The recent hit "Ode to Joy" and "A Woman Is Not Strong Enough" both have this problem. The traditional industry is not supported by a solid foundation, and the new industry lacks sufficient knowledge to start, modern urban drama is often guilty of this "embarrassing cancer".
The Beijing Evening News microblogging posted a review of the play, "The occupation in the play is just an imitation of a shape, in which the internal operation mode of the banks and newspapers and media is not in line with the normal logic of the workplace, and it is puzzling to see people. Ideas can not wash away the stereotypes, the actors are not bad, but from the perspective of the media people, this drama is embarrassing."
Six Six's drama is wonderful, but it doesn't hit the pain points of media people, and to use a colloquialism, it's not grounded. The plot is weak and relies on quality character relationships.
The first six episodes were great, with the opening timeline chosen in 2014, when traditional media was facing a life-and-death situation, and Zheng Yuzheng, a female middle-manager of the newspaper, was ordered to catch a plane back to accept her appointment in the pouring rain - the late-night rainstorm footage brought the time back to more than a decade ago, when Zheng Yuzheng had just joined the newspaper, risking her life to go to the Jiangxin Island to cover a story, and by this point, the narrative was officially unfolding.
Zheng Yuqing goes to Jiangxindao for an interview, and Lv Fangcheng is later arranged to go to Jiangxindao to lend money. Post-disaster reconstruction has become the same theme for both of them, and the subsequent incident of "gutter oil" has tightened the relationship between the two characters.
The portrayal of the villain in the play is very typical. In the workplace, we will come across a male villain like Zhang Guohui, who is lazy, flatters and suppresses others with a chicken feather as an arrow; and a woman like Xu Wenjun, who knows how to take care of the people around her. Crack the way, she knows how to use the male leaders around her as resources for their own promotion, as a state-owned enterprise employees, she understands the importance of doing faction than to do things, and will use the wrist will be the fruits of other people's labor into their own. I'm not sure if you're going to be able to get a good deal on this.
However, the more the show sees the back more embarrassed, from the production level this is a good play with a sense of quality, but the back of the plot is more and more lack of identity, lack of good, and only show the traditional media rivers down the table.
A large newspaper group has no formal process for reimbursing travel expenses, which is surprising.
The concept of crowdfunding in the play is vague and shallow, and the bank held a square dance for the elderly is not something new, let alone innovative. The elderly are cheated by health care products is an old topic, but the traditional news topics such as black coal kilns, gutter oil, etc. reflects the traditional media's sense of responsibility for the news.
The portrayal of the post-90s is even more embarrassing for people with cancer, and it is a kind of imagination of the post-70s for the post-90s. Despite the writers' efforts to make the characters full-fledged, it is still difficult to escape from the shadow of labeling, trendy, opinionated, well-off, and a bit egotistical to the extent that they are not even polite. This is Killmonger, not 90s.
So this drama is bound to create a divide with the younger audience, and only rely on emotional outbursts to win good word of mouth.
Similarly, Ode to Joy's workplace plot lacks credibility, and the careers of each of the five girls are not watchable - again, it's all about emotional support and character relationships.
Qiu Yingying such a small wage earner, unemployed, selling coffee became a small online store owner, in the case of the network is so convenient, the boss and the store manager should have thought of such a marketing model, even if not thought of, after the concept was proposed, should also be well planned, but now presents a small fight feeling. As for Guan Juer, her work status is even more vague, all labeled things, summed up in thick paperwork. Fan Shengmei's work status makes people unclear, HR gives people the feeling like an extra department. The other two gold collars are even more embarrassing to watch. Andy, who earns seven figures a year, only has the word "market capacity" to back up his daily meetings, and the writers have successfully portrayed the character of Bao Yifan, who has convinced Andy to do so, but it seems that Andy does not have a vision, ruining the character, and there's no way to make the plot work for itself. Qu's business is also talked about rather childishly.
This is always not a proper drama, just an emotional drama in the guise of an urban drama, in which any profession is an element, but which is just a bit lackluster and lacking in novelty. Moreover, the plot is filled with interactive sequences written specifically for various advertisements.
The urban drama of the workplace drama is written to make people quite embarrassed, because the writers lack of direct and accurate workplace life, they are to shape the characters as a starting point, with limited energy to make up the plot, the result is that the plot is too much "water", so that people look at how to produce **** Ming, or sense of identity. Urban drama with the plot of obscenity, to the audience to bring embarrassing cancer, if the plot in this area is willing to deal with, the story will certainly add a lot of color.