Doctoral dissertation in musicology Article 1
Analysis of the grassroots mass cultural activities in the music creation of innovative strategies
Mass cultural music creation contains more, such as music adaptation, the compilation of dance music, song music skewer, for the activities of the theme songs and other music creation activities. But in the grass-roots mass cultural activities in the actual work of music creation, because some reasons make music creators in the process of music creation of many problems, these problems are not solved will affect the mass cultural activities in the smooth development of music creation work.
First, the current situation of music creation in mass culture at this stage
1. The quality and style of music creation varies significantly
Because the main body of mass culture is the masses, most of the creators of music and art in mass culture are also ordinary people or amateurs of music creation, and there is a difference in the professional knowledge of the music of the different creators, their level of education, personal music literacy and cultural quality, resulting in the mass of people's cultural activities. Different creators' music expertise, education level, personal music literacy and cultural quality are different, resulting in significant differences in the quality of music creation and the level of works in mass culture, which, to a certain extent, has brought about a greater negative impact on the work of music creation in mass culture. In addition, although China's current stage of mass cultural music creation presents a more prosperous situation, but can really play a rallying cry among the masses of the people's songs are few and far between, in the creation of these songs, music creators not only have to spend a lot of energy and time, but also for the listing of these songs to invest a certain amount of financial resources, and gradually detached from the music creation itself has the fun and meaning.
2. Lack of professional music creation talent
Grass-roots mass cultural music creation work to face the masses, in order to improve the effect of music creation, the need for professional music creation talent and professional equipment. Professional music composers can according to the activities of the theme and specific requirements, in order to ensure that the music meets the requirements of the activities under the premise of independent music creation; music composers in the creation of music in the process of the need for professional equipment. Professionals and professional equipment is to ensure that the smooth progress of the music creation activities of the prerequisites, but the grass-roots cultural centers units because of their own scale limitations and economic factors, the lack of professional talent and equipment, which affects the smooth development of the music creation work.
3. Insufficient funding
Although the government now vigorously supports grassroots cultural activities, it is still unable to keep up with the changing nature of mass cultural activities. In the case of insufficient funds or no funds at all, it is very difficult to complete the creation of the grass-roots people will be due to the lack of funds can not afford to buy professional books or can not afford to go to professional courses, thus hindering the creation of works.
Second, the main strategy to solve the problem of music creation in cultural activities
1. Improve the hardware required for music creation
The hardware required for music creation in grass-roots mass cultural activities refers to the musical instruments: piano, guitar, violin, erhu, flute and so on or computer equipment, sound cards, software and so on. Coupled with the guidance of professional teachers, can make everyone faster to learn and complete the music creation. At the same time, driven by professionals, can mobilize the desire to learn and learning atmosphere, coupled with the use of musical instruments, so that the whole process of music creation in a happy. Nowadays, there are also many people use computer production to create music, computer production compared to the traditional method of lightweight and fast easy to organize, but lack of collective sense of cooperation, in the whole song is probably created after the completion of the need to go to the studio to audition, then there should be a professional studio or recording studio for everyone to audition their own songs. The modern way of creation is more costly than the traditional method, if in the case of insufficient funds, it would be more decent to use the traditional way of music creation.
2. Do a good job of grass-roots research before music creation for grass-roots cultural activities
In order to solve the problem of the grass-roots people's differences in music and cultural level on the grass-roots cultural activities of music creation, the grass-roots cultural organizations and music composers should carry out a careful investigation and research work in the jurisdiction before the activities of music creation, and understand in detail the various masses of people on the music and culture. The needs of the public for music and culture should be understood in detail. At the same time, they should do a good job of planning cultural activities, finding entry points that are suitable for most people's musical perceptions, as a starting point for music creation, and creating musical works that meet the majority of the public's preferences. At the same time, after the activity is over, a second research can be conducted to find the strengths and weaknesses of this creative work. This kind of research work includes both direct dialog and communication with the residents, but also through community questionnaires, network surveys and other indirect forms of investigation. Finally, the results of the research will be summarized in order to improve the level of creation in the next creative work.
3. Introducing professional music resources
Professional music composers are the mainstay of grassroots mass cultural music creation, but they are also a relatively scarce resource for grassroots cultural organizations. In the traditional mode of work, the solution to this problem is for the higher cultural departments to assign professional musical talents, a method that results in a single source of musical talents and a lack of choice for grassroots organizations. In order to effectively solve this problem, some grass-roots cultural organizations have begun to use social resources to select professional music composition talent, for example: the use of music volunteers in cultural activities, which not only can promote volunteer activities, but also improve the quality of music creation; In addition, it is also necessary to increase the investment in professional equipment, grass-roots cultural organizations in addition to the use of higher-level grants, you can also make use of the power of social resources, the most common is to cooperate with enterprises, schools, schools and other institutions, to promote music creation. The most common is with enterprises, schools and the community and other cultural *** build, realize the music resources *** enjoy, and then promote the smooth development of music creation work.
4. Mass cultural music creation should be a blend of ****ness and individuality
In dealing with the relationship between ****ness and individuality of mass cultural music creation, mass cultural music creation should start from the following aspects: first, cultivate and refine new inspirations in the living soil on which mass cultural music creation relies to break through the limitations of the original artistic creation and bottlenecks. Secondly, boldly utilize the music forms and styles of the nation, and make great efforts to innovate on the basis of inheritance, so as to enhance the charm of mass cultural music creation. Thirdly, in the use of mass cultural music creation techniques, we should think carefully and select the most mature and unique techniques to express.
Third, the conclusion
In short, the mass cultural music creation in the enrichment of the cultural life of the masses of great significance and significant role. In the practice of mass cultural music creation, on the one hand, we should pay attention to the quantity and quality, on the other hand, in order to avoid the misunderstanding of mass cultural creation, we should pay attention to the innovation and development in the form of creation, creation of ideas, creation of content, so as to make the mass cultural music become an important force for the construction of spiritual civilization in China.
Doctoral Dissertation in Musicology Part 2
An Analysis of Ethnic Music Elements in Chinese Popular Music
Popular music is a type of music for profit, which has been rapidly loved by people in the West because of its rich form and diverse styles. Since the reform and opening up because of the influence of European and American culture, China's popular music creators are also more and more, but there is no lack of ? The song of "Mouthful of Songs" is a popular music. The emergence of pop music in China. Therefore, China's popular music must begin the development of localization, which needs to draw on China's traditional folk music, so that China's popular music is more aesthetic. In this combination of practice, we not only see a lot of excellent works, but also see the new direction of the future development of popular music.
I. The use of elements of national music works in pop music
The precious thing of China's national music is not only the rhythmic beauty, but also the spiritual inheritance. In the thousands of years of historical development, national music still stands, not only not abandoned by the times, but also in the long river of history under the wash of the more bright and dazzling. If China's popular music wants to have certain characteristics, incorporating some elements of folk music is the most effective way to combine the two in the creation of popular music, so as to achieve the goal of "pushing the boundaries of the new". Pushing out the old and the new?
The music of China's popular music has a unique character.
In this case, the first is the adaptation and combination of traditional folk music. For example, Song Zuying's "Liu Yang River" was changed into "Little River Runs Through the Water" by Zeng Gege and Feng Xiaoquan; the traditional folk repertoire of? New singing of old songs? , such as Han Hong teacher's "Beijing's Jinshan" and so on; the use of popular modernization of singing, more integration of Hip-Hop, Rap, Blues, Jazz, and R& B [2], on the basis of which singing ethnic elements of the representative singers are: Jay Chou, Xu Song, etc., Xu Song [3] of the "Qingming rain on the", "Lushou moon", "half of the city smoke sand" are full of deep ethnic elements
Second, the use of ethnic musical instruments in popular music
The creation of musical instruments in China dates back to ancient times, and was further developed through the creation of Yin and Shang, and these distinctive musical instruments have been handed down to different forms of performance. In today's society, we should not only pursue western music, but also focus on the use of ethnic instruments. In China, there are many instruments with great characteristics, the most common are ocarina, pan, guzheng, pipa, erhu, guzheng, etc. These instruments have different expressive power and are very unique.
Therefore, for the fusion of popular music and folk music, the use of musical instruments is essential, which will be an inevitable trend of development. Because of the uniqueness expressed in ethnic instruments, it will make the song as a whole become personalized. For example, Wang Yong in the creation of the "past life" on the addition of guzheng, liuqin and other ethnic instruments, and later became a representative of China's rock music; flower band in the "Butterfly Flying" song creation, is the use of our country's famous ethnic instrumental "Liang Shanbo and Zhu Yingtai" to complete; and Wu Ke?t's "General Order", the song material is derived from the opera "General Order", in the original opera For the use of large and small gongs and cymbals are preserved, so that the combination of the two ancient and modern flavor are in, but also more accepted by the audience and even loved.
Third, the use of opera elements in popular music
As a major type of national music elements, opera can be regarded as one of the most important parts, and the integration of some opera elements into modern popular music will also lead to a lot of marvelous reactions.
For example, the famous composer Yao Ming, he is a native of Beijing, for him the Beijing rhythms and drums at his fingertips, so you can listen to the "Front Door Love Bowl Tea" and "Hometown is Beijing", you can hear that full of Beijing flavor of the tunes; Liu Huan's "Love Complaints", Wang Leehom's famous song "Flower Field Mistake", as well as Zhao Chuan's "Ink and Mouse" is the organic combination of rock and Beijing Opera; another example is the popularity in the last few years. Another example is the popular "The Drunkenness of the New Concubine" a few years ago, the chorus is the melody of Peking Opera combined with Li Yugang's flower girl disguise, the ancient colors and flavors of the ancient world are immediately apparent. Therefore, the art of opera is an inspirational resource for pop music, and if you utilize it appropriately, you can make the song's style characteristics well strengthened.
Singing is also a rich system in opera, and nowadays there is a lot of pop music borrowing from this kind of singing, such as Zhu Derong's "Dreaming of Beijing", there is a section of Peking Opera singing, which utilizes Peking Opera to express ? Dreaming of Beijing? This theme is very clever. There is also the "reverse walk", in this Sun Yanzi song, the opening of the use of Peking Opera singing, instantly refreshing, after the singing plus rap even more so that the song is full of dramatization.
Fourth, the role of national music elements in the creation of popular music text
China's national culture has always been the text as a carrier for the development of our country from ancient times to the present day most of the entire culture is witnessed through the text, which is the aesthetic concepts of the Chinese people in our country, the values, and attitudes of life. The content of the text is also an important part of the evaluation of whether a musical work can be called excellent. Therefore, in the fusion of modern popular music and national music elements, not only the integration of sound and rhythm, but also the integration of national characteristics, so that the listener can find some sense of national belonging in the music. However, this is very simple to say, but it is not easy to grasp the size, if the fusion of the text is too common, it will not be loved by the listeners, on the contrary, it may produce a feeling of boredom. Therefore, pop music creators should pay attention to the public's point of view in the creation of the combination of the two, and the selection of the text must be characterized by a strong typicality.
For example, when Mr. Zhang Yuyi created "Wasted Eyebrows"[5], it was a fusion of Yuanqu and "Dream of Red Mansions" which is one of the four most famous novels in China; the singer who has a better use of Chinese classical poetry is JAY. His "Chrysanthemum Terrace", "Red Dust Inn" are the songs maximize the classical, and finally formed his own a unique Chinese style, and loved by the youth; Queen Wang Fei "Song of Water" is also adapted from Su Shi's lyrics of the same name.
V. Future development of the integration of folk music and popular music
(1) The interdependent development of folk music and popular music.
In China's 2009 Spring Festival Gala, Song Zuying and Jay Zhou's ? Yinglun combination? It was the first time that ethnic music and popular music collided. In the relevant survey, this program became one of the programs with the highest ratings in the Spring Festival Gala that year. This also reflects that the fusion of pop music and folk music will be a win-win result. Traditional folk music needs to develop and modern pop music needs to innovate. The two kinds of music are interdependent, **** the same development, not only can make our country's popular music gradually into the world level, but also ensure that our traditional democratic music can also be long-lasting development and inheritance.
(ii) The commercialization of popular music in the future by integrating elements of national music.
The so-called popular is the masses, and this kind of music is not limited by geography and subject matter. And the music can help people change their moods on specific occasions. The rapid development of modern society has also brought infinite commerciality to pop music. For example, the Phoenix Legend has been exceptionally hot in recent years, and this group is very popular. One of the most famous is "The Most Dazzling National Wind", which is more popular and has become the square dancing mothers':? love of the heart? Not only that, even foreign countries use this song as the background music for aerobics training. The number of downloads and plays is even more amazing. Behind this exceptionally hot aura and the integration of ethnic music is inseparable, and its integration into popular music has really expanded the development space of China's popular music. This also requires music composers to pay attention to the accumulation of their own historical knowledge when creating songs. I believe that in the near future, China's popular music will have a better tomorrow.
VI. Summarize
In summary, the elements of folk music can be well played in pop music in a variety of ways, and it is completely possible to use the beautiful melody and national culture in folk music in pop music. However, it should be noted that the scale should be well grasped and should not be used just for the sake of using. The essence of folk music should not be twisted or modified arbitrarily to play different roles in different music styles, and this kind of imitation is not just in form. Let the elements of folk music play a proper role in popular music, China's popular music can be more national, special and aesthetic.
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