In order to listen to a famous actor's play, there are not only seats but also standing tickets in the theater. There are not only standing tickets, but also squatting tickets; There are not only squatting tickets, but even squatting tickets; With a party ticket, I can't finish counting, and I actually invented a hanging ticket-that is, a ticket that hangs a person with a rope and hangs it on the ceiling fan of the theater to see the play. Ironically, this hanging ticket is more expensive than other tickets, not because of the good view, but because of the extra rope money.
door-hopping: as the name implies, jumping from one portal to another is similar to "job-hopping" now. The phonographer pays attention to "one teacher and ten fathers", which means that there can only be one master. If you learn from other teachers, you can not worship the master, but you can worship michel platini. Theoretically speaking, it is not allowed to "jump the door" in the phonograph world.
leaving the school: in the old days, it meant that learning drama in the class expired.
Fuliancheng Society: founded in 194 and closed in 1948. In the early stage, it was called "Xi Liancheng". Fu Liancheng is recognized as a class with the longest running time, the largest number of talents and the most far-reaching influence in the history of Peking Opera education.
In the past 44 years, Fu Liancheng has been trained in * * *:
There are nearly 8 subjects, including "happiness", "connection", "wealth", "prosperity", "world", "yuan", "rhyme" and "celebration" (students in the eighth subject have just entered the subject, but the students have been transferred out because of the war). Among them, Lei Xifu, Hou Xirui (net), Ma Lianliang (born), Yu Lianquan (Xiao Cuihua), Ma Fulu, Tan Fuying (born), Ru Fuhui, Qiu Shengrong (net), Ye Shenglan, Ye Shengzhang, Xiao Shengxuan, Sun Shengwu, Yuan Shihai (net), Li Shifang, Mao Shilai, Jiang Shiyu, Chi Shigong and Ai. Many of them have passed on and trained a batch of students, making indelible contributions to the development of Beijing opera.
Gao Qingkui: 189-1942, formerly known as Zhenshan (Zhenshan), was named Zijun. A famous Peking Opera veteran performer, the founder of Peking Opera's high-school veteran art, and one of the "four great students" of Peking Opera. Gao Qingkui was born in Yuci, Shanxi, and was born in Beijing. His father Gao Sibao (Shi Jie) was a famous clown actor in Peking Opera in the late Qing Dynasty. In 193s, Gao Qingkui, Yu Shuyan and Ma Lianliang were regarded as the "three great sages" of the old generation.
Tan Fuying: 196-1977, a famous Peking Opera performer, was once the deputy head of Beijing Peking Opera Troupe, and was born in a Beijing opera family. Grandfather Tan Xinpei and father Tan Xiaopei. Tan Fuying is good at performing Tanmen's dramas, winning by singing and being good at martial arts. Representative repertoires mainly include Lost Space, Catch and Release Cao Cao, Spring and Autumn Festival in its heyday, Jin Chu's Crossing Soldiers, Nanyang Pass, War for Peace, Dingjun Mountain, A Send-off from Mulberry Garden, Strange Revenge, Drumming Cao Cao, Hongyang Cave, Searching for the Lonely and Saving the Lonely (also known as Zhao's Battle of Red Cliffs, General Peace, Great Protection of the Country, Exploring the Shadows, Second Palace, Ten Books, etc. are all well received by the audience.
Liu Changyu: a native of Wuxi, Jiangsu province, was born in Beijing in January 1942, and her original name was Zhou Changyu. Famous Peking Opera performance artist, national first-class actor, actress of China Peking Opera Theatre. Former Vice President of China National Peking Opera Academy. Selling Water is Liu Changyu's famous work. Spring grass rushes into the hall, The Story of a Red Lantern, red lanterns, Yan Yan and yushu backyard flower are all her original plays. At the same time, she is good at performing many traditional plays, such as: Two Friends in a Red Chamber, Xin Anyi, Peach Blossom Village, Four Lang Visiting Mother and so on. Ye Hanyan, Sitting on a Building to Kill Cherish, Thirteen Sisters, Qiu Jiang, Peach Blossom Village, red lanterns, etc., show vitality of life and personality in stylized performances. In 1983, she performed "Two Yous in the Red Chamber", with You Sanjie in the front and Second Sister You in the back, which not only retained the characteristics of Xun School, but also incorporated her own understanding and creation in singing and performance. She also performed modern plays such as Kunlun Grass, Fighting in the Plain, and The Story of the Red Lantern, especially The Story of the Red Lantern as Li Tiemei's most outstanding achievement.
Yuan Shihai: From February 11, 1916 to December 11, 22, his original name was Yuan Ruilin, who was born in Beijing, China. He was a well-known Peking Opera actor and was famous for his good performance of Cao Cao. Yuan Shihai began to learn Peking Opera at the age of 8. In 1927, he entered Fuliancheng Opera Troupe to learn from the old students, and later he changed to learn from Hua Lian. In 1934, he began to perform on stage. In 194, he took Hao Shouchen as his teacher and became a successor of Hao School. In 195, he participated in the establishment of the New China Experimental Peking Opera Troupe, one of the predecessors of China's National Peking Opera Theatre, and later served as the vice president of China National Peking Opera Academy. Masterpiece: <; Stealing a royal horse > , On Heroes, General Harmony, Wild Pig Forest, Biography of the Horse, Gift of Won Robe, Eliminating Three Harms, Visiting Mother in likui jy, Black Whirlwind, Peach Blossom Village, Jiujiangkou, Sitting in a Village and Stealing Horses, etc.
Dou Erdun: There are few people who like Peking Opera now, from professional actors to amateur ticket lovers, who don't know Dou Erdun. Listening to a song "Stealing the Horse" is more exciting than drinking two taels of shochu. Dou Erdun, a Jianghu hero, went into the imperial camp at night to avenge his death, stole the imperial horse, and framed Mrs. Huang San, which caused a case-solving. The whole play was called "Chain Set", and "Stealing the Imperial Horse" was only one fold. This play is a famous drama of Beijing Opera.
Yutangchun is not only the opening play of Peking Opera, but also one of the most popular plays in China opera. This drama is a random play by Hua Bu in Qing Dynasty, and the author is unknown. For the story, please refer to volume 24 of Warning to the World and volume 2 of Love History compiled by Feng Menglong. As for the stage play, the Ming Dynasty has compiled the legends of Wan Zhen Ji and Yu Bangji (Yuanshantang Qujing). By the Qing Dynasty, the legend of Yu Tangchun (Li Ge criticized the old drama) was performed on the Kunqu Opera stage, and the script has been lost. The whole drama of Yutangchun includes such folds as Go to the Courtyard, Temple Fair, Jiexie, Trials, Visiting Prison, Reunion, etc. It covers almost all the forms of Xipi's singing in Beijing Opera, especially Women's Jiexie and Trials, which are 2% wonderful, and the artistic achievements of vocal cavity are extremely high.
Shiro Visiting Mother, also known as Beitianmen, is based on the story of Yang Jiajiang, but the plot is different from the Romance of Yang Jiajiang. This play is one of the traditional plays with high vocal achievements by Sheng and Dan. The story tells that Yang Silang Yanhui was taken captive by Liao in the Battle of Song and Liao Jin Beach, renamed Mu Yi, and married Princess Tiejing. Fifteen years later, Shiro heard that Shiro was in command, and his mother, She Taijun, was also coming with the camp, so he felt homesick. However, the war was tense, and I was very depressed because I had no plan to meet my mother. The princess asked about the secret and stole the instructions. Shiro took advantage of the night to get through the customs. He was caught by Yang Zongbao patrolling the camp and arrested Shiro as a spy. Seeing that it was the fourth brother, Liulang untied himself and went to see his mother and other family members. Everyone had mixed feelings of sadness and joy and wept bitterly. Just in a hurry, and don't leave.
The cross talks they have cooperated with include the name of the dish, boasting about the house, the white party, the tongue twister of eighteen worries, the three-festival meeting, selling five instruments, the foreign prescription, tongue twister, the tree without leaves, the fear of pulling a cart, gambling theory, finding a church meeting, the anti-seven-mouth, spitting lotus flowers, nodding and counting treasures, counting treasures (coffin shop), five-line poems, eight auspicious things, yin and yang. Scarabs, tied dolls, Wuxing Tower, playing chess, heartthrobbing, eating Yuanxiao, Killer's book, selling father's meat, money-obsessed going home, lighting vinegar, trading classics, deception, stealing theories, stealing axes, Yellow Crane Tower, selling tickets, talking about dreams, learning to dance, selling coffins, tying doors upside down, making cupboards, dreaming of marriage, and so on.
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