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Castle in the Sky is good music.
The plot of the movie is that the young girl Sheeta is a descendant of the royal family of the legendary "Laputa, the Sky City". It was an aerial civilization that surpassed the civilization on the earth for thousands of years, but for some unknown reason, Xida's ancestors left the "City in the Sky", abandoned advanced technology, and lived a secluded life on the ground. However, one day, several unidentified men appeared at her door... The story begins when the military flying ship Hida is sitting on is attacked by air pirates. Hida, who was locked up in the house in the chaos, tried to escape, but accidentally fell from the flying ship of 10,000 meters high
Protagonist: Hida and Bascon... The other protagonist of the story, the young boy Basong, Pasu is the apprentice of a miner technician. When he was finishing work that day, he discovered that something shiny was slowly falling from the sky. He ran over curiously and found that it was a very cute girl floating down from the sky surrounded by a ball of blue light... The next day, Hida woke up in Bath's room and found a " Photos of "Laputa, the City in the Sky". This is the real city in the sky that Bass's father went through all kinds of hardships to capture, but no one believed him except Swift. So my father died in depression. For his father's regret, Bass vowed to prove to others that the Sky City really exists in the world! The pirates with a keen sense of smell soon came to the door, and the military also found them. What follows is a dazzling chase and escape scene. Finally, the two fall into a mine shaft thousands of feet deep in full view of the public. Hildadai's flying stone shines again, allowing the two to fall safely. In the mine, the flying stone and the ore underground made a roar. Grandpa Tom told them that this was the place where the raw materials of flying stone were mined. However, it is said that the technology for refining flying stone is only mastered by Laputa people. As soon as the two came out of the mine, Hida told Bass that when she inherited the flying stone, she also inherited a name, Hida Dollylu Ulu Laputa. But the two were soon caught by the army. Hida was taken to the fortress, where a man named Muska showed Hida a huge robot, saying that the robot fell from the Castle in the Sky and could not be restarted with the technology at the time. That night, Hida recited the spell for help passed down by her ancestors.
The flying stone data-layout="right"The flying stone glowed, making the robot come alive again, and the entire fortress turned into a sea of ??fire. . Taking advantage of the chaos, Bass formed an alliance with the pirates and flew into the fortress to rescue Hida. In the rush, Xida lost the flying stone, but Muska got the gem and ordered the army to fly to the city in the sky according to the guidance of the holy light on the gem. On the other hand, the pirate mother calculated the location of the Sky City from Hida's description, and took Hida and the two of them on the pirate airship and headed towards the Sky City at full speed! When they were about to arrive, a tornado suddenly appeared in front of them. Their airship and Muska's ship met in a narrow road again. During the battle, Bass and Hida's gliders were sucked into the tornado. The center of the tornado is the legendary "Sky City Laputa"! This is a realm abandoned by God, where the terror of nature and the wrath of the gods gather together, flying through the thick darkness, in the roaring lightning, passing through the corridor of lightning, breaking through the boundaries between life and death, and the gate of destiny once again Open in front of the boy... This is a silent paradise, a sky city guarded only by robots, home to plants and ancient creatures. In Hayao Miyazaki's works, the best thing about science and technology is that no one lives in it. This is true in Conan's "Future World" and "Castle in the Sky". On the contrary, the people struggling for survival in "Nausicaa" only have ancient technology, but they are the masters of machines. The same is true for the flying pirates in "Castle in the Sky". Muska captured the pirates and came to Laputa. He forced Hida to enter the central control room with him and activate the words on the black stone tablet in an attempt to dominate the world.
Castle in the Sky begins his domination of the world ambition. Hida snatched back the flying stone. In order to stop Muska, she and Bas recited the spell to destroy everything: Barus.
Laputa disintegrated, and the evil and evil weapon systems turned into atmospheric fireballs and fell into the sea of ??clouds. The huge flying stone crystal that made Laputa float in the air carried Laputa's Tree of Life and rose to the end of the sky. , and finally Hida and Bass returned to the ground with the help of the flying pirates.
The original work, supervision, script and character setting of "Castle in the Sky" were all performed by Hayao Miyazaki, making this work full of Miyazaki's ideas from beginning to end. The flying castle Laputa that appears in "Castle in the Sky" is generally considered to come from the flying island country in the famous novel "Gulliver's Travels" (published in 1726) by British writer Jonathan Swift. Later, an online game of the same name was developed. "Castle in the Sky" is a film inspired by Hayao Miyazaki's novel "Gulliver's Travels" written by Jonathan Swift, and some consider its storyline to be more traditional. But this does not mean that it has no new ideas. On the contrary, the drama "Castle in the Sky" is full of many new elements. The movie almost perfectly depicts the landscape of the world in which the story takes place. It is a bit sci-fi, a bit mythical, and a bit like the European Industrial Revolution, such as old trains on elevated rails, dark mines, flying... Airships, clay-sculpted robots, etc... The intense plot runs throughout the entire movie, but the blue sky and thick white clouds make the sharp conflicts more intriguing; the characters are often expressed not through lines but through lines. The specific actions of the characters make the character's character more profound. Appearance machine Tiger Moth/Tiger Moth Appearance machine (9 photos) English: Tiger Moth Dora and her family serve as a base helicarrier. The total length is 42 meters, the total height is 20 meters, the total width (full width) is 54 meters, the cruising speed is 35 knots (about 65 kilometers/hour), the maximum speed is 72 knots (about 133 kilometers/hour), and the cruising range is 3,820 kilometers (when cruising in no wind) ). Flaptter is an aerial mobile machine used by Dora and her family. This ornithopter was invented by Dora's late husband. The total length is 2.040 meters, the total height is 1.220 meters, the total width (full width) is 7.200 meters (when the wings are unfolded), the speed is 0-111 km/h (0-60 knots), the maximum speed is 182 km/h (when the jet assist is used), The cruising distance is 218 kilometers (when cruising in no wind). The artificial intelligence weapon used by the robot soldier Laputa Kingdom is equipped with two large and small electron beam cannons on its head. The giant flying battleship used by the Goliath Battleship Army to search for Laputa. The name comes from the Philistine giant Goliath in the Old Testament. The total length is 312 meters, the total height is 82 meters, the total width is 84 meters, the maximum speed is 98 knots (about 181 km/h), the cruising speed is 58 knots (about 107 km/h), the cruising range is 16,000 kilometers (windless cruising), the number of passengers 360 people. Military small airship is an aircraft used by the government forces to chase Baloo and Hida and the pirate group Dora's family. The original design was to fight against the air pirate group, using rocket propulsion as power. The overall appearance looks very much like a big bird from a distance, and its standby ability in the sky is very good. From the beginning, Baloo and Hida have been tracking in the air when they escaped. It is not obvious whether it is armed or not, but in this work it can be seen that there are two holes similar to machine guns in the nose of the aircraft. When landing, the support frame under the body is directly used for taxiing, and it has the ability to directly slide during landing and taxiing. The ability to change direction. The military armored trains encountered when taking the mining cargo locomotive to neighboring towns in Baru and Xida, including the power car, total three sections (the power car is in the middle), and both front and rear are armored gun carriages. The overall appearance is very similar to the German armored trains of World War II, but its weapons are more heavily armed. Moreover, the turret configurations of the armored trains in the front and rear sections are different, and the turret in the rear section is relatively tall. In this work, an artillery attack was launched against the Dora clan who were chasing Shida and Balu, and the armored artillery vehicle could also carry about two infantry squads (about 14 people) to assist in the attack. When Baloo and Dora flew into the military fortress, there was an armored train garage in the background, but they were taken there very quickly! The mine freight train and the locomotive, Baloo and Hida, escaped from the small town and went to the neighboring town. The locomotive driver got to know Balu and helped them go to the neighboring town.
The locomotive was a small two-axle powered simple steam locomotive. It did not have the design of a tender, and its speed was slow, so it was quickly overtaken by the pirate group's cars! Originally, there were three empty gondolas hanging on the front and back of the car. During the climb, Baloo removed the hook to try to block the Dora family, but was pushed instead. Finally, Baloo suddenly used the manual brake. Resolve the tense situation of being chased! The vehicle used by the Dora clan, the car pirate group of the Dora clan, was a very rare and advanced vehicle in the era of this work. It is used by the Dora clan to track down Hida. In this game, the vehicle is very powerful and can push three railway freight cars forward with five people on board. Its destructive power on railway lines and houses is also outstanding! In the end, it was shot by a government armored train on the track it was running on and lost control, causing it to hit a wall and disintegrate. The flying passenger ship is a civilian flying ship that was attacked by the Dora clan pirate group at the beginning of the game. The overall appearance looks like the flying battleship Goliath, but in fact the tonnage is smaller and the propeller configuration is also very streamlined. There are only two propellers at the front and four large propellers above, and the only armament of the ship is a machine gun above the cockpit. In this work, it can be seen that the ship is luxuriously equipped, with a large social hall with a view, and personal rooms. Muska, Hida, and the black-glasses agents took this ship to the government military headquarters from the beginning. The final destination of all the horses in Laputa City in the Sky is a large-scale floating city built by the ancient Laputans using the most advanced technology of the time, the Flying Stone, as the core. Later, all the Laputans and the royal family evacuated and descended. to the ground, and the city continued to float in the air due to the continuous power of the flying stones. In order to prevent anyone from trying to approach the city again, the Laputans summoned a super large low pressure (Dragon's Nest) to protect the city. Generally speaking, there is no way to enter the city, but the first person to succeed in this game is Balu's father. The flying stone held by Hida is Laputa's key. When the spell is activated, the flying stone can show the direction of Laputa. The government's flying warship relied on the flying stone to successfully guide the warship. In the Dragon's Nest, the low-pressure protective shield of the Dragon's Nest was also lifted after the flying stone holder landed on Laputa, allowing Laputa to reappear in the sky. The appearance of Laputa is a multi-level circular structure. The uppermost layer is the greenhouse garden and residential urban area and the rooftop of Laputa Island (40 photos). The middle layer is the royal palace and city streets (the army dug up the The treasure is in this area), the bottom layer is a hemisphere made of unknown black stones, and the interior is the center of Laputa and the holy city of Laputa that only the Wang family can enter. After Yu Muska gained control of Laputa, he used the black stone slab at the bottom of the hemisphere to call out the interview room and the seven black stone pillars used to trigger Laputa's thunder and lightning! In the central part, there is a super huge octagonal flying stone as the source of power and floating for the whole city, and there is a console also made of black stone for various operations. All stone operations must use the equipment equipped on Xida. Wear a flying stone for touch sensing. In this game, when Hida, Muska and the black-glasses agents descend to the center of the royal city, you can see how the center stone circuit operates. Laputa itself also has strategic attack capabilities. The "Laputa Thunder" called out by Muska using the black stone console is one of them. Its attack method is to use the seven stone pillars at the bottom of the black hemisphere to concentrate energy towards the direction. Shooting from below, its power is equivalent to today's small nuclear weapons. In addition, the center also houses a considerable number of robot soldiers for regional suppression tasks. Artistic Features Laputa represents a dream, but this dream ultimately ends in destruction. The origin of the story is poignant and tragic, just like Greek mythology. However, the process of the two young protagonists pursuing the City in the Sky is actually a portrayal of everyone's pursuit of their ideals. Although our ideals were eventually shattered, we had a pursuit, a brave heart, and a beautiful process, so we have no regrets! The theme song also expresses such a kind of spirit with a touch of sadness, in the poignancy, full of longing, yearning, forge ahead, perseverance, knowing the consequences of the tragedy, but not hesitating and moving forward courageously. Edit this video review Hayao Miyazaki commented on the film, "I wanted to make an adventure story about a young hero constantly fighting for his dreams. At that time, I was convinced that this kind of subject matter would not appeal to the audience. Although after a while, many people People said, 'I love Castle in the Sky,' but when it was released theatrically, it was rarely watched. When a man gets a job or a position, he's considered an adult.
For women, body image can establish her
role, while for men, it needs invisible things such as social status and even fate to support it. Therefore, like Bass, this video is also edited by Deshanya to appreciate the confusion of civilization. There is a myth in ancient Greece: there is a giant who is the son of the earth. Mother Earth gave him infinite strength, and no one could defeat him. But once, his opponent lured him into the air for a duel. The giant, whose feet had left the earth, could no longer gain strength from his mother, and was eventually defeated and killed. Without the embrace of Mother Earth, even the bravest giants will become vulnerable. The ancestors of ancient Greece may not have expected that the infant-like human civilization of their time would grow into today's giant-like modern society, but the advice they prophetically tried to leave to future generations through myths turned out to be What about living a comfortable life as a human being? Apparently it is because the Laputa people are aware of the crisis lurking under the surface prosperity. Just as Xida is the most earthy, the Tree of Life of Laputa civilization cannot survive. Perhaps, when the Laputa people finally make their castle float into the sky and lift the big trees, humans will eventually find the sky city of Laputa, and driven by greed, they will use the things sealed in it to Further "dominating" nature, even killing each other. By then, Laputa's civilization is still doomed, and human civilization is bound to be ruined in its own hands. In summary, we can see that in this film, Hayao Miyazaki's thinking is divided into two levels: In the first level, Hayao Miyazaki believes that the relationship between civilization and nature is like the relationship between trees and soil. . Even towering trees cannot survive if they are not rooted in the soil of the earth. Similarly, civilizations that attempt to break away from nature, control nature, and dominate nature will also be unable to survive. Only by "rooting in thick soil, bathing in the breeze, spending the winter with the seeds, and singing with the birds" can the tree of civilization flourish and remain green all year round. In the second level, Hayao Miyazaki believes that if nature will give vitality to civilization, then greed will take away the vitality of civilization until it completely destroys civilization. What is particularly noteworthy is that the above two levels of thinking are not a parallel relationship, but are intertwined in the film, and ultimately contribute a piece of insight and a bitter medicine to the development of human civilization - only integration Only a civilization that relies on nature and can withstand the erosion of greed will continue to progress and even last forever. It should be said that it is this kind of humanistic thinking combined with the real destiny of human beings that forms the eternal charm of Miyazaki Hayao's animated films. Unsolved Problems If we conduct a further in-depth analysis of the gains and losses and rise and fall of the Laputa civilization along the lines of Hayao Miyazaki, we will find that there are still two points of suspense left in the film for all viewers to think about: One , As mentioned above, the return behavior of the Laputa people is a sign of the progress of Laputa civilization. But this is a kind of cognitive and spiritual progress, and this progress obtained by the Laputa people comes at the expense of practical and material sacrifices. Is it possible to find a path of progress that can achieve both the spiritual and physical aspects of reality? Is the pursuit of a highly developed material civilization and the pursuit of a living state that is integrated with nature necessarily "the best of both worlds"? Can man-made technology be perfectly integrated with native nature? Although the Laputa people lived a comfortable and peaceful life after returning to the earth, they also had to endure heavy and hard labor. We can’t help but wonder if, with the ingenuity of the Laputa people, we can transform a few robots so that they can “pick up chrysanthemums under the eastern fence and pick up chrysanthemums under the eastern fence.” What about "See Nanshan leisurely"? Second, the Laputa civilization was destroyed, but the culprit "greed" did not disappear with the collapse of Sky City. On the contrary, it is grinning like a winner, and the next thing its claws will reach may be our human civilization. Hayao Miyazaki reflects his inner worries about the prospects of human civilization through various allusions to the real world in his films. The civilization of Laputa, the Sky City, itself can be said to be a microcosm of many once glorious but now extinct civilizations in human history.
Seeing the city floating in the sky, people can easily think of the hanging gardens of ancient Babylon, the "Mir" that has turned into a meteor, and the International Space Station under construction by mankind... It is not difficult for attentive viewers to discover that, The giant air battleship that appears in the film is based on the "Zeppelin" airship used by Germany to attack Britain in World War I; the pot-bellied general in the army also wears German iron on his chest. Cross of Medal; the "sky fire" emitted by Laputa under Muska's control is no different from the mushroom cloud when the atomic bomb exploded in Hiroshima; and the hemisphere with weapons extended high above the ground after being controlled by Muska Doesn’t the body just symbolize the Sword of Damocles, the weapon of mass destruction that has been hanging over mankind since the beginning of the Cold War between the East and the West? The powerlessness, helplessness and helplessness shown by the Laputa civilization in the face of greed, desire and ambition have provided us with a deafening warning, but all this in the real world seems to indicate that human beings are still stubbornly recalcitrant step by step. Following the same path as the Laputa civilization. So can human beings turn back from their lost ways and pull back from the brink? With its own efforts, is it possible for mankind to find a new development path to avoid the recurrence of tragedy? For the above-mentioned questions that determine the rise, fall, and survival of human civilization, Hayao Miyazaki did not give answers in this film. Maybe he can't give the answer, because these questions must bring together the wisdom of all mankind to think about. In this film, Hayao Miyazaki perfectly combines the natural entertainment of animated films with the ideological shine of wisdom through clear and vivid characters, suspenseful and exciting storylines, and unconstrained fictional imagination. Together, it has deeply moved countless audiences, and at the same time it will inevitably trigger the audience's attention, introspection and thinking about human civilization. The torch that illuminates the prospects of human civilization may be ignited by clusters of sparks flashing through the minds of these moved and inspired audiences. From this perspective, Hayao Miyazaki is not only an outstanding film director, but also a pioneer of human thought. What needs to be pointed out in particular is that "Castle in the Sky" is the pioneering work of Studio Ghibli. Hayao Miyazaki is responsible for the four important tasks of original work, script, director and character setting, making this work perfect from start to finish. The tail is infused with pure Miyazaki concepts and has become one of his representative works. Therefore, the enthusiastic praise and great success of this work not only gave Studio Ghibli a good start in its career development, but also had a profound impact on Hayao Miyazaki's future works. Among them, as the main thread of thinking that runs through Miyazaki's subsequent creative career, it is the two unsolved sphinx-like puzzles raised in this film. Containing a mythical structure, in the vision of director Hayao Miyazaki, the City in the Sky is not surrounded by hollow floating islands. Although the flying stones provide energy to the City in the Sky, it is not the only core. What truly supports the City in the Sky is "Tree" is that towering tree, which is impressive! This tree reminds me of the question of mythic structure. Why a tree? Instead of using other things? What kind of system does the City in the Sky rely on to maintain? This question must be discussed by going back to the worldviews of the ancient farming culture and hunting culture/animal husbandry culture. Whether it is a patriarchal society or a matrilineal society, the world view of farming culture has a set of formulas to follow, which is "earth-body-soul-life and death". From these, the image of the world is formed, and then internalized into people's minds. In my mind, it’s like China uses the Five Elements to view the growth and decline of all things, and the five internal organs of the human body also use the Five Elements to explain the internal operation and coordination; after the soul leaves the body, it must be buried in the ground. In this order, the earth plays a very important role, just like Gaia, the mother of the earth in Greek mythology, is the goddess who nurtures all things, and Nuwa in China also uses clay to create humans and fill the sky with clay. All things are rooted in the earth, just like Hida's final words to Muska: "Like the song of the valley, dancing with the wind, wintering with seeds, singing with birds, no matter how terrible the weapon, no matter how terrible the weapon is, With such terrifying mechanical soldiers, people cannot survive once they leave the soil." However, what about peoples nourished by hunting culture/animal husbandry culture and their basic nature-world view? The formula constructed from the original materials (forest-ocean-sky and stars-animals-power) further expands the horizons of farming culture. If we put worldviews and myths together, we will find their consistency. Myths are closely related to the environment in which they were created.
Hayao Miyazaki also shows his view of mythology in animated films. From "Nausicaa of the Valley of the Wind", "Castle in the Sky", "Princess Mononoke" and "Spirited Away", what remains unchanged is the concept of "trees". "The mythical structure supported by it. For example, in "Nausicaa of the Valley of the Wind", due to human pollution, the "Sea of ??Corruption" spreads. The function of the forest is to purify to ensure that the underground water source is not polluted; such as the children and the fat Totoro in "My Neighbor Totoro", On a summer night, if you plant an oak tree and think about it, it will grow taller. The tree will expand like a balloon, sprout and grow quickly, planting seeds in the children's hearts. The tree will become a metaphor for character education, as the Chinese say. It is said that "it takes ten years to grow trees and a hundred years to grow people"; like "Princess Mononoke", it focuses on the regeneration and development of human civilization after the ban on destructive weapons. In the forest, there live wild boar (mountain god), unicorn (also known as unicorn). Sibu is a sacred beast between humans and gods. Its shape changes from time to time, appears and disappears, and controls the life of all things.) When people exploit natural resources arbitrarily, they cause serious damage to the environment. In order to survive, they have to cut down forests. The disappearance of forests leaves animals with no place to live (for example, the Amazon rainforest is facing the same situation. In order to survive, local indigenous people must burn forests to create farmland for farming). At the end of the film, the death of Kirin is exchanged for the restoration of the natural environment, which is really sad; like the tram that goes to the bottom of the swamp at the end of "Spirited Away", it comes to the countryside like in "My Neighbor Totoro" The forest also implies that Japan must return to its past agricultural society to think about the excessive waste of resources and the loss of social value. The silent forest conveys the proposition of "return". I still remember that Qianxun's father also got lost in the forest while driving. He only found the lost things when he visited Granny Qian who lived in the forest. At the end, Chihiro and her parents walked through the tunnel of the station and drove out of the forest. The story begins in the forest and ends in the forest. This is a cycle of kindness and reincarnation. Teruha Lin Cultural Theory If you have seen Miyazaki Hayao's early painting style and themes, you can find that his painting style is significantly different from that of later animated films. Several feature-length cartoons were filmed, opening up a new horizon. Hayao Miyazaki faced a big change in his thinking in the second half of the 1970s, when he came into contact with the "Teruba Forest Cultural Theory" advocated by the botanist Nakao Sasuke. The ancient earth stretches from the foothills of the Himalayas to Japan. Evergreen forests are distributed in strips and grow very densely. Within this range, the cultures and traditions of food, clothing, housing and transportation developed based on forests. There are many common points and can be regarded as the same cultural circle. In addition, the foliage forest only grows in warm and humid areas, and its regeneration capacity is particularly strong. Therefore, even if it is destroyed by humans, it can return to its original appearance after several decades. Even in Japan, an advanced country, the terrestrial foliage forest can still tolerate the environment. Facing the destruction of the natural environment. The focus of this theory is that whether it is a country or a nation, the attributes of native plants determine human culture. This perspective injected fresh vitality into Miyazaki's thoughts. He discovered that he had a longing for the dark forests and Japan's Jomon culture, as if he had found the water source he had been looking for for a long time. His views on the history, politics, and economic system of his motherland are relatively left-wing. Instead, he has a strong interest in Central Asia, Eastern Europe, and European countries. This can be seen from the location and background of the story in the cartoon. However, when he established the logic that "people who connect their world view to the forest = Japanese people". He began to incorporate Japanese customs and the characteristics of the foliage forest into his works. Facing a world dominated by dictators, arms dealers and massive resource consumption, the only way to do it is to adopt an attitude that goes against the grain. The order of the world will eventually be balanced by the power of nature, and the natural disasters seen in the news are just A means of nature's counterattack, the purpose is to adjust the ecological environment to achieve a new harmonious state. After entering the 1980s, the themes of Hayao Miyazaki's works entered the realm of complex and difficult thoughts. It no longer just revolves around adventure stories, but also hopes to express the interaction between man and nature. At this time, Hayao Miyazaki's works were centered on the "Tereba Forest Cultural Theory" and began to explore botany, archeology, and folklore. However, he always refused to be positioned and continued to look for new possibilities. At the end of "Castle in the Sky", Bass, who is determined to save Hida, is determined to die. In the end, the two of them are rescued by the roots of the remaining big tree in Castle in the Sky, implying treasures and weapons. Outside the battle, there should be a world in which man and the natural environment coexist in harmony - the purpose of "man and land coexist" is clear.
Although there is no detailed explanation, what will the future form of "the relationship between man and land" be like? But from the beautiful hanging gardens of Castle in the Sky, we seem to see Hayao Miyazaki's vision of a better future, going back from the dilapidated desolation of "Nausicaa of the Valley of the Wind" and back to the era of his early work "Future Boy Conan". Even a high-tech empire is still parasitized by large trees with strong vitality. The entire castle is full of creeping plants, just like a primeval forest. It is a metaphor that after the collapse of civilization, people can still find a new heaven and a new earth, pursue their own Garden of Eden, and allow future generations to continue. Just like the princess Xida, although she watched the foundation of her ancestors disintegrate in an instant, her clear pupils still shined with the light of hope. From the work, we can see the threat of destructive weapons such as atomic bombs and nuclear weapons, as well as the face of dictators. It even predicted that if destructive weapons are launched, the world will be wiped out by human hands. This work was publicly screened in 1986 At that time, countries were still competing for arms expansion, and it was also three years before the Cold War structure was about to completely collapse. In 1989, the Berlin Wall fell, East and West Germany announced the merger, the Soviet communist system collapsed, and the Cold War era officially ended and entered the Post-cold war era. Hayao Miyazaki's prophetic vision opened up the beautiful vision of the future at the end of the century, and it is indeed inspiring. Even if you simply read it as a story, you can understand that behind the story is a peach blossom garden that people yearn for. The modern version of the adventure story returns to the children's favorite adventure story. We see Bass and Sheeda supporting each other and rescuing each other, as if they were led by fate, but the two of them resolutely accepted this fate and also Without escaping or giving up, Hida recited the spell of destruction "Barus" in order to prevent Muska from trying to dominate the world with flying stones and machine soldiers! The entire "Laputa" collapsed immediately, as if a thousand-year curse had been released. The two people, protected by the lush trees of the palace, did not care at all even without the flying stone in their hands, and jumped down from where they had stopped. The aircraft in the Sky City reunited with the pirates. At this time, the expressions of the hero and heroine changed dramatically from the previous adventure stories. The modern version of the adventure story is not about finding treasures or defeating bad guys. The story ends like this. An adventure journey of pursuing oneself and finally affirming oneself is the message conveyed in Hayao Miyazaki's works. The City in the Sky not only lives in memory, but can only be found in archaeological materials. After watching this film, I believe that there are many more Sky City floating in the future time and space, waving to us, maybe next time Maybe a sci-fi version of the city in the sky will emerge from your hands?