The ratings burst table reputation but poor
"Mi Yue Chuan" since the East Satellite TV and other platforms since the broadcast, the ratings have been "burst table". The reporter learned from the Oriental Satellite TV, from November 30, "Legend of the Mi Yue" in the Oriental Satellite TV broadcast, the first day of broadcasting will harvest 1.8 not bad results. On the second day of broadcasting, the ratings soared again, approaching 2.4, the national ratings champion, "Legend of the Sheep Moon" has also become the fastest TV series broadcast by the Oriental Satellite TV in recent years to break the 2 TV series. From the early results of the opening seems to be, "Mi Yue Chuan" beyond the Oriental TV this year's hit "Luangya List", "Tiger Mom and Cat Dad", "He Yisheng xiaojiao" and other major dramas as well as the 2012 "Legend of Zhen Huan", but also more than this year's popular drama, "Flower and Bone", "Pretenders", the two major TV first day of the results of the sum of the broadcast, but also surpassed the year's highly controversial TV series, "Legend of the Wumayi Niang".
"Legend of the Sheep Moon" got a ratings score of 6 on its opening day in Shanghai, making it one of the best openings for a TV series broadcast in Shanghai in recent years, and on the following day, it quickly broke 8, up 2.4 from the day before. By the end of last week, Oriental Satellite Television's "Legend of the Sheep Moon" had already reached a local ratings score of 9.579 in Shanghai, showing an extremely rapid upward trend.
While the ratings are soaring, "Legend of the Sheep" is getting a lot of bad reviews online. From the expectations of up to 8.0 points before the start of the broadcast, to yesterday's Douban rating fell to 5.8 points, a much-anticipated drama "Legend of the Sheep Moon" within a week of the word of mouth fell wildly, far less than four years ago, "Legend of Concubine Zhen Huan" 8.9 points of the rating. About the play dress, logic does not make sense of the plot, the face of the character set up slots also came, was criticized by netizens "and" Legend of Zhen Huan "at least between the difference between a" Luangya list "and".
The plot lines characters have been criticized
After watching the Qing dynasty ladies ring the IQ competition, travel back to the Warring States, the "Legend of the Sheep Moon" palace fighting paragraph is also behind a few thousand years. In the play, cleaned up the "Concubine" to the, in front of the king of Chu Wei, Wei after a sentence to send off; Zheng sleeve also only a few words of work, so that the king of Chu Huai cut the nose of the "stupid white sweet" Wei beauty; Mi Yin framed Mi Yue night theft crystal ball means childish, noble as the "The four princes of the Warring States" Huang Xie actually and her "you said", "I did not say" quarrel, some viewers spat, "sure not in the shooting of Qiong Yao drama! I'm sure it's not a Qiong Yao drama?" And then there are the lines, "You can't touch a tiger's ass" and "I'm lucky to have met you", all of which make people sigh at the incompetence of the screenwriters. In order to show the "big picture", the characters in the drama also "drop the book" from time to time: Huang Xie explains to Mi Yue the "six arts", "three rites" and "six manners". Huang Xie is very hard to explain the "six arts", "three rites" and "six joys" to Yue, and he is very hardworking; in the section of "Yanglingtai Wenbi", the talented men of Chu make a long speech, ranging from the primary and secondary relationship of the Song of Songs to the "poetry speaks to the will or poetry speaks to the love", and so on. From the primary and secondary relationships in the Song of Songs to the ancient proposition of "poetry speaks of will or love", they all spared no space. The film's main theme is "The Way of the World", and it is a great example of the way in which the film can be used in a variety of contexts, from the way it is written to the way it is written.
Critic Pan Zaifu commented: "To grasp the overall temperament of an era is a big problem for writers and directors. The closer the era is, the better it is, and the farther away it is, the more difficult it is, even to the point of becoming an impossible task. I have expectations for "Legend of the Sheep Moon", but unfortunately "Legend of the Sheep Moon" did not do well. What's so bad about it? It wasn't a warring state, and it wasn't like Zheng Xiaolong's drama." But he also said the comments were "too harsh on 'Legend of the Mi Moon', people just want to make a profitable drama, why are they so demanding."
Directors also know that big waves
Director Zheng Xiaolong responded that the positioning of the drama is a historical costume saga drama. "It can be fictionalized, as a work of art for the audience to see. Or just don't shoot it and take the history books. We try to keep the big things fictional and the small things informal." He said, "I would have liked to downplay the palace fights. In The Legend of Zhen Huan, the concubines used underhanded tactics to fight for favor for the sake of family interests. But here, when those princesses went to Qin, they weren't competing for favor, they were doing it for the benefit of their mother country. This harem is talking about just the conflicts between the princesses."
Talking about "Legend of the Sheep and the Moon" being caught in mixed reviews, star Sun Li said, "This drama has only just been broadcast, and it's too early to draw conclusions about it. There are 81 episodes in a ****, it's only a dozen episodes that have been broadcast, at least see 40 episodes, I firmly believe that it's getting better and better later on, and I've heard friends say it's a bit slow. But I understand the drama behind it, it's about a girl's life, from a wild princess to a generation of diva needs to be padded, every episode of Mi Yue's growth in front of her is inextricably linked to the back. So in my opinion a lot of plot essential, do not explain so much, slowly read on, everyone must understand what I say."
Zheng Xiaolong naturally also wants to make works that can be retained and stand the test of the market, he said, "Over the years, I have created and directed a number of TV dramas. I've been around for so many years, and I empathize with the transformation of the TV drama industry. Nowadays, the marketization of TV dramas is getting higher and higher, which leads to the phenomenon of over-entertainment, and the creation and production are money-oriented, with the ratings becoming the only standard. I always believe that the market is only one of the criteria for evaluating works, but it is never the only criterion. Nowadays, some hot idol dramas mainly focus on the subject matter of fantasy, ancient costume, fashion and urban areas, and seize the screen by virtue of their high-value and highly popular casts. In my opinion, movie and TV dramas also need to have a deep insight into human nature."
He said, "In the current TV drama market, only relying on a few holdout works can't drive the whole market, nor can it form a climate. What is a good TV series? It should be able to withstand the test of time and withstand repeated re-runs. We are always saying that we should do fine work, what is fine work? A true masterpiece will go through the waves and eventually be screened out by the times. There is a humanistic tradition, reflecting the richness of human nature, I think this kind of work will be retained by time.