Cui Gu's Peach Blossoms with Human Faces is from Cui Gu's Title to the South Village of the Capital City.
Full poem: copy
Title Du Cheng Nan Zhuang
Tang Dynasty: Cui Gu
Last year today in this door, the human face peach blossoms reflect each other.
I don't know where to go, but the peach blossoms are still smiling in the spring.
Comment:
Last spring, in this door, the girl's face, reflecting the bright peach blossom.
Today, I came here again, the girl did not know where to go, only the peach blossom is still, smiling and angry in the spring wind.
Du: the capital of the country, referring to the capital of the Tang Dynasty, Changan. The first line is "the face of the girl", and the second line is "the face of the girl".
Extended Information
Background of Composition:
The time of the composition of this poem is not clearly recorded in historical records. The Tang Dynasty's Meng Kai's "Poetry of Skill" and the Song Dynasty's "Taiping Guangji" recorded the poem's "skill": Cui Gu went to Chang'an to take the examination for a scholar and failed, he met a beautiful girl in the southern suburb of Chang'an, and then revisited her the following year during the Ching Ming Festival, but he did not meet her, and so he wrote this poem. This record is quite legendary novel color, its authenticity is difficult to get other historical data to confirm.
Achievements of the poet:
His poetic style is refined and elegant, and his language is extremely fresh. All Tang Dynasty Poetry, six poems, all are good, especially the most widely circulated, popular, eye **** appreciation of the title of the city of Nanzhuang.
The poem to "the face of peach blossoms, things are not" such a seemingly simple life experience, said millions of people seem to have had the *** with the experience of life, for the poet has won the immortal name of the poem.
"All Tang Poetry" six poems, "County Zhai late March", "May willow by the water", "March 5, accompanied by Pei Daifu pan Changsha East Lake", "title of the city of Nanzhuang", "the evening chicken", "Chicken Dance Stone Mirror".
2. Ancient Poetry Peach Blossom"Cui Gu. The Question of the South Village of the Capital City
During the Tang Dynasty, there was a famous poet - Cui Nu. One year, during the Ching Ming Festival, he went to the south of the city alone. He saw a village house surrounded by blossoming peach blossoms in a beautiful and picturesque environment. He was curious and wanted to visit the owner of the house. I'm not sure if I'm going to be able to do that, but I'm going to be able to do it.
To his surprise, the door was opened by a gorgeous woman, who greeted him attentively.
This encounter made him memorable. On the next year's Ching Ming Festival, he was reminded of last year's encounter, so he followed the old path to the same place, hoping to see the beauty in the peach blossom bushes again.
This time, he was surprised to see that the peach blossoms were still in full bloom when he arrived at the village, but the hut behind the blossoms was locked and empty. He felt very disappointed and wandered around in front of the door for a while, feeling depressed and unable to stop himself. He wrote a poem on the door:
"Last year today, in this door, the face of the peach blossoms reflect each other. I don't know where the face has gone, but the peach blossoms are still smiling in the spring breeze.
The peach blossoms are still smiling in the spring breeze. Cui Gu, a native of Boling (the county seat of Ding County, Hebei Province) in the Tang Dynasty, with the character Yin Gong, a scholar of Zhenyuan, was the official minister of Lingnan Province.
(in the net literature book hall, reproduced, please retain) Cui Gu's this seven-syllable stanzas, literally simple, the language is frank and natural, understandable and fluent, hundreds of years has been recited by future generations, never fading, and the "peach blossom in the face of the human face" has been widely cited as an allusion to the use of idioms and idioms. This poem has a legendary ability, which has been recorded in the Tang Poetry Chronicle and the Poetry of the Functions.
Tang Poetry Chronicle contains this poem ability to cloud: "Protecting the failed bachelor's degree, Qingming solo tour south of the city, the village residence, flowers and trees. The door was closed for a long time, and a woman asked from the doorway.
Said: 'Looking for spring traveling alone, wine thirst for drinking.' The woman opened the door, to the pot of water to.
Alone leaning on a small peach slanting Ko stand, and the intention is very thick. The first time I saw this is when I was a little girl, and it was a little girl, and I was a little girl.
After never come back.
He wrote a poem entitled 'Last Year Today at this Door' on the left title of the bibimbap.
Perhaps there was a poem first, and then according to the perfume into the above "ability", is not impossible.
It is not impossible that the poem came first, and then it was perfomed into the "skill" mentioned above. However, regardless of whether this "skill" is true or false, there are two things that seem to be conclusive, that is, the poem has a plot, and the second is that this "skill" is helpful to the understanding of the poem.
Cui Gu's poem, the whole of which is about the feeling of the past and the present, contains only four lines, one before and one after the two things are not in sight, but also interdependent, interactive contrasting scenes. The poem's feeling of the present and the past is aroused from the memory of a young girl who was beautiful and pretty as peach blossom, whom he saw at first sight and then left in a whirlwind. Thinking of the past from the present, the poem utilizes the technique of retrospection by writing "last year" first, which gives rise to the first scene of the spring encounter--"Last year today in this door".
"Last year", "this door" point out the time and place, said very sure, no ambiguity, can be seen to recognize the image of the deep, the memory of the exact. At that time, "this door" was spring breeze, peach blossom, stood a beautiful girl, its face and peach blossom interactive reflection, really beautiful.
Here the poet did not directly describe the peach blossom and the beauty of the woman, but to seize the "spring encounter" in the whole process of the most beautiful and touching scene, only with the three words "reflecting the red" a little bit, and then the face of the flowers and the light of the interactive reflection of each other as a companion and competing for supremacy. The beautiful scene of the competition between the face and the flowers is vividly sketched out. "Peach blossom faces reflect each other red", not only for the colorful peach blossom "face" set a beautiful background, set off the girl's radiant face, but also implicitly expressed the poet's fascination with the eye, the intention to capture the love of the situation and the two sides of the pulse of love, the scene of the unspoken words.
This is a very good idea.
Through this touching scene, which inspires the reader to before and after the love affair of many beautiful imagination, leaving the reader a broad space for imagination. The flower is a metaphor for a beautiful woman, which has been used for a long time and has become a common practice.
But the poem is different in several ways, one is that the poet did not directly describe the peach blossom is how gorgeous and colorful and the girl is how beautiful and beautiful, but only with everyone is familiar with the gorgeous peach blossom as a contrast, with the "reflecting the red" indirectly to set off the girl's beautiful image of the scenery and the people are very well melted together; two is that the poem Fu wrote the story of the girl's life, the girl's life is very beautiful. The second is that this poem is written in front of the actual scene, the so-called "local scenery, hand in hand". The poet could have continued to write about the scene of last year's encounter, but he didn't. Instead, he went straight to "today".
And so the second scene is sketched out: the search is not met.
This is the second scene in the book, which is the same "today", the same "this door", but the beautiful girl has already gone.
It is still the season of spring, the season of flowers, flowers and trees, Peach Ke covered portal, however, so that all the colorful and the peach blossom "reflecting the red" of the beautiful "human face" but do not know "Where to go", the only remaining peach blossom tree is still in the spring breeze, condensing love with a smile. Peach blossom in the spring breeze still smiling, more evoked the poet on the "last year" "face of the peach blossom red" thoughts and pity, so that the poet's return to his hometown feel incomparable disappointment and despair.
Imagine, last year today, the unexpected girl stood under the peach blossom tree staring smile, pulse with love, and the peach blossom; and now, people are gone, the peach blossom is still smiling in the spring breeze, which, in addition to evoking fond memories of the past and the good scenery is not always the feeling, but also what can there be? The word "still" implies the poet's infinite disappointment, regret and frustration. The first two lines are from the present to the past, and the second two lines are from the past to the present, and the two lines are similar to each other.
In spite of the drastic change in mood, the tone of the poem is consistent and downward, with no trace of transition.
The main writing technique is to use "reflection and contrast", using "human face" and "peach blossom" as the thread, and "last year" and "last year" and "last year" as the clues to the "peach blossom", and "last year" and "last year" as the clues to the "peach blossom". Last year" and "today" at the same time and the same place, people go to the scene of the reflection of the contrast, the two different travel encounters and feelings, back and forth, the twists and turns of the full expression. The contrasting images play an extremely important role in this poem.
Because it is in the face of the reality of the memories written in the beautiful things that have been lost, so the memories will be particularly precious, beautiful, full of feelings, which is why there is the "face of the peach blossoms reflecting each other red" of the divine depiction; because there is such a beautiful memory, it is particularly feel the loss of the beautiful things of the disappointment, and thus there are It is precisely because of such beautiful memories that I feel particularly disappointed at the loss of beautiful things, and thus have the feeling of "Where does the human face go now, the peach blossom still smiles in the spring breeze". Although this poem has a certain plot or even with some dramatic colors, and there are rich in legendary "ability" records, but it is widely recited, in addition to these and the above language, structure, writing techniques, I think the poem itself expressed a certain experience of life is the most important one of the aspects.
The "ability" of the poem may have contributed to its widespread popularity, but the typical significance of the poem for readers does not lie in the fact that it describes a story that interests people. Readers may not have had a story or encounter similar to the one contained in The Skills, but they may have had a similar life experience, i.e., encountering something beautiful by chance or by accident, and not being able to get it back again when they went after it intentionally.
This is perhaps one of the main reasons why the poem has maintained its enduring artistic vitality over the centuries.
4. Idioms by The Free DictionaryPeach Blossoms on the Face of a Man
I. Idioms
Word Description Peach Blossoms on the Face of a Man
Pronunciation rén miàn táo huā
Explanation It describes the situation in which a man and a woman are in love and are separated, and the man is reminiscing about his old memories.
Source In Tang Dynasty, Cui Gu's poem titled "Question on the South Village of the Capital City" reads: "Last year, today, in this door, the peach blossoms of the human face reflected each other's red color. The peach blossoms are still smiling in the spring breeze."
Allusion
In the Tang Dynasty, Meng Oar recorded a story in Poetry of the Tang Dynasty: Cui Gu, a famous scholar in Boling, failed to pass the entrance examination and was in a depressed mood. On the day of the Qingming Festival, he went alone to the south of the city to trek, and saw a manor house, surrounded by peach blossoms, with a pleasant view. When he was thirsty, he knocked on the door and asked for a drink. Not long after, a beautiful woman opened the door. At first sight, he fell in love with her. The next year, the Qingming Festival, Cui Gu revisited his old haunts, but saw that the walls were still there and the door had been locked. He was lost, so he wrote a poem on the door: "Last year today in this door, the face of the peach blossoms reflect each other red. I don't know where the face has gone, but the peach blossoms are still smiling in spring." Later, people will be "face peach blossom" to describe the beauty of the woman, or used to express the feelings of love.
5. Which ancient poem is "Peach Blossom with Human Face" from?From "Happiness in the Morning - Flowers in a Copper Pot" by Liu Yong of the Song Dynasty
"Happiness in the Morning - Flowers in a Copper Pot"
Liu Yong of the Song Dynasty
I remembered that I used to be fascinated by the songs and smiles of the Qin Tower and the Chu Guan Chaoyun. I have been away for a long time, but I remembered that I had to come back to the same place.
The peach blossom in the face of the people, unknown where, but cover the vermilion door quietly. The first thing I want to say is that I'm not sure if I'm going to be able to do this.
Translation: Seeing such a scene, I miss those beautiful girls (courtesans) in the Qin Lou Chu Pavilion, remembering the good old days when I used to get together with them, and I used to be infatuated with their songs and laughter. However, I have been away from the capital for so many years, and now by chance I remember the oaths I made when I was in love and return here again.
Those people back then, have gone somewhere, only to see the half-hidden red door. In the face of all this, I can only stand there in silence, and now only I am left alone and desolate.
Extended Information
Liu Yong (c. 987 - c. 1053), the character Jieqing, formerly known as Sanchuang, character Jingzhuang, was a native of Chong'an (now part of Fujian). He was a scholar in the first year of the reign of Jingyou (1034). He was the seventh in line for the title of "Liu Qi" (柳七). He was the seventh in line, and was known as Liu Qi or Liu Tuntian. He was a dissolute person, and was always downtrodden. He was good at composing music and was good at slow lyrics. His lyrics depicted cityscapes and the lives of courtesans, and he was especially good at writing about the feelings of being in detention and traveling.
Lyric style is elegant and simple, the word is very rich, is the first Northern Song dynasty dedicated to writing words of lyrics. He was the first lyricist in the Northern Song Dynasty to specialize in writing lyrics. He created a lot of slow lyrics and developed the technique of narration, which had a greater impact on the history of lyrics, especially on the prosperity and development of slow lyrics in the Northern Song Dynasty. His lyrics were widely circulated, and it was said that "wherever there is well water to drink, one can sing Liu's lyrics". He also wrote poems in his lifetime, but not many of them have been handed down.