Shangyuan Cao Fang Square Dance

Hugging alone, spring will soon pass, and I'm worried about Guan Yu's Cao Fang Road. -Five Dynasties Wei Zhuang's "Magnolia, Alone in a Small Building, Twilight in Spring", alone in a small hug, Twilight in Spring, worrying about Guan Yu's Cao Fang Road. Hugging alone, spring will soon pass, and I'm worried about Guan Yu's Cao Fang Road. The news broke, and I didn't meet anyone, but I gathered my eyebrows and returned to the embroidery household.

Sit and watch the fallen flowers sigh, and the fallen plums are wet and red with tears. There are thousands of waters in Qian Shan. Where can I find my soul and dream? In my heart forever female Huaiyuan notes (1) Yumen Pass-Yumen Pass, which generally refers to the distant place where people are recruited.

(2) Mei (sister mè i)-sleeves. Red tears-tears overflow from the face painted with rouge, so they are called "red tears". Explain again, it refers to blood and tears. According to Wang Jia's notes, Xue Lingyun is a beautiful woman and deeply loved by Wei Wendi. She used to be a good woman and was elected to the Sixth Palace by Emperor Wen. Lingyun hit the road, crying at the jade pot. The pot turned red, and when I arrived in the capital, my tears condensed into blood. Later, women's sad tears are often called "red tears" in literary works. Comment on this poem's nostalgia for recruiting people.

On the first film, write a little hug and look far away. The word "independence" means that she went upstairs not for pleasure, but for the performance of distant people; In the second sentence, the expected location is "Guan Yu" to show the distance between the recruiter and the ground. "Cao Fang Road" is mixed with truth and falsehood, and there are trees and grass, and the prince and grandson will not return to sigh. "Message" is the action after "anxious hope", showing helpless sadness.

The next part is about empty boudoir sighing: I can't help crying and my clothes are wet when I look at the fallen flowers and think of my own destiny. The last two sentences are the heroine's special psychological activities: Qian Shan looks at the distance from the recruiter, but she has never been there. The beauty lies in the word "never done". She blames Qianshan for never doing it, so dreams are hard to find. Confused tapping, sad and painful sounds.

A major feature of Wei Zhuang's Ci is narration, and the feature of narration is action. That is to say, taking this word as an example, to write about a lover who misses the distance in the boudoir is not to contrast her sadness with scenery description as usual, but to dynamically write about her behavior at the moment, so as to show the chaos and gloom of her inner world: she walks up to the small building alone, overlooks the distant road, and returns to the boudoir, but there is no figure. She sat alone in the yard watching the fallen flowers, and tears flowed down unconsciously, wetting her sleeves and dripping down her skirt ... What we see here is not a static picture, but a series of ever-changing movements. If we take this as a script and let an actor perform it, we will definitely make several consecutive sketches. This feature is rare in other ci works with similar themes.

Let's take a closer look at the action description characteristics of this word in the order of up and down: "Going to a small building alone" seems to see the hostess's tired and careless steps when she goes upstairs. At this time, the spring is almost over, catkins are flying, and the dazzling spring sorrow of staying alone in an empty boudoir can be imagined. She frowned and stared at the winding path leading to Guan Yu. The lush grass on the roadside inspired her to think in the distance. The ancient poem goes: "Spring grass grows long, and I hope my grandson will not return"; "If you stay away from hate like spring grass, you can go further and live." The end of the world is a symbol of leaving hatred and a catalyst for looking forward to returning. However, there was no one on the road. The news in the distance is still like a yellow crane, and her hopes are shattered again. She has to lock her brows and go downstairs angrily, despite the unbearable embroidered curtains ... Five action words such as "Shang", "Wang", "Every time" and "Return" are used in this story, so that everyone can not only see her sad face, but also

Wei Zhuang (about 836-9 10) was born (near Xi 'an, Shaanxi Province, China), the fourth generation grandson of Wei, a poet of Huajian School in the Tang Dynasty. He has a beautiful style of writing and has a popular "Huanhua Ci". He is the former prime minister of Shu, and his name is Wen Jing. Wei Zhuang

The surface of the stone used in the past has been smooth and smooth, and the sound of the pestle is harmonious and neat. Give the stamped clothes to your husband, but engrave your name and attach it to your home, but don't stop breathing. Wine has no entrance, but it turns into bitter tears. Seeing the setting sun on the river bank, it seems that my heart has been torn into pieces of willow leaves. Swallow's voice, like the sad and lonely official flower in the old court, soon turned into mud and dust. I immediately encountered cold food, and I was worried that it was late spring. However, I am worried about holding a bun in front of the lamp and leaving people if I can't finish talking. There is a cold wave and a relentless afterglow, which is Nanpu in the rustling. In the endless sad sunset, the old country is desolate, leaving only pink and red. Oh, this last broken breath, in the green indifferent trees! . Looking at the dangerous fence, the red sun was silent. Try to go to Tongtai Song and Dance Hall. Autumn wind worries about killing people. The beauty casually put up the lantern and leaned against Yao and Se Se, with tears streaming down her face. Mix the water several times and listen to the wine. Woke up at noon drunk and worried. When the stars are broken, the flute touches the ground. Dream Leng Xiang's new dream. Go to sleep and don't be sad.