I think it's very superb art.
With the movie version in front of us, there are no classic lines, no camera transitions, just body language and stage space to express a complex spy story, which is still a gap in the field of dance. On stage, choreographer Luo Huizhen has portrayed nine main characters, each of which is almost always a dual identity. Just to be clear, my answer is not off-topic, I'm evaluating "The Neverending Radio" very seriously. Since I was asked what I thought of it, I'm going to break down the details for you.
So, "choreographic montage," "rewind playback," "removable scenery pieces"... ...A series of out-of-the-box, unconventional techniques were brought into the dance drama. A lot of background explanation was moved into the shadow painting, 26 pieces of movable scenery, in the unified scheduling of computer programming, move around and rotate, with multimedia projection, to achieve the conversion of different scenes, the clever use of lighting technology makes the whole visual presentation of the dance drama has the texture of the film. "Artistic innovation to the extreme."
Wang Jiajun, principal dancer of the Shanghai Song and Dance Troupe, plays the main character Li Man in the play. He still remembers that when rehearsals entered a month and a half, a creative bottleneck appeared, stuck in the emotional construction of the character. "Between the stoic, restrained, and delicate 'take in' and 'put out', I couldn't find that exact degree in 'Li Man'! ." Wang Jiajun said. In addition, this work will be added to the "theater performance", which is not common in his nearly two decades of experience in dance creation.
"Time only remembers the best, the art of the pursuit of first-class." This line is written on the wall of the rehearsal hall of Shanghai Song and Dance Troupe. The creators and actors key details over and over again, repeating an action thousands of times. "The process of creation is very torturous, but suddenly find the feeling, it is transformed." Han Zhen said.
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