What song is it if you don't let go?

Very quiet.

Silent is a song sung by Na Ying and the theme song of the movie How to Get to Shengxiao Mo. This is written by Yin Yue and composed by Lei Qian. April 15 single release. In 20 15, the song won the top 20 golden melody awards in the first half of 20 15. In 20 16, he won the Top Ten Golden Melody Award in the 23rd Oriental Billboard.

The complete lyrics are as follows:

I can't help being a stubborn fish and swimming against the current alone.

When I was young, I made a pious vow and sank silently into the deep sea.

After revisiting it several times, I finally lost you. I was sentenced to lifelong loneliness by love, and I didn't let it go until I fought back.

You are the one who can't finish drawing circles and is full of dissatisfaction.

Why is love doomed to loneliness, and they can't escape? However, the knot that the eyebrows can't untie and the robbery that the hit can't untie are you.

Ah, I lost you, ah, I lost you.

Appreciation of Song Dynasty:

The melody of "Silence" is simple and clean, and its biggest feature is its flavor and mind-wandering. The humming of the main part of the song creates rich emotional characteristics. The solid and magnetic voice has a kind of stickiness, which firmly sticks the listener's emotions in the artistic conception of the work.

In the chorus part of the song, Na Ying did not sublimate with simple progression, but left blank. The ending has a melodious charm, which makes the work full of a stronger sense of space depth and aftertaste.

Na Ying presents an annual ring in rhythm, sentence breaking and balance, which sounds desolate and vast but full of forbearance and insight. Through the rendering of emotions, a woman's lonely gray mood after years of silence is deduced.

The simple metaphor and rendering of the lyrics outline the theme of fate and robbery well. Melody maintains a kind of emotional restraint in the tone of "silence", and the chorus changes from suppression to yang and then from yang to suppression in just a few bars, but a few strokes well reflect the intersection and interlacing of fate and robbery.