The Most Complete Classical Dance Movement Essentials
Classical Chinese dance has a long history of human dynamic culture, and is the most traditional, representative and exquisite part of Chinese dance. After the combination of square dance and classical dance, the difficulty has been reduced a lot, but at the same time, it also retains the beauty of the classical dance's "twisting, tilting, rounding and curving" posture. Today I will share with you the essentials of movement in classical dance learning.
Screwing
The so-called screwing refers to the dance in the body to ensure that the state of the upright, with the rhythm of the music to the side or back to screw.
"Twisting" occupies an important position in classical dance, not only because many dance shapes and techniques are composed of twisting rhythms, but also because it can be combined with other elements to produce new composite elements, such as lifting twisting, tilting twisting, tilting twisting, etc. These elements are the basis for the composition of the classical dance folk dance, which is the most important element of the classical dance. These elements are an integral part of classical dance.
Leaning
Leaning means that the body is sculpted and tilted when it is shaped.
Circle
Circle is the essential feature of the movement form of classical Chinese dance. The body posture of Classical Chinese Dance is always in a state of gyrating, i.e., a state of "roundness" and "rotation". Many of the dance images we have seen, the basic composition of its movements, modeling characteristics and power towards the implied, all show the characteristics of "rowing circles", some of which are several circles of cross distribution, some were 8-shaped, some were arcs, some were S-shaped.
The integration of the circle into classical dance makes the movement more rounded, more expressive, and the dance more complete.
Qu
Chinese classical dance is very concerned about the beauty of the body. Curve refers to pay attention to the changes of body posture and find the curve shape of the body in the dance. Classical dance waist as the axis of the whole body, its "lift, sink, punch, leaning, containing, shy, move" of the reciprocal gyration is bound to show the body of the so-called "body like a swimming dragon", "slender back to the fly", which is exactly the swimming dragon.
In the process of dance movement, the body's rhythmic requirements are also want to enter the first to retreat, want to precede the successive, want to left first right, so that the dance is more rounded. The use of rhythm and posture of high and low, strong and weak, fast and slow changes, resulting in a variety of dance movements, to avoid straight forward, monotonous repetition, so that the viewer is constantly produced unexpected, overwhelmed by the freshness.
Hands and eyes follow each other
Where the hands go, the legs follow; where the feelings go, the heart follows; where the heart goes, the feelings follow; where the feelings go, the taste follows.
Dance itself has the role of conveying feelings and meaning, and classical dance in this regard is embodied in the best. Dance comes from life, the hand and the eye with the perfect display of the emotions of the dance.
Essentials of Breathing
Breathing in Classical Dance encompasses a lot of things. For example, one kind of breathing is used in the upright position of the dance, and another kind of breathing is used in the bending of the knees. Breathing includes internal and external breathing, and good or bad breathing directly affects the display effect of classical dance.
Breathing permeates all dance movements, and the way of breathing should be adjusted according to the dance movements. The body is relaxed, stretching movements, the natural flow of breathing makes the whole dance movement natural and full.
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