Tang Yin
Tang Yin (1470-1523), the word Bohu, a word of Zi Ai, the number of six such as Jushi, Peach Blossom Nunnery, Lu Guo Tang Sheng, escape Zen immortal officials, etc., Han nationality, the South Zhili Suzhou Wu County people. He was a famous painter and writer in the Ming Dynasty. According to legend, he was born in Ming Xianzong Chenghua six years geng yin year yin month yin day yin time. His cynicism and talent, poetry and literature excel, and Zhu Yunming, Wen Zhengming, Xu Zhenqing and known as the "Jiangnan four geniuses (Wumen four geniuses)", painting is even more famous, and Shen Zhou, Wen Zhengming, Qiu Ying and known as "Wumen four". 432 poems
This is the most famous painter in the Ming Dynasty. 432 poems
Tang Bohu points Qiu Xiang
Although Qiu Xiang's person in history, and Tang Bohu lived in the middle of the Ming Dynasty; however, she is at least twenty years older than Tang Bohu. Although Chou-heung was highly publicized in Jinling, it was difficult for her to have an affair between the two of them. But Zhu Zhishan did not know on what occasion to see Qiu Xiang fan, wrote a song: "Shaking jade shaking gold small fan figure, five clouds of the pavilion of the female immortal residence; between the lines have seen the word Qiu Xiang, I know it is the Chengdu Xue school book."
Tang Yin Poetry Collection has a poem titled "I love the fragrance of autumn" is a poem with a hidden title
I painted the Blue River water is long, love the evening pavilion on the maple leaves thick.
Autumn moon melting shine Buddhist temple, smoke curling around the scripture building.
The prototype of the story of "Tong Pak Fu points to Qiu Xiang" first appeared in the Ming Dynasty notebook novels, in which the Ming Dynasty novelist Mr. Wang Tongkui's "Ear Talk", the narrative storyline and today we know "Tong Pak Fu points to Qiu
Chenghua period
Tang Yin was born on the fourth day of the second month of the sixth year of the Chenghua reign (1470) in Wu Ting Li, Wu County, Suzhou Prefecture, to his father, Tang Guangde, and his mother, Qiu. Note: Zhu Yunming's Epitaph of Tang Zi'ai: Mother Qiu, gave birth to Zi'ai on the fourth day of the second month of the sixth year of the Chenghua reign.
In the 12th year of Chenghua (1475), Tang Yin's younger brother Tang Shen was born.
In the 18th year of Chenghua (1482), Tang Yin met Zhu Yunming.
In the 20th year of Chenghua (1484), Tang Yin met Wen Zhengming, and was admired by his father, Wen Lin, who was a great servant.
In the 21st year of the Chenghua reign (1485), Tang Yin was awarded the first prize for being a student of the Suzhou Prefectural Academy. Tang Yin met his friend Zhang Ling. Note: Zhu Yunming's Epitaph of Tang Zi'ai: "When the children were first in the examination, they were astonished and praised all over the world. Zhang Ling, the character Meng Jin.
Chenghua 23
Tang Yin's poetic style is quite special. It is said that he studied the Zhaoming Wenxuan (Selected Writings of the Zhaoming Emperor) in his early years, so his early works were very neat and beautiful, very close to the atmosphere of the Six Dynasties. After the leakage of the title of the case of poetry, more than describing their own situation, write up sincere, natural and fluent, although in the words and phrases of not very refined, but you can feel the Tang Yin handy talent.
His poems include "Song of a Hundred Endurance", "Book of the Heavenly Officials of Wu", "Song of the Four Seasons of Jiangnan", "Song of the Peach Blossom Nunnery", "Song of a Year", and "Song of Idleness", etc.
Tang Yin wrote a series of poems about his situation.
Tang Yin's poems are sincere and easy to read, not bound by the law, a large number of colloquialisms, a fresh mood, life, society, and often with a sense of pride and inequality.
In addition to poetry, Tang Yin also tasted composition, mostly in the form of folk songs, due to the multifaceted deep literary and artistic cultivation, experience, broad, deep understanding of life, society, so the works of elegant
Tang Bohu in history does have some wild and unrestrained behavior, such as alcoholism, apolitical prostitutes, arrogance, cynicism, and his self-abandonment in fact reflects the dissatisfaction of the community. This is just like Xu Wenchang's impetuosity is misinterpreted as "crazy life", that is the social system stifles the talent, is a perverted reaction in the personality. In fact, in the readers of such an example is not only like Tang Bohu, Xu Wenchang two, just in Tang Bohu body is more concentrated typical with these character materials. These materials happen to be used for popular novels, and rendered attached, and thus widely circulated in the folk. There are many things that are vulgar and cater to the interest of the common people. Over the centuries, Tong Pak Fu is such a cynical image of traveling in the landscape, leisure in the wind and moon, the real image of Tong Pak Fu greatly distorted.
Tang Pak Fu in history, despite his outstanding talent, ideal ambition, is a
Tang Yin (yín) was born on the fourth day of the second month of the sixth year of the Ming Chenghua (6 March 1470), and died on the second day of the twelfth month of the second year of the Jiajing (January 7, 1524),. He came from a merchant family, with his father Tang Guangde and mother Qiu. Since childhood, he was smart and clever, when he was 20 years old, his family suffered a series of misfortunes, his parents, wife and sister died one after another, his family was in decline, in the advice of his friend Zhu Zhishan, he studied hard, and at the age of 29, he took part in the public examination of Yingtian Prefecture, and won the first prize "Xieyuan", and at the age of 30, he went to Beijing to take the examination, but he was implicated in the examination hall fraud case and was reprimanded as a citizen. After that, he decided not to pursue the introduction of Tong Pak Fu, and sold paintings for a living. Zhengde nine years (1514), was invited by King Ning Zhu Chenhao to Nanchang for more than half a year, and then realized that the King of Ning plans to do something wrong, so he pretended to be crazy and even ran naked on the street before he could get away and return. In his later years, life was difficult and he died at the age of 54. The poem he wrote at the end of his life revealed his deep-seated love for the earth and his complex feelings of resentment and misanthropy: "Born in the world, there is a scattering,
Tang Yin's calligraphy was not as famous as his paintings and poems, but his talent was also very high. His calligraphy style was not far from Zhao Mengfu's shadow, so Wang Shizhen commented in the manuscript of "Trap Mountain Man", "Bohu's book into the temple of Wu Xing, poor weak ear." In fact, Tang Yin's calligraphy and painting, as well as attention to a wide range of schools, the integration of the face is also very diverse, just not forever, has not yet reached "the time of the general meeting, people books are old" realm. According to documentary records and surviving works, he had studied Zhao Mengfu, Li Yong, Yan Zhenqing, and Mi Fu, and presented different emphases at different times, thus forming an ever-changing stage of appearance. Generally speaking, the changes in his style of writing can be divided into four periods. The first period is 30 years old, he lived in his hometown of Suzhou, and the same age of Wen Zhengming good, very much by the influence of the Wen's, so the two are very close to the painting and calligraphy, Tang Yin more than 20 years of age painted by the "Huangmaozhu Small Scene Figure Volume" (Shanghai Museum of Tibetan Culture), the lakes and rocks, flat slopes, trees are very similar to the Wen's fine brush; calligraphy also
Tang Yin's early paintings, "far from attacking the Li Tang
Tang Yin's early painting, "far from Li Tang", "close to Shen Zhou". In his early days, he studied under Shen Zhou, the founder of the Wu Men School of painting. Shen Zhou and Zhou Chen were both famous painters in Suzhou at that time, Shen to Yuan people's painting for the clan, Zhou to the Southern Song dynasty courtyard painting for the teacher, which is the Ming dynasty two major schools of painting, although Tang Yin master Zhou Chen, but has the reputation of winning blue. Tang Yin, though a teacher of Zhou Chen, had the reputation of winning over the blue. Tang Yin combined his strengths in the Southern Song style with Yuan penmanship, and made a rapid progress, surpassing his teacher Zhou Chen, and gaining a great reputation. Tang Yin's most numerous and accomplished paintings were landscapes. Tang Yin traveled all over the famous mountains and rivers, and his heart was filled with thousands of mountains and ravines, which made his poems and paintings have the majestic atmosphere that the poets and painters in Wu Di did not have, and transformed the muddy and thick into the dashing. Most of his landscape paintings show the majestic and steep mountains, pavilions, streams and bridges, the river and mountain scenery of the four seasons, and some depict the pavilions and gardens, and the leisurely life of the literati. The landscape and figure paintings, large and majestic, small and elegant, are rich and varied in subject matter. As Tang Yin's paintings are seldom indicated on the paintings
Only the ruins of Tang Yin's former residence remain, but Tang Yin's tomb in Hengtang, the western suburb of Suzhou City, is still well preserved, and was refurbished in 1955. During the turmoil, the tomb was destroyed and later restored. Tang Yin's tomb consists of the Cao Tang Hall, the Six Ru Hall, the Dream Ink Hall, the grave area, the Shinto path, and the pagoda. The whole cemetery is well organized and elegant in its tranquility. The tombstone is inscribed with "Tomb of Tang Xieyuan". The back of the Cao Tang Hall is used as a tea room. Tang Yin loved tea all his life and had an inseparable relationship with tea. He wrote many tea poems and left behind tea paintings such as "Qin Shi Tu", "Tea Tasting Tu" and "Tea Affairs Tu". Mengmo Hall displays Tang Yin's life story. The Hall of Six Ru is taken from the name of Tang Yin in his later years.
In the relevant planning, Tang Yin's former residence will be restored to the main body of the Hall of Learning, the Song of Songs, Nymphalid Lodge, the three in a zigzag layout. The building adopts the architectural style of the Ming Dynasty literati residence style, to Tang Zhongliao reworked Tang Yin's former residence engraved illustration as the basis for restoration, there are mainly learning nursery hall,
Tang Yin's poems
A clipped plum - the rain hitting the pear blossom deep closed door
Ming Dynasty: Tang Yin
The rain hitting the pear blossom deep closed door, forgetting the youth, miss the youth. Who will argue about the pleasures of the heart ****? The flowers under the soul, the moon under the soul.
The sad peaks of the brows are knitted all day, a thousand points of cry marks, ten thousand points of cry marks. The first thing you need to do is to get your hands dirty.
The woman, the woman, the longing
Peach Blossom Nunnery Song
Ming Dynasty: Tang Yin
Peach Blossom Nunnery in Peach Blossom Dock, Peach Blossom Nunnery in Peach Blossom Nunnery, Peach Blossom Immortal.
The Peach Blossom Fairy planted the peach tree and took the branches of the blossoms as money for wine.
The peach blossom tree was planted by the peach blossom fairy, and the blossom branches were used as money for wine.
The first is a new one, and the second is a new one, and the third is a new one.
I don't want to bow in front of the car and the horse, but I want to die of old age among the flowers and the wine.
The most important thing is to be able to see and hear the people who are in the world.
If we compare the rich and the poor with the poor, one is in the flat earth and the other is in the sky.
If you are a poor man, you will not be able to get a car or a horse, and you will not be able to get a car or a horse.
The world laughs at me for being so arrogant, and I am the one who sees the world as a ***.
I remember the graves of the great heroes of the Five Tombs, where there was no wine, no flowers, and no hoe to make a field.
Tang Yin, master of the Peach Blossom Nunnery in March, Hongzhi Yichou (original)
Peach Blossom Nunnery in Peach Blossom Dock Introduction, Peach Blossom Nunnery Peach Blossom Fairy.
The Peach Blossom Fairy planted peach trees and picked peach blossoms for wine money.
Wake up and sit in front of the flowers, drunk and sleep under the flowers.
The first thing you need to know is how to get to the top of the list, and how to get to the bottom of the list.
I wish I could die of old age in the midst of the flowers and wine, but not in front of the cars and horses.
The first thing you need to do is to get the money to pay for it.
If we compare the rich with the poor, we will see that one is in the sky and the other is in the earth.
If the poor *** car and horse, he can drive me to leisure.
The others laugh at me for being so arrogant, and I laugh at them for looking at me.
I don't see the tomb of the heroes in the five tombs, no flowers, no wine, no hoeing as a field.
The Peach Blossom Fairy planted peach trees and picked peach blossoms for wine.
The first time I saw the movie, I was so happy to see the movie.
The first thing you need to know is how to get to the top of the list, and how to get to the bottom of the list.
I wish I could die of old age in the midst of the flowers and wine, but I don't want to bow in front of the car and the horse.
The first thing you need to do is to get the money to pay for it.
If we compare the rich with the poor, we will find that one is in the sky and the other is in the earth.
If you compare the wine with the car, you will find that I am not able to do anything.
Others laugh at me for being so ***, and I laugh at others for being ***.
I don't see the tomb of the heroes of the Five Tombs, no wine, no flowers, no hoeing as a field. (Version 2)
Peach blossom, life, rampant
Painted Chicken
Ming Dynasty: Tang Yin
The red crown on the head does not need to be cut, full of snow white to walk in the future.
Aria, animal, praise
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