How many levels of piano

Piano Exam*** There are 10 levels. 1, Piano Exam Level 1 repertoire: Playing on the Black Keys - Fritz Emmonds; Song of the Creek - Thompson; Peasant Dance - Thompson; Puppet Dance - Behrens; Little Friend - Kvatto; Exercise No. 55 - Bayeux; Ah! Thompson; Puppet Dance - Behrens; Little Friend - Kvarto; Etude No.55 - Bayeux; Ah! Suzanne - ; Exercise Op.108 No.1 - Hitt.

2, Piano Exam Grade 2 repertoire: Exercises Op.261 No.58 - Cherny; Happy Blacksmith - Gullit; Country Dance - Hinten; Exercises - Mayi Kapal; Four Little Swans from the ballet -; Exercises - Gedik; Little Polish Dance - -Mazurka Thompson; Window Dance ballet from the ballet "The White Haired Girl" - from the art department textbook.

3, Piano Exam Grade 3: Group A works: Exercises Op. 599 No. 6 - Cherny; Exercises Op. 37 No. 6 - Lemmon. Group B works: Bouffes - Handel; Variations on an Opera Theme - G?del. -Handel; Variations on an Opera Theme - Group C works: Styrian "25 Piano Progressions" Op.100 No.14 - Burgmüller, "For the Children" SZ 42 Episode II No.29 --Bartok; Symphony in g minor, Adaptation of the theme from the first movement - Mozart; Opera "Samson and Dalila", Adaptation of the theme - Saint-Sa?ns. 4. Piano Exam Grade 4: Group A Works: Etudes Op.32 No.19 - Gedik; Etudes Op.37 No.34 - Lemmon; Works in Group B: Polonaise "Bach Primary Piano Pieces" No.17 - Bach; Little Piece in C major - Bach; Pieces in C major - Bach; Pieces in C major - Bach. -Works in Group C: Nocturne (for left hand alone) - Thompson; Songs from the Junior Piano Collection Op.39 No.18 - Tchaikovsky. No.18 -- Tchaikovsky Little Toccata Kabalevsky ; Dance -- Santon.

5, Piano Exam Grade 5:

Group A works: Exercises Op. 849 No. 15 - Cherny; Exercises Op. 748 No. 16 - Cherny. group B works: small preludes from the "Little Works in Group B: Prelude and Fugue from the Little Prelude and Fugue - Bach; Sonata No. 1 in C major Op. 55 No. 3 - Kulow; Works in Group C: Italian Serenade - Majkapar; Works in Group C: Italian Serenade - Majkapar; Procession of Children's Piano Pieces Op. 65 No. 7 - Prokofiev; *** Children's Songs - Arranged by Gan Bihua, etc. 6, Piano Examination Grade 6: Works in Group A: Etudes Op. 61 No. 21--Belens; Etudes Op. 299 No. 6--Czerny; Works in Group B: Two-part Creations No. 13 BWV 784--Bach 44, G major, BWV 784--Bach. --Bach 44, Sonata in G Major, Finale Hob. XV1/27 - Haydn; Works in Group C: Spanish Dances Shostakovich; Fantasia Piano Suite "Scenes from Childhood" Op. 15 No. 7 - Schumann; Romanian Folklore Op. 61 No. 21 - Berens; Etudes Op. 299 No. 6 - Czerny. --Schumann; Selections from Romanian Folk Dances SZ 56 - Bartók; Cane Dance; Fragmentation; Piccolo for Shepherd Boys He Luting. 7, Piano Examination Grade 7:

Group A: Octave Etudes Op. 553 No. 3 - Cherny; Etudes Op. 553 No. 3 - Cherny; Piano Suite "Scenes from Childhood" Op. 15, No. 7 - Haydn. 52, Sonata in F major--Mozart.

Group C works: Lyrical Round Dance "Puppet Dance Suite" No.1--Shostakovich; Festival Dance "Children's Suite" No.5--Ding Shande.

8, Piano Exam Grade 8: Group A works: Etudes from Op. 184 - Le Schoen; Etudes Op. 740 No. 10 - Cherny. Group B works: Three Creative Works - Bach; Scherzo in D major. -Bach; Sonata in D major, 1st movement Hob. XV1/37 - Haydn.

Group C: October - Autumn Song Piano Suite Op. 37 No. 10 - Tchaikovsky: Chasing the Moon with Colored Clouds - Wang Jianzhong.

9, Piano Examination Grade 9: Group A works: Exercises Op. 1 No. 11 -; Exercises "Piano Technique Exercises 15" Op. 72 No. 6 - Moshkovsky. Group B works: Gigue "Fifth" No. 7 - French Suite No. 7 - Tchaikovsky: Colorful Clouds - Wang Jianzhong. Works in Group B: Gigue, French Suite No. 5, BWV 816 - Bach; Sonata in D major, 1st movement, K. 576 - Mozart; Works in Group C: Arabesques No. 1 - Debussy; Prelude Op. 1 - Debussy; Piano Technique Exercises 15, Op. 72 No. 6 - Moshkovsky. Debussy; Prelude Op. 28 No. 17 - Chopin. 10. Piano Examination Grade 10: Group A Works: Etudes Op. 25 No. 2 - Chopin; Etudes Op. 1 No. 10 - Liszt. -Group B works: Prelude and Fugue in B-flat Major, Volume 1, No. 21 BWV866 - Bach; Sonata in c minor, First Movement, Op. 10, No. 1 - Beethoven. Group C works: Ballade, Op. 70, No. 1 - Beethoven: Waltz Op. 70 No. 1--Chopin; Autumn Moon on the Lake.

Expanded Information:

Performance TechniqueSuccessful music is the composer's initial motivation to promote the inspiration to create, so that the work of the composer is rich in profound ideological connotation, with imagination, expressive. Through the performer's very skillful playing skills to convey the good music to the audience, in which the music performance should be dominated by emotion, should be the combination of sensibility and rationality. Showing off one's skills is music without a soul, so the two are organically compatible with each other in order to get the ideal sound effect. Therefore, playing the piano also needs a high level of skill. 1. Scale: The 24 keys of the scale are relatively important and useful. Many large-scale sonatas, pieces and concertos have scales in many places, so you need to master the scales well. Playing scales should pay attention to is to let all the sounds come out of the same sound, can not be light and heavy, must pay attention to the finger control ability, if you play scales or heavy light, control the intensity of the bad, may not play the tone and melody to your satisfaction. 2, arpeggios: arpeggios including 24 major and minor arpeggios and genus 7 minus 7 arpeggios. This is built on top of the scale of things, the main practice between the fingers of the expansion and contraction ability, but also very important exercises. Piano music arpeggios account for a large part of the arpeggio section, a variety of arpeggios will appear, but are 24 major and minor arpeggios genus 7, diminished 7 chords arpeggio distortion patterns, so play a good basic arpeggio is very useful and very necessary. 3, octave: octave playing skills there are two kinds of, the first only with the wrist skills, the second with the arm and the wrist to complete. If you play a very long octave fragment you need wrist technique, if you play the last part of the end of the small part of the octave you need the strength of the arm, so that you can play the effect of the splendor of the momentum. If it is the same as the two hands of the 8 degree fragment, you need to use the wrist and arm with the use of the wrist or arm is very difficult to play ff strength and a good jump. 4, wheel finger: commonly used wheel finger has 3 fingers, there are 4 fingers. Played to have a good granularity, can not have any fuzzy and chaotic components in it. For example, the beginning part of Mozart's music requires a very coherent wheel finger. 5, chords: chords are mainly a matter of practicing method. No matter how many notes of the chord to play down to be neat, not before and after, P chord play to be very light, clean, f chord to have a kind of metal sound, play down to the tone to sink down, can not play down to the chord to give a kind of fluttering feeling. 6, the big jump: this is frankly a very mechanical action, especially two 8 degrees above the big jump is purely a matter of skill, this is a slow practice is very important. The beginning of slow practice is very important, only slow practice to let the muscles relax, remember the position of the octave playing arpeggios, and slow practice when you need to arc, so that when the fast play will not be more wrong tone. 7, finger independent practice: master this skill needs to be played on the piano after a certain understanding. Shmidt piano tutorial is a difficult piano fingering exercises, but after playing will find that the original unsolvable skills are not difficult. Liszt's nightingale is a very good sound of a small piece of music, but many people always play not good, is the finger independence problem is not fundamentally solved. 8, three six degree chord exercises: this is one of the more difficult skills, the important thing is to fingering and finger flexibility, but also an important skill. For the right hand easier to practice, 3, 6 degree scale can also be played clearly, speed is no problem, but for the left hand, speed and clear can only do 1, 3, 6 degrees although more difficult to play, but can insist on practicing, there will be some gains.

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