking and singing", it can be seen that the girl in question is a courtesan who is waiting for the banquet. From the sentences "again and again" and "several times", we can realize that the two of them have been in love with each other for quite a long period of time, and we can see why the hero woke up in the middle of the night with such sorrow.
The third piece of the memory of the past by the love of each other back to the present "days long leakage forever", sleepless nights in the reality. Therefore, the main character also envisioned that when the two get together, he is going to be under the low-hanging curtain, on the jade pillow, and gently tell her in detail about him, a person this climax, but the author's pen immediately stopped, thus ending the whole word.
From the layout, the first and second piece, the flowers bloom two branches, respectively, to describe the present and the past love affair; to the third piece, both from the past back to the present, but also from the present to think of the future, envisioning the future how to recall the present, so that the emotional activity to move forward a layer. The three pieces of the whole lyric, from different angles and directions, show the psychological state and emotional activities of the main character in multiple levels and postures, with a certain sense of three-dimensionality.
●Day and Night Music
Liu Yong
The Cave Room remembers the first encounter.
It is only a long time ago that we were together.
Why would a small meeting turn into parting thoughts?
This is the first time I've ever seen a woman in the world who has been in love with her, and I've never seen her in the world.
They are the first to be able to see the whole world, and they are the first to be able to see the whole world.
It's a good thing that I'm afraid of the scenery, but I'm not sure if I'm going to be able to go back with you.
They are the best way to get the most out of your life, and they are the best way to get the most out of your life.
This is the first time I've ever seen a woman in the world who has been in the world for a long time, and I've never seen her in the world.
If I had known that it would be difficult, I would have regretted not to stay at that time.
They are not the only ones who have a good time, but they are the only ones who have a good time and are not the only ones who have a good time.
This is the first time I've ever seen a woman who has been in the world for more than a year, and I'm not sure if I've ever seen one.
Appreciation of Liu Yong's Words
This is a song of reminiscing about the past and expressing the love for each other. The author has portrayed the image of a woman who lives alone and is sad and nostalgic for others. In the form of a long tune, the words are longitudinal and transversal, spreading and spreading, with layers and layers of progression, showing the delicate and deep inner world of the heroine with twists and turns, so that the reader can clearly feel her personality and the real existence of her life.
The lyrical heroine recounts her short and unforgettable love story. She rambles on about her endless remorse from beginning to end. The author starts from the beginning of the story in a retrospective manner, but omits many loose ends and goes straight to her first meeting with her lover. This meeting is their first encounter. The first encounter, even if it is a "secret pleasure", is a manifestation of the straightforward and bold character of the public's love. Such a first encounter naturally leaves a particularly unforgettable impression on the woman, who is determined that "we will only be together for a long time". However, things do not go as planned, and the first love is a permanent separation. In the late spring, what we see is "chaotic flowers and wild flakes", and the spring affairs are in a state of disarray. The return of spring is already a sad sight, and it is precisely at this time that the memories of past happiness and parting pain are touched, which makes it even more sad. The two words "situation value" are used very well, on the one hand, it indicates the conversion from memories back to reality, on the other hand, it also brings out the reason of seeing the scenery and feeling sad. The word "Yi" in the phrase "I am afraid that all the good scenery will return with Yi" is a third-person pronoun, which can refer to both men and women. Liu Yong's popular lyrics were sung by female entertainers, so "Yi" is generally used to refer to men, and "Yi" in this lyric also refers to men. The heroine associates the return of spring with the departure of her lover, and she feels as if the beautiful spring light has gone with him. The use of the two words "straight fear" is very appropriate, in fact, the spring return and the departure of the person is not internally linked, her subjective skeptical judgment, linking the two is purely due to the attachment of emotion, indicating the intensity of longing. "A loneliness with who to tell", the development of the word has the role of the top and bottom. "A loneliness" is the most easy to feel after the spring return, but the real reason for loneliness and distress is unable to tell anyone, and it is not appropriate to tell people, only y buried deep in their hearts. So the whole of the next piece into the lyric of their own remorseful emotions. The author "counted the words before, always lightly burdened", is because of her words are not trustworthy, or damage to his feelings, these are not clearly explained, but obviously the responsibility is the woman; so feel self-condemnation and guilt, and easily failed to live up to his feelings. Again, "I had known that it would be hard to fight, and I regretted that I had not stayed at that time." It can be seen that she did not consider that it is so difficult to part with him emotionally after the parting. He is not only the initiative of the lovely and lovely, but also a decent character, far from the general slippery and frivolous people can be compared, is a rare character. And this person, "more other, tied to the heart of the place", write that she can only experience the benefits, but also her "difficult to spell" the most important reason. The concluding sentence "a day without thinking, but also save eyebrow a thousand degrees", a very graphic expression of the woman's remorse and longing for the state of mind. The expression of "saving one's eyebrows" means that one's eyebrows are tightly locked, which is the expression of sadness when one is "thinking". It means that she thinks about it every day, and always thinks about it a thousand times, so you can imagine how y and earnestly she misses it. These two sentences are expressed in a very unique way, saying the opposite of what is said, the language turns to be curved and the feelings become deeper and deeper. If you don't think about it, you're already saving your eyebrows a thousand times, but how will you think about it every day, which is not only profound, but also playful and very evocative.
●Bu Suan Zi Man
Liu Yong
Jiang Feng is getting old, Ting Hui half withered, full of red and decaying green.
This is a very good time to visit the city, and it's a very good time to visit the city.
The evening scene, the sadness and nostalgia are far away, and the old and the new sorrows are followed by the old hates.
This is the first time I've ever seen a person with a pulse.
It is the first time I've ever seen a woman in the world who has been in a hurry to get out of the house, and I don't want to be in the house.
The rain has stopped and the sky is high, and I can't see the green peaks.
There are no words, who will be with the high intention?
Even if you can write about it, who will send it to you?
Appreciation of Liu Yong's Words
This is a masterpiece of describing the feelings of detention, transportation and separation. With sincere, strong feelings and fluent words, the whole poem describes the feelings of a guest who travels to a foreign land and remembers someone in the late autumn, expressing the deep nostalgia of the guest for his beloved and the miserable feelings of looking but not seeing him and sending a letter to him without any proof.
The first part of the poem is based on the description of objective scenery, and the second part is based on lyricism.
The first two lines are about what you see when you visit the city. "The first two lines are about what you see on the way up to the river. "half withered" of the "Ting Hui", and "full of eyes", is to cite the maple tree, Hui grass to generalize the rest, indicating that it has reached the late fall, so then to "Chukai The two lines of "Chuko" quote Song Yu's "Nine Dialogues" as the meaning of sadness in the fall, to point out the ascent, and imply the theme. "Cited rusty Colors" sentence, continue to write what I heard. Autumn color withered, already enough to occur sadness, not to mention the introduction of such intermittent, sparse and loud sound of colt and pestle, echoing in the sun. In ancient times, women used pestles and mortars to make cold clothes to send to foreign travelers in the fall. Therefore, for those who are travelers in other countries, every time they hear the sound of pestle and mortar, they will feel sadness of traveling. This is also an allusion to the meaning of "sadness and nostalgia for the distant" in the context of a long period of wandering. "Twilight Autumn" is the end of the year, and "The Remaining Sun" is the end of the day, both of which are "evening scenes". In the following, the main theme of "sadness and nostalgia" is revealed positively. The sentence "New Sorrows" complements the main idea, stating that this "sadness" and "nostalgia" are not triggered by chance, but rather, there is "hatred" in the heart, and only after seeing the scenery does it give rise to "hatred". "It is only after seeing the scene that the "sorrow" is born. The "old hate" is unforgettable, and the "new sorrow" arises again, so it is said to be "successive".
Over piece of the last, directly write the cause of worry and hate. When we look at each other, we recognize each other, that is, we miss each other. "Two places", from "ogle": "ten thousand smoky waters", from "thousands of miles".
"Rain break" sentence, not only is the weather situation, but also to fill out the decline of red and green is due to wind and rain.
The sentence "look off" is both realistic and allegorical. Speaking of the rain, the sky is open, the vision is vast, as far as the eye can see, there are only overlapping mountains, continuous, sit in the real "people thousands of miles". Speaking of that "Dan for the morning clouds, twilight for the rain" of the Wushan Goddess, by the weather turned clear, the clouds closed the rain, also disappeared, is to write false. "Looking off the Cuifeng twelve", is also in vain. This again not only expresses the feelings of lovesickness, but also implies the person who is thinking about.
The two lines of "no words at all" go one level deeper. The first two lines of this article are about the "the most important thing in the world", and the second line is about the "the most important thing in the world", and the third line is about the "the most important thing in the world". "With the high", the total on the scene, "speechless", "who will", on the "ogle people thousands of miles" extremely said. With the high thoughts far, already can be hurt, not to mention no one can tell this feeling, no one can know this meaning? The end of the two sentences is to say, since this is here and now no one can tell, no one will, then this "away from the intestines of ten thousand kinds of", only to write one of the method of sending. However, even if it is written, how can it be sent, and to whom can it be sent? A kind of inexorable feelings, a thousand turns out, has a very strong infectious force.
The artistic characteristics of this word are mainly the technique of setting off and rendering and the thought of turning back and forth.
The first part of the word, take the technique of positive set off, to write sadness with the bitter scene, and at the same time will be the feelings of sadness into the objective scenery to write sadness to sadness, rendering and baking a strong atmosphere of sadness; the second part of the word written out the emotional ups and downs of the lyricist, to take the total up and down, in between the sub-description of the writing style, in order to make feelings of lyricism layers of forcing, and deepen step by step.
●Brahman Order
Liu Yong
Last night I slept with my clothes on, and this night I sleep with my clothes on.
The first night is over, and I am drunk.
After the middle of the night, what is there to wake up for?
The frosty sky is cold, the wind is fine, touching the window, flickering lights.
The empty beds are full of memories, dreams of rain and clouds, and the pillows are not up and down.
There are a lot of things that you can do to make your life easier.
They are the best of all worlds, and they are the best of all worlds.
Appreciation of Liu Yong's Words
This poem expresses his sadness and his love for his lover through the description of a traveler waking up in the middle of the night. The whole lyric is about waking up in the middle of the night, but it is recounted from several aspects, such as before sleeping, dreaming, and waking up, with backward insertion, ambush, and complementary strokes, and back and forth; it is written from the beginning of one's lovesickness to the end of one's lovesickness for each other, which is written in a soaring and dynamic manner, with a clear hierarchical structure, freshness and simplicity, and condensed and vividness.
The first two lines are linked from "this night" to "last night", saying that last night was such a sleep with clothes, and this night is such a sleep with clothes. The first two lines are linked from "last night" to "last night", saying that last night I slept with my clothes on and this night I sleep with my clothes on. By choosing such a typical detail as "sleeping with clothes on" from the life of a traveler, he has written all the hardships of a traveler and the taste of lonely sleep. The two lines are purely colloquial, repeating almost word for word, and in the second line there is the word "again", conveying a mood of impatience due to the monotony of life. The following three lines are interspersed, writing that before going to sleep, he first drank a bout of mulled wine. The word "declared" shows that he did not enjoy himself, because there is no interest in drinking alone in a guest's house. But a drink to "the first night", and can be seen to have a lot of sadness to be wine to dispel, drinking alone although no interest, but still drunken return. The three words "drunkenness" not only explain the reason why I slept with my clothes on, but also set the stage for the following dream.
The tone of the question "What's the matter?" strengthens the role of expression and makes the reader feel that the waking dreamer is full of grievances. The first part of the story is about a lonely sleep and a frightening dream, and the language is very muddled, creating a bleak and clear environment.
The second piece leaves out the scenic language, and follows the dream to write about the lonely mood of sleeping alone. The main character at this time can not sleep, want to revisit the old dream, but no longer available. "Recall" three words on the last piece of the skipped love affair as a supplement, the original drunken return to a short sleep, he had a good dream, and lover with the bed*** pillow, ready to very happy. Here the author uses the contrasting technique, the better the dream, the more it seems to wake up after the dream of the sad. The love of love and good dream is difficult to become a sharp contradiction. Immediately after the two couplets on the very write this complexity of mind, and in each sentence there is a strong contrast: "inches of heart" on the "10,000" to write out its emotional load of heavy embarrassment: "at hand" on the "Thousand miles" shows the infinite melancholy of dreaming and waking up lost. This is a gas of succession, said each other on different sides of the sky, empty feelings of love and no plan to meet, let down such a good night. The so-called "good view and good day", that is, "good time and beautiful scenery is not set" of the provincial speech. The word "each other" can be read off, which can produce the meaning of "people have become each other, this is not yesterday". At this point in the poem, from writing about one's lovesickness to the other's equally embarrassing situation, the meaning is even deeper. "The meaning of the two lines "There is no plan to pity each other, but only the first and last words are replaced, and the last word rhymes with the last word. Since the numbers are the same, the replaced words, especially the last word in the rhyme scheme, stand out, thus emphasizing the inner conflict between "intention" and "no plan". The end of the poem is a repetitive rhetorical maneuver, which is rich and richly layered, and the mood is natural, which is quite intriguing.
●Returning to the Morning Glory
Liu Yong
Farewell to the shore of the flat boat three or two.
The winds are blowing in the reed.
The geese on the sandy beach broke the smoke and flew away, and the moon and frost on the bridge were white.
The dawn is approaching.
The road is long and the mountains are far away.
The people who come and go, with only a pair of oars, are all famous people.
One look at the countryside and the smoky water.
They are the only ones who have ever been in the world.
They are the most important thing that you can do to make your life better.
The years are fleeting.
What is the point of having a windstorm?
There is a man in the depths of the jade tower who remembers me.
Appreciation of Liu Yong's Writings
The author's thoughts of nostalgia for his hometown and the bitterness of wandering in the world are expressed in this poem by means of white descriptions and narratives, in which the scenes are intertwined with each other.
The author painstakingly depicts the scenery of the journey in white, creating a specific lyrical environment. The first four lines of the dense imagery, the performance of the winter morning scenery of the river country, the scenery written are the subject of the real feeling. The "other bank" is a slightly distant riverbank, "Xiao Xiao" is the sound of reeds, and "Xie Xie" is the sound of wind. There are three or two small boats parked on the far bank of the river, and the wind blows the reeds to make a fine sound. The scene here is written like a picture of the desolate and cold scene of the river country. "Shading" that is, the water between the continental islets, for the south to winter geese stay in a good place. The geese broke through the dawn smoke and flew away, when it was caused by the early people startled. Riverbank, reed, sand, geese, these scenes are extremely coordinated, complement each other, composed of the Jiangnan water town picture. The "stream bridge" is opposite to the "other bank", the traveler walks on the land in the river village, looks at the river bank in the distance, and walks across the stream bridge. The "waning moon" indicates that the traveler is on his way very early in the morning. Unlike "the bright moon is like frost" where the moon is whiter than the frost, "the moon and the frost are white" means that the moon is white and the frost is also white. The moon and the morning frost are seen together, pointing out that the time is late winter, and the wind and geese are the same as the scene of the time. The third and fourth sentences are very stable, and accurately grasp the characteristics of early winter scenery. "Gradually dividing the dawn color" summarizes the scene, implying that time passes before and after dawn and that the traveler has already made a journey. This outlines the relationship between time and the meaning of the words, and makes the development of the meaning of the words coherent. The phrase "the road is far away, the mountains are far away, and there is a lot of traveling" is a turn of phrase, from writing about the scenery to writing about the traveler. Since the dawn has parted and the east is white, there are more and more people on the road. The words "only wheels" and "two oars" are used to refer to vehicles and boats. The land and water are all "famous guests", they chase fame and fortune, hurrying to catch up. Liu Yong is disillusioned with the rivers and lakes, and is traveling with this group of people who are in a hurry, wearing stars and moonlight. Liu Yong's words of detention and travel often appear in the words of the Guanhe Jindu, the city and village, farmers and fishermen, horses and ships, merchants and travelers and so on the countryside and social flavor of the picture, showing a broader background of social life, expanding the scope of expression of the word, the history of the word has a pioneering significance.
The second part of the poem, "A Look at the Smoke and Water that Separate the Countryside," takes up the scene of the previous piece and turns it into a subjective expression of emotion, writing about the protagonist's thoughts of his hometown because he is tired of traveling and being detained in the countryside. "A look" that is, want to look, the hometown of Guanhe is far away from each other, the smoke and water is confusing, can not see; can not see and can not go back, by the torment of homesickness, reversed to produce a kind of urgent desire for the psychological, can not put on the wings to fly back to the hometown immediately. For the emergence of this urgent idea, the lyricist has made a layer by layer narrative, revealing the inner activities in detail. "Sorrow clouds hate rain two haunting" metaphor for children away from love, like strands of silk like haunting the two places: "the new spring residual wax phase rush forced" is to explain the metabolism of the time, the sun and the moon rush, the new spring is just over, the residual wax and come, the guest travel for a long time, in the passing of the years since easy to be alarmed, there is a sense of the years of light forced people. "The years are fleeting. The waves and winds are not beneficial." The phrase "years of life" is applied to the meaning of the phrase "new spring", and the fleetingness of the time is linked to the end of the world, which adds to the deep emotion. The words "ping" and "stalk" are typical images of wandering, a metaphor for the life of a traveler, like floating ping and broken stalks, which fluctuate with the wind and water without any certainty. Liu Yong is y convinced that this kind of fruitless roaming is indeed futile, and from the perspective of the reality of the difficult situation, it is better to go back to the hometown. So he forced out the last three lines: "Returning home, deep in the jade building, there is a man who remembers me." This is the main reason for homesickness, complementing the meaning of "sorrowful clouds and hateful rain". Hometown of "deep in the jade building, there is a man remembering", naturally envisioned his wife for many years home bitterly remembered. Liu Yong is a person full of contradictions: after he left home, in fact, never returned to his hometown, but the feeling of homesickness is often exceptionally strong; his Kyoto's smoky streets and many courtesans in love, but nostalgia for his wife's deep feelings are naturally revealed at times.
●Rain Lin Bell
Liu Yong
The cold cicadas are mournful.
To the evening of the Long Pavilion, when the sudden rain first breaks.
It's a long time since I've had the pleasure of drinking at the capital, but I'm still in love with the place where the boat was launched.
They are the first to be able to see each other's eyes, and they have no words to choke on.
It is a good idea to go to a place where there is a lot of smoke and mist, and where there is a lot of mist in the evening and a lot of sky.
They have been in the business since the beginning of time, and they have been in the business since the beginning of time, and they have been in the business since the beginning of time!
Where are you going to wake up tonight?
The willow bank, the wind and the moon are gone.
This is the first time I've been to a place where I've had a good time, and I'm sure I'll be able to make it.
It's a good thing that you have a lot of feelings, but you can't tell them to anyone.
Appreciation of Liu Yong's Lyrics
This is an ancient masterpiece of parting feelings, and an outstanding representative of Liu's lyrics and the Song dynasty's euphonious lyrics. In the lyric, the author expresses his true feelings when he left Bianjing to say goodbye to his lover in a sorrowful and touching way.
The first part of the lyric is about the parting scene, and the second part is about the scene after the parting. It is one of the ten most popular Song and Jin compositions of the Song and Yuan dynasties.
The first three lines are about the scene at the time of parting, indicating the place and the order of the festival. Moon Order" said, "In the month of Mengqiu, the cicadas chirp." It can be seen that the time is about the seventh month of the lunar calendar. However, the lyricist did not purely objectively recount the natural scenery, but through the description of the scenery and the rendering of the atmosphere, he melted his feelings into the scenery and implicitly implied the meaning of parting. Autumn, twilight, sudden rain and cold cicadas, what the lyricist sees and hears, everywhere is bleak. The sentence "to the long pavilion at night", the middle of the knife, extremely staccato swallowing, more accurately conveyed this bleak flavor. These three lines of scenery, but also for the last two lines of "no clues" and "urge to send", set the ambush. The phrase "drinking in the tent of the capital" is based on Jiang Yan's "Farewell Fugue": "Drinking in the tent of the east capital, sending guests to the Golden Valley." His lover set up a banquet for him to see him off, but in the face of the wine and food, the lyricist had no interest. Then said: "to stay in love, orchid boat urges to send", these seven words are completely realistic, but with a refined pen to portray the typical environment and typical psychological: on the one hand is to stay in love with thick, on the other hand is the orchid boat urges to send, such a contradiction conflict and its kind of sharp! Here the "orchid boat urges the hair", but with a straight pen to write the urgency of the parting, although they do not have the implicit lingering, but straight and can be twisted, and more to promote the deepening of feelings. So the back will burst out "hand to see each other tears eyes, even speechless choke" two sentences. A few eleven words, the language is commonplace and sincere feelings, the image is realistic, such as the present. The company's website has been updated with the latest information about the company's website, including a list of its products and services!
The lyricist choked on the inner monologue of the two sentences of "read go go". Here's the go-sound "read" word used especially well, read go-sound, as the leading frame, the upper bearing "choking" and a natural turn, the lower start "thousands of miles" the following and a stream of air. After the word "read", the word "go" is used in conjunction with the word "go", which more and more shows the sound of excitement, and when reading the word one by one, one feels that the road to go is vast, and the road is far away. "Thousands of miles" the following, the tone of voice harmony, the scenery as painted. Both said "smoky waves", and said "twilight", and even said "heavy", coloring a layer of thick like a layer; both said "thousands of miles ", also said "broad", a far like a journey. Say all the lovers break up hard to part with the feelings of farewell.
The upper part of the positive words of farewell, the next piece is down to open a stroke, the first generalization, from individual to general. The sentence "I can't bear the cold fall of the Qingqiu Festival" is a strong statement that when it is cold and bleak in the fall, the feeling of separation is even greater than usual. The phrase "Qingqiu Festival" maps the first three sentences, before and after, the needle and thread is extremely dense; and crowned with the three imaginary words "more than that", it strengthens the emotional color, more obvious and profound than the first three sentences of the scene of the feelings.
"Tonight" three sentences in succession to the previous sentence, is the whole of the warning. It has become one of the most famous lines in the history of Liu Yong's poetry. These three sentences is to imagine the flavor of the journey tonight, think of a boat soon after the shore, the lyricist woke up and dreamed, but only to see the XiXi dawn wind blowing XiaoXiaoXiaoXiao willow, a bend of the broken moon hanging high in the tops of the willows. The whole picture is filled with a bleak atmosphere, the coldness of the guest, the scenery of the quiet, the sorrow of the remote, completely cohesive this picture. This scene is like a small frame, incomparably beautiful. Liu Xizai of the Qing Dynasty said in "Art Introduction": "The words are a little bit stained. Liu Jieqing's "Rain Lin Bell" Yun: "Sentiment since ancient times is sad to part, and even more so at the cold fall of the Qing Autumn Festival. Where are you waking up tonight? The willow bank and the moon in the dawn breeze. The last two lines point out the coldness of parting, and the two lines of 'this night' are the coloring of the last two lines. Between the coloring, there must not be other words separated, separated from the police sentence has also become dead. "That is to say, these four sentences are inseparable, mutual support, mutual accompaniment, in the middle of another sentence if inserted, it will destroy the integrity of the mood, the unity of the image, and the back of the two aphorisms, will also lose its luster.
The four lines of "years gone by" are changed to the language of love. The day they get together, every good time and good scenery, always feel happy; but after not just one day, year after year, even if there is a good time and good scenery, but also can not attract the interest of appreciation, only to increase the profile only. The two words "here to go" correspond to the previous piece "to go": the two words "through the years" correspond to "this night", the time and the thoughts are all interlinked. The time and thoughts are interlocked, advancing step by step. "Even if there are a thousand kinds of feelings, more with whom to say", to summarize the whole word with a question, as if the galloping horse reined in, there is the momentum of living but not stopping; and as the crowd returns to the sea, there is the end and not yet finished.
The reason why this word is so popular is because it is artistically quite distinctive and highly accomplished. As early as the Song Dynasty, it was recorded that the lyrics were so sentimental and deep that "only seventeen or eighteen girls, with red tusks, sang 'On the banks of the willow willow, the wind and the moon are gone. The formation of this style depends on the creation of the mood. The lyricist is good at applying the traditional technique of blending scenes to slow lyrics, showing the feelings of parting through the realm of pictures, which constitutes a kind of poetic beauty and draws the reader to a strong artistic infection. Although the whole word is written directly, but the narrative is clear, the writing of the scene is exquisite, with specific and distinctive and can touch the sadness of the natural scenery to render the theme, difficult to describe the scene, difficult to reach the feelings, and out of the natural. The last two sentences of the poem are the finishing touch, which gives color to the whole poem and makes it a famous line of the past.
●Mystic Immortal
Liu Yong
It was only at maturity that I first learned to sing and dance with a cloud of hair.
When I was on the throne, I was promised by the king's grandson, and I was promised by the king's grandson.
Counting on the leisure, pay a smile, then a thousand gold languish.
It's always easy to be afraid of the Hibiscus, and the time is wasted.
It's a good thing that I've already received the favor of the emperor, and I'm glad that I've been able to be a part of it.
This is the first time I've ever seen a woman in the world who has been in the same boat as me, and I've never seen her in the same boat.
They will never give up the fireworks.
It is not necessary to teach people to see the concubine, the clouds and the rain.
Appreciation of the Lyrics of Liu Yong
Liu Yong was the first person who dared to write the true, good and beautiful hearts of courtesans living at the bottom of the society into his lyrics, and he made an important contribution to the development of the lyrics.
Liu Yong was the first person who dared to write about the truth, goodness and beauty of courtesans living at the bottom of the social ladder in his lyrics. The first part of the lyric is written from the past unfeeling reality, showing the courtesan's psychological activities of being tired of the dust, and the second part of the lyric is written from the strong desire to play in the future, writing about her longing and pursuit of a free life and beautiful love.
The entire lyrics express the courtesan's desire and pursuit of a free life through her self-reporting. She learned to sing and dance when she was just a young girl. In ancient times, when a woman reached the age of fifteen, she began to wear her hair in a bun and put in hairpins, which was called "reaching maturity", marking her adulthood. Since she was a prostitute, she learned the art of kabuki in order to "entertain the guests" at the feasts and dances, so as to become a tool for the prostitutes to make money. Before her feast, she sang and danced for the kings and grandchildren to urge them to goblet, because she was young, color and art are good, on the seat in front of the honored, everywhere to win the praise of the kings and grandchildren, to her a smile (with) the ground will be paid with thousands of gold. But she does not mean this, "lethargic look" is lazy to look at. It can be seen that she and general settled in the vulgar life, greedy for the head of the courtesans, different interests. The author in this euphemistic expression of the courtesan contempt for thousands of gold and ask for people's respect and understanding of the unique character of the oak. She kept a clear head in the dust and longed for a normal life. The youthfulness of women in the singing and dancing arena is easy to pass away, just like the fate of "Hibiscus Hibiscus". "Hibiscus Hibiscus is a flower in ancient times. Poetry. Zheng Feng. There are women with the car" "face like Hibiscus syriacus" Zhu Xi note: "Hibiscus, Hibiscus is also, the tree is like a plum, its Hua Dynasty born twilight fall." Guo Pu's "Poem of the Immortals": "Hibiscus glory does not end in the morning." The ancients used Hibiscus syriacus as a metaphor for a woman's youth, although beautiful and difficult to stay, it seems to open and fall. The courtesan clearly knows that her wonderful youth will also be like Hibiscus syriacus will secretly become extinct soon. The end after "wasted time" is the problem that often makes her feel troubled and worried. She finally found a man among her admirers whom she could trust and rely on, and pleaded as a weak and resolute person to save her from the fire. His sympathy, love and appreciation, she seems to have been "patronizing". The courtesan is like a woman whose life is as thin as a flower, begging him to be his master, begging him to take refuge, in order to change her fate. The name "Ten Thousand Miles of Sky" means a wide, clear sky. Now that she has a man she can trust, she prays, "Why don't we go home together?" and **** together to build a normal family life. After she becomes a virtuous woman, she abandons her old life and her companions forever, in order to clear the world's bad impression of her. "Morning clouds and evening rain" is from Song Yu's "Gao Tang Fu". The courtesan, because of her special profession, had many acquaintances, giving people the impression that she was not dedicated to her feelings and was capricious. Therefore, the courtesan she pleaded, swore, words have been exhausted, desire fervent, trying to prove that they are not frivolous women to the community issued a cry for help. However, the courtesan at that time to imagine a warm family life like a normal person is always difficult to wish, the words of the woman's wish is difficult to realize.
This song is a simulation of a young courtesan's tone of voice, and it tells the world of her mind, which is tired of the world and in pursuit of love. The author seems to be objective and truthful, but between the lines there is a deep sympathy for the much abused prostitutes who are eager to jump out of the hot bed and get free. The whole word is purely white, all the courtesan's mouth, read with true feelings, sincere and touching, clean and easy to understand, is the best of the Liu lyrics.
There are a lot of bad things to get, you send me the mailbox, I will send you the whole file it