Shaanbei Folk Song and Albatross Highly skilled into the do not know please detour

Edit the words of the northern Shaanxi folk song This is a stiletto engraved on the Loess Plateau in the northwest of the heirloom masterpiece, this is the yellow slopes of the yellow water between a strange flower. A song, loud clouds, all sweeping sound; a sound into the ear, stirring, people's spirit for a revitalization. She is the northern Shaanxi folk songs. Northern Shaanxi folk songs are the crystallization of the spirit, thoughts and feelings of the working people of northern Shaanxi, is the closest companion of the people of northern Shaanxi, is the most direct reflection of the life of the working people of northern Shaanxi. Northern Shaanxi is a place of folk songs, there are many kinds of folk songs, locally known as "mountain song" or "sour song". There are more than 20 kinds of folk songs, including Xintianyou, Xiaojiao, Wine Song, Yulin Xiaoqu, etc., among which Xintianyou is the most characteristic and representative. Shaanbei folk songs carry the fragrance of the soil on the Yellow Land, and flow with the most popular vocabulary and the brightest passion of the children of the Yellow River. It is the mother tongue and home of the Yellow Land, and the characteristic and essence of the Yellow Land culture. Shaanxi folk songs have distinctive regional characteristics: earthy, atmospheric, beautiful, earthy, majestic, beautiful and attractive. This is both vulgar and bright enough to make the characteristics of its standing in the singing altar above the temple, with a small tune to vent the momentum of the yellow bells and whistles. In northern Shaanxi, people's joy, anger, sadness, happiness, which kind of emotion, can be expressed in the form of folk songs. Whether you are standing on top of a mountain peak, or walking in a winding mountain road, or traveling on a flat road, everywhere you can hear the melodious songs floating in the wind. This is the folk song of northern Shaanxi. "The women are sad and cry, the men are sad and sing songs." In fact, both men and women, young and old, love folk songs in northern Shaanxi. On the Loess Plateau, there are both the low and gentle chanting of the maids of honor, and the echoing of the high songs of "stopping the voice of the goat and returning to the voice of the cow" of the younger generation. Northern Shaanxi, is the world of folk songs, the sea of folk songs. Folk songs in northern Shaanxi is a lot of types, including the four seasons song, the tune of the five nights, the Range worker tune, wine song, rice-planting songs, labor horn, song and dance song, Yulin song, Shaanxi set of songs, two people Taiwan, custom songs, religious songs and visit the family tune and so on, to the ditty and the albatross is the main one. The ditties, mainly narrative, usually have scenes, characters, storylines, and detailed descriptions. For example, "Harming Dolls", "Visiting Sister Yu", "Sending a Lover", "The Four Bowers", and "Down to the Willow Grove" are all long narrative folk songs. Xintianyou (called "Shuntianyou" in the area bordering Inner Mongolia, and "Shanqu" in the Shenmu-Fugu area) is a kind of folk song widely popular in northern Shaanxi, which is relatively short in length and is a product of improvisation, so it can be sung freely according to different scenarios. For example, when the villagers work in the fields, go up the mountains to herd sheep, go into the forest to cut firewood, and drive donkeys to pull coal, they will let go of their voices and sing when they feel something in their hearts. The language is simple, the rhythm is obvious, the rhyme scheme is varied, and it is generally a two-stanza structure, with the upper and lower stanzas rhyming, and not rhyming every other stanza. Based on the seven-word sentence or cross sentence, the upper line of the main than Xing or writing scenes and objects, the lower line of the main point of the idea, a combination of real and imaginary, the tune is melodious and high-spirited, rough and unrestrained, rhythm is distinctive, rhyming and harmonious, strong lyrical color. It fully reflects the bold character of the northern Shaanxi people. It is a two-sentence paragraph, paragraph and paragraph can be divided and can be combined, can also be independent for a song, similar to the "loose song". Northern Shaanxi folk songs reflect the richness of social life. Now the popular northern Shaanxi folk songs, most of which were produced from the end of the 19th century to the 1940s, reflect both the content of social change, but also the content of the "long work song", reflecting the resistance of the people of northern Shaanxi to the oppression and exploitation of feudalism, especially the revolutionary history of the folk songs, is a batch of precious revolutionary historical data. Like the famous "When the Red Army's brother came back", "Shandandandan blossom red color", etc., is very valuable. However, among the more than 8,000 Shaanxi folk songs, such works are, after all, a minority. Most of the works reflect ordinary people and ordinary things. For example: a small daughter-in-law wants her mother's home, a big girl looking forward to getting married, the girl child fortune-telling, drummers to welcome the bride, out of the people miss their hometown, young people talk about love, couples quarrels and teasing. Also, the stonemasons with song to decorate the monotonous sound of the hammer; farmers with song to expel loneliness and sadness; drive the livestock people will be the melodious song sprinkled all over the rugged lanes; sentimental daughter-in-law with song to pour out the heart of grief. These are basically the expression of feelings. In addition, the people of northern Shaanxi also use folk songs to serve their daily lives: cargos with songs to sell, farmers with songs to pray for rain, the New Year's festivals with songs to celebrate, entertainment, men and women with songs to celebrate the wedding ceremony, drinking with songs to guessing, with songs to into the historical story, with songs to socialize, with songs to recount major historical events, men and women with songs of young people to talk about love, with songs to recount new people and new things, and even on the graves! Even the weeping at the graveside is replaced by songs. And even scandalous news for thousands of miles, to the song of the rumor; strange people and strange things, to the song of praise. Among the 8,000 folk songs of northern Shaanxi, those reflecting love life, marriage problems, or works related to this content account for 80% of all folk songs. Almost all of them are about love life, marriage problems, or related to this content, and the Noblest Journey to Heaven, which is regarded as a masterpiece of the laboring people. Therefore, Xintianyou is also said to be "the ocean of love". The most popular folk songs sung by people in northern Shaanxi are love songs. In the old society, young men and women could not be independent in love and marriage, so they had to use songs to express their dissatisfaction with the feudal marriage and the pursuit of love. Due to natural conditions and other reasons, once upon a time in northern Shaanxi Province, the economy was backward, the farmers lived a hard life, the men went to the provinces in groups to give people to solicit labor, i.e., 'Go West'. Before the husband left, his wife urged, and was very touching, affectionate, lyrical color is very strong. For example, the popular "Going West": Go on the big road, don't go on the small road. There are a lot of people on the main road, so you can get a job to relieve your worries. If you want to stay in a big store, don't stay in a small one. There are so many thieves in small stores that they will steal from you. Sleep in the center, not on either side. Worry about the thieves who dig up the walls and come to you. Drink water from the river, not from the spring. The snakes in the spring are wagging their tails, and they'll ruin you. Eat cigarettes by yourself, not by others. Don't worry about the sweatshop in the forest. ...... "Going West" people go for years without returning, the wife of the family when she remembers her husband, or hand-rocking spinning wheel, rocking and singing, or standing in front of the door, singing in low tones, to express their feelings of attachment to their relatives far away: peas blossomed a little bit of red, to take the needle sewing clothes to think of my brother. I want to see my brother so much that I can't see him above, and my mouth is like a bitter yellow dock with icing sugar in it. The river has no water to feed the fish, but my sister can't leave you. A pair of hundred Lingzi flying in the sky, how long I look forward to see you. ...... Shaanxi folk songs reflecting local wedding customs have different characteristics in different historical periods. Three songs, "Orchid Flower", "Big Woman Wants a Man" and "I'll Find You a Good In-Law Family", all describe the way of marriage, but due to the different times, the way of marriage is also different. In "Orchid Flower", it is the old traditional way of marriage, buying and selling marriage, the new daughter-in-law has to sit in a sedan chair, and there are also "three groups of people blowing and two groups of people beating". By the time of "Big Woman Wants Han", the anti-feudal ideological sentiment has formed a trend, "big woman" dares to say and do, dares to ask her parents to get married, and the wedding has been simplified, riding a horse instead of sitting in a sedan chair. And in the song "find you a good in-laws", the heroine has been "their own ideas to take their own", the way of marriage is not the head covered, feet wearing embroidered shoes, but "riding a horse, wearing flowers", and the groom "! The way of marriage is not to cover the head and wear embroidered shoes on the feet, but to "ride a horse and wear flowers", and the bridegroom to "enter the house of the in-laws laughing and joking. Shaanxi folk songs are close to life, reflecting the reality of life, strong emotional color, love songs, especially so. Want you really want you" in the main character is an unmarried girl, one of the paragraph is so express her feelings: want you want you really want you, all over the body want you; hair tails want you ah, red hair head rope difficult to earn ah; Brazen skin want you ah, Elm comb difficult to comb ah; eyelashes hair want you ah, night and day difficult to close ah; eyes Yan Yan want you ah, tears of difficult to collect ah; tongue tip want you ah, sweet and sour, bitter and spicy difficult to taste ah; if said that is the case, and the groom "talk and laugh into the mother-in-law", and the Shaanxi north folk songs close to life, reflecting the reality of life, emotionally strong, love songs especially so. It's hard to taste; ...... If it's just a revelation of the character's inner thoughts and feelings, then the song "Pulling Hand in Hand" is a depiction of the character's behavior and actions: you want to pull my hand, I want to kiss your mouth, pulling hand in hand, kissing mouth and mouth, and the two of us lumps in the Laosi walk. The song is in four lines, easy to understand, although the hero and heroine are big and bold, but the action is natural and the mood is relaxed, which can be called a masterpiece of Shaanbei. Due to historical and natural conditions, northern Shaanxi is economically backward and culturally underdeveloped, coupled with a sparse population and dispersed residence, thus, the rule of feudalism here is relatively weak. Some remote mountainous areas have been circulating "three strange" ballad: "sand hit the wall wall does not fall, aunt-in-law married Han Han not annoyed, john jumped the wall dog does not bite". Visible in northern Shaanxi ideological one spot. Shaanbei folk songs are widely circulated in northern Shaanxi, general people in northern Shaanxi more or less can sing a few, when working in the fields, traveling, can be heard singing. Farming breaks, tea and dinner, people often get together to sing in turn. In addition to the natural circulation of the masses in daily life, there are two other ways of circulation: one is the circulation of folk singers and artists; the second is some customary activities in the collective or individual circulation. For example, in the activities of "going through things", welcoming and marrying, offering sacrifices, praying for the time, and rice-planting songs, all of them have to be sung. Another example is the "welcome song" in the "foot song", "walking red felt", "worship heaven and earth", "spread tent", "on the head of the song", "send children song" and so on.